Mixed Race Studies

From Her Dad To Her ‘Jamish’ Roots, A Poet Pieces Her Story Together

All Things Considered
National Public Radio
2014-12-28

Arun Rath, Host

Growing up in 1970s England, Salena Godden stood out. Her mother was Jamaican and her father was an Irish jazz musician who mysteriously disappeared from her life when she was very young.

In her memoir, Springfield Road, the writer, poet and musician tells the story of finding her personal identity, beginning with the word she made up to describe her race: Jamish.

“It’s kind of … a mix of being Jamaican, Irish, English,” she tells NPR’s Arun Rath. “It’s the name I gave myself.”…

Read the story here. Download the interview (00:06:15) here. Read the transcript here.

Springfield Road

Penguin Books UK
2014-09-30
272 Pages
129mm x 198mm x 18mm
Paperback ISBN: 9781783520558
eBook ISBN: 9781783520565

Salena Godden

Springfield Road is a journey into childhood in the late 1970s, a time of halfpenny sweets, fish and chips in newspaper, scrumping apples and foraging for conkers. Set in the dawn of Thatcher’s Britain, it’s a salute to every curly-top, scabby knee’d, mixed-up, half-crazy kid with NHS glasses, free school dinners and hand-me- downs, as told by the daughter of an Irish jazz musician and a Jamaican go-go dancer.

It’s about discovering that life is unfair, that there are bullies out there, and that parents die; yet it is the very antithesis of a misery memoir. It’s a vivid, uplifting tale that seeks out the humour, colour and tenderness in the world, and when you read it you will say Hey! I remember, we did that too!

You might say: I remember being closer to the ground; I remember summers were longer and how oranges were bigger; I remember struggling to comprehend sex and war, life and death, heaven and hell, and perhaps you’ll say, I remember I missed my dad too…

We are not “belligerent,” “dark” or “bitter”

Media Diversified
2016-11-29

Tele Ogunyemi, Co-founder
Diaspora Philes

Yasmin Alibhai-Brown’s recent article ‘Blend it like Britain’ is a masterpiece in how to simultaneously erase and fetishize people of colour. Published on 6th November 2016 in the Sunday Times Magazine to promote Amma Asante’s new film ‘A United Kingdom’, the article is littered with racist or otherwise problematic assertions about people of colour, and their role in creating a modern multicultural Britain. Alibhai-Brown’s article seeks to explore the role of white women in building a ‘multicultural’ Britain, but is laced with rhetoric that casually dehumanizes people of colour. [Chief amongst these lazy tropes are toxic portrayals of an exotic and dangerous black masculinity in contrast to a pristine, “middle class” white womanhood.

Yasmin Alibhai-Brown writes that ‘miscegenation goes way back and deep down in Great Britain. Much of this integration is thanks to an unsung history of white British women who defied social norms to follow their hearts.’

We do not doubt that white women in relationships with men of colour played a part in this demographic change in society. However, by placing white British women at the centre of a narrative about multicultural nationhood, Alibhai-Brown erases the contributions of millions of immigrants who have come to the UK and done the difficult work of integrating into a new society whilst enriching Britain with the best elements of their cultures…

Read the entire article here.

Blend it like Britain

The Sunday Times
The Times of London
2016-11-06

Yasmin Alibhai-Brown

United colours: one in 10 people in this country are in a mixed relationship MORDECHAI MEIRI

An acclaimed new movie, A United Kingdom, is set to shine a spotlight on mixed-race relationships — and how British women changed society’s attitude towards them. The time to celebrate these unsung pioneers is long overdue

Brits have long been typecast as a nation of snobs and Little Englanders. Dull, cold, twitchy folk, as culturally unadventurous as they are sexually repressed. These “small islander” traits are a key part of the national story, but only a part. Dig beneath the surface of British history and society, and you find a culture that is curious and expansive. One in 10 people in this country are in a mixed relationship. Millions of us are bolder than the supposedly romantic and hot-blooded Italians or French, most of whom are conformist and tend not to break out of their cultural and ethnic boundaries.

