Mixed Race Studies

Playwright Sarah Rutherford: ‘Middle-class, mixed-race families are invisible on our stages’

What’s on Stage
London
2013-10-10

Editorial Staff

As her new play Adult Supervision premieres at the Park Theatre, playwright Sarah Rutherford discusses multiculturalism in modern Britain

What’s Adult Supervision about?

It’s set in 2008 and it’s about a white ex-lawyer, Natasha, who’s adopted two children from Ethiopia. As a parent who likes to do things by the book, she’s decided that it’s important for the kids to get to know the handful of other ‘children of colour’ at their very smart private school. Natasha seizes on the opportunity of the US election to invite the mothers of these children to a drinks party, but things start to go awry as the Obamatinis flow and inhibitions are shed.

Why did you set it on the night of Obama’s election?

I have such vivid memories of that night, and although it was historic for everyone, I think many communities—‘parents of children of colour’ being one—took it as a kind of personal victory. It was an incredibly heady moment—suddenly anything seemed possible—and it’s an interesting time to look back on from the perspective of today, when the US seems to be going into meltdown and November 2008 looks like an almost innocent time.

Would you describe it as a comedy?

Yes—a comedy drama. But the laughs in it come mostly from character, from truth (truths you may not have heard spoken out loud before) and from discomfort, rather than from gags.

How has your personal experience influenced and shaped the play?

Hugely. I’m married to a man of Jamaican origin and am the mother of two amazing mixed-race children, although they go to a much more diverse school than the one in the play. Some of the more jaw-dropping dialogue in the play is actually pretty much verbatim stuff that has been said to me over the years; other material has come from things that I’ve thought or sensed but that have gone unsaid…

Read the entire interview here.

Who stole all the black women from Britain?

Black Girl Dancing at Lughnasa
2013-10-17

Emma Dabiri, Teaching Fellow
Africa Department, School of African and Oriental Studies, London
Visual Sociology Ph.D. Researcher, Goldsmiths University of London

…Here in the UK, the  visibility of black women in representations of mainstream Black British culture is such that you might be forgiven for thinking we are an endangered species. The near erasure of Black British women from this terrain which is in the main dominated by black men and white women, is rarely commented upon, despite its prominence.  What is actually going on here? Is this some manifestation of the quite frankly ridiculous Eldrige Cleaver quote above. Or is it something else?.

The (ahem) ‘urban’ (we know what they really mean) landscape that provides the basis of so much of Britain’s somewhat depressing representations of mainstream youth culture borrows heavily from black culture, yet sometimes seems entirely devoid of black women. The characters who populate this world are black men and white women. Access may be permitted to the occasional mixed-race girl but beyond this tokenism this is the white woman’s world!

From movies such as Kidulthood, to the presenters of the Kiss FM Takeaway show, who typify this phenomenon, the symbols of ‘Urban’ or Black British youth culture are routinely Black men and their white female partners…

Read the entire article here.

The Buddha of Suburbia

Penguin Press
1990
288 pages
5.07 x 7.83in
Paperback ISBN: 9780140131680

Hanif Kureishi

Karim Amir lives with his English mother and Indian father in the routine comfort of suburban London, enduring his teenage years with good humor, always on the lookout for adventure—and sexual possibilities. Life gets more interesting, however, when his father becomes the Buddha of Suburbia, beguiling a circle of would-be mystics. And when the Buddha falls in love with one of his disciples, the beautiful and brazen Eva, Karim is introduced to a world of renegade theater directors, punk rock stars, fancy parties, and all the sex a young man could desire. A love story for at least two generations, a high-spirited comedy of sexual manners and social turmoil, The Buddha of Suburbia is one of the most enchanting, provocative, and original books to appear in years.

Tangled Roots: Stories and events to celebrate multi-racial families and mixed-race people in Yorkshire

Tangled Roots Exhibition: Portraits of Writers from Yorkshire taken by Anthony Farrimond
Seven Arts, Harrogate Road
Leeds, England
2013-09-18 through 2013-10-13

Tangled Roots is an Arts Council funded project which records and celebrates the experiences of multi-racial families in Yorkshire.

Tangled Roots first event is an Exhibition of portraits of multi-racial writers from Yorkshire. Photographed by Anthony Farrimond. On display at Seven Arts, Harrogate Road, Chapel Allerton, Leeds. 18 September – 13 October.

For more information, click here.

