Mixed Race Studies

Being Mixed Race: Am I A Human Rorschach Test?

Media Diversity UK: Tackling the lack of diversity in UK media and the ubiquity of whiteness
2013-09-03

Glen Chisholm

Just last week I was standing at a bus stop when a gentleman; a complete stranger came and joined me. Nothing unusual about that, we then politely nodded at each other and a conversation started up.

Me: “Evening”

Stranger: “Evening”

Me: “it’s still quite warm isn’t it”

Stranger: “yes it is”; pause; “excuse me mate, but were do you come from?”

Me: “Ipswich”

Stranger: “no, you know, were do you originate from”

Me: “I originate from Ipswich, my mum is English and my dad is Jamaican”

Stranger, sounding surprised: “Really I wouldn’t have thought you were Black, I’d have thought you were Italian or Spanish or something”

Me, politely smiles: “yeah, I sometimes get that”

Now I wasn’t offended by this and this wasn’t the first time or probably won’t be the last time that I’ll have this conversation. I am a light skinned mixed race person with loose curly hair. I have spent most of my life with people questioning my racial identity and for a while I was left questioning it myself…

Read the entire article here.

The Social Evolution of the Term “Half-Caste” in Britain: The Paradox of its Use as Both Derogatory Racial Category and Self-Descriptor

Journal of Historical Sociology
Volume 26, Issue 4 (December 2013)
pages 503–526
DOI: 10.1111/johs.12033

Peter J. Aspinall, Emeritus Reader in Population Health
University of Kent, UK

The term “half-caste” had its origins in nineteenth century British colonial administrations, emerging in the twentieth century as the quotidian label for those whose ancestry comprised multiple ethnic/racial groups, usually encompassing “White”. From the 1920s–1960s the term was used in Britain as a derogatory racial category associated with the moral condemnation of “miscegenation”. Yet today the label continues to be used as a self-descriptor and even survives in some official contexts. This paradox – of both derogatory racial category and self descriptor – is explored in the context of the term’s social evolution, drawing upon the theoretical constructs of the internal-external dialectic of identification and labelling theory.

Read or purchase the article here.

Extended Families: Mixed-Race Children and Scottish Experience, 1770-1820

international journal of scottish literature
ISSN: 1751-2808
ISSUE FOUR, SPRING/SUMMER 2008

Daniel A. Livesay, Assistant Professor of History
Drury University, Springfield, Missouri

Daniel Livesay was winner of the 2007 North American Conference on British Studies Prize, Dissertation Year Fellowship for “Imagining Difference: Mixed-Race Britons and Racial Ideology in the Eighteenth Century Atlantic.”

Three years prior to the ending of the slave trade, Jamaica’s richest and most influential merchant mused on the possible consequences of abolition. Writing to his friend George Hibbert in January of 1804, Simon Taylor offered a stark vision of the British imperial economy without slave importation, echoing scores of other pro-slavery writers who preached the financial doom and gloom of a post-abolitionist society.  Economics, however, were not the only thing on either man’s mind. Hibbert, in a previous letter, had asked Taylor for his thoughts on the future of Jamaica’s white population if fresh supplies of slaves came to a halt.  He wondered if the colony’s whites could farm sugar themselves and if such back-breaking labour would further stifle the increase of the island’s already meager European population. Throwing off his earlier pessimism, Taylor replied with high hopes for the growth of Jamaica’s white residents.  His optimism sprung from a phenomenon he had watched develop over the last two generations: ‘When I returned from England in the year 1760 there were only three Quadroon Women in the Town of Kingston. There are now three hundred, and more of the decent Class of them never will have any commerce with their own Colour, but only with White People. Their progeny is growing whiter and whiter every remove […] from thence a White Generation will come’.  Taylor had seen all other attempts to increase the white population fail and he believed that this process of ‘washing the Blackamoor White’ to be the only way to build an effective racial hedge against an overwhelming black majority on the island.

