Mixed Race Studies

Meghan Markle, The Royal Family, Right Wing Media Animus and The Specter of Deeply Entrenched Racism!

Medium
2021-03-11

Elwood Watson, Ph.D., Professor of African American and Gender Studies, Post-WWII U.S. History
East Tennessee State University

It didn’t take long for the right-wing media, here in America and in Britain, to gin up their propaganda/outrage machine towards Meghan Markle, better known as The Duchess of Sussex. “Unreasonable,” “entitled,” “ungrateful,” “spoiled,” “Liar! Fake Outrage!” “Fights, Camera, Action,” “Megxile,” “So Who is The Royal Racist?” and so on. Hell, perennial Meghan Markle antagonist and fierce critic, Piers Morgan, literally screamed and stomped off of the set of the program Good Morning Britain. It was a meltdown of epic proportions for all to see.

They were savvy enough not to refer to her as “uppity,” a word reserved for Black people who anger racist, White people by taking them out of their comfort zones. These are the Black folks who upset White bigots by “doing their own thing on their own terms” and, in essence, by telling such Whites to “Go to hell!” Some in the right-wing media would have liked to have called her a “n*gger bitch,” though they know that would have resulted in some consequences, even in our current climate of over racial animus…

Read the entire article here.

The children colonial Belgium stole from African mothers

Al Jazeera
2021-02-03

Annette Ekin
Brussels, Belgium

An archive photo showing children at Save, a key institution to which stolen mixed-race children were taken [Courtesy of metisbe.squarespace.com]

Taken from their mothers in what is today the Democratic Republic of the Congo, Rwanda and Burundi, decades on a group of mixed-race elderly people are fighting the Belgian state for recognition and reparations.

Monique Bitu Bingi, 71, has never forgotten how it happened.

It was 1953 when the white colonials came for her in Babadi, a village in the Kasai region of what is today the Democratic Republic of the Congo (DRC), then a Belgian colony. She was four, the child of a Black Congolese woman and a white Belgian colonial agent. Because she was mixed-race, she would be forced to leave her family and live at a Catholic mission. If she stayed, there would be repercussions: the men – farmers, hunters and protectors of the village – would be forcibly recruited into military duty and taken away. When the time came to leave, her mother was not there to say goodbye. She had left, unable to watch her daughter go.

Monique remembers travelling with her uncle, aunt and grandmother who carried her. She could tell something was wrong from her grandmother’s sadness. They walked west for about two days, crossed a river and slept in cabins used for drying cotton. When they reached Dimbelenge they hitched a ride northwest on a truck carrying the body of a woman who had died in childbirth. It was headed for Katende, in today’s Kasai Central province, where the St Vincent de Paul sisters’ mission was. Monique fell asleep. It must have been a Wednesday because weddings happened on Wednesdays and when she awoke outside the mission she saw a young Congolese couple, the bride dressed in white, and strangers everywhere. But her own family was gone. She remembers walking through the crowd, crying, until an older girl from the mission brought her inside to the others.

Among the countless abuses committed by the Belgian state during its colonial occupation of the Congo from 1908 to 1960, taking over from the exploitative and violent rule of King Leopold II which killed millions of Congolese, and its control from 1922 to 1962 under a League of Nations mandate in Ruanda-Urundi (today Rwanda and Burundi), is the little-known systematic abduction of biracial children from their maternal families…

Read the entire article here.

I’m mixed race, and sometimes I feel like I don’t belong anywhere

CBC News
British Columbia
2021-03-07

Jeremy Ratt, Associate Producer
CBC Vancouver

My mother is Indigenous, and my dad is white. That makes me mixed — two pieces of me, split right down the middle, writes Jeremy Ratt. (Maggie MacPherson/CBC)

Indigenous people say I don’t look Indigenous, white people say I’m not white. So who am I, really?

It’s hard to be me.

I’m not fishing for sympathy or downplaying the struggles of other people who I recognize have it much worse. I feel safe and loved.

But I have trouble being me, because I really don’t know who “me” is at this moment.

I was born 19 years ago on a cold day at Royal University Hospital in Saskatoon. My mother is fully Indigenous, from the Woodland Cree First Nation in northern Saskatchewan, while my father is Caucasian with various ties to European ancestry. This makes me a person of mixed race. Two pieces of me, split right down the middle.

