News Alert | Four new theses in Europe explore Louisiana history

Posted in Articles, Campus Life, History, Louisiana, Media Archive, United States on 2016-06-17 17:40Z by Steven

News Alert | Four new theses in Europe explore Louisiana history

Louisiana Historic and Cultural Vistas
2016-06-17

Christophe Landry

For immediate release

European theses explore Louisiana history

In 2015 and 2016, students in England and the Netherlands finalized research on Louisiana history, culminating in dissertations (called theses in the United Kingdom and Holland). It probably will sound far-fetched, but there’s good reason behind it. The University of Sussex in Brighton, England, has a scholar named Richard Follett. Richard conducted his doctoral research at LSU in Bâton Rouge and has written and spoken extensively on the sugarcane industry in Louisiana, especially on race and emancipation in Louisiana’s sugarcane-growing parishes. The University of Leiden, in Leiden, Holland, has Adam Fairclough. Adam’s career also hinges on US history, specifically on race, racism and the African American experiences in the US South.

Richard supervised 3 theses on Louisiana. Carin Peller-Semmens’s thesis discusses issues preventing Reconstruction from materializing its intended goals on a longterm basis in Louisiana’s Anglo Red River valley (northwest Louisiana). Darryl Barthé and I both wrote on 20th century transformations in the Creole community of New Orleans and southwest Louisiana.

Mark Leon de Vries, like Carin, explored Reconstruction in Louisiana’s Red River valley.

Below is a summary of each of those theses, as well as a URL where they can be downloaded free of charge. I’ve grouped them in Creole and Red River, since they present different periods, cultural milieux, ethnic groups, realities and experiences in Louisiana’s Latin and Anglo communities…

Read about the four theses here.

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Conversations: Victoria Bynum

Posted in History, Interviews, Media Archive, Mississippi, Slavery, United States, Videos on 2016-06-17 14:58Z by Steven

Conversations: Victoria Bynum

Mississippi Public Broadcasting
Aired: 2016-06-16
Length: 00:26:46


Historian and author Victoria Bynum talks about her book, “The Free State of Jones: Mississippi’s Longest War.” First published in 2003, the book tells the story of Jones County residents who opposed secession from the Union during the civil war. The true story is receiving a resurgence in interest now that it has been made into a major motion picture starring Matthew McConaughey.

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Yes, I’m Black! Here’s why.

Posted in Articles, Autobiography, Media Archive, United States on 2016-06-17 14:45Z by Steven

Yes, I’m Black! Here’s why.

Medium
2016-06-16

Megan Madison, Doris Duke Fellow
School for Social Policy and Management
Brandeis University, Waltham, Massachusetts

Part of an EmbraceRace series on “mixed-race” identity.

Based on how people identify themselves, and accounting for their parents’ and grandparents’ identities, the Pew Research Center recently found that 7% of US adults are “mixed-race.” Mixed-race kids are at least double that proportion of all children.

The mixed-race population is the fastest-growing racial group in the country and, although most people who could identify as multiracial do not, they are a fast-growing political force as well.

EmbraceRace invited members of our community to talk about their experiences as mixed-race people. We provided Dr. Maria Root’s 1993 Bill of Rights for People of Mixed Heritage as a prompt, which several writers identified as crucial to their own early development as multiracial/mixed- race people. We asked them to use it in any way they wished, or not at all.

Below you’ll find “Yes, I’m Black! Here’s Why,” by Megan Madison.

It was Passover. And as an anti-bias educator, I couldn’t help using the Exodus story as an opportunity to talk about civil disobedience, to talk about the difference between just laws and unjust laws. And just as we were discussing the bravery it must have taken Moshe to stand up to Pharaoh, the GPS interrupted, instructing us to turn left onto MLK Blvd.

“Do you know who Martin Luther King Jr. was?” I asked.

“Yeah. I know already.” My white 8-year-old nephew in the backseat rolled his eyes. “The busses and everything.”

We talked for a while longer about risk, and courage, and sticking up for what we believe in. And then came the question that triggered in me a familiar warm wash of shame and panic: “You’re black?” he asked.

I glanced up at my reflection in the rearview mirror.

“Yep. I’m Black,” I replied, doing my best to convey the assuredness that I’ve learned can sometimes protect me from further interrogation. The air of confidence that might just save me from having to justify my existence one more time, spare me from having to trot out version #7,280 (5 times per week x 52 weeks per year x 28 years — rough estimate) of the speech I’ve given since childhood…

Read the entire article here.

