Mixed Race Studies

Loving Day 2016

Hapa Happy Hour
2016-06-11

Tune in with Lisa and Hiwa as they discover technology and talk about race, Loving Day, films, and politics! And feel free to contact us through hapahappyhour@gmail.com. Happy Loving Day!

Listen to the podcast here. Download the podcast here.

The Agonies Of “Passing” – Considering the Murder Mystery ‘Sapphire’

IndieWire
July 2014

Sergio

The Agonies Of “Passing” – Considering the Murder Mystery ‘Sapphire‘

Starting in the late 1940’s, and continuing through to the end of the ‘50’s, Hollywood seemed to be obsessed with the concept of “passing” –light skinned black people passing for white. Though it wasn’t new, of course, somehow it caught Tinseltown’s attention and a slew of films were made, almost all them dealing with women in particular, who passed for white and the tragedies and sorrow that they encountered.

Elia Kazan’s “Pinky,” “Lost Boundaries,” “Imitation Of Life,” “Band of Angels,” “The Night of the Quarter Moon,” “I Passed for White,” and the would-be “Gone with the Wind” rip-off, “Raintree County,” with Elizabeth Taylor and Montgomery Clift, which, technically may not be a “passing” movie, though it deals with a pre-Civil war, antebellum Southern belle (Taylor), who goes slowly insane because she believes her real mother was a slave, who was her father’s lover (turns out that she wasn’t, but Taylor dies anyway for all her grief).

But, for my money, the real doozy of the passing-for-white films wasn’t from Hollywood, but came instead from the U.K.

I’m referring to the 1959 British mystery detective film “Sapphire,” directed by Basil Dearden, who specialized, during the late 50′s and 60′s, in films with controversial subject matter, such as his 1961 film “Victim,” which dealt with a successful and closeted gay barrister who is being blackmailed, and fights back against his tormentors. It is credited for being the first movie in which the word “homosexual” was actually used in a film.

But “Sapphire” is in another realm altogether…

Read the entire review here. Watch the entire film, Sapphire here.

Piers Morgan shot down after trying to justify comments about ‘racist’ Muhammad Ali during GMB

The Daily Mirror
London, England
2016-06-06

The host previously tweeted that Ali was responsible for a number of ‘inflammatory’ and ‘racist’ comments

Piers Morgan was shot down as he discussed Muhammad Ali during Good Morning Britain.

Over the weekend the outspoken host was met with a backlash when he claimed Ali was responsible for a number of ‘racist’ comments following his death on Friday.

He tweeted: “Muhammad Ali said far more inflammatory/racist things about white people than Donald Trump ever has about Muslims. #fact.”

Piers looked to be trying to justify his comments about the boxer when he presented Good Morning Britain on Monday.

Speaking to barrister Miranda Brawn, he said: “There was another side to Ali, he was incredibly controversial.”…

…But guest Miranda didn’t let Piers’ comments go uncontested as she set the record straight about Ali’s racial agenda.

She instead reminded Piers that Ali was integral in helping improve self-pride amongst black people…

Read the entire article here.

Report from The York Union: Stephen Woolfe MEP: The Futures of Britain and UKIP

The Yorker
2016-06-07

Jack Harvey, Editor/Editorial Director

Photo credit: James Hostford

For some voters, a mixed-race candidate for UKIP doesn’t quite add up. “UKIP? But they’re against immigrants, aren’t they?” one might say. This is not true, says Stephen Woolfe, the MEP for North West England and the party spokesman for Economic Affairs and Migration. UKIP is not against immigration nor the immigrants themselves.

Born in Manchester in 1967, Stephen Woolfe comes from a working-class family. When his parents’ relationship ended, he and his siblings were taken to live with his grandmother until his family could acquire a council house. The family slept in a single room and as a child Woolfe was washed in the kitchen sink. His mother worked in a biscuit factory, cleaned the local bookmaker’s and manned a shoe shop all at once to make ends meet. By his own admission, Woolfe didn’t have much, but his family ensured that he came away from his childhood in the possession of two distinct things: a determination to work hard and an education. “I was always being given books. We read; my mum would read to me at night.” Woolfe secured a scholarship at an independent school, St. Bede’s College and went on to study Law at Aberystwyth University. From his youth, Woolfe learned the value of hard work and the possibility to better oneself…

Read the entire article here.

