Mixed Race Studies

Episode 1

Shade Podcast: UK culture and news podcast focused on the mixed race experience
2019-01-19

Laura Hesketh, Co-Host
Liverpool, England

Lou Mensah, Co-Host
London, England

Debut episode from Laura Hesketh & Lou Mensah where we discuss identification, Meghan Markle (00:01:36), the Khloé Kardashian bi racial doll tweet (00:07:25), Colin Kaepernick (00:10:40), Steven Riley (00:12:22), and more.

Listen to the episode (00:14:19) here. Download the episode here.

Participants Needed for Oral History Research/Dissertation Project: Multiracial Americans in the 1960s and 70s

Marlena Boswell, Ph.D. Candidate
Department of History
Indiana University, Bloomington

2019-02-01

I am a Ph.D. candidate researching the racial politics of multiracial individuals in the United States in the 1960s and 1970s. While the scholarly literature clearly establishes how society has historically viewed and racially identified multiracial Americans, I am seeking to understand how multiracial individuals racially identified themselves and how they related to the various race-based movements of the 60s and 70s. Therefore, I am seeking volunteers to share their stories in this oral history project.

I am seeking multiracial individuals who:

• Were born between 1945 and 1965
• Preferably (but not necessarily) have ties to the U.S. military

Because a portion of my research will focus on the U.S. military presence overseas in the post-World War II years and its role in the growth of the multiracial population, I am seeking (but not limiting participation to) individuals who come from multiracial families that grew out of the U.S. military presence in:

• England
• Germany
• Japan
• Korea

Please note: There is no monetary compensation for participation in this project.

If you are interested, please email me, Marlena Boswell, at mrb4@indiana.edu or brown.marlena@yahoo.com.

Pride, no prejudice: we’re young, Jewish and black

The Jewish Chronicle
London, United Kingdom
2019-01-31

Karen Glaser

Yasmin Bowen (left) and Vivien Sinclair (Photo: Benjamin Mole)

Drake, Sophie Okenado and Craig David: three big name examples of Jews who are black. So why do so many people assume all Jews are white? Karen Glaser met some teens who challenge that stereotype.

On Shabbat, frummers often stop Lia Grant on the streets of the Jewish neighbourhood where she lives and ask her to ring doorbells and switch on ovens for them. They preface their requests with a quick explanation of Shabbat and the type of work they are prohibited from doing on Judaism’s day of rest.

However, what they do not know is that far from being a potential Shabbos goy, Lia is a fellow Jew. So by asking her to work, her frum interlocutors are inadvertently committing a serious transgression: they are entreating someone who is obligated to keep Shabbat, to violate it.

“When I tell them I’m Jewish, very awkward shock washes over their faces,” says the JCoss sixth former whose mother is Jewish, Israeli and Nigerian, and whose father is Nigerian and Scottish.

It was a similar story when Lia first joined the Jewish secondary. “Are you Jewish?” her classmates would ask her. And six years later, her intersectional identity often elicits a similar response from non-Jews: “Wow! There’s such a thing as a black Jew?”…

Read the entire article here.

Which box do second generation mixed race people fit into?

gal-dem
2018-01-03

Carinya Sharples

Britain has barely got its head around interracial relationships, and already we’re behind the times. The children of mixed couples from the 1960s and 70s are now adults, with their own kids – even grandkids.

But which box do they fit into? Black, white, Asian, mixed race? Is there a terminology that exists for second generation mixed race children that does not just shove them into the box labelled “other”?

Emma, who describes herself as half Mauritian and half Sri Lankan, resists the labels put on her: “I am classified as ‘Asian’ in the UK or ‘Asian – mixed’ or ‘mixed – other’ or ‘other’. I don’t resonate with any of these terms.”

Since having a son with her Nigerian partner, Emma is well aware that negotiating restrictive labels is about to get even more complex.

If her son was confused or asked for guidance, she says, she’d discuss it with him to find a term that he is comfortable with. But ultimately the choice would be his. “I think it’s important for us to identify ourselves as we feel as individuals,” she says.