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But what I am really asking is, Am I black?

Posted in Excerpts/Quotes on 2016-06-17 01:48Z by Steven

The lies passed down from my grandmother have led to multiple family members passing as white. I have now, sixteen years after discovering my grandmother’s secret, begun to question it in earnest. I have begun to read about and question the history of passing; I have begun to ask black friends about their hidden relatives, and I ask my family questions they have never felt comfortable answering. But what I am really asking is, Am I black?

Jane Marchant, “Jane Marchant: A Century of Progress,” Guernica / A Magazine of Art & Politics, June 13, 2016. https://www.guernicamag.com/daily/jane-marchant-a-century-of-progress/.

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Talking Race: Space and Body

Posted in Arts, Autobiography, Campus Life, Media Archive, United States on 2016-06-17 01:31Z by Steven

Talking Race: Space and Body

The Bennington Free Press
Bennington College, Bennington College, Vermont
2016-05-26

Samantha Barnett ‘19

I constantly think about how I move through space, how I claim space, how being mixed race means not knowing how my body will be identified. I think about how the first thing that I do when I walk into a classroom is count how many people of color are in the room. I think about whether or not they will identify me as a person of color; I think about how the professor already has. I think about being in an anthropology class, the discussion for the day being on race, the class divided into groups– there is one person of color per group. We’re here to “explain race.” I think about walking through my common room one day and listening to two white students saying, “Why do we call people of color ‘people of color’? It’s stupid, what can we call them instead?”

One of the first things that I’ve learned as a student of color at Bennington is how to hear what I’m really being asked…

Read the entire article here.

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For You Were Strangers: A Hanley & Rivka Mystery

Posted in Books, Media Archive, Novels, United States on 2016-06-17 01:24Z by Steven

For You Were Strangers: A Hanley & Rivka Mystery

Allium Press of Chicago
2015
320 pages
6″ x 9″
Trade Paperback ISBN: 978-0-9890535-9-4
Ebook ISBN: 978-0-9967558-0-1

D. M. Pirrone [Diane Piron-Gelman]
Chicago, Illinois

On a spring morning in 1872, former Civil War officer Ben Champion is discovered dead in his Chicago bedroom—a bayonet protruding from his back. What starts as a routine case for Detective Frank Hanley soon becomes anything but, as his investigation into Champion’s life turns up hidden truths best left buried. Meanwhile, Rivka Kelmansky’s long-lost brother, Aaron, arrives on her doorstep, along with his mulatto wife and son. Fugitives from an attack by night riders, Aaron and his family know too much about past actions that still threaten powerful men—defective guns provided to Union soldiers, and an 1864 conspiracy to establish Chicago as the capital of a Northwest Confederacy. Champion had his own connection to that conspiracy, along with ties to a former slave now passing as white and an escaped Confederate guerrilla bent on vengeance, any of which might have led to his death. Hanley and Rivka must untangle this web of circumstances, amid simmering hostilities still present seven years after the end of the Civil War, as they race against time to solve the murder, before the secrets of bygone days claim more victims.

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What does ‘Latinx’ mean? A look at the term that’s challenging gender norms

Posted in Articles, Latino Studies, Media Archive on 2016-06-17 01:07Z by Steven

What does ‘Latinx’ mean? A look at the term that’s challenging gender norms

Complex
2016-04-18

Yesenia Padilla, Xicanx Poet
Southern California

If you’ve been online at all in the past year, you’ve probably seen the word “Latinx” and thought: What does it mean?

Latinx (pronounced “La-TEEN-ex”) is a gender-inclusive way of referring to people of Latin American descent. Used by activists and some academics, the term is gaining traction among the general public, after having been featured in publications such as NPR to Latina. But where did Latinx originate, and is everybody on board with using it?…

Read the entire article here.

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BEAUTIFUL ANITA HEMMING. STORY OF THE VASSAR GRADUATE BORN OF NEGROES.

Posted in Articles, Biography, Campus Life, Media Archive, Passing, United States on 2016-06-17 00:49Z by Steven

BEAUTIFUL ANITA HEMMING. STORY OF THE VASSAR GRADUATE BORN OF NEGROES.