Mixed race author on the struggle of having to ‘pick a side’

The Voice
2016-06-05

Davina Hamilton, Entertainment Editor

LIFETIME OF LOVE: Gus and sister Chi-chi with their parents Michael and Margaret

Author Gus Nwanokwu on growing up with a Nigerian father and Irish mother in 1960s Britain

THE PRESSURE to ‘pick a side’, the struggle to find acceptance, and the sense of alienation are issues that have been addressed by many academics when examining the mixed race experience.

But rarely has the subject of mixed race identity been chronicled through literature, by authors who have lived the experience. Gus Nwanokwu seeks to fill this void with his new book, Black Shamrocks – a powerful memoir, in which he charts his experiences as a mixed race child in post-colonial England.

Growing up in London in the 1960s and 70s, Nwanokwu would often see the ‘No blacks, no dogs, no Irish’ signs hanging in the windows of rented accommodation. The experience was all the more poignant for the youngster, as he was born to an Irish mother and Nigerian father.

“My parents met at the Hammersmith Palais in 1955,” Nwanokwu explains. “Mum was collecting her coat as she was about to leave when my dad walked in. He was instantly smitten and persuaded her not to leave, but to accompany him to the dance floor. They stayed together forever after that point.”…

Read the entire article here.

Black Shamrocks: Accommodation Available – No Blacks, No Dogs, No Irish

CreateSpace Independent Publishing Platform
2016-03-24
482 pages
15.2 x 2.8 x 22.9 cm
Paperback ISBN-13: 978-1523490912

Gus Michael Nwanokwu

While many academics and social scientists have examined the psychological and societal implications of growing up as a mixed-race person, few works exist that chronicle the actual lived experience of navigating life while juggling two cultures and racial identities.

Gus Nwanokwu seeks to fill this literary void with Black Shamrocks, a powerful memoir of life as a half-Nigerian and half-Irish boy in London and the in the 1960s and 70s.

The son of a Biafran-Nigerian father and an Irish mother, Nwanokwu experiences from a tender age the harsh realities of racism, classism, and anti-immigration sentiments and bigotry in post-colonial England.

Despite the high hurdles and the abject poverty into which he and his siblings were born, Nwanokwu rises above the challenges, pursues an education, and spends his life giving back as a teacher and contributing to the betterment of society.

With keen insights about the nature of the challenges he faced, Nwanokwu’s coming-of-age memoir deftly explores his attempts to balance black and white, poverty and pride, love and violence, irreverence and respect, joy and pain, justice and injustice, and misery and satisfaction against the backdrop of a rapidly changing world.

Becky and Mia – Belonging and Not Belonging

The Listening Project: It’s surprising what you hear when you listen
BBC Radio 4
2016-06-03

Fi Glover introduces a conversation about the surprising challenges facing a mixed race family at home and abroad. Another in the series that proves it’s surprising what you hear when you listen.

The Listening Project is a Radio 4 initiative that offers a snapshot of contemporary Britain in which people across the UK volunteer to have a conversation with someone close to them about a subject they’ve never discussed intimately before. The conversations are being gathered across the UK by teams of producers from local and national radio stations who facilitate each encounter. Every conversation – they’re not BBC interviews, and that’s an important difference – lasts up to an hour, and is then edited to extract the key moment of connection between the participants. Most of the unedited conversations are being archived by the British Library and used to build up a collection of voices capturing a unique portrait of the UK in the second decade of the millennium. You can learn more about The Listening Project by visiting bbc.co.uk/listeningproject.

Producer: Marya Burgess.

Listen to the story here.

