Mixed Race Studies

Where “Old” and “New” World Color Meet in Multiracial Asian America

Racism Review
2013-11-18

Sharon Chang, Guest blogger
Multiracial Asian Families

Rare indeed is the Asian American who has not heard an aunt or grandmother say something like; ‘Don’t go out in the sun. You’ll get too dark’…[Asian countries have] had long-standing preferences for light skin, especially in women.”

– Is Lighter Better? Skin-Tone Discrimination Among Asian Americans

In my continuing research examining the lives of young multiracial Asian children, it has become pretty clear pretty quick that colorism (skin color discrimination of individuals falling within the same racial group) is a major theme. This isn’t a surprise to me, a multiracial Asian woman who grew up constantly scrutinized and measured as more European looking against other Asian peoples. I launched an Amazon hunt and as usual, found very little. In fact almost nothing; only one book addressing colorism in the Asian American community: Is Lighter Better? Skin-Tone Discrimination Among Asian Americans by Joanne L. Rondilla and Paul Spickard (2007) (if you know of more, please send to me).

According to Rondilla & Spickard, colorism in Asia is less about wanting to look European and more a class imperative. “To be light is to be rich, for dark skin comes from working outside in the sun…the yearning to be light is a desire to look like rich Asians, not like Whites” (Rondilla & Spickard, 2007, p.4). A preference for light-skinned beauty existed long before serious encounters with Europeans and Americans, and this desire deeply persists. Though not visibly common in the US, skin lightening products are loudly advertised and mass-consumed all over Asia. And sales are rising. Two million units of skin lightening soap are sold annually in the Philippines. Today, every major cosmetics company has some form of skin lightener (Rondilla & Spickard, 2007).

So what happens when huge numbers of Asian immigrants (430,000 in 2010) and students (6 in 10 international students are from Asia) start arriving Stateside and their colorist/class values meet US racism which has aggressively devalued and violently oppressed dark-skinned people for hundreds of years? What happens when White Perfect (above) meets Jim Crow? “Less yellowish” meets Yellow Peril?…

…Where does this leave multiracial Asian Americans born into these overlapping frameworks? I’m afraid that as multiracial Asian Americans, this leaves us poised very precariously at times. Despite what you might imagine, with the recent influx of Asian immigration and Asians marrying out of their ethnic group at a higher rate than any other racial group, multiracial Asian children are not actually that far removed from “old world” prejudices and are often second generation Americans like myself. I have been constantly scanned for Asian versus white features by Asian immigrants and proclaimed “the best of both worlds” leaving me with the uncomfortable, highly racialized feeling there’s something I did or didn’t get that I should be glad about but that one or both of my halves might resent. In my October post “Mixed Heritage and Knowing We Still Have Work To Do,”  I described the race challenges shared by a quarter Asian youth panelist (Black/Asian/white) as part of a local mixed heritage dialogue…

Read the entire article here.

For Key And Peele, Biracial Roots Bestow Special Comedic ‘Power’

Fresh Air
National Public Radio
2013-11-20

Terry Gross, Host

Keegan-Michael Key and Jordan Peele are the duo behind the Comedy Central sketch comedy show Key & Peele. Each has a white mother and black father, and a lot of their comedy is about race: Perhaps because they’re biracial, they’re perfectly comfortable satirizing white people and African-Americans — as well as everybody else. The New Yorker’s TV critic Emily Nussbaum describes their biracialism as a “Golden Ticket to themes rarely explored on television.”

Peele tells Fresh Air’s Terry Gross, “I think the reason both of us became actors is because we did a fair amount of code switching growing up, and still do.”

Key and Peele met in Chicago, where they were part of the improv scene, and later worked together on the sketch comedy series MADtv. Their current show on Comedy Central wraps up its third season on Dec. 18, and has been renewed for a fourth.

Key and Peele tell Gross the stories behind some of their sketches, and their feelings about Saturday Night Live’s lack of female African-American cast members…

Read the entire article here. Listen to the story here. Download the audio here. Read the transcript here.