The Sacramento Daily Record-Union
Friday, 1897-09-24
page 6, columns 1-4
Source: Chronicling America: Historic American Newspapers. Library of Congress.

STORY OF THE VASAR GRADUATE BORN OF NEGROS

She Kept the Secret of Her Birth for Years From Her Roommate.

This is the story of Anita Hemming of Vassar, ’97. In all the news of the past week there has been nothing more dramatic than the story of this woman and the sudden revelation of the secret she had kept so well, says the New York “World.” The public was told that one of the most beautiful, the most brilliant, and the most charming graduates of this year’s class at Vassar was a negro girl. The public was intensely interested, but to no one did the revelation come with such over whelming surprise as to the classmates with whom Miss Hemming had been so closely associated for four years. In no mind, until very recently, had there been the slightest suspicion of the truth.

The story of Miss Hemming’s college life and of the influences and characteristics that made her what she is will be told here. There is interest in it, as well as a moral lesson. There is inspiration, too, in the splendid triumph of this young woman who came into life so heavily handicapped for the career she has achieved. These are the things that she has done. How she has accomplished them and the manner in which she has surmounted all obstacles will be told in detail later on.

In 1888 she was graduated from the Prince Grammar School, Boston, at the head of her class.

In 1890 she completed, with the highest honors, the full course of the Girls’ English High School in Boston.

Subsequently she attended Dwight L. Moody’s School, at Northfield, Mass., and there prepared for the entrance examination of Vassar, astonishing her teachers and associates by her brilliant work.

In 1893 she entered Vassar, from which she has this year been graduated with high honors.

During her four years at college she was a prominent and brilliant figure in the life of the great institution. She became a leader among the girls, a member of the most exclusive college societies, a guest in the best Poughkeepsie families, and the idol of a large following of enthusiastic freshmen. She was lovingly called “the beautiful brunette.” It was supposed that she had Spanish or possibly Indian blood in her veins. No one dreamed that in a little, modest Boston home there lived an honest mulatto who was the father and a prepossessing mulatto woman who was her mother. Both of these were light in color, with the mixed blood of their race, regular features and a clear olive complexion which many a white woman would give much to possess.

To these parents Anita was born twenty-five years ago. Her father was a clever and industrious man. He worked hard, and almost from the beginning he was able to give his family the advantages offered by the average white husband and father of the middle class. Anita had a happy childhood. She was sent to school, where she associated with the white children of her age. At this time there was no effort made by her parents to conceal the negro strain in her blood. It was probably the unconscious shrinking away from her of some playmate that first taught the colored child her own aloofness and showed her that she must make much of life’s journey alone. The thought did not discourage the ambitious little girl, who quietly laid out the plan of life which she has so consistently followed. In her wish for an education she had her father’s affectionate support and aid. She entered the Prince Grammar School in Boston, where she is still remembered as one of its brightest pupils. At the end of two years, during which she easily distanced all of her associates, she graduated at the head of her class. This honor secured her entrance to the Girls’ English High School, for four years she gained new laurels and wore them modestly.

Just at this time she met the woman who has probably had most Influence in the young girl’s life. The woman was a philanthropist. She had broad sympathies and keen observation. She met Anita at Trinity Church, Boston, where the girl had been a communicant since childhood. The clear-headed and sympathetic woman of the world be came deeply Interested in the beautiful colored girl who was making such a steady, brave, up-hill fight against environment and tradition. She suggested college, and in the contemplation of this vista, of delight Anita almost forgot her peculiar relations to the world of ideas, achievements, and white skins. She entered Moody’s preparatory school at Northfield, and it is at this point that her career may be said to have really begun. She was at this time a girl of twenty, with a beautiful face, a splendid intellect, and a habit of retrospection. Her parents mingled wholly with their colored friends, and her home life had brought her into contact with the people of her own race. The line between her and the life she wished to lead seemed very sharply drawn. There was nothing about her, however, to suggest her negro blood. Her skin was a clear olive, her eyes soft and dark, and her hair straight as an Indian’s, her figure and carriage perfect. She looked like a Spanish or Italian girl.

At Northfield Miss Hemming first had the experience of associating intimately with girls not of her own race. Her roommate there, however, was a Miss Bessie Baker, a mulatto like her self. Miss Baker has since become the wife of W. H. Lewis, a well known negro citizen of Boston, who was known in his college days as Harvard’s great center rush. Miss Hemming was bridesmaid at the wedding, which occurred last autumn. She is now the guest of Mrs. Lewis in the latter’s home on Columbus Avenue, Boston.

