Mixed Race Studies

Double-Consciousness and the Rhetoric of Barack Obama: The Price and Promise of Citizenship

University of South Carolina Press
June 2015
224 pages
6 x 9
Hardcover ISBN: 978-1-61117-531-8
eBook ISBN: 978-1-61117-532-5

Robert E. Terrill, Associate Professor
Department of Communication & Culture
Indiana University, Bloomington

An examination of President Obama’s oratory as a reflection of the African American experience

Robert E. Terrill argues that, to invent a robust manner of addressing one another as citizens, Americans must learn to draw on the delicate indignities of racial exclusion that have stained citizenship since its inception. In Double-Consciousness and the Rhetoric of Barack Obama, Terrill demonstrates how President Barack Obama’s public address models such a discourse.

Terrill contends that Obama’s most effective oratory invites his audiences to experience a form of “double-consciousness,” famously described by W. E. B. Du Bois as a feeling of “two-ness” resulting from the African American experience of “always looking at one’s self through the eyes of others.” It is described as an effect of cruel alienation that can also bring a gift of “second-sight” in the form of perspectives on practices of citizenship not available to those in positions of privilege. When addressing fellow citizens, Obama is asking each to share in the “peculiar sensation” that Du Bois described. The racial history of U.S. citizenship is a resource for inventing contemporary ways of speaking about race.

Through close analyses of selected speeches from Obama’s 2008 campaign and first presidential term, this book argues that Obama does not present double-consciousness merely as a point of view but as an idiom with which we might speak to one another. Of course, as Du Bois’s work reminds us, double-consciousness results from imposition and encumbrance, so that Obama’s oratory presents a mode of address that emphasizes the burdens of citizenship together with the benefits, the price as well as the promise.

In Search of the Black Mozart

BBC Radio 4
2015-07-19 and 2015-07-26

Sarah Taylor, Producer

Historian Steve Martin and Double Bassist Chi-chi Nwanoku

Chi-chi Nwanoku has spent her career travelling and performing in concert halls the world over as the principal double bassist of the Orchestra of the Age of Enlightenment. More recently, she’s been on a personal journey seeking out the lives and careers of black classical musicians from the eighteenth century who like her, played and composed music at the highest levels. In some cases, slivers of their lives are on record but you have to be quite determined to find out.

Chi-chi puts the record straight and with the help of some of the finest musical researchers around, she brings to the fore the music and lives of musicians like violinist/composer Joseph Emidy, virtuoso violinist George Bridgetower and composer Joseph Bologne, aka Chevalier de St-George who not only met Mozart in his lifetime, but who was known by all those who heard his music as the ‘Black Mozart’.

In today’s programme she visits the British Library to find our more about Ignatius Sancho – someone who was born into slavery and ended up being the first person of colour in Britain to have the vote. Also of interest to Chi-chi are his musical compositions which are held at the British Library. Together with music curator, Nicolas Bell and Sancho expert Professor Brychhan Carey the three of them assess Sancho’s musical ability and life.

In a more sinister turn of events, Chi-chi talks to Handel scholar, Dr. David Hunter who shares his research which reveals that Handel, whilst composing some of the most beautiful music around was an investor in slavery.

She also hears about the violinist and composer Joseph Emidy who became a musical star of Cornwall’s music scene and meets up with one of his musical ancestors.

Also features commentary from:

• Jeanne Lamon
• Allan Donald Jeffryes Badley
• Rachel Barton Pine
• Simon McVeigh
• Dominique-René de Lerma
• Shirley J. Thompson
• Steve Martin

Listen to episode 1 here. Listen to episode 2 here.

Chineke! Europe’s first professional orchestra of black and minority ethnic musicians launches

The Independent
2015-09-02

Jessica Duchen

Its founder double-bassist Chi-chi Nwanoku talks to Jessica Duchen

When the Chineke! Orchestra steps on to the Queen Elizabeth Hall platform on 13 September, the audience should notice something unusual. One of those uncomfortable truths about classical music is that most symphony orchestras in Europe still consist mostly of white and white-Asian people. Chineke, the brainchild of the double-bassist Chi-chi Nwanoku, is Europe’s first professional orchestra made up entirely of black and minority ethnic musicians.