The Women

Farrar, Straus and Giroux
1996
160 pages
5 1/2 x 8 1/4 inches
Paperback ISBN: 9780374525293; ISBN10: 0374525293

Hilton Als, Staff Writer
The New Yorker

A New York Times Notable Book

Daring and fiercely original, The Women is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer’s subjects: his mother, a self-described “Negress,” who would not be defined by the limitations of race and gender; the mother of Malcolm X, whose mixed-race background and eventual descent into madness contributed to her son’s misogyny and racism; brilliant, Harvard-educated Dorothy Dean, who rarely identified with other blacks or women, but deeply empathized with white gay men; and the late Owen Dodson, a poet and dramatist who was female-identified and who played an important role in the author’s own social and intellectual formation.

Hilton Als submits both racial and sexual stereotypes to his inimitable scrutiny with relentless humor and sympathy. The results are exhilarating. The Women is that rarest of books: a memorable work of self-investigation that creates a form of all its own.

24,000-Year-Old Body Shows Kinship to Europeans and American Indians

The New York Times
2013-11-20

Nicholas Wade

The genome of a young boy buried at Mal’ta near Lake Baikal in eastern Siberia some 24,000 years ago has turned out to hold two surprises for anthropologists.

The first is that the boy’s DNA matches that of Western Europeans, showing that during the last Ice Age people from Europe had reached farther east across Eurasia than previously supposed. Though none of the Mal’ta boy’s skin or hair survives, his genes suggest he would have had brown hair, brown eyes and freckled skin.

The second surprise is that his DNA also matches a large proportion — about 25 percent — of the DNA of living Native Americans. The first people to arrive in the Americas have long been assumed to have descended from Siberian populations related to East Asians. It now seems that they may be a mixture between the Western Europeans who had reached Siberia and an East Asian population...

…There they lay for some 50 years until they were examined by a team led by Eske Willerslev of the University of Copenhagen. Dr. Willerslev, an expert in analyzing ancient DNA, was seeking to understand the peopling of the Americas by searching for possible source populations in Siberia. He extracted DNA from bone taken from the child’s upper arm, hoping to find ancestry in the East Asian peoples from whom Native Americans are known to be descended…

…The other surprise from the Mal’ta boy’s genome was that it matched to both Europeans and Native Americans but not to East Asians. Dr. Willerslev’s interpretation was that the ancestors of Native Americans had already separated from the East Asian population when they interbred with the people of the Mal’ta culture, and that this admixed population then crossed over the Beringian land bridge that then lay between Siberia and Alaska to become a founding population of Native Americans.

“We estimate that 14 to 38 percent of Native American ancestry may originate through gene flow from this ancient population,” he and colleagues wrote in an article published Wednesday in the journal Nature…

Read the entire article here.

Emilio Fernández: Pictures in the Margins

Manchester University Press
October 2007
192 pages
216 x 138 mm
Hardback ISBN: 978-0-7190-7432-5
Paperback ISBN: 978-0-7190-8844-5

Dolores Tierney, Senior Lecturer in Film Studies
University of Sussex, Brighton, United Kingdom

Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than offer an auteurist study this book interrogates the construction of Fernández as both a national and nationalist auteur (including racial and gender aspects e.g. as macho mexicano and indio). It also challenges auteurist readings of the films themselves in order to make new arguments about the significance of Fernández and his work.

The aim of this book is to question Mexico’s fetishisation of its own position on the peripheries of the global cultural economy and the similar fetishisation of Fernández’s marginalisation as a mixed race (part white and part indigenous) director. This book argues that, as pictures in the margins, classical Mexican cinema and specifically Fernández’s films are not transparent reflections of dominant post Revolutionary Mexican culture, but annotations and re-inscriptions of the particularities of Mexican society in the post-Revolutionary era.