Dancer, painter, soldier … Tottenham brothers on their way to the top

The Guardian
2016-05-28

Jessica Elgot

From left to right, Solomon, Kidane and Amartey … ‘We are fiercely proud – we didn’t feel like these institutions were worlds away.’ Photograph: Linda Nylind for the Guardian

Maryam Golding’s three oldest sons – an artist, a soldier and a ballet dancer – are all on the way to the top. Much of that, they say, is due to their parents, who brought them up to be fiercely proud of their mixed race heritage

Maryam Golding rarely gets her three eldest sons together round the dinner table at her small west London flat. Her boys have extraordinary reasons to be busy. The last time the whole family was crowded into the living room, her middle son was celebrating winning the Sword of Honour at Sandhurst, his younger brother was between performances with the Royal Ballet and his older brother, an artist, was back from a sell-out residency in Dubai…

Read the entire article here.

Tim Brannigan, a real black Irish republican

The Irish Times
Dublin, Ireland
2016-05-28

Fionola Meredith

When Tim Brannigan was born his mother persuaded a doctor to declare him a stillbirth. Then she gave him to an orphanage – coming back a year later to ‘adopt’ the son she couldn’t admit she’d had. After that he had a normal IRA–safe-house childhood

When Tim Brannigan was 19 he found out who he really was. Growing up as a black kid in 1970s west Belfast, he already knew he was different. He had been adopted as a baby, he believed. But it turned out the person who “adopted” him was his own mother, Peggy. As he tells it in his memoir, Where Are You Really From?, it is an extraordinary narrative of secrecy, desperation and deep, unbreakable devotion, played out against the flaming backdrop of the Troubles. So perhaps it isn’t surprising that Hollywood can see its cinematic potential. Brannigan recently sold the film rights to his life story to the Oscar-winning producer John Lesher, and scripting will soon be under way.

“Mum told me everything on July 13th, 1985,” Brannigan says. He remembers the date clearly because it was the day of Live Aid, Bob Geldof’s televised music fundraiser for famine relief in Ethiopia. The family had decamped to an uncle’s holiday house in Cushendall, Co Antrim, to escape the Twelfth parades in Belfast. “The drink was flowing, and my mum was sitting there with a glass in her hand,” says Brannigan. “She started asking me what I wanted to do when I got my A levels. Suddenly she said, ‘Your father was a doctor.’”

That didn’t make sense. As far as Tim knew his adoptive father was Tom Brannigan, a delivery man and sometime showband singer, whom he describes as a chancer. “He had plenty of opportunities to fly his kite, and he did.”

“Get ready,” Peggy said. “First of all, you’re not adopted.” Shocked, Tim began to weep. “Don’t cry,” his mother whispered. “People will think I’m shouting at you. And don’t tell them, or I’ll bust your face!”…

Read the entire article here.

Where Are You Really From?

Culture Northern Ireland
2010-04-10

Joanne Savage

Race, republicanism and a mothers love in Tim Brannigan’s memoir

Peggy Brannigan met Michael Ekue at a dance in Belfast in 1965. She was from Beechmount; he was a medic from Ghana. Their eyes met, they danced and sparks flew. She was gorgeous and vivacious and republican. He was well groomed, educated and, exotically for Belfast in the 1960s, black. Both were married but swept away by each other. It was a passionate affair and the result was Tim.

His skin colour meant Peggy Brannigan had to go to extraordinary lengths to placate her husband and stave off the judgement of her devoutly Catholic neighbourhood. A black baby would have sent the busybodies fingering their rosary beads behind the net curtains into overdrive.

The little boy was smuggled from the hospital to St Joseph’s Baby Home. Peggy told everyone it had been a stillbirth. When the dust settled she began to visit her son in St Joseph’s, soon bringing him home on weekends. Eventually she would adopt him.

Meanwhile, Doctor Ekue did what so many philandering married men do. He stuck his head in the sand and carried on as usual, never contributing to his son’s education or upkeep. He returned to Ghana and left Peggy to do the rest.

Being black in the almost totally white working class area of Beechmount in the heart of west Belfast (an area this writer knows all too well), Tim obviously stood out. Narrow-minded people made stupid remarks, including the British soldiers lining the streets. Some classmates were unkind and Tim was increasingly aware that he was different from his four brothers. As he grew up he became embroiled in the republican struggle, despite backward men in bars insisting that it wasn’t his struggle or that, being black, he somehow couldn’t count as republican…

Read the entire review here.