If miscegenation was the answer to Jamaica’s problems, Simon Taylor could claim to be doing his part for the movement. Indeed, he had earned a reputation on both sides of the Atlantic for his multiracial family. Not long after arriving in Jamaica with her husband, the new Lieutenant-Governor of the island, Lady Maria Nugent visited Simon Taylor in his Golden Grove estate. She commented in her diary that Taylor was ‘an old bachelor’ who ‘detests the society of women’, but she seemed determined to win him over.  However, she could not help but register surprise after an evening at Taylor’s estate when ‘[a] little mulatto girl was sent into the drawing-room to amuse [her]’. Recording the event in her diary, she noted, ‘Mr. T[aylor] appeared very anxious for me to dismiss her, and in the evening, the housekeeper told me she was his own daughter, and that he had a numerous family, some almost on every one of his estates’.  Taylor’s sexual activities with slaves and women of colour were not unusual, nor was his attempt to hide them from European eyes.  Like many white West Indians at the time, Taylor may have given some favours to his children of colour, but he did not treat them as full members of his family.

In contrast to Simon Taylor’s inattention to his mixed-race children, John Tailyour, Simon’s cousin, made a significant attempt to provide for his offspring of colour.  Tailyour originated from Montrose, near Simon’s ancestral home in Borrowfield, and made several unsuccessful attempts at business in the colonies. Forced to abandon his tobacco trade in Virginia at the outbreak of the American Revolution, he returned to North America in 1781, but failed to establish himself in New York’s dry-goods market. Rather than return home to Scotland once again, Tailyour ventured to Jamaica at his cousin Simon’s invitation, where he operated as a merchant from 1783 to 1792. With very few white women on the island from which to choose, Tailyour took up residence with an enslaved woman from his cousin’s plantation. The couple eventually had four children together before Tailyour finally decided to return to Scotland in 1792. Rather than leave his children in Jamaica, however, John Tailyour sent at least three of them to Britain for their education and to be brought up in a trade. His conduct toward his mixed-race offspring stands in sharp relief with that of his cousin’s and reveals the complicated attitudes that whites had toward these children…

Read the entire article here.

The Stuart Hall Project (2013) (John Akomfrah – Smoking Dogs Films)

darkmatter: in the ruins of imperial culture
General Issue 10 (2013-07-18)
ISSN: 2041-3254

Dhanveer Singh Brar

“With deepest gratitude and respect” – If there is a moment when the pieces of Akomfrah’s The Stuart Hall Project fall into place, it is with this closing note. Gratitude and respect might seem like old fashioned words, pointing to sentiments which are thought to be out of date. They bring to mind images of unashamed acts of deference, of laying prostate (whether physically or intellectually) in front of an elder, but on the flip side there is nothing wrong with paying some dues. There is nothing wrong with acknowledging a debt, when you know how and why that debt has been earned. Gratitude and respect. With deepest gratitude and respect. Akomfrah is reaching for something infinite here, something he knows he owes Hall, but equally that neither he nor Hall would ever have any interest in cutting a deal on. There is a sense in which perhaps the film is clouded by those sentiments. It can be construed as one-eyed in its attempt to mark Hall’s importance to the history of intellectual and political life in this country, but I think such criticism might be missing the point: Hall is the condition of possibility for too many of us to forget what it is we owe him, and there is a danger, in our current moment, that such an act of collective forgetting might already be underway. It is between gratitude and the refusal to turn that gesture into credit, that The Stuart Hall Project goes to work…

Read the entire review here.

