Mixed Race Studies

Jamaican British | Raymond Antrobus | Spoken Word

Chill Pill Shorts
2015-08-18

Raymond Antrobus, Poet, Lead Educator
Spoken Word Education MA Programme; Co-founder of @ChillPillUK & @KHPoets

A poem by Raymond Antrobus about the many contradictions of a mixed race identity

Some people would deny that I’m Jamaican British.
Angelo nose. Hair straight. No way I can be Jamaican British.

They think I say I’m black when I say Jamaican British
but the English boys at school made me choose Jamaican, British?…

The Prism of Race: W.E.B. Du Bois, Langston Hughes, Paul Robeson, and the Colored World of Cedric Dover

Palgrave Macmillan
December 2014
268 pages
Hardcover ISBN: 9781137484093
Ebook (PDF) ISBN: 9781137484116
Ebook (EPUB) ISBN: 9781137484109

Nico Slate, Associate Professor of History
Carnegie Mellon University, Pittsburgh, Pennsylvania

Born a Eurasian ‘half-caste‘ in Calcutta in 1904, Cedric Dover died in England in 1961 a ‘colored’ man. One of the foremost experts on race in his generation and a leading figure in the movement toward Afro-Asian solidarity, Dover encountered in his own life the central paradox of race in the contemporary world: he knew that race did not exist in blood or bone, even as he knew that the color of a child’s skin determined everything from where he could go to school to how long he would live. Dover strove to be, in his words, ‘both ‘racial’ and antiracial at the same time.’ His life and work stand at the heart of one of the most creative and politically significant redefinitions of racial identity in the twentieth century—the invention of the colored world. This innovative ‘biography of race’ explores the concept of colored solidarity as enacted in Dover’s life as well as the ideas and relationships that connected him and four of his closest African American friends and colleagues: W.E.B. Du Bois, Claude McKay, Langston Hughes, and Paul Robeson. In doing so, it illuminates a fascinating episode in the intellectual histories of race and cosmopolitanism while offering powerful insights into ongoing debates surrounding racial and ethnic identity today.

Table of Contents

• Preface: Of Color
• Introduction: The Prism of Race
• Acknowledgments
• 1. Cedric Dover’s Colored Cosmopolitanism
• 2. W.E.B. Du Bois and Race as Autobiography
• 3. Langston Hughes and Race as Propaganda
• 4. Paul Robeson and Race as Solidarity
• 5. The Black Artist and the Colored World
• 6. The Death and Rebirth of the Colored World
• Epilogue: Barack Obama and Race as Freedom
• Afterward: The Library of the Colored World
• Notes
• Index

Poitier Revisited: Reconsidering a Black Icon in the Obama Age

Bloomsbury Publishing
2015-01-15
288 pages
25 bw illus
229 x 152 mm
Hardback ISBN: 9781623564919

Edited by:

Ian Gregory Strachan, Associate Professor of English
College of The Bahamas

Mia Mask, Associate Professor of Film
Vassar College, Poughkeepsie, New York

Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier’s iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly ‘post-racial’ moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier’s films explored are every bit as relevant today as when they were first made.

Table of Contents

• List of Figures
• Acknowledgements
• Notes on Contributors
• Introduction
• 1. Walking with Kings: Poitier, King, and Obama / Aram Goudsouzian, University of Memphis, USA
• 2. Historicizing the Shadows and Acts: No Way Out and the Imagining of Black Activist Communities / Ryan De Rosa, Los Angeles Public Schools, USA
• 3. Caribbean All-Stars: Sidney Poitier, Harry Belafonte, and the Rise of the African-American Leading Man / Belinda Edmondson, Professor of English and African-American & African Studies, USA
• 4. “Draggin’ the Chain”: Linking Civil Rights and African American Representation in The Defiant Ones and In the Heat of the Night / Emma Hamilton and Troy Saxby, University of Newcastle, Australia
• 5. Whisper Campaign on Catfish Row: Sidney Poitier and Porgy and Bess / Jeff Smith, University of Wisconsin-Madison, USA
• 6. To Sir, With Love: A Black British Perspective / Mark Christian, Lehman College, USA
• 7. Transgression or Legal Union?: The Meaning of Interracial Marriage in 1967 Film and Law / Kim Warren, University of Kansas, USA
• 8. A Blues the Tom: Sidney Poitier’s Filmic Sexual Identities / Ian Gregory Strachan, College of The Bahamas, Bahamas
• 9. Black Masculinity on Horseback: From Duel at Diablo to Buck and the Preacher and beyond / Mia Mask, Vassar College, USA
• 10. Stepping Behind the Camera: Sidney Poitier’s Directorial Career / Keith Corson, Rhodes College and Memphis College of Art, USA
• 11. No Shafts, Super Flys, or Foxy Browns: Sidney Poitier’s Uptown Saturday Night as Alternative to Blaxploitation Cinema” / Novotny Lawrence, Southern Illinois University-Carbondale, USA
• 12. Transcending Paul Poitier: Six Degrees of Separation and the Construction of Will Smith / Willie Tolliver, Jr., Agnes Scott College, USA

The Spirit of London

Matador (an imprint of Troubador)
2015-09-28
198×127 mm
Paperback ISBN: 9781784624057

Rob Keeley

The spirits were at work here, somehow. But why?

On returning to London, Ellie investigates the mystery surrounding 47 Foster Square. Who is the sender of ghostly messages asking her for help? What is the secret of the Meadowes family? And what does Edward know about all this?

