To Sweeten Bitter

Posted in Autobiography, Books, Media Archive, Poetry, United Kingdom on 2017-12-26 02:16Z by Steven

To Sweeten Bitter

Out-Spoken Press
2017-04-10
49 pages
8.5 x 0.4 x 5.5 inches
ISBN-13: 978-0993103872

Raymond Antrobus

Consider the name of Raymond Antrobus’ extraordinary collection of poems for a moment: To Sweeten Bitter. It’s a phrase of infinite possibility and tender worry, open and searching, wanting and volatile. And in this sense, it serves as a kind of secret refrain for us, a haunted current that charges after each line and image, each heart-fraught question (“you think you’re going / to go free?”) and tentative hope (“there is always enough time / in our lives to see / what we must see”). Here, a father laughs “you cannot love sugar and hate your sweetness” and a son reckons with all that might mean “in the scratched light” of history and the “turning / and the losing of myself.” Derek Walcott once reflected that “I have never separated the writing of poetry from prayer;” these poems— in all their urgent beauty—affirm that faith, embody it. —R.A. Villanueva

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uncovering the “privilege” of being a white passing person of colour

Posted in Articles, Autobiography, Passing, United Kingdom on 2017-12-22 19:42Z by Steven

uncovering the “privilege” of being a white passing person of colour

i-D
VICE
2016-02-02

Niloufar Haidari


Photography Khashayar Elyassi

Why we shouldn’t let white people police who gets to be “white”.

I am a ‘white-passing’ person of colour; a white-passing British-Iranian woman of colour to be exact. I am in no way ignorant as to the privilege this gives me in a still very much racialised world in which the after-effects of colonialism and imperialism are all too evident and dark skin is seen as anything from unattractive to a reason to kill. I am aware that in a culture in which fair skin is still valued higher than those of brown people whether in the fashion industry, on the internet or just at family gatherings, I am lucky. I am white-passing, and I have white-passing privilege. In short, this means that I am not necessarily immediately recognisable as a ‘brown person’, an ‘other’. Make-up companies cater to my concealer and lipstick needs, ‘flesh-coloured’ plasters and crayons are roughly the right shade. Due to the fact that I have spent my whole life living in the UK, I suffer from Vitamin D deficiency and am therefore more likely to be mistaken for Italian/Spanish rather than Middle Eastern for 9 months of the year. I would like to make it very clear that I am in no way trying to claim I suffer the same kind of discrimination based on skin that black or dark-skinned Asian women do; I don’t even suffer the same kind of discrimination as other Iranian women who are darker than I do.

But I do suffer discrimination. I am white-passing, not white. And interestingly, it often seems to be white people rather than other people of colour who are darker than me who are quick to announce my non-eligibility for discrimination and to tell me I’m white. I have experienced a long and varied history of this from both white friends and anonymous white strangers on the internet…

Read the entire article here.

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First Encounters: Chi-Chi Nwanoku and Keith Pascoe

Posted in Articles, Arts, Europe, Media Archive, United Kingdom on 2017-12-20 23:02Z by Steven

First Encounters: Chi-Chi Nwanoku and Keith Pascoe

The Irish Times
2017-05-03

Frances O’Rourke


Chi-Chi Nwanoku

‘Ireland brought us back together’

Chi-Chi Nwanoku is a double bassist and a founder member of the Orchestra of the Age of Enlightenment. The eldest of five children of a Nigerian father and an Irish mother, she pursued a career in music after injury ended a promising athletics career. She grew up in Kent and Berkshire and now lives in London

The first time I saw Keith was when we were college students in our early 20s. He seemed incredibly composed, confident, like a good fun guy – he had a mischievous twinkle in his eye which I liked. We weren’t in each other’s social circles but I registered Keith as a kindred spirit.

I’d only started playing the double bass when I was 18, after an athletics injury. When I came out of hospital, my A Levels music teacher said, you have music coursing through your veins – now that your sprinting career is over, if you pick an unpopular orchestral instrument, you could just possibly have a career. I’d played piano since I was seven but I’d never played in an orchestra before. A few years later I got into the Royal Academy of Music

…I had been in Ireland just once before when I’d taken my mother there in 1986. She hadn’t been back to Ireland in 36 years, didn’t know how she’d be received: she was born in Cappamore in Limerick, grew up in Thurles, but was kind of abandoned by her family after she met and married my father, an Igbo from east Nigeria, in London. We grew up with lots of wonderful stories and memories that she gave us but she had a very very tough time. In London in the 1950s, it was “no blacks, no Irish, no dogs” – it was as much as my parents could do to find a roof over their heads…

Read the entire article here.