During the year at Northfield the two colored girls were closely associated with the social as well as the educational life at Mr. Moody’s school. Strangers looking at either of them had no suspicion of the presence of a strain of negro blood. Their classmates seemed to have forgotten it. The happy life there and the temporary absence of the cloud that had hung over her may have aided Miss Hemming in her resolve to enter Vassar without the great handicap which she had carried so long. She determined to conceal the fact of her negro origin. This implied no false statements. She had merely to let it be assumed that she was as the others were.

Miss Hemming entered Vassar. No one asked her whether she was negro or New Englander, Indian or Spanish. She was young, brilliant and beautiful. That was enough. She had passed an excellent entrance examination. She had met the necessary requirements as to “good moral character.” She promptly and quietly took her place at the head of her classes, friends flocked around her, professors praised her, she was initiated into the mysteries of secret societies and midnight “fudge” parties. Her college career had begun.

For almost a year she kept her secret well. Then she suddenly disclosed it. Perhaps it weighed upon her mind, and she told it to obtain relief. Perhaps the disclosure was accidental. No one knows. But the girl chose her confidant wisely. She told her story to a member of the faculty–one of the most popular professors in the college. This woman’s attitude toward her brilliant pupil may be assumed from the fact that she subsequently visited Anita at her Boston home during the holidays. The Hemming’s were humble people, and they made no effort to conceal the fact from the college professor who was their guest. Their friends and associates were colored people. There was no pretense of being white.

With the exception of this friend Miss Hemming entertained no guests from Vassar in her Boston home. The professor, like Anita, kept the secret well. Anita’s roommate was a beautiful and popular student, whose family held a high social position. Not even this girl suspected the truth for years. When she did Anita’s first great trouble came. Miss Hemming’s progress through Vassar was a triumphal one. She had a beautiful voice, hence she joined the glee club. She was also taken into the choir and became a leader in the musical set of the college. She joined the choral club. As the months passed she was made a member of other college associations. Among these were the Contemporary Club, the ’97 Federal Debating Society, a Greek club, and the Marshall Club. But these were not all her triumphs.

There are dances and festival days at Vassar. in which Harvard, Yale and Princeton men are allowed to participate. In large numbers these young men bowed at Anita’s shrine. It was a their bows with an agonized fear. She sobriquet by which she became renowned–“the beautiful brunette.”

It was her roommate who finally caused the temporary downfall of this striking figure from its fine college eminence. In some manner this girl had discovered that Anita was of negro parentage. She immediately changed her room and discontinued the acquaintanceship. It was the first blow in the colored girl’s college course–and it was a bitter one. Anita awaited further blows with an agonized fear. She knew that the story would spread like wildfire through the college, and she felt that the upbuilding of the structure she had raised was but a waste of time. To what end was all her work and study, if the friends she loved turned from her and the college she loved closed its doors to her. No one knows what the girl suffered, for she never told”. She kept to herself, withdrew from her associates, and became absorbed in her work. But they would not have it so. For some reason the roommate, too, kept the secret. A few rumors started, but were immediately scoffed down. As the weeks passed, and her friends still rallied around her. Anita breathed again. She had had a narrow and a most dramatic escape.

During the last year of her college career Miss Hemming held one of the most prominent positions in the institution. It was admitted that she would graduate among the first. Without effort she held her supremacy as student and leader in the college set. She had never been a solitary or a “dig“–two unpopular types at college. During her last year it was natural that she should cling fondly to the friends she had made and the social environment of which she knew she could never be sure again. She was a fascinating woman and professors and students and strangers alike fell under these charms she exercised during these last months. In the midst of all this the revelation came.

Once more the little rumors began to circulate–this time more loudly and persistently than ever before. The girls began to eye her curiously, wondering ly. She knew that they were commenting, discussing. There was bitterness beyond words in this to the proud, sensitive woman. To her these girls had become to seem like sisters. To them she was merely a creature to be discussed as a problem, a phenomenon. In grief and humiliation she went to a member of the college faculty and in plain words told her story. There was nothing more for her to do but await the result.

A faculty council followed. Some of the professors had surmised the truth. Every one knew it now. President Taylor himself advised that at so late a day no official action should be taken to prevent the girl from graduating with her classmates. And so Miss Hemming’s fate was decided. But she had worked harder than two-thirds of her class and was graciously permitted, as a favor, to take equal rank with the members of that class.