Representing Mixed Race in Jamaica and England from the Abolition Era to the Present by Sara Salih (review)

Eighteenth-Century Fiction
Volume 25, Number 4, Summer 2013
pages 777-780
DOI: 10.1353/ecf.2013.0025

Nicole N. Aljoe, Assistant Professor of English
Northeastern University

Sarah Salih, Representing Mixed Race in Jamaica and England from the Abolition Era to the Present (London, New York: Routledge, 2010)

Sara Salih offers a welcome and rigorous analysis of the relationships among the development of the law, notions of subjectivity, and discourses of race and sexuality in the eighteenth and nineteenth centuries in England and Jamaica. This book makes a productive contribution to ongoing critical conversations about the complexity and nuance of race in the British past by responding explicitly to David Scott’s suggestion that we consider more carefully the stories we assume we know, particularly about slavery. One such story concerns the mulatto and his/her tragic outsiderness as exemplified in the trope of “tragic mulatto.” Numerous scholars, including Werner Sollors and Eve Raimon, have explored this trope within the context of the United States, and Salih’s study builds on this work and extends it by considering representations of mixed-race individuals in the British-Jamaican context. In addition, by making clear the different ways in which the mulatto was treated and represented outside of the US context—for example, noting that neither interracial sex nor marriage were ever outlawed in Jamaica or England, unlike in the United States—Salih’s study offers a corrective to uncritical conflation of the distinct cultures of enslavement. Most specifically, her study reveals the ways in which, in the British-West Indian context, although mulattos were frequently figured as being inside particular aspects of national and subject-constituting discourses—mulattos could “pass” for white, and in the eighteenth century they could legally petition to be designated as white—they were simultaneously and persistently represented as isolated and “firmly outside the heterorepronormative narrative paradigm” (125).

This book is invested in illustrating the “processes of normalization and the consolidation of norms” about the legal status, nature, and character of mixed race individuals in Jamaica and England from the eighteenth century through the twentieth century by considering cultural representations alongside juridical and colonial documents. Salih argues that all of these texts—the fiction, nonfiction, legal writings, and judicial statutes—contribute dialogically to creating and sustaining societal norms and subjects. The study traces the ways in which these texts inform the legal identity “mulatto” that eventually comes to be defined and understood as a cultural/political identity. In tracing this movement, she is “less interested in ‘race’ as interiority and affect than in the specific ways in which it is produced and enacted legally and performatively” (123–24). And although the study scrupulously sets itself against those studies of race in the eighteenth century that deal with questions and issues of identity, it is best seen as a complement to these other studies. In particular, by attending to the ways in which discussions of the mulatto were also discussions of interracial sex, Salih illuminates the impact of sexuality on notions of race.

Salih begins her close readings with Marly, an 1828 novel about a Jamaican slave plantation. After providing an intriguing reading of the relationship between fiction, the law, and power grounded in the novel’s initial image of a slave driver exchanging his whip for a pen (56), Salih outlines how the novel, by offering fiction as well as history in its description of life on the plantation, contributes to the creation of societal norms. In so doing, according to Salih, novels can reveal “narrative investment in the disciplining of subjects” (57). For example, society wants mixedrace women to disappear, and hence they are novelistically relegated to the background. However, the novel Marly also reveals the complicated positioning of mixed-race individuals. Although women are relegated to the background, a mixed-race man is foregrounded in a chapter in which he offers a long harangue on how similar brown or mixed-race people are to whites and therefore should be allowed more freedoms in Jamaica (68–70). Although the brown man gets to proclaim his proximity to whiteness, at the end of the novel he too is isolated like the brown women, Salih argues, and is placed in a non-reproductive category.

The study then moves to a reading of The Woman of Colour (1808), edited by Lyndon Dominique for Broadview Press (2007). Salih addresses how in the novel, despite a positive representation of Olivia (its interracial character), she too is isolated and unmarried…

When Jim Crow Met John Bull: Black American Soldiers in World War II Britain

I. B. Tauris & Co Ltd.
1987
300 pages
220 x 140cm
Hardback ISBN: 9781850430391

Graham Smith

An important chapter in the history of World War II is here explored for the first-time—how the arrival of the black troops strained war-time Anglo-American relations, upset elements of the British political and military establishments and brought Britons face to face with social and sexual issues they had never faced before. This book, drawing on previously unpublished new material, covers an important but neglected dimension of diplomatic relations in World War II. As well as providing critical insights into the thinking of many leading political and military figures of the period, it paints an original and invaluable portrait of wartime Britain and its confrontation with the issue of race. It is a tale rich in human dignity—and in instances of tragicomic hypocrisy.