Call for Papers – ‘Skin Tone, “Colourism” and “Passing”’

University of Leeds
School of Sociology and Social Policy
Centre for Ethnicity and Racism Studies
Leeds, West Yorkshire, England
2013-09-11

Peter Edwards

The Race in the Americas (RITA) group, in partnership with the Centre for Ethnicity and Racism Studies (CERS), seeks abstract submissions on the theme of skin tone, ‘colourism’ and ‘passing’.

The seminar will be held on Saturday 8 March 2014, at the University of Leeds.

Submissions might include, but are not restricted to, research on the following topics:

• ‘Colourism’ as a prejudice within racial groups with regard to skin tone;
• The social implications of individuals passing as one race instead of another;
• The impact of ‘passing’ on the politics of representation and governance;
• The creation of space for a multi-ethnic identity: what is that space and does it exist? Are individuals forced to identify with one ethnicity over another?;
• Racial identity as a performance through clothing, speech and patterns of consumption;
• The proliferation of chemical products to lighten or darken skin tone and what this means for understandings of ‘race’;
• Cultural systems of caste classification and translations of skin tone into political structures;
• The role of skin tone in influencing confidence, and in determining social status within a power structure that privileges whiteness;

For more information, click here.

“It’s Only Other People Who Make Me Feel Black”: Acculturation, Identity, and Agency in a Multicultural Community

Political Psychology
Published online: 2013-02-18
DOI: 10.1111/pops.12020

Caroline Howarth, Senior Lecturer in Social Psychology
London School of Economics, United Kingdom

Wolfgang Wagner, Professor of Psychology
Johannes Kepler University, Linz, Austria
University of the Basque Country, San Sebastián, Spain

Nicola Magnusson
The Open University, United Kingdom

Gordon Sammut, Lecturer in Psychology
University of Malta

This article explores identity work and acculturation work in the lives of British mixed-heritage children and adults. Children, teenagers, and parents with mixed heritage participated in a community arts project that invited them to deliberate, construct, and reconstruct their cultural identities and cultural relations. We found that acculturation, cultural and raced identities, are constructed through a series of oppositional themes: cultural maintenance versus cultural contact; identity as inclusion versus identity as exclusion; institutionalized ideologies versus agency. The findings point towards an understanding of acculturation as a dynamic, situated, and multifaceted process: acculturation in movement. To investigate this, we argue that acculturation research needs to develop a more dynamic and situated approach to the study of identity, representation, and culture. The article concludes with a discussion on the need for political psychologists to develop methods attuned to the tensions and politics of acculturation that are capable of highlighting the possibilities for resistance and social change.

Read or purchase the article here.

SO224: The Sociology of Race and Ethnicity

London School of Economics
2013/2014 session

Helen Kim

The course provides an introduction to theoretical, historical and contemporary debates around race, racism and ethnicity. It firstly explores the main theoretical perspectives which have been used to analyse racial and ethnic relations, in a historical and contemporary framework. It then examines in more detail the areas both theoretical and lived within our contemporary social and political climate where analyses of ‘race’, racism, culture, belonging and identity are urgently needed, focusing primarily on Britain, Europe and the US. Topics include: race and ethnicity in historical perspective; race, class and gender multiculturalism; diaspora and hybridity; whiteness; mixed race; race, disease and contamination; race and the senses; race and popular culture; urban multiculture and the street; race, riots and youth culture; community cohesion; Muslim identities; asylum and new migrations; the Far Right and the white working class.

Belle: Toronto Review

The Hollywood Reporter
2013-09-12

John DeFore

The true story of a mixed-race child raised by British aristocrats is lightly fictionalized by Amma Asante.

TORONTO — Hoping to use some Jane Austen-style courtship anxiety to lend drama to an episode in 18th-century English history that is novel enough on its own, Amma Asante’s Belle centers on Dido Elizabeth Belle, the mixed-race child who was sent to be raised by the second-highest judge in England’s courts. Though the inventions of Misan Sagay’s script emphasize concerns over dowries and social rank that will be grating for many contemporary viewers, extracting little of the humor that Austen regularly found in such hangups, the picture’s sour notes are balanced by fine performances and clear historical appeal. Moviegoers should respond well, if not overwhelmingly, when Fox Searchlight brings it to theaters next spring…

Read the entire review here.