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In an increasingly mixed-race America, who decides what we call ourselves?

Posted in Articles, Census/Demographics, Media Archive, Politics/Public Policy, Social Science, United Kingdom, United States on 2017-12-20 17:59Z by Steven

In an increasingly mixed-race America, who decides what we call ourselves?

The Philadelphia Inquirer
2017-12-18

Valerie Russ, Staff Writer


(Andy Stenning/Pool Photo via AP)
Prince Harry and his fiancee Meghan Markle speak with teachers at the Nottingham Academy Dec. 1.

Last week, the Meghan Markle controversy was her anticipated visit with Prince Harry to Queen Elizabeth’s estate at Sandringham for Christmas, an unprecedented invitation for an unmarried couple.

Before that, the debate was about Markle’s mixed-race identity: Do her African American mother and white father make her white, black, or biracial? After her engagement to Harry, some women celebrated the notion of a “black princess” — although she’ll actually be a duchess — while others argued she should be described as biracial, not black.

How to define, describe, and label mixed-race identity has been a brewing controversy in recent decades as the country becomes more racially diverse. Since the 2000 census, when Americans were first able to choose more than one race, the Census Bureau reported that people of color will be the majority in the nation by the 2040s and that more than half of American children will be part of a minority race or ethnic group by 2020. In fact, as of last year, the census said minority or ethnic-group children under the age of 1 are already in the majority.

The sociologist Herbert Gans blamed Census Bureau data for the increase in white nationalism and alt-right fear “that they are being threatened and overwhelmed by a growing tide of darker-skinned people.” He predicted that mixed-race Latinos and Asians will eventually identify themselves as white.

Camille Z. Charles, the director of the Center for Africana Studies at the University of Pennsylvania, is the daughter of an African American mother and a white father. Charles identifies as black. She is working on a book exploring the intra-racial diversity among black Americans who identify either as African American, mixed-race/biracial, or black immigrant, tentatively titled The New Black: Race-Conscious or Post-Racial?

Read the entire article here.

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Turner Prize Goes to Lubaina Himid, Whose Work Depicts African Diaspora

Posted in Articles, Arts, History, Media Archive, Slavery, United Kingdom on 2017-12-06 02:39Z by Steven

Turner Prize Goes to Lubaina Himid, Whose Work Depicts African Diaspora

The New York Times
2017-12-05

Anna Codrea-Rado


Lubaina Himid won Britain’s leading contemporary art prize for “her uncompromising tackling of issues” including colonial history and racism, the jury chairman said.
Credit Edmund Blok for Modern Art Oxford

The visual artist Lubaina Himid, best known for her paintings, installations and drawings depicting the African diaspora, won the Turner Prize on Tuesday night, making her the first nonwhite woman to be given the leading British contemporary art award…

…Alex Farquharson, Tate Britain’s director and the chairman of the Turner Prize jury, said in a statement that the jury “praised the artist for her uncompromising tackling of issues including colonial history and how racism persists today.” Ms. Himid won for three of her shows this year, in Oxford, Bristol and Nottingham, he said.

Among the selection of Ms. Himid’s work on display at the Turner Prize exhibition in Hull was a collection of English ceramics painted with images of black slaves.

Ms. Himid, 63, is the oldest recipient in the prize’s history; a rule change made her eligible. This year’s award was the first since 1991 that was open to artists over 50…

…This year’s shortlist was also noted for being one of the most diverse. All of the nominees have connections abroad, either by birth or through parentage. Ms. Nashashibi, 44, was born in London to a Palestinian father and an Irish mother; Ms. Büttner, 46, is German-born; Mr. Anderson is the son of Jamaican immigrants; and Ms. Himid was born in Tanzania…

Read the entire article here.

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Life in The Hinterlands; Growing up Gay & Mixed Race on The Isle of White

Posted in Articles, Autobiography, Gay & Lesbian, Media Archive, United Kingdom on 2017-12-05 17:26Z by Steven

Life in The Hinterlands; Growing up Gay & Mixed Race on The Isle of White

The Afropean: Adventures in Afro Europe
2017-05-09

Ashley Thomas

Life as a mixed gay man seems a singular experience.