Europeans are (very slowly) becoming more ethnically mixed, but they will never catch up with the UK’s demographic melange. Between 2001 and 2011, there has been a rise of more than 50% in British black/white partnerships. Today, around half of black and 20% of British-Asian men have wedded or cohabit with white women. This is no new trend. Miscegenation goes way back and deep down in Great Britain. Much of this integration is thanks to an unsung history of white British women who defied social norms to follow their hearts.

In the 16th century, the first black people arrived on these shores. The majority were men: slaves, freed slaves and servants. Poor, working-class women in London and the port cities paired up with them, had children too. They were the first to set the trend that grew during the days of empire and the two world wars. A report written in Liverpool in the early 1930s depicted these women as feckless and promiscuous. In the late 1940s, ships arrived carrying Caribbeans, again mostly men. They, too, found Englishwomen who were enraptured by darker-skinned partners. The women were often reviled, but many of them refused to bow to prejudice. These women began the social revolution that changed Britain for ever…

Read the entire article here.

A Mixed Race Feminist Blog Interview with Jamal Langley

Mixed Race Feminist Blog
2016-11-29

Nicola Codner
Leeds, Yorkshire, United Kingdom

Jamal Langley

Interviewee Bio

Hey. My name is Jamal Langley and I’m 22 years old. I aspire to be a public academic, which is an academic that creates knowledge that is of practical use in order to mobilise the public democratically. I think that the idea of public academia will become increasingly important in the years to come due to Trump’s presidential victory and Brexit. I see these events as resulting from the failure of the elitist experts that guide our politicians to create fair societies that work for everyone.

Next year I hope to continue my education at the University of Leeds with my PhD research on ‘Black British and Mixed Race identity: The Intersectionality between Race, Class and Political affiliation’. I wish to explore this area by trying to understand why we have simultaneously seen a rise in the activity of black liberationist groups in the UK, and the largest number of Black Minority Ethnic (BME) people voting for the Conservative party in the 2015 election. I have been unable to attract funding for my project, however I hope with your help I can crowd fund my tuition fees. I believe that my research is of real value to the black and left wing community. By gaining a better understanding of black & mixed race identity in contemporary Britain, this research hopes to foster better community mobilisation against racism. Projects such as mine are where we should invest our support if we wish to create material changes and narratives that support the world we envisage.

What was your experience of school like as a mixed race boy?

In primary school, I remember thinking I was different from the majority of the students that were white. I didn’t like this difference until we got Sky TV and I started to watch MTV Base and Channel U which depicted black culture as cool. I had Ludacris’ album “Chicken and Beer” and Dizzee Rascal’s “Boy in the Corner”. I would listen to them when I got home from school. In year 4 I wrote a short story about an alien that abducted small children to eat. My teacher thought it was a really good story and praised me for it at parents evening, however when my dad read it he took away all my rap albums. He believed that they were indoctrinating me with violent ideas. I will say myself that towards the end of primary school and at the beginning of secondary school, I do believe that the culture glorified in rap music did affect my behaviour in a mischievous way…

…How has your relationship with your parents and family influenced your racial identity?

My Mum is white British and my Dad was born in Britain, but my grandparents emigrated here from Jamaica. My parents have been split up since I was conceived, yet I have spent a lot of time with both of them. Both of my parents went on to meet new partners, who they had children with.

In a way I would say not only am I mixed race but I am also mixed class. My mum has always been working class, living in council accommodation and working in low skilled jobs when she could. My father on the other hand lives in a large house with a mortgage paid for by his partner who is a successful businesswoman. Her support has allowed my dad to go to university, work odd jobs and move onto his latest and most successful venture of selling vinyl…

Read the entire interview here.