Contents

• Introduction
• 1. ‘Poor reception’ and the popular in classical Mexican cinema
• 2. ‘El Indio’ Fernández, Mexico’s marginalized golden boy and national auteur
• 3. Calendar María – hybridity, indigenismo and the discourse of whitening
• 4. Gender, sexuality and the Revolution in Enamorada
• 5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado
• 6. Progress, modernity and Fernández’ ‘anti-modernist utopia’: Río Escondido
• Epilogue: Mexican Cinema and Emilio Fernández post the Golden Age – From Golden Boy to ‘the man in black’
• Filmography

Diana Mafe Publishes Book

What’s Happening
Denison University, Department of English
2013-11-18

Diana Mafe, assistant professor of English, publishes her first book.

Diana Mafe, Assistant Professor of English, has published her first book, Mixed Race Stereotypes in South African and American Literature: Coloring Outside the (Black and White) Lines (Palgrave Macmillan 2013). In this work, she argues that the recent celebration of the mixed race figure as an avatar of positive change for multiracial nations like South Africa and the United States overlooks the complex global trajectories that resulted in this watershed moment. She examines the popular literary stereotype of the tragic mulatto from a comparative perspective and considers the ways in which specific South African and American writers have used this controversial literary character to challenge the logic of racial categorization. The result is a transnational dialogue between these respective national literatures, both of which use tragic mulatto fiction as a locus for broader questions about race and belonging.

English prof. Diana Mafe pens literary analysis of biracial blacks

The Denisonian: Denison University’s student publication since 1857
Granville, Ohio
2013-11-19

Curtis Edmonds, Forum Editor

The United States is undoubtedly one of the most–if not the most–racially diverse country in the world, and seven percent of American children born in the last decade were bi- or multiracial. Denison English professor Diana Mafe, a Canada native, has a new book out that explores literary representations of biracial blacks in the United States and South Africa titled, “Mixed Race Stereotypes in South African and American Literature: Coloring outside the (Black and White) Lines.”

Mafe’s book, which was published earlier this month, is a 150-page examination of feminist and queer theory as it applies to the American “mulattos” and the South African “coloureds,” different terms for the same subject: biracial children who are the offspring of black and white parents.

The first 40 pages or so act as both a history lesson and introduction to the topic. She describes how mulattos and coloureds came to be – through consensual and nonconsensual sexual relationships between white men and black or African women as a result of colonialism and slavery…

…Today, the mulatto literary trope continues to be popular. Mafe asserts that this is because the “mulatto embodies infinite binaries.” And, she’s right. What better character type to navigate right and wrong, good and bad, black and white, than a character who literally falls in the middle?…

Read the entire article here.

Mixed Race Stereotypes in South African and American Literature: Coloring Outside the (Black and White) Lines

Palgrave Macmillan
November 2013
208 pages
3 illustrations
5.500 x 8.500 inches
Hardback ISBN: 978-1-137-36492-0, ISBN10: 1-137-36492-0

Diana Adesola Mafe, Assistant Professor of English
Denison University, Granville, Ohio

America’s new millennial interest in multiraciality coincides with South Africa’s post-apartheid push towards greater visibility as the Rainbow Nation. Here, Diana Adesola Mafe argues that the recent celebration of the mulatto as an avatar of positive change for multiracial nations like South Africa and the United States overlooks the complex global trajectories that resulted in this watershed moment. Mixed Race Stereotypes in South African and American Literature examines the popular literary stereotype, the tragic mulatto, from a comparative perspective. Mafe considers the ways in which specific South African and American writers have used this controversial literary character to challenge the logic of racial categorization. The result is a transnational dialogue between these respective national literatures, both of which use tragic mulatto fiction as a locus for broader questions about race and belonging.