Miss Hemming carried off the honors of commencement day. In the circumstances it was not as happy an occasion as her splendid record deserved, but she made the best of it.

Having graduated she went at once to Boston. Within a month her story was given to the whole world. It will be a pleasant surprise to her, perhaps, to discover how much broader the point of view is, sometimes, outside of college walls. She has secured a position in the catalogue department of the Boston Public Library, and here she has begun her post-college career. She has already won the interest of wise men and women broad enough to appreciate her struggle with a “problem” larger than she is, and to glory in the way she has solved it.

In the many conversations with her since her story has been made public Miss Hemming has attempted no defense of her position other than to say no one asked her while she was in college if she were white or colored. She takes the ground that she was not under moral obligations to announce her origin. She says she entered college as any student would enter, purely on her merits and ability to pay the tuition demanded. Since she has become so conspicuous she has had much difficulty in avoiding persons who wish to see and talk with her. She has been asked by at least a dozen publications to write her impressions of college life, and she has had generous offers for manuscript from many large newspapers. Her work in the catalogue department of the Boston Public Library occupies her from “8 o’clock in the morning until 5 in the afternoon.”

During her office hours nobody is permitted to see her, and when her work is finished she goes to the home of J. H. Lewis, a colored tailor, with whose wife, as before mentioned, she is living during the absence of her family at College City. In contrast to her college career, her life is a lonely one. She denies herself to all callers, except her most intimate friends.

Miss Hemming’s own home is at No. 9 Sussex Street. She has two brothers and a sister. One of her brothers–Frederic–was graduated from the Institute of Technology–last spring as a chemist. He is a dark and handsome youth, much like his sister in appearance. He visited her at Vassar on several occasions during her life there. The other children are still very young, but will be given educational advantages equal to those of their brilliant sister and brother.

Miss Hemming’s parents, as has been said, are both light in color. The father is five feet six inches tall, has gray eyes, good features, and wears side whiskers cut after the English fashion. His eyebrows are heavy and arching, and his hair straight. Mrs. Hemming, though darker than her husband, is a fine-looking woman. Her straight black hair is lightly streaked with gray. Both parents are quiet, refined and exceedingly ambitious in behalf of their children. In speaking of his beautiful daughter last week Mr. Hemming admitted that she had gone to Vassar as a white girl and had remained there as such.

“As long as she conducted herself in a manner becoming a lady,” he said, “she did not think it necessary to proclaim the fact that her parents were mulattoes. She was always a quiet, studious girl, and from the time she first went to school books were her chief pleasure. She did not care to associate with other children. She preferred to spend her time reading her favorite authors.”

“Vassar was her ideal college. From the time she decided to go to college there was never any doubt in her mind as to the institution she preferred. Vassar it was, first, last and always.” Miss Hemming’s hostess, Mrs. Lewis, also valiantly upholds the young woman’s attitude in college. A mulatto herself, and a woman who has experienced much that Miss Hemming has had to suffer, she can appreciate, perhaps, better than any one else, the point of view of her much-discussed friend.

“Miss Hemming,” said Mrs. Lewis, “has not reflected an atom of discredit on Vassar or upon any other pupil. She is good and true and refined. She is a gentlewoman by nature and education. Because her face did not tell her secret should she have gone about placarded ‘I am colored?'”

“At first, I know, she thought of telling her associates at Vassar what she was. She was told by an excellent authority that it was not necessary for her to do this. So she kept her own counsel, and in doing so she did wisely. She could ornament any society. She proved this at Vassar, and I have faith enough in her to believe that she will prove it in the future as well as she has done in the past. Her record at Vassar is in fact the best answer that can be given to all the questions asked about her since her story has been made public. She was admired and loved there, and put forward in all things. No one could know Miss Hemming well and not love her.”

That all Vassar has not turned from Miss Hemming was shown last week by the visit of several Vassar girls, who called on her at her home and bore her off to the hotel to dine. The revelations concerning her negro blood and the notoriety to which she has been subjected did not count with these loyal friends against the charm of the woman and the bonds of college life.