Skin pigmentation, biogeographical ancestry and admixture mapping

Human Genetics
Volume 112, Issue 4 (April 2003)
pages 387-399

Mark D. Shriver, Professor of Anthropology
Pennsylvania State University

Esteban J. Parra
Department of Anthropology
University of Toronto at Mississauga

Sonia Dios
Department of Anthropology
Pennsylvania State University

Carolina Bonilla
Department of Anthropology
Pennsylvania State University

Heather Norton
Department of Anthropology
Pennsylvania State University

Celina Jovel
Department of Anthropology
Pennsylvania State University

Carrie Pfaff
Department of Anthropology
Pennsylvania State University

Cecily Jones
National Human Genome Center
Howard University, Washington, D.C.

Aisha Massac
National Human Genome Center
Howard University, Washington, D.C.

Neil Cameron
Takeway Media, London

Archie Baron
Takeway Media, London

Tabitha Jackson
Takeway Media, London

George Argyropoulos
Pennington Center for Biomedical Research, Baton Rouge, Louisiana

Li Jin
Department of Environmental Health
University of Cincinnati, Cincinnati, Ohio

Clive J. Hoggart
Department of Epidemiology and Population Health
London School of Hygiene and Tropical Medicine

Paul M. McKeigue
Department of Epidemiology and Population Health
London School of Hygiene and Tropical Medicine

Rick A. Kittles
National Human Genome Center
Howard University, Washington, D.C.

Ancestry informative markers (AIMs) are genetic loci showing alleles with large frequency differences between populations. AIMs can be used to estimate biogeographical ancestry at the level of the population, subgroup (e.g. cases and controls) and individual. Ancestry estimates at both the subgroup and individual level can be directly instructive regarding the genetics of the phenotypes that differ qualitatively or in frequency between populations. These estimates can provide a compelling foundation for the use of admixture mapping (AM) methods to identify the genes underlying these traits. We present details of a panel of 34 AIMs and demonstrate how such studies can proceed, by using skin pigmentation as a model phenotype. We have genotyped these markers in two population samples with primarily African ancestry, viz. African Americans from Washington D.C. and an African Caribbean sample from Britain, and in a sample of European Americans from Pennsylvania. In the two African population samples, we observed significant correlations between estimates of individual ancestry and skin pigmentation as measured by reflectometry (R²=0.21, P<0.0001 for the African-American sample and R²=0.16, P<0.0001 for the British African-Caribbean sample). These correlations confirm the validity of the ancestry estimates and also indicate the high level of population structure related to admixture, a level that characterizes these populations and that is detectable by using other tests to identify genetic structure. We have also applied two methods of admixture mapping to test for the effects of three candidate genes (TYR, OCA2, MC1R) on pigmentation. We show that TYR and OCA2 have measurable effects on skin pigmentation differences between the west African and west European parental populations. This work indicates that it is possible to estimate the individual ancestry of a person based on DNA analysis with a reasonable number of well-defined genetic markers. The implications and applications of ancestry estimates in biomedical research are discussed.

Read the entire article here.

Belle [World Premiere]

Toronto International Film Festival 2013
TIFF Bell Lightbox
Reitman Square
350 King Street West
Toronto, Ontario, Canada
2013-09-05 through 2013-09-15

Film Information:

Directed by Amma Asante
2013
105 minutes

Gugu Mbatha-Raw takes the title role alongside Tom Wilkinson, Miranda Richardson, Emily Watson and Canada’s Sarah Gadon in the true story of Dido Elizabeth Belle, the illegitimate, bi-racial daughter of a Royal Navy admiral in 18th-century Britain.

Fans of English period drama are accustomed to its gorgeous settings, social graces, and sophisticated language. But what’s often missing from those adaptations of Jane Austen or the Brontës is the institution at the foundation of that refined life: slavery. Austen wrote about how the slave trade made British gentry wealthy, but until now no film has brought both the glory and the contradictions of that life to the screen in such a powerful fashion.

In late eighteenth century England, Dido Elizabeth Belle is born to a white British admiral and a black Caribbean slave. The admiral’s well-bred family is appalled, but when he returns to sea, custom dictates that they raise his child as an aristocrat. Britain’s imposing Lord Mansfield (Tom Wilkinson) is both Dido’s uncle and the family patriarch, and instructs this biracial young woman (Gugu Mbatha Raw) to respect both the law and the social codes of her station. She is a lady, but an embarrassment. How is she ever to marry?…

For more information, click here.