With her parents about to divorce, and her Mum acting very strangely, Ellie quickly discovers that a sinister force lies between her and the truth…

The Spirit of London is the second instalment in the thrilling and suspenseful ‘Spirits’ series and follows the success of The People’s Book Prize-nominated Childish Spirits. It focuses on slavery and a mixed-race family in Georgian times. Ellie finds herself facing a very dangerous foe and will need all her courage and humanity to get her through. The Spirit of London also sets up a story arc that will continue into future books in the series. The book will appeal to girls and boys of upper primary and lower secondary age – and to parents and teachers reading the book aloud!

Long Time No See: A memoir of fathers, daughters and games of chance

Periscope
2015-07-24
336 pages
204mm x 138mm
Paperback ISBN: 9781859643969

Hannah Lowe

Hannah Lowe’s father “Chick”, a half-Chinese, half-black Jamaican immigrant, worked long hours at night to support his family – except Chick was no ordinary working man. A legendary gambler, he would vanish into the shadows of East London to win at cards or dice, returning during the daylight hours to greet the daughter whose love and respect he courted.

In this poignant memoir, Lowe calls forth the unstable world of card sharps, confidence men and small-time criminals that eventually took its toll on Chick. She also evokes her father’s Jamaica, where he learned his formidable skills, and her own coming of age in a changing Britain.

Long Time No See speaks eloquently of love and its absence, regret and compassion, and the struggle to know oneself.

The colour black, Mixed-race people

Thinking Allowed
BBC Radio 4
2015-07-22

Laurie Taylor, Host

Black: the cultural and historical meaning of the darkest colour. From the ‘little black dress’ which epitomises chic, to its links to death, depression and evil, ‘black’ embodies many contrasting values. White Europeans exploited the negative associations of ‘black’ in enslaving millions of Africans whilst artists & designers have endlessly deployed the colour in their creative work. Laurie Taylor talks to John Harvey, Life Fellow of Emmanuel College, Cambridge, about his new book which explores how ‘black’ came to have such ambiguous and varied meanings. They’re joined by Bidisha, the writer and broadcaster.

Also, the last 20 years has seen a major growth in the number of people of mixed racial heritage. Miri Song, Professor of Sociology at the University of Kent, talks about her research into the ways that multiracial parents with white partners talk to their their children about race and identity.

Producer: Jayne Egerton.

Listen to the episode (00:27:58) here. Download the episode here.

On Being Biracial and Affirmative Action: Where Do I Fit in?

Skirt Collective
2015-07-23

Shannon Luders-Manuel
Los Angeles, California

Abigail Fisher, a white student who was denied entrance to the University of Austin, Texas [University of Texas, Austin], is taking her case to the Supreme Court, calling the decision a clear result of affirmative action. While I don’t know the figures (but this For Harriet writer does), I do have a personal investment in enlightening others on the role that affirmative action may play out for a real live, three-dimensional, skin and bones person. Perhaps learning someone’s story can help those who may be quick to judge the policy.

The only instance in which I know for sure that I was a recipient of affirmative action was at the preschool in my town’s local community college. As a black biracial kid of a white single mother, I attended the preschool along with a few other minorities and many white children. Throughout the rest of my schooling, particularly in graduate school, I’ve wondered if affirmative action played a role in my education. While I believe affirmative action is important, and even crucial, knowing that it exists makes myself and other minorities wonder if we’re one of the few who’ve been “given a pass.” Despite my fear, I’ve faced my fair share of educational discrimination, which began in 5th grade…

Read the entire article here.

How to Unlearn History | Ella Achola | TEDxCoventGardenWomen

TEDx Talks
2015-07-21

Ella Achola, Founder
Ain’t I A Woman Collective

From awkward school encounters to groan-inducingly offensive questions, Ella finds herself at the intersections of identity, and shares her big idea for bringing ourselves into the stories we tell.

Ella Achola is a writer and founder of the Ain’t I A Woman Collective. Born in Berlin, Ella founded the Collective as an opportunity to engage with her Afro-German heritage and extend the conversation about Europe’s black diaspora beyond the UK.

The Adoption Papers

Bloodaxe Books
1991
64 pages
21.6 x 13.9 x 0.5 cm
Paperback ISBN: 978-1852241568

Jackie Kay, Professor of Creative Writing
Newcastle University

The “Telling Part”: Reimagining Racial Recognition in Jackie Kay’s Adoptee Search Narratives

Contemporary Women’s Writing
Volume 9, Issue 2 (July 2015)
pages 277-296
DOI: 10.1093/cww/vpu041

Pamela Fox, Professor of English
Georgetown University, Washington, D.C.

This article examines Jackie Kay’s earliest and renowned autobiographical poetic text, The Adoption Papers (1991), in relation to her latest narrative memoir, Red Dust Road (2010), and in the context of racial recognition theories recently revived in transracial adoption (TRA) discourse, as well as in transnational adoptee versions of TRA search narratives. Investigating the tropes of mirrors and bodily markings recurring in both texts, the article also draws on literary theories of recognition to enrich our understanding of Kay’s unique and dual intervention into TRA debates around notions of kinship, as well as autobiographical narrative models that fully reject or embrace a longing for racialized epistemic and narrative wholeness. Kay periodically preserves yet ultimately reimagines the myriad tensions of seeking and practicing racial recognition by constituting it as a distinct but momentary kind of vision. Her practice of life writing highlights reading (both literal and interpretive) as a crucial component of self-construction that continually mediates between individual and group identities. She presents the adoptive self as a freeing constellation of shifting affiliations, but as the product of intertwined Western and diasporic histories and relations, her texts also bear the marks of longing for a singular legible “home,” a stable “I.”

Read or purchase the article here.