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Former Duquesne, Penn State athlete Cumberland Posey elected to Basketball Hall of Fame

Posted in Articles, History, Media Archive, United States on 2016-06-16 20:08Z by Steven

Former Duquesne, Penn State athlete Cumberland Posey elected to Basketball Hall of Fame

Pittsburgh Post-Gazette
2016-04-05

Stephen J. Nesbitt, Beat Writer


Courtesy of the Baseball Hall of Fame Library, Cooperstown, N.Y.

Will become only person inducted into both professional basketball, baseball halls of fame

The grass-roots campaign to get Cumberland “Cum” Posey enshrined in the Naismith Memorial Basketball Hall of Fame began one day in 2002 when two men met at a Starbucks in Pittsburgh and drafted a plan to unearth the story of one of the best athletes the area has seen.

On Monday, 14 years later, Claude Johnson and Rob Ruck were together again to celebrate the campaign’s joyous conclusion. Mr. Posey will be inducted in September, the hall announced.

Mr. Posey, who was born in Homestead in 1890 and died in 1946, was the first black athlete at Penn State and Duquesne and was a player, manager and owner of the Homestead Grays baseball team. He will be the first to be voted into both the professional basketball and baseball halls of fame.

“Today, we honor a man who could be called Pittsburgh’s forgotten champion,” said Duquesne president Charles Dougherty at a ceremony Monday night on Duquesne’s campus, with a number of Mr. Posey’s descendants in attendance.

Mr. Posey is best known for helping build the Grays into a national power, and his basketball prowess seemed lost to history until Mr. Ruck, a history professor at Pitt, wrote the book “Sandlot Seasons,” which told of prominent people and places in Pittsburgh’s black sports history…

…While leading Duquesne in scoring every season from 1916-18, Mr. Posey played under the alias “Charles Cumbert.” There are a few theories as to why — eligibility concerns is one — but Mr. Johnson said Mr. Posey tried passing as white because opponents would refuse to play a black person…

Read the entire article here.

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Imitation of Life: Melodrama and Race in the 21st Century exhibition, HOME, reviewed by Şima İmşir Parker

Posted in Articles, Literary/Artistic Criticism, Media Archive, Passing, United Kingdom on 2016-06-16 18:26Z by Steven

Imitation of Life: Melodrama and Race in the 21st Century exhibition, HOME, reviewed by Şima İmşir Parker

The Manchester Review
Manchester, England
May 2016

Şima İmşir Parker, Graduate Teaching Assistant
University of Manchester

Imitation of Life: Melodrama and Race in the 21st Century, Home, 30 April 2016 – 3 July 2016

“The melodramatic body is a body seized with meaning” writes Peter Brooks in “Melodrama, Body, Revolution.” Body is not only a sight branded with meanings and symbolism, but also a sight where resistance becomes possible through the gestures and mimics where what is repressed comes back to life. Melodramatic bodies are sights of both stigma as well as expression and resistance, something that the new Home exhibition Imitation of Life: Melodrama and Race in the 21st Century successfully brings forth by revealing the politics on and of the body, more specifically through the representations of race, gender and sexuality in the post-digital world in which we live.

The exhibition opens with Sophia Al-Maria’s new work, Scarce New Flowers, a photographic series of real products, “facial whitening creams” sold in South Asia, the Middle East and Africa with instructions only in Mandarin and Arabic. With the images of real boxes with women’s faces on them growing, being repeated and distorted, the product itself becomes melodramatic and hyperbolic, acting as a stark reminder of on-going racial stereotypes (and passing) that exist within a cross-cultural spectrum.

Passing as white is a subject widely discussed around Fanny Hurst’s novel Imitation of Life and its later movie adaptations, the work that gives its title to the exhibition. The novel was published in 1933. Almost immediately after its publication, in 1934, its first movie adaptation, directed by John Stahl, made it to the big screen. The life of the story however was not limited to one adaptation. In 1959, an iconic name for melodramas, Douglas Sirk, made another adaptation of the novel. This version, although not as loyal to the original story as John Stahl’s version, gained far greater popularity. The story, narrating two women’s struggle to take care of themselves and their daughters, was revealing of racial and gender stereotypes by portraying the black maid (Delilah/Annie) as the caregiving “mama” whose daughter (Peola/Sarah Jane) passes as white and the white single mother (Bae/Lora) who chooses a successful career at the cost of not providing care for her daughter and not uniting with her loved one. In 2002 Todd Haynes remade the movie, this time shifting the focus from race to homosexuality…

Read the entire review here.

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