Ever since I could walk and talk, it became apparent that this background was going to be a major part of me. It was clear that I was different and there was no hiding that. “Apitoscan” was a word I’d always heard when it came to the definition of Métis people. In Woods Cree, it means “half-breed” as well as “Métis.”…

Read the entire article here.

Public Thinker: Chanda Prescod-Weinstein Looks to the Night Sky

Public Thinker
Public Books
2021-03-09

Katherine McKittrick, Professor in Gender Studies and the Graduate Program in Cultural Studies
Queen’s University, Kingston, Ontario, Canada

Thinking in public demands knowledge, eloquence, and courage. In this interview series, we hear from public scholars about how they found their path and how they communicate to a wide audience.

My notes on The Disordered Cosmos: A Journey into Dark Matter, Spacetime, and Dreams Deferred, by Chanda Prescod-Weinstein, began on small paper squares that were about 10.5 x 10.5 cm. The paper squares allowed me to take fairly concise notes on key themes raised in the book; because of the size of the squares, I could reposition them as I read, which meant the themes were moveable and could change according to the time and place of my reading.

Partway through the book, I moved to lined three-ring paper, because the 10.5 x 10.5 cm thematic organization was stifling. I was losing my way. Thematic categorization—here is spacetime; here is melanin; here is Black feminism; here is, here are, phase(s); here is the one equation; here is diaspora and computing and song and nuclear physics and night sky—delimited the expansive intellectual work Prescod-Weinstein puts forth in this text. The lined three-ring paper offered more space; I was able to write out exact quotations at length and also write out ideas in my own words, mostly thinking about how to imagine the planet through curves and bendability.

Disordered Cosmos is a series of stories (cosmologies) and geometries and temperature variants and rapid expansions; these cosmologies, geometries, temperatures, and expansions are underpinned by racial-sexual violence, punitive evaluation metrics, the living memory of slavery, love, work. Particles, I think, hold everything together.

In her book, Prescod-Weinstein illuminated what I did not know and what I cannot know, and sharpened where I know from; she also showed me that the discipline of physics, and her work as a Black feminist physicist who studies quantum-gravity worlds, can forge meaningful interhuman and interecological and interstellar collaborations.

The kind of collaboration she offers is wide-ranging and painful and expressed through interdisciplinary promise. This is a book about how particle interactions are animated by the plantation. It is a book about how the racist contours of scientific knowledge provide the conditions that enable us to hold on to, and study, the liberatory inventions of Black scientists. It is a book that thinks about how wages and work and Blackness and identificatory politics and physics are entangled, and how this entanglement might, and can, reorient how we care for the planet and for each other. I am out of my depths.

In fall 2020, I had the chance to talk with Prescod-Weinstein about my book, Dear Science, and she gave me all kinds of space and time and energy so that I could share some of my ideas. I read Disordered Cosmos shortly afterward, and she agreed to continue our conversation—this time, with quarks and light dimensions and future-energy-distribution mechanisms, and the Blackness of it all, in mind…

Read the entire interview here.

Royal family’s ‘post-racial’ fantasy unravels

Cable News Network (CNN)
2021-03-08

Kehinde Andrews, Professor of Black Studies
Birmingham City University

Prince Harry, Duke of Sussex and the Duchess of Sussex depart after their wedding ceremony at St George’s Chapel at Windsor Castle on May 19, 2018.

(CNN) When Harry and Meghan walked down the aisle, surrounded by examples of #BlackExcellence, and being serenaded by a gospel choir on May 19, 2018, it was meant to mark a new era in race relations. Even the royal family was being “modernized,” dragged into the 21st century showing just how far we have come. Right wing papers like the Daily Mail even heralded the Markles’ remarkable achievement of going from “cotton slaves to royalty” in just 150 years. The only surprise is how quickly this post-racial fantasy unraveled, culminating in Sunday’s tell-all interview with Oprah Winfrey, revealing the harrowing time Markle says she endured as a serving royal…

Read the entire article here.

The Performance of Racial Passing

The New York Times Style Magazine
2021-03-02

Brit Bennett

The author Nella Larsen, photographed in 1934 by Carl Van Vechten. Carl Van Vechten, ©Van Vechten Trust, Courtesy of the Beinecke Rare Book & Manuscript Library, Yale University

Though Nella Larsen’s classic 1929 novel is understood to be a tragedy, it also exposes race to be something of a farce.

This article is part of T’s Book Club, a series of articles and events dedicated to classic works of American literature. Click here to R.S.V.P. to a virtual conversation, led by Brit