This doesn’t mean, though, that other people aren’t already deciding for him – albeit in a positive, inclusive way. On the couple’s regular trips to Lagos, he’s embraced as a Nigerian and called “Yoruba boy”. And when the children at his London nursery had to make a flag of their country, he came home with a Nigerian flag…

…While there have been many studies of mixed-race relationships, there is precious little research on mixed-race families. This is something Miri Song, Professor of Sociology at the University of Kent, wants to change. Her new book, Multiracial Parents: Mixed Families, Generational Change and the Future of Race, explores some of these issues…

Read the entire article here.

‘I’m mixed-race, is Cambridge University right for me?’

BBC News
2019-01-22

Anoushka Mutanda Dougherty has been offered a place at Cambridge University, but she’s mixed-race and from a state school – and only 3% of students who started at Cambridge in 2017 were black, or mixed-race with black heritage. So is it the best place for her? At this point, she’s not sure.

Cambridge is the second-oldest university in the English-speaking world. Cambridge is the fourth-oldest surviving university in the world. Cambridge has produced, so far, 90 Nobel prize winners – and Cambridge, this educational powerhouse, just might not be where I want to go. At least, that’s how I feel right now, a week after finding out that I got a place…

Read the entire article here.

Why do so many others want to claim Blackness if it means oppression?

The Black Youth Project
2018-12-27

Inigo Laguda

Anthony Lennon via Facebook | Rachel Dolezal via Wikimedia Commons

It is the most enthralling and excruciating time to be Black. Recently, it seems, some have managed access to glide through avenues that were previously concealed from us—to break down walls that were once erected to ostracize us. We are in the belly of a Black artistic renaissance and some of these shifting tides are joyous to watch. We are flooding onto magazine covers. The silver screen has a vivid range of our stories being told. The littler screen is forming and fleshing out more of our narratives than ever before. Slowly, we are being more and more seen.

But just as the draping trees and tranquil swamp-waters of the southern Bayou once served as an eerily mesmerizing backdrop for the unrelenting violence that enslaved peoples faced as they toiled tirelessly nearby—the painful reality of being Black is one of a dual existence. Victory is juxtaposed with defeat, and joy is never further than a stones throw from pain…

Read the entire article here.

E is for Evelyn

Adulting Whilst…
2019-01-05

Fiona Timba

E is for Evelyn, Evelyn Dove.

Evelyn Dove was born in London on 11 January 1902 and was the first black woman to sing on BBC radio. Although often referred to as the British Josephine Baker, Evelyn Dove replaced Josephine Baker in 1932 as the star attraction at the Casino de Paris and in a career that spanned over five decades she was a star of jazz and cabaret, embraced by the world.

Evelyn had West African and English heritage, her father being a barrister originally from Sierra Leone. It is reported that she had a privileged upbringing, attending private school before going on to study at the Royal Academy of Music and in 1925 she became the first black woman to sing on BBC radio in 1925 at the age of just 24! Evelyn toured Europe performing with many of the great American jazz performers of the time before replacing Josephine Baker at the Casino de Paris. Coming from a privileged middle-class family, and with a parent of African heritage, you can only imagine the reaction her parents had to Evelyn donning Josephine’s revealing costume…

Read the entire article here.

British woman whose Nigerian father was killed by an IRA bomb has been driven from her Northern Ireland home by racists, she says, as she finally finds ‘sanctuary’ in England

The Daily Mail
2018-02-20

Richard Spillett

Jayne Olorunda, the daughter of a man killed by the IRA, has told how she was forced out of Northern Ireland by racism

• Jayne Olorunda grew up in Belfast after her father was killed by an IRA bomb
• She says her family have been forced out of Northern Ireland by racism
• Now in her thirties, she was surrounded by racist thugs outside party in 2016
• She says her family are much happier in Leeds, where ‘attitudes are different’

The daughter of a man killed in an IRA bombing has told how she was later forced from Northern Ireland by racism.

Jayne Olorunda is the daughter of Nigerian-born Max Olorunda, who was killed by an IRA incendiary bomb which detonated aboard a train in Dunmurry in 1980.

She grew up in Belfast but recently moved to England due to racism in Northern Ireland…

…Miss Olorunda has written Legacy, the story of her family and how they have coped with her father’s tragic death and the aftermath of it.