The idea is to bring together and showcase the wealth of talent among these under-represented performers. “It is about raising awareness, trying to level the playing field, altering the status quo a little bit and changing perceptions,” says Nwanoku.

Born in London to a Nigerian father and Irish mother, Nwanoku has been mulling over these issues for years, from her vantage point as a founder member of the Orchestra of the Age of Enlightenment, a popular media commentator and broadcaster, and a professor at the Royal Academy of Music. Her recent programmes for BBC Radio 4, In Search of the Black Mozart, about the 18th-century violin virtuoso and composer the Chevalier de Saint-Georges, sparked wide interest in historical musicians of colour…

Read the entire article here.

Barack Obama and the Third Wave: the syntaxes of whiteness and articulating difference in the post-identity era

Politics, Groups, and Identities
Volume 2, Issue 4, 2014
pages 573-588
DOI: 10.1080/21565503.2014.969739

Melanye T. Price, Assistant Professor
Africana Studies and Political Science Departments
Rutgers, The State University of New Jersey

Emerging critiques of Third Wave Feminism and its employment of grammars of whiteness provide a framework for analyzing racial discourses emerging in the same social context. Like Third Wave Feminists, Barack Obama’s political ascendancy happens in a post-identity (post-racial, post-feminist) moment where members of ascriptive categories having achieved significant civil rights gains begin to assert their rights to live unconstrained by racialized and gendered histories and norms. Using the syntaxes of whiteness outlined previously by Rebecca Clark Mane, I critically analyze Obama’s “A More Perfect Union” speech. I argue that Obama does the following: he provides a racial analysis that is disconnected from historical context, suggests that prevailing isms are primarily relegated to the past, conflates oppositional racial experiences, and relies too heavily on his own personal narrative to justify claims. These discursive practices have damaging effects for our broader understanding of contemporary racial politics. Moreover, reliance on Obama’s perspective on American race relations makes it more difficult to argue and demonstrate that material inequalities are produced by structural injustice that continues to over-determine the lives of certain groups. Additionally, advocates and activists who continue to make identity-based claims are viewed as either holding on too tightly to the past or failing to understand the present.

Read or purchase the article here.

Victoria Bynum to speak on the “Free State of Jones” at the Lauren Rogers Museum

“Civil War Era Drawings from the Becker Collection” (2015-09-06 through 2015-11-15)
Lauren Rogers Museum of Art
565 N. Fifth Avenue
Laurel, Mississippi 39440
2015-09-10, 17:30 CDT (Local Time)

Vikki Bynum, Emeritus Professor of History
Texas State University, San Marcos

I’m pleased to announce that on September 10, 2015, I’ll be speaking on The Free State of Jones at the Lauren Rogers Museum in Laurel, Mississippi. The talk begins at 5:30 p.m.; open to the public, admission is free. Donations are accepted.

My talk is part of the museum’s exciting new exhibition, Civil War Era Drawings from the Becker Collection (see description below), which will run from September 6 through November 15, 2015. Hope to see you there!…

For more information, click here.

Four-country newspaper framing of Barack Obama’s multiracial identity in the 2008 US presidential election

Ecquid Novi: African Journalism Studies
Volume 35, Issue 3, 2014
pages 23-38
DOI: 10.1080/02560054.2014.955867

Kioko Ireri, Assistant Professor of Journalism & Mass Communication
United States International University-Africa, Nairobi, Kenya

Though Barack Obama was the first African American presidential nominee for a major party in the history of the US presidential election, his multiracial identity put him under intense scrutiny during the 2008 election – more than any other previous black aspirants for the White House. Using quantitative content analysis of election stories in the newspapers of four countries (New York Times – US; Times – Britain; China Daily – China and Daily Nation – Kenya), this comparative study examines the prevalence of four racial frames associated with Obama’s multilayered racial identity: ‘African American’, ‘black’, ‘Kenyan roots’ and ‘white roots’. In addition, the study investigates the four newspapers’ valence coverage of the four racial frames in relation to Obama’s candidacy. The findings indicate that ‘Kenyan roots’ was the racial frame which occurred most frequently, followed by the ‘black’ frame. Overall, Obama received more positive coverage than negative across the racial frames depicted in the four newspapers.

Read or purchase the article here.