Who, what and where are the fluid foundations on which I’m constructed, construed and constrained. To some I am black but not Black, clearly not white or not Black enough. To others, I am an undecided shade of, well, I suppose you might say…

…Brown?

The Isle of Wight is a brilliant homophone. With its crumbling chalk and its crumbling people, it’s REALLY FUCKING WHITE. It’s located somewhere between the English south coast and 27 years ago. The island could seem blank or barren, but this is no creative backwater. At best, rural seaside racism is imaginative: I admired coconut-kicker most for its tropical rhythm…

Read the entire article here.

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Racial (Dis)Harmony: The Overestimated Post-racial Power of Meghan Markle

Posted in Articles, Communications/Media Studies, Media Archive, Social Science, United Kingdom on 2017-12-04 02:08Z by Steven

Racial (Dis)Harmony: The Overestimated Post-racial Power of Meghan Markle

Bitch Media
2017-12-01

Dr. Shantel Gabrieal Buggs, Assistant Professor of Sociology and African American Studies
Florida State University


Photo credit: Twitter/newsjsBW

This week, the engagement of American actress Meghan Markle to British royal Prince Harry set social media ablaze.

Race is at the center of this internet firestorm: Markle is biracial, with a Black mother and white father. As a Black and white mixed-race woman who studies multiracial identity and interracial relationships, the online debates over Markle and her fiancé have been both perplexing and unsurprising. Over the last year, Markle’s racial background has drawn negative press in Britain. Last November, Prince Harry publicly called out the barely veiled racism and sexism in the media coverage of their relationship. Despite this treatment, their engagement is viewed as an opportunity to change what it means to be British and royal, with American fans celebrating a “real Black princess” who will bring #BlackGirlMagic to the royal family and the seemingly stale royal wedding traditions. Several essays have been written about what Markle’s presence means for the British monarchy and the broader racial politics of the West…

Read the entire article here.

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“She’s not exotic. She’s not from a tribe in the Amazon. She’s American”: Gina Yashere on Meghan Markle’s engagement

Posted in Interviews, Media Archive, United Kingdom, Videos on 2017-12-04 01:21Z by Steven

“She’s not exotic. She’s not from a tribe in the Amazon. She’s American”: Gina Yashere on Meghan Markle’s engagement

Channel 4 News
London, United Kingdom
2017-11-28

Cathy Newman, Presenter

Interview with author Afua Hirsch and Charlie Brinkhurst-Cuff who is deputy editor of gal-dem – an online magazine written by women of colour. And from New York – the comedian Gina Yashere.

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Being Irish, mixed race and living abroad: it’s complicated

Posted in Articles, Arts, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, United Kingdom on 2017-12-03 22:06Z by Steven

Being Irish, mixed race and living abroad: it’s complicated

The Irish Times
2017-12-01

Conrad Bryan, Treasurer
Irish in Britain


A scene from Hashtag Lightie, playing at the Arcola Theatre in north London.

London play ‘Hashtag Lightie’ puts the spotlight on mixed-race identity

I live in London, a melting pot of cultures and ethnicities. It is a place where anything goes and where people of different ethnicities have always mixed, loved and married.

However, today the binary black and white notion of race is being challenged by the younger generation. They are choosing for themselves where they sit on the colour spectrum and how they self-identify. No longer will they accept other people labelling them.

Many are choosing to self-identify as mixed-race rather than black, which is causing a real debate in the black community here. This has many consequences for individuals struggling to determine where they fit in society, or what side to take…

Read the entire article here.

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Harry-and-Meghan is not ‘great news’ for interracial couples

Posted in Articles, Media Archive, United Kingdom on 2017-12-03 03:21Z by Steven

Harry-and-Meghan is not ‘great news’ for interracial couples

gal-dem
2017-12-01

Natalie Morris


image via Vanity Fair

On Monday it was announced that Prince Harry is engaged to Meghan Markle – a half white, half black American. A mixed-race woman is about to become the first non-white member of the British monarchy, and I am conflicted.

Feelings about the Royal Family aside, my initial instinct was that the introduction of any kind of diversity to this country’s most historic institution can only be a good thing. There’s definitely a little girl inside me who wants to cry joyful tears at the thought of a black princess. But after about four minutes on Twitter and an avalanche of headlines screaming about Harry’s “exotic” choice of fiancée, I realised how this was actually going to go…

Read the entire article here.

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