Table of Contents

• Introduction: Tainted Blood: The ‘Tragic Mulatto’ Tradition
• 1. God’s Stepchildren: The ‘Tragedy of Being a Halfbreed’ in South African Literature
• 2. ‘An Unlovely Woman’: Bessie Head’s Mulatta (re)Vision
• 3. ‘A Little Yellow Bastard Boy’: Arthur Nortje’s Mulatto Manhood
• 4. Tragic to Magic?: Achmat Dangor’s Bitter Fruit
• Conclusion: Playing in the Light

Play Could Begin Renaissance For Seminole Nation Culture

The Seminole Producer
Seminole, Oklahoma
2013-11-13
pages 1-2

Karen Anson, Senior Editor

IndianVoices.net contributed to this report

A play on the history of the Seminole Nation’s Freedmen is wrapping up in Los Angeles, but those involved hope it’s only the beginning of a movement.

The play, “the road weeps, the well runs dry,” will end Sunday in Los Angeles Theater Center.

It’s part of a “rolling premier,” being debuted in LA, as well as at the Pillsbury House Theater in Minneapolis, Minn; Perseverance Theater in Anchorage, Ala., and University of South Florida’s School of Theater and Dance.

“Surviving centuries of slavery, revolts and the Trail of Tears, a community of self-proclaimed Freedmen creates the first all-black U.S. town in Wewoka, Okla.,” states the press release about the play.

“The Freedmen (Black Seminoles and people of mixed origins) are rocked when the new religion and the old way come head to head and their former enslavers arrive to return them to the chains of bondage.

“Written in gorgeously cadenced language, utilizing elements of African American folk-lore and daring humor, ‘the road weeps, the well runs dry’ merges the myth, legends and history of the Seminole people.”

Playwright Marcus Gardley was awarded the 2011 PENN/Laura Pels award for mid-career playwright.

He holds masters of fine arts in playwriting from the Yale Drama School.

“Originally I set out to write a play about the first all-black town in the U.S., Wewoka, Okla.,” Gardley said.

“I had a special interest in the town because my grandmother was born there.

“In my research, I learned that Black Seminoles (people of African and Native American ancestry) actually incorporated the town…

…A third person involved in the program claims very close ties to Seminole County, Okla.

Phil “Pompey” Fixico spoke in a post program panel entitled “Exploring African American and Native American Spirituality.”

Fixico is featured in the Smithsonian Institute’s book and exhibit entitled “indiVisible: African-Native American Lives in the Americas,” which will open its next show on Jan. 25 at the Malcolm X and Dr. Betty Shabazz Memorial and Education Center in New York City.

For the exhibit, Fixico had to carefully document his heritage.

“I was a 52-year-old African-American, when I discovered that I was really an African-Native American,” Fixico said.

“This epiphany took place 14 years ago.”

Fixico’s found that he was the great-grandson of Caesar Bruner, an early leader of the Seminole Nation’s Freedman band…

Read the entire article here.

The genes that build America

The Guardian
2007-07-14

Paul Harris, US Correspondent

From the discovery that presidential hopeful Barack Obama is descended from white slave owners to the realisation that the majority of black Americans have European ancestors, a boom in ‘recreational genetics’ is forcing America to redefine its roots. Paul Harris pieces together the DNA jigsaw of what it really means to be born in the USA

Al Sharpton walked into a South Carolina pine forest just outside the sleepy southern town of Edgefield and stopped at a cluster of toothlike unmarked gravestones. This was the former plantation on which a few generations ago his ancestors had worked, lived, loved and died, owned as property by white masters. ‘You must assume that it’s family here,’ Sharpton said, referring to the abandoned slave graveyard.

A few weeks previously Reverend Sharpton, one of America’s most outspoken black civil rights leaders, had not known of the cemetery’s existence. But researchers had explored his genealogy and broken the news to him. Sharpton’s story had an astonishing twist: the genealogists discovered that his ancestors had once been owned by the ancestors of Strom Thurmond, the Senator and former segregationist who once ran for president on a racist platform. The phrase ‘ironic coincidence’ did not begin to cover it…

Read the entire article here.