Mixed Race Studies

‘My mum always told me I was white, like her. Now I know the truth’

The Guardian
2017-03-18

Georgina Lawton

Georgina Lawton: ‘Even though I would look in the mirror and see a brown, dark-eyed girl, I couldn’t identify as black.’

As a child in a white Anglo-Irish family, Georgina Lawton’s curiosity about her dark skin colour was constantly brushed aside. Only when her father died did the truth surface

You might not think it to look at me, but my upbringing was a very Anglo-Irish affair. I grew up on the outskirts of London with my blue-eyed younger brother, British father and Irish mother. Many happy weeks of the school holidays were spent in Ireland and I was educated at a Catholic school in Surrey. We ate roast beef and yorkshire puddings on Sundays, and Thin Lizzy, Van Morrison and the Clash formed the soundtrack to our lazy weekends.

The only peculiar aspect to all this was the defining aspect of my identity. Because, although I look mixed-race, or black, my whole family is white. And until the man I called Dad died two years ago, I did not know the truth about my existence. Now, age 24, I’m starting to uncover where I come from…

Read the entire article here.

First Professor of Race and Education appointed at Leeds Beckett

Leeds Beckett University
Leeds, United Kingdom
2017-03-14

Carrie Braithwaite, Press Officer

Leeds Beckett University has appointed the UK’s first Professor of Race and Education, Shirley Anne Tate.

Professor Tate is a world-leading researcher in the areas of institutional racism and black identity. She will join Leeds Beckett’s Carnegie School of Education on Monday 3 April from the University of Leeds, where she is currently Associate Professor, giving a boost to Higher Education Statistics Agency (HESA) data, which shows that there were only 25 Black female Professors in the UK in the academic year 2015/16.

Professor Tate has written widely on topics including the body, ‘mixed race’, beauty, and the cultures of skin. The focus of her research is Black diaspora politics and she will begin a new international research project this summer, looking into what needs to be done to tackle racialisation across the UK, Sweden, South Africa and Brazil and how National Human Rights Institutions (NHRIs) play a vital role in national approaches to countering racism…

Read the entire article here.

Chi-chi’s classic tale of real talent

The Independent
2016-11-14

Julia Molony

Irish-Nigerian double bass player Chi-chi Nwanoku has been breaking down barriers all her life. She tells our reporter about her remarkable childhood and career

The home of classical musician Chi-chi Nwanoku offers a glimpse into the mind of a person driven to the greatest heights of excellence in their field.

For one thing, it is immaculate. “I’m fastidious,” she admits, miming obsessive wiping of kitchen surfaces. She is also, “a very literal person. If someone says ‘play that staccato’, you won’t hear it played shorter.” Then, of course, there is her double bass in the front room – the oversized instrument, “a man’s instrument” as she was told when she started out, seeming cartoon-ish here, despite the tall ceilings of her elegant Victorian semi-detached house.

After you have taken in Nwanoku’s jaunty, jewel-coloured afro, and the surprise of her bright turquoise eyes, the most striking thing about her is her energy. She is, she says, only five feet tall. But she is a woman clearly driven by a relentless, indefatigable energy…

…She was born in Fulham, London, the eldest daughter of an Irish nurse and Nigerian medical student. Mixed race couples were an anomaly at the time and her parents faced enormous prejudice, both from society and closer to home, within their extended family. They were economic migrants to the capital of the British Empire at a time when landlords routinely posted signs reading “no blacks, no Irish, no dogs.” But her parents’ love flourished and endured for 50 years until they died. It was through witnessing her parents’ bond, that Chi-chi’s own iconoclasm was formed….

Read the entire article here.

Africa Utopia: Chi Chi Nwanoku discusses the Chineke! orchestra

The Evening Standard
London, United Kingdom
2016-09-02

The founder of Britain’s first BME orchestra sat down with [Features Writer] David Ellis to talk classical music, prejudice in the industry and the Southbank Festival

Watch the interview here.

Let’s Stop This Offensive Term From Making A Comeback

Refinery 29
2017-03-09

Anna Jay & Rebecca Gonsalves

The other night I was out with a friend, and her friends, and their friends. You know, one of those evenings where you walk into the pub and realise you don’t know anyone. But seeing as this isn’t the first day of primary school and you can’t wail and cling to your mum’s leg, you have to suck it up, get a drink and start mingling.

The evening progressed and it seemed to be going well: small talk was made, jokes (and shots) were shared. On the dance floor, a new acquaintance leaned in all conspiratorial to tell me something about having slept with a guy at the bar. “Over there,” she said. “The half-caste guy.” The music was loud but there was no mistaking that ugly, old-fashioned phrase. I felt physically jarred, the blood rushing to my face. I usually hate confrontation – who doesn’t – but get a drink or two in me and I become altogether more argumentative…

Read the entire article here.

Caramel queen or white man’s whore: #HashtagLightie, the play exploring the realities of modern mixed-race lives

Media Diversified
2017-02-10

Zahra Dalilah

Women and men of mixed heritage, especially black/white, are often called upon in media to provide an inoffensive face of diversity, a fetishized vision of exotic beauty or simplistically characterised as inherently confused halves of one thing or the other. The play #HashtagLightie – which recently sold out the Arcola Theatre, London before rehearsals had even begun – effortlessly defies these restrictions with a story that is relatable in its specificity and genuine in its relationships.

