Mixed Race Studies

Hate Takes the Bus

The New York Times
2015-03-11

Charles M. Blow

A University of Oklahoma Fraternity’s Chant and the Rigidity of Racism

This week, when video was posted showing members of the University of Oklahoma’s chapter of Sigma Alpha Epsilon gleefully engaged in a racist chant on a bus, some people were shocked. Others, like me, were not.

This was just video confirmation of a racism that envelops us like a fog, often just as evanescent and immeasurable.

Some people seemed surprised because these were millennials, and college students to boot. Both because of generational easing and educational enlightenment, weren’t these sorts of things supposed to be vestiges of the past?

After all, as the Pew Research Center put it last year, “Millennials are the most racially diverse generation in American history,” with “some 43 percent of millennial adults” being nonwhite.

A 2010 Pew report found that “almost all millennials accept interracial dating and marriage.” An MTV poll of millennials found that “84 percent say their family taught them that everyone should be treated the same, no matter what their race,” and that 89 percent “do believe that everyone should be treated the same no matter their race.”

But these numbers can be deceiving. They don’t herald an age of egalitarianism as we might think…

Read the entire article here.

Was Elliot Rodger Asian American?

Reappropriate.co
2015-03-10

Jenn Reappropriate

For weeks following the Isla Vista shooting, killer Elliot Rodger was described in mainstream media as a young White man. This was a convenient narrative: Rodger was seen as yet another example of the maligned young vengeance-seeking White male outcast (like Eric Harris and Dylan Klebold and Adam Lanza): so twisted by violent first-person shooters and sexual-social frustration that he resorted to unthinkable violence.

Yet, for Elliot Rodger, this narrative is complicated by Rodger’s own tangled and confusing relationship with his racial identity: one that defies simple categorization as Rodger being straightforwardly White, or otherwise.

Biologically speaking, Elliot Rodger was biracially White and Asian American. Both Rodger’s biological mother and his step-mother were Asian American, and in his lengthy manifesto, Rodger self-identified as a “beautiful Eurasian”. Upon his death, Rodger was initially identified by law enforcement as an unknown “Asian male”.

Elliot Rodger also viewed his mixed race heritage as elevating him above those he termed as “lowly” “full-blooded Asian” men. In a lengthy 68-page report released last month by the Santa Barbara sheriff’s department, it is revealed that Elliot Rodger frequently conducted Google searches on Adolf Hitler and Naziism. These search terms are consistent with Rodger’s frequent racist web postings that espouse a clear belief in a racial hierarchy which positioned men of colour as sexually and socially inferior to Whites, and which further positioned White women as the most-coveted.

In May of last year, Chauncey DeVega wrote a highly-shared piece for Alternet (“Yes, Elliot Rodger is ‘White’: What the Santa Barbara Shooter Can Teach Us About Race and Masculinity”), where DeVega argues that racial identity is predominantly a performance, and that Whiteness is the specific performance of superiority over other people of colour. Both DeVega and Philip of You Offend Me You Offend My Family reason that Rodger’s rejection of his Asianness coupled with internalization of White supremacy was evidence of his Whiteness…

Read the entire article here.

What was it like raising three biracial children?

WBEZ 91.5
Chicago, Illinois
2015-03-06

Bill Healy

Rosa Ramirez was in basic training in the Army, when she came across a girl in her barracks with red hair and blue eyes. “What kind of blood do you have?” Ramirez asked her. “Do you see the world blue?”

Ramirez had gone to high school in Texas and spent time picking fruit in the fields of California. But when it came to race, she was clueless.

Ramirez tells her daughter, Judy, in this week’s StoryCorps, “In my hometown, it was Mexicans and whites. We didn’t have any idea about blacks or Germans or Italians.”

Rosa Ramirez served four years in the military before moving to Virginia, where she met her future husband. Her daughter asked what it was like when Rosa told her parents she wanted to marry a black man?…

Read the entire article here.

Diversity Week Keynote Speaker 2015: “One Drop of Love” perfomed by Fanshen DiGiovanni Cox

Miami University
Oxford-Armstrong Student Center
Harry T. Wilks Theater
550 E. Spring Street
Oxford, Ohio
Thursday, 2015-03-12, 19:00-21:00 EDT (Local Time)

One Drop of Love produced by Ben Affleck and Matt Damon, performed by Fanshen Cox Digiovanni is a multimedia solo show that tells the story of how the notion of ‘race’ came to be in the United States. In addition, Fanshen whom is of mixed race shares personal accounts of how it affected the relationship with her father.