Table of Contents

• Preface
• 1. Prologue: The Great War – Black Americans in Europe
• 2. The Early War Years: First Encounters
• 3. Attitudes and Anxieties: Jim Crow and the British Government
• 4. Jim Crow in Britain: The US Army and Racial Segregation
• 5. Novelty to Familiarity: The Home Front
• 6. Dixie Invades Britain: The Racial Violence
• 7. The Watchdogs: Jim Crow Under Close Scrutiny
• 8. ‘No Mother, No Father, No Uncle Sam’: Sex and Brown Babies
• 9. The Black GI in Britain: Reflections and Results
• Notes
• A Select Bibliography
• Index

Two worlds… One reflection

IDEATE: The Undergraduate Journal of Sociology
University of Essex, Colchester, England
Volume 10, Summer 2013
19 pages

Yasmin Currid

Introduction

I went through most of my childhood believing that my family was just the same as everybody else’s. I did not realise that there was something slightly different about the dynamics and the structure of my family as opposed to, I suppose, what people would call a “normal” family. Even now, I still consider my family to be just like anyone else’s… Why should the colour of our skin matter? Let me start from the beginning: my mum and my biological father, Jimmy, broke up before I was born. Then when I was a few months old she met Jason, the man I call my dad. They eventually got married and had my two brothers, Kyshon and Kofi. The only thing that happens to be slightly different about this situation is that I have a multiracial family. Both my mum and I are white, my dad is black, and my two brothers are mixed race, so half of my extended family is white and half is black. I do not consider the dynamics of my family to be weird, if anything, I believe I am lucky to be brought up in a multiracial family- I get to experience the best of both… Although I am sure not everyone sees it that way.

I do not remember exactly how old I was when I started questioning the difference in our skin colours, all I know is that I was a lot older than you would expect. I assume it just never occurred to me as it was not as big a deal as some people would make out. We were still a family. My dad was still my dad, and my brothers were still my brothers, no matter what we looked like from the outside and how much we differed in skin colour. However, what I do remember, down to the very last minute detail, is where we were and exactly how I phrased it. I know we were in the car, my dad was driving and I was in the back, between my two brothers and before I knew what I was saying, I just blurted it out “Why is dad black and I’m white?” The answer, however, I do not remember…

…It is quite difficult because there is no one else I know or have even heard of who has the same type of family dynamic as I have. When I type “inter-racial families” into Google, thousands of websites come up advertising a black and white couple who have mixed race kids… But never families where a white child has a white mum, a black dad and mixed race brothers. The lack of sociological research in this particular field has challenged me in finding different sociologist’s ideas I can use to analyse my own experience of belonging to an inter-racial family. Due to this lack of research I have had to look at specific sociologists, such as Mills, Goffman and Cooley, and try to adapt and apply their theories and perspectives to my particular situation regardless of whether they intended it in the same way which I have interpreted it. Throughout my journal, I am going to attempt to take my family biography and link it to the larger social structures within society…

Read the entire article here.

CERS hosts Critical Mixed Race Studies postgraduate symposium

School of Sociology and Social Policy
Centre for Ethnicity and Racism Studies
University of Leeds
2013-08-08

Peter Edwards, Faculty Web Development Officer

Mixing Matters: Critical Intersectionalities

The Centre for Ethnicity and Racism Studies (CERS) held its first interdisciplinary, international postgraduate symposium on the 18th May 2013 entitled ‘Mixing Matters: Critical Intersectionalities.’ This symposium aimed at engaging with ideas from the field of Critical Mixed Race Studies (CMRS) was the first of its kind in the UK and enabled national, international and Leeds based postgraduate students to present their research in this dynamic field. The debates within CMRS have been circulating for some time within various disciplines but which simultaneously have remained marginal within broader studies on ethnicity and ‘race’. Furthermore, the debates have largely been centred on the United States context and not taking into account the globality of mixed-race identity which varies across time and space, an idea which the keynote speaker (Rebecca King O’Riain) discusses in her book Global Mixed Race. This symposium was developed in response to this marginalisation focusing on describing and analysing mixed-race identities in both the UK and international contexts.