The book covers Miss Olorunda’s mother’s deteriorating health and how the pair eventually met the man involved in the bombing which killed her father as well as her own struggles growing up.

Read the entire article here.

The Ice Migration

Peepal Press
2018-05-31
224 pages
Paperback ISBN: 9781845233587

Jacqueline Crooks

The stories in this ambitious collection move around in time and place, linked by the experiences of the descendants of a Jamaican family of mixed Indian and African heritage.

The stories in this collection move around in time and place, linked by the experiences of the descendants of a Jamaican family of mixed Indian and African heritage.

From Roaring River in rural Jamaica in 1908 where the descendants of African slaves make connections with new arrivals from Calcutta to work in the sugar cane fields, to Southall in 2013, where the Millers live alongside newer migrants from India, The Ice Migration is a poetic exploration of movement as central to the human condition.

Crooks’ vision encompasses the ancestors of the vanished Tainos in Jamaica who crossed the Behring Straits 40,000 years ago, but who linger in spirit, and individuals like Tutus who is driven to separation from her family, to constantly moving on, but who ultimately makes a return to Roaring River.

The people of Jacqueline Crooks’ stories are deeply enmeshed in their African/Indian Jamaican world of dreams, visions, duppies and spiritual presences that connect them across time and place. What they discover beyond the strangeness of change of place and the hostilities they encounter is that life remains defined by its common crises – of birth, the complications of sexuality, sickness, old age, and death – and by the comforts of food, stories and memory.

Individual stories have been shortlisted in the Asham Award and Wasafiri New Writing competitions and have appeared in: Virago, Granta, Closure: Contemporary Black British short stories, the Woven Tale Press, and MsLexia. The Ice Migration is Jacqueline Crooks’ first book.

Lynette Linton: ‘Why are we not marching in the streets?’

The Guardian
2019-01-02

Bridget Minamore

Lynette Linton, incoming artistic director of the Bush Theatre in London, photographed during rehearsals for Sweat. Photograph: David Levene for the Guardian

Fuelled by passion and outrage, the playwright and director is shaking up theatre with works about Windrush to an all-women-of-colour Richard II – and now she’s taking over the Bush in London

Lynette Linton is known for her deep love of Michael Jackson. The director and playwright has said that, in a parallel universe, her ideal job would be the King of Pop’s backup dancer. When I ask her why she loves him so much, she replies as though the answer is obvious. Jackson, she says, was a theatremaker. “If you watch his performances, that’s a show, it’s an experience. Everything from his toe to his eyebrow was activated, and you want your audiences to faint like they did when they saw him.” Does she want the audience for Sweat, her current production at the Donmar Warehouse in London, to faint in the aisles? Linton laughs, and points out that Sweat’s playwright, Lynn Nottage, has signed on to write the book for a forthcoming Broadway musical about Jackson. Everything, it seems, is connected.

To many in British theatre, Linton is one of the industry’s friendliest and most exciting figures. As an assistant director she has worked with Kwame Kwei-Armah and Michael Grandage; she has been an associate director of the Gate in Notting Hill, and she has written for both Theatre Royal Stratford East and the Arcola in east London, her plays exploring mixed-race identity (2017’s Hashtag Lightie), queerness (2013’s Step) and inner-city London’s chicken shops (2015’s Chicken Palace)…

…Much of Linton’s work has touched on who she is and where she comes from, with her forthcoming Windrush films a tribute to her mixed British Caribbean heritage. “My dad is from Guyana, and he sat me and my brother down [as children] and was like, ‘You are black, the world will see you as black.’” The Windrush scandal is something that has affected her deeply. “I spoke to theatre people, saying, ‘Why are we not responding to this? Why are we not in the streets marching?’ They’re sending families home. It makes me feel sick.” Linton’s voice shakes a little. “Even now, it chokes me. The people they’re targeting are elders, man. People are having heart attacks and have died because of this.” Still, her films – which are to be screened at the Royal Court in London – will have “a massive celebration at the core. It was really important to me that we took over a building and celebrated West Indian culture.”…

Read the entire interview here.