Every spring, specifically in the month of March, the Diversity Affairs Council (DAC) plans and coordinates a week-long program known as “Diversity Week.” This week serves as a campaign that seeks to raise awareness of social differences, promote an appreciation for such differences, and encourage open dialogue about topics involving diversity.

The Diversity Keynote Address provides an opportunity for open dialogue about various diversity topics with students and the speaker.

For more information, click here.

Color Erases, Color Paints

Tablet: A New Read on Jewish Life
2015-03-10

Isaiah Rothstein

Each day this week, the Scroll will be featuring a post from a writer at JN Magazine—short for “Jewnited Nations”—a website “here to change the monochromatic monolithic perception of Judaism.” Each post has been commissioned and edited by MaNishtana, the pseudonym of Shais Rishon, a Tablet contributor and editor-at-large at JN Magazine.

Growing up mixed race in Monsey, N.Y.

I often relate to my peer group that both my maternal and paternal ancestors were slaves: As Hebrews in the desert hills of Egypt, and as Africans on the southern plantations of Alabama.

“And he (Moses) called his (son’s) name Gershom, because he was a stranger in a strange land.” (Exodus 2:22)

I grew up in the Orthodox Jewish community of Monsey, N.Y. With my peyot until I was 10 years old and my father’s unwavering affiliation with the Chabad Lubavitch movement, I think it would be safe to say I was raised in what one would call the Haredi community. But our Thanksgiving family reunions revealed a whole other aspect of my family tree, and from a young age I was forced to consider what my own identity would be and what I would make my legacy.

Once Tanya Maria Robertson, my mother split her own sea and converted to Judaism in 1982, becoming Shulamit Geulah Rothstein. And so, as with her own parents, two worlds came together, creating another dimension of civil rights and Jewish unity: the Rothstein family. But with such realities came great complexity…

Read the entire article here.

IRRPP Annual Bowman Lecture: Fatal Invention: Why The Politics of Race and Science Still Matters

Institute for Research on Race and Public Policy
University of Illinois, Chicago
Student Center East
750 S. Halsted St, Room 302
Chicago, Illinois
2015-03-12, 16:00 CDT (Local Time)

Dorothy Roberts, Professor of Law and Sociology
University of Pennsylvania

Co-sponsors: Medical Education, Institute for the Humanities Health and Society Working Group, Gender & Women’s Studies, Sociology, Biocultures, Racialized Body Cluster, African American Studies

An acclaimed scholar of race, gender, and the law, Professor Dorothy Roberts is the fourteenth Penn Integrates Knowledge Professor, George A. Weiss University Professor, and the inaugural Raymond Pace and Sadie Tanner Mossell Alexander Professor of Civil Rights at University of Pennsylvania. She holds appointments in the Law School and Departments of Africana Studies and Sociology. Professor Roberts received her Doctor of Jurisprudence from Harvard Law School.

This lecture was established to honor Phillip J. Bowman’s contributions to UIC during his tenure as Director of IRRPP and Professor of African American Studies. It features national scholars of race, ethnicity, and public policy who provide timely analysis of issues of critical importance to the field and to communities of color.

For more information, click here.

Don’t Starve the Census

The New York Times
2015-03-10

The Editorial Board

Some Republicans in Congress are calling for cuts to the Census Bureau’s budget that would impair the agency’s already strained ability to gather basic data.

An accurate census is essential to determining the correct number of representatives from each state, the effectiveness of voting laws and the allotment of federal aid to states. In fact, information from the census and other surveys by the bureau is crucial to anyone — policy makers and businesspeople, researchers and citizens — who wants to understand the United States, assess where it is headed and influence its course on the basis of hard data.

The White House has requested a slim $1.5 billion for the bureau for fiscal year 2016. Much of that would be for the 2020 census, the planning of which is already behind schedule because of previous budget cuts. Next year is critical for the testing of data-gathering technology; Congress’s failure to provide timely financing to try out hand-held computers before the 2010 census forced a last-minute reversion to paper forms, which proved costlier than an orderly roll out of the computers would have been…

Read the entire article here.