A United Kingdom: Love In The Time Of The British Empire

Media Diversified
2016-11-28

Shane Thomas

Once the year in film began with #OscarsSoWhite, was it coincidence that 2016 is closing – and 2017 beginning – with a raft of movies featuring people of colour? We have Hidden Figures, Lion, Fences, and the magnificent Moonlight to come. We recently had the release of Queen of Katwe, and last Friday saw A United Kingdom, Amma Asante’s follow-up to Belle, appear in cinemas.

The story focuses around the true-life romance between Seretse Khama and Ruth Williams (played by David Oyelewo and Rosamund Pike). Seretse, who is studying in London in 1947, meets and falls in love with Ruth while in England. Normally this would set the table for a garden variety rom-com. But there’s no chance of any “com”, due to the complications the relationship brings. Seretse is the dauphin to the throne of Bechuanaland (a place under British control, before it was known as Botswana), and he is black, while Ruth is white…

Read the entire review here.

Our love is colour blind but we face prejudice – Northern Ireland mixed race couples tell of their experiences

The Belfast Telegraph
2016-11-28

Kerry McKittrick

With film A United Kingdom at cinemas now, a true story documenting the political fall-out from an inter-racial relationship in Britain and South Africa of the 1940s, Kerry McKittrick talks to three mixed race couples here about their experiences…

Read the entire article here.

19 Black UK Actresses Who Are Killing The Game Across The Pond

Essence
2016-11-17

Sydney Scott

There’s tons of talent coming out of the UK, with many actresses crossing the pond and appearing in some of our favorite television shows and movies. There are too many talented actresses to name, but we had to share some of our favorites with you. From well-known names and recognizable faces to those just bursting onto the scene, here are 19 of our favorite UK actresses…

Read the entire article here.

Amma Asante’s A United Kingdom

gal-dem
2016-11-18

Grace Barber-Plentie

Image via Telegraph

The characters and scenarios in Amma Asante’s A United Kingdom are like ghosts – they’re long gone, long dead, and yet there is still a resonance and urgency to them that keeps pushing through to our subconscious, never letting us quite forget. Regardless of the merits of her films themselves, Asante is a clever filmmaker, a filmmaker with a plan. At the BFI’s recent Black Star symposium, she told the audience that she deliberately makes period films about old issues in order to show how they reflect on our own contemporary problems with race, gender, love and money. Gone is the period dress of Belle, but there are still hoards of mixed race girls out there trying to find their place in society. And while in 2016 one would hope that an interracial couple could walk down the street holding hands without a second glance, Asante’s true story of the heir to the throne of Bechuanaland (now Botswana) and his white wife still makes us think about those of us that must fight for what we want and who we love.

The love worth fighting for, in the case of A United Kingdom, is that of white shopkeeper’s daughter Ruth, in a modest turn by Rosamund Pike and African heir Seretze Khama, played by David Oyelowo; another strong performance to add to his list. Their love, as seen in the opening scenes of the film, is not a fierce, passionate one, but one where each are equal and share love deeply in their own restrained way….

Read the entire review here.

Loop of Jade: Sarah Howe visits Manchester Literature Festival

Humanity Hallows
2016-11-04

Leigh Jones

2015 T.S. Eliot prize winner and author of A Certain Chinese Encyclopaedia, Sarah Howe made an appearance at the Manchester Literature Festival recently to discuss her novel Loop of Jade. Within her work, Howe takes her audience on a personal journey through her English-Chinese background, exploring, as the book’s blurb describes, both ‘migration and inheritance’. The novel contains many forms of writing, including poetry, narrative, free verse and short prose, all providing an insight into cultural upbringing and the journey to discover one’s place within society.

At the event, Howe read from her work. Opening with ‘Sirens’, inspired by Theodore Roethke’s ‘Elegy for Jane’, Howe showed how she became fascinated with the key word ‘pickerel’ from which she created a poem illustrating the true meaning of literature and how the perceptions of words continuously develop overtime. Howe emphasised the differences human beings share through literature and how it has encouraged us to think. She described her piece as, “very real and determinative”, as it does not seek to provide an answer but, more so, to enhance ideas…

Read the entire article here.