Redefining Racial Categories: The Dynamics of Identity Among Brazilian-Americans

Immigrants & Minorities: Historical Studies in Ethnicity, Migration and Diaspora
Volume 33, Issue 1, 2015
pages 45-65
DOI: 10.1080/02619288.2014.909732

Catarina Fritz
Department of Sociology and Corrections
Minnesota State University, Mankato

Research based on a sample of Brazilian youth living in Massachusetts reveals a variety of responses to racialisation of their phenotypes. Caught between the fluid patterns of colour categories found in Brazilian society and the more rigid racial stratification that characterises the USA, Brazilian-Americans have followed a variety of strategies to adapt to this situation. By exploring the reactions of these young adults of different appearance along the colour continuum to the constraints of the dominant society, questions concerning the future dynamics of race relations in the USA are raised against a background of the continuing post-racialism debate.

Read or purchase the article here.

Adolescent Racial Identity: Self-Identification of Multiple and “Other” Race/Ethnicities

Urban Education
Published online before print: 2015-03-18
DOI: 10.1177/0042085915574527

Bryn Harris, Assistant Professor of Psychology
University of Colorado, Denver

Russell D. Ravert, Associate Professor
Department of Human Development & Family Studies
University of Missouri, Columbia

Amanda L. Sullivan, Associate Professor of Psychology
University of Minnesota, Minneapolis

This mixed methods study focused on adolescents who rejected conventional singular racial/ethnic categorization by selecting multiple race/ethnicities or writing descriptions of “Other” racial/ethnic identities in response to a survey item asking them to identify their race/ethnicity. Written responses reflected eight distinct categories ranging from elaborative descriptions of conventional race categories to responses refusing the construct of race/ethnicity. Students’ endorsement of multiple or “Other” ethnicities, and the resultant categories, differed by gender, grade, school type, and school compositions. Findings support scholars’ concern that common conceptualizations of race may not capture the complexity of self-identified racial categories among youth.

Read or purchase the article here.

Locating queer-mixed experiences: Narratives of geography and migration

Qualitative Social Work
Volume 14, Number 5 (September 2015)
pages 651-669
DOI: 10.1177/1473325014561250

Kimberly D. Hudson
School of Social Work
University of Washington

Gita R. Mehrotra, Assistant Professor of Social Work
Portland State University, Portland, Oregon

Social work scholarship concerned with mixed-race and queer identities is growing and ever-changing, yet often treats race and sexuality as separate experiences independent from context and environment. In addition, in studies of mixed-race people, the legacy of the Black-White/US-based multiracial paradigm and the history of such research using race as the only or primary analytic has left a dearth of studies that seek to understand mixed-race experiences within geographical, transnational and intersectional contexts. In this paper, we extend previous work focused on situational and contextual multiracial identities through an interview-based study of a sample of 12 queer and mixed-race individuals. We employ a narrative analysis to explore how emergent themes of geography and migration are salient to self-making processes of participants. Findings include: (1) diverse geographic and migration histories among participants; (2) interviewees’ use of discursive strategies that draw upon experiences of geography and migration within the narrative structure; and (3) the critical role of geography and migration in expanding and changing participants’ identity discourses and in shaping individuals’ identity and sense of community. Ultimately, this work serves as a call for on-going attention to how geography and migration, as well as intersectional and transnational perspectives, add depth and texture to studies of queer-mixed people while also offering specificity to social work’s broader commitment to context and environment.

Read or purchase the article here.

More than that, The Sneetches taps into one of the fears that segregationists held, and which was represented as an ever-present danger in the Northern as well as the Southern states: the fear of “passing.” In a country where “one drop of African blood” made a person black and not white, worries about being able to place people in the racial hierarchy if they could “pass” for white emerged through various forms of cultural production. Mark Twain, Charles Chestnutt, and Nella Larsen all wrote novels about African-Americans passing for white. The 1930s musical “Showboat,” twice made into a film (in the 1930s and the 1950s), has a tragic plot involving passing. Another film, based on a Fannie Hurst novel, was made twice by Hollywood (again in the 1930s and the 1950s). “Imitation of Life,” in its second incarnation became the fourth-most successful movie of 1959—just two years before The Sneetches was published.

Karen Sands-O’Connor, “Dr. Seuss and Racial Passing,” theracetoread: Children’s Literature and Issues of Race, February 11, 2015. https://theracetoread.wordpress.com/2015/02/11/dr-seuss-and-racial-passing.