Bodies Under Re/view? Mediating Racial Blackness

InVisible Culture: An Electronic Journal for Visual Culture
2013-08-20

Tiffany E. Barber, Adjunct Instructor African and African American Studies
University of Oklahoma

“In our allegedly postracial moment, where simply talking about racism openly is considered an impolitic, if not racist, thing to do, we constantly learn and re-learn racial codes. [. . .] In short, it was Trayvon Martin, not George Zimmerman, who was put on trial. He was tried for the crimes he may have committed and the ones he would have committed had he lived past 17.” – Robin D.G. Kelley, “The U.S. v. Trayvon Martin: How the System Worked”

In a 1995 keynote address titled “On Identity Politics,” critical race theorist Mari J. Matsuda cautions against assumptions “that racial identity is the cause of racial division rather than a product of it.” For Matsuda, critical race theory emerges “[o]ut of the struggle to understand the ways in which mainstream legal consciousness is white, male, Christian, able-bodied, economically privileged, and heterosexual.” That is, how legal consciousness itself signifies a type of whiteness that excludes and marginalizes difference, difference that is seen in opposition to this constructed whiteness – i.e. black and other non-white subjects, queer subjects, women subjects, and so on. Matsuda’s assertions bring into relation a politics of law, race, and gender that persist today, and demand a consideration of what these mediated relationships tell us about histories of identity formation particular to race, gender and sexuality in the U.S….

…To address these questions, I turn to two cases of precedence that establish relations between the U.S. justice system, racial blackness, and visuality. In 1921, Leonard ‘Kip’ Rhinelander, an affluent white male from a wealthy New York family met and courted Alice Beatrice Jones, a working-class woman of mixed-race ancestry. Jones’s fair skin color permitted her to pass for white and it is unclear whether or not she self-identified as white. Over the next few years, Rhinelander and Jones grew closer and shared a number of intimate encounters, at least two of which were known to be sexual. The couple eloped in October 1924 and enjoyed secluded bliss – Rhinelander’s parents did not approve of Jones – until scandal ripped through the relationship. Soon after, Rhinelander filed for an annulment. The charge? Racial fraud; Rhinelander claimed Jones had misrepresented her blackness…

Read the entire article here.

Signifying without Specifying: Racial Discourse in the Age of Obama

Rutgers University Press
2011-11-01
218 Pages
Cloth ISBN: 978-0-8135-5143-2
Paper ISBN: 978-0-8135-5144-9
eBook ISBN: 978-0-8135-5210-1

Stephanie Li, Professor of English
Indiana University, Bloomington

On the campaign trail, Barack Obama faced a difficult task—rallying African American voters while resisting his opponents’ attempts to frame him as “too black” to govern the nation as a whole. Obama’s solution was to employ what Toni Morrison calls “race-specific, race-free language,” avoiding open discussions of racial issues while using terms and references that carried a specific cultural resonance for African American voters.

Stephanie Li argues that American politicians and writers are using a new kind of language to speak about race. Challenging the notion that we have moved into a “post-racial” era, she suggests that we are in an uneasy moment where American public discourse demands that race be seen, but not heard. Analyzing contemporary political speech with nuanced readings of works by such authors as Toni Morrison, Jhumpa Lahiri, and Colson Whitehead, Li investigates how Americans of color have negotiated these tensions, inventing new ways to signal racial affiliations without violating taboos against open discussions of race.

Table Of Contents

• Preface
• Acknowledgments
• Introduction
• 1. Violence and Toni Morrison’s Racist House
• 2. Hiding the Invisble Hurt of Race
• 3. The Unspeakable Language of Race and Fantasy in the Stories of Jhumpa Lahiri
• 4. Performing Intimacy: “Race-Specific, Race-Free Language” in Political Discourse
• Conclusion: The Demands of Precious
• Notes
• Bibliography
• Index

First Look at Matthew McConaughey in The Free State of Jones

ComingSoon.net
2015-03-09

Max Evry

Motion picture and television studio STX Entertainment has begun principal photography on the theatrical feature The Free State of Jones in and around New Orleans, Louisiana, it was announced by Adam Fogelson, Chairman of STX Entertainment’s Motion Picture Group.

The epic action-drama is written and directed by four-time Oscar nominee Gary Ross (The Hunger Games, Seabiscuit, Pleasantville), and stars Oscar-winner Matthew McConaughey (Interstellar, Dallas Buyers Club), Gugu Mbatha-Raw (Beyond the Lights), Keri Russell (Dawn of the Planet of the Apes) and Mahershala Ali (The Hunger Games: Mockingjay Part 1, “House of Cards”)…

…Set during the Civil War, The Free State of Jones tells the story of defiant Southern farmer Newt Knight, and his extraordinary armed rebellion against the Confederacy. Banding together with other small farmers, and with the assistance of local slaves, Knight launched an uprising that led Jones County, Mississippi to secede from the Confederacy, creating a Free State of Jones.

His marriage to a former slave, Rachel, and his subsequent establishment of a mixed race community was unique in the post-war South. Knight continued his struggle into Reconstruction, which distinguished him as a compelling, if controversial, figure of defiance long beyond the War.

Read the entire article here.