The show, written by Lynette Linton and directed by Rikki Beadle-Blair, centres on an Irish/Bajan family who become the targets of racial abuse on social media. Although issues of colourism and the impact of social media on young lives are not exactly new, #HashtagLightie interweaves these with a fresh look at the identities and perceptions of mixed-race women and men in British society…

Read the entire review here.

Lewis Hamilton

60 Minutes
CBS News
2015-12-13

Lewis Hamilton shows off Formula One car to Charlie Rose

The following is a script from “Lewis Hamilton” which aired on Dec. 13, 2015. Charlie Rose is the correspondent. Keith Sharman, producer.

There is nothing like Formula One in terms of global popularity, glamour and speed. The racing series is considered the pinnacle of motor sports. Most Americans haven’t heard of its biggest star — his name is Lewis Hamilton. Even if car races aren’t your thing, there’s still much to admire in Hamilton’s inspiring story of beating the odds and breaking through barriers. But if you do like speed…buckle up…because you’re about to experience the indescribable rush of driving one of the fastest race cars on the planet.

Lewis Hamilton: Nothing can really prepare you for when you get in the Formula One car. Knowing that you’re driving a multimillion-dollar car, and if you crash it it’s going to cost a lot of money, and they might not give you another chance, is scary…

…Worldwide, Formula One generated more than two billion dollars last season but remains a niche sport in the United States.

F1 executives hope Hamilton can change that.

They have never seen a star like him before.

Charlie Rose: How many black drivers in Formula One?

Lewis Hamilton: One.

Charlie Rose: Why is that?

Lewis Hamilton: Well, I don’t know. I think in the future there’ll be more.

Charlie Rose: You’re a role model?

Lewis Hamilton: I hope so….

Read the entire transcript here. Watch the interview here.

The film “A United Kingdom” reminds us of the progress made with interracial marriage

The State Press
Tempe, Arizona
2017-02-23

Guillermo Mijares, Political Reporter

Photo by Karen Ta | The State Press “People shouldn’t be uncomfortable seeing an interracial couple.” Illustration published on Thursday, Feb. 23, 2017.

I believe we are undoubtedly the most progressive generation so far. This past weekend I went to see a film that reminded me of that.

“A United Kingdom” reminds us that it wasn’t too long ago that skin color was a barrier to overcome for some couples. In fact, it wasn’t until the year 2000 when the state of Alabama finally changed its decision and lifted the ban on the right to an interracial marriage in the state.

Just 55 years ago, Arizona repealed its ban on interracial marriages. Many of our parents lived to witness this repeal, yet we tend to forget this unfortunate part of history.

This film reminds us that a visual image today of an interracial couple is almost entirely a non-issue, certainly among millennials. As a college student at ASU, I witness many interracial couples daily, which is something past generations could not witness.

Despite the flaws our world has when it comes to race relations, I believe people, especially younger people and students, are leading the way to a more accepting society…

…Though the film addressed a racial issue, it wouldn’t address why people were so uncomfortable seeing an interracial couple.

Author and Time magazine contributor Arica L. Coleman Ph.D, said that this has been an on-going problem with the film industry.

She said she gives credit to the industry for highlighting important and progressive moments in historical films, but she also finds a problem in those same films for not presenting the full picture to the public when it comes down to race.

“They are problematic — they sell an illusion — and a problem I have with the topic of interracial marriage is the whole notion of using interracial marriage as a sign of progress with race, but it also can be used as an eraser,” she said. “Also, just like most of the time with Hollywood, it’s almost always the black man with the exotic white woman, which continues to show that the lack for black women is still present.”…

Read the entire article here.

Mixed-race couple: ‘The priest refused to marry us’

BBC News Magazine
2017-03-01

Claire Bates

Phil Coomes Trudy and Barclay Patoir met during World War Two at a time when mixed-race relationships were still taboo. More than 70 years later they reveal the obstacles they had to overcome to stay together.

When Trudy Menard and Barclay Patoir told friends and family they were going to get married, no-one thought it was a good idea – because Trudy was white and Barclay was black.

“When I told them at work they thought I was daft marrying a black man. They all said, ‘It won’t last you know,’ because it was a mixed-race marriage,” says Trudy.

“I think some people thought I was marrying beneath myself.”…

Read the entire article here.

When Black is not the only colour

50.50: inclusive democracy
open democracy
2017-02-20

Kamila Zahno
Haringey, London, United Kingdom

Kamila and her ‘slightly coloured’ siblings in the 1960s.

Too Black for the adoption agencies but not Black enough for the political campaigners.  On growing up an adoptee of mixed heritage in Britain.

Times have changed. When I was a child in sixties’ Britain there was no Jessica Ennis, Jackie Kay, Chuka Umunna or Lewis Hamilton. Mixed heritage role models were thin on the ground: we saw film stars like Merle Oberon, or singers such as Bob Marley, but I can’t remember seeing any British role models. Now people of mixed parentage are everywhere, although it was not until the 2001 Census that we became ‘official’.  In that year there were 677,177 of us.  By 2020 it is estimated that 1.24 million people in the UK will be of mixed parentage.

In the fifties when I was born, unmarried pregnant women were encouraged to give their babies up for adoption. I, along with my three siblings, was one of them.  However, the adoption agency files revealed what a headache we posed to them.  We were not adoption material.  ‘Baby is slightly coloured and adoption is impossible’ was the phrase written in my sister Ellen’s adoption papers.

We were all different ethnicities: our fathers from Asia or Africa, our mothers white. My mother was a young Swiss au pair working in London; my father an Indian engineering student. How they met I shall never know but I liked to think about them learning to jive at the Hammersmith Palais…

Read the entire article here.