It was well attended and received by staff and students from within the faculty and beyond. There were a significant number of non-academic participants who travelled from far afield to engage with the day’s presentations and debates. Dr Rebecca King O’Riain (National University of Ireland, Maynooth) gave a keynote addressing the importance of expanding mixed-race studies beyond US borders and explored the dynamics of mixing in Zambia, Trinidad and Tobago, Mexico, Brazil, Germany and Japan, among other locations. Dr. Shirley Tate (University of Leeds) who conceived of the idea of the symposium gave a second keynote on the mixed race question in regards to Black beauty.

The symposium was also comprised of two panels with papers on a variety of topics which reflect the diversity of research interests in the field:

• Theory, experience and activism in CMRS
• Mixed race male experiences in UK education
• Chicano epistemology
• Mixed-heritage in fostering and adoption policy
• Bio-power and the politicisation of mixed-race in East Africa
• Dougla identities in Trinidad
• The influence of hip hop on mixed-race identity…

…Speakers: Emma Dabiri, Remi Salisbury, Veronica Cano, Julia Koniuch-Enneoka, Angelica Pesarini, Kav Raghunandan, and Jenn Sims

Read the entire report here.

Still policing the crisis? Black and black and white mixed ‘race’ Seeking Interviewees]

University of Leeds
Leeds, West Yorkshire, England
2013-08-12

Lisa J. Long, Doctoral Researcher
School of Sociology and Social Policy

I am a Ph.D. Researcher at the University of Leeds. I am interested in understanding the experiences that black or black and white mixed ‘race’ people have had when they have found themselves in contact with the police, either as a victim of crime, when reporting a crime, as a crime suspect or in the course of routine policing enquiries e.g. stop and search. As part of my research I would like to interview black and black and white mixed ‘race’ people across all age groups (16+), both men and women with an opinion or view about policing based on personal experience.

In order to be able to take part you will need to live in the West Yorkshire area and have had experience of policing within this area.

If you would like more information about participating in the research please contact Lisa Long at ssljl@leeds.ac.uk.

Image Matters: Archive, Photography, and the African Diaspora in Europe

Duke University Press
2012
256 pages
118 photographs, 10 illustrations
Paperback ISBN: 978-0-8223-5074-3
Cloth ISBN: 978-0-8223-5056-9

Tina M. Campt, Professor of Women’s, Gender and Sexuality Studies and Director of the Africana Studies Program
Barnard College

In Image Matters, Tina M. Campt traces the emergence of a black European subject by examining how specific black European communities used family photography to create forms of identification and community. At the heart of Campt’s study are two photographic archives, one composed primarily of snapshots of black German families taken between 1900 and 1945, and the other assembled from studio portraits of West Indian migrants to Birmingham, England, taken between 1948 and 1960. Campt shows how these photographs conveyed profound aspirations to forms of national and cultural belonging. In the process, she engages a host of contemporary issues, including the recoverability of non-stereotypical life stories of black people, especially in Europe, and their impact on our understanding of difference within diaspora; the relevance and theoretical approachability of domestic, vernacular photography; and the relationship between affect and photography. Campt places special emphasis on the tactile and sonic registers of family photographs, and she uses them to read the complexity of “race” in visual signs and to highlight the inseparability of gender and sexuality from any analysis of race and class. Image Matters is an extraordinary reflection on what vernacular photography enabled black Europeans to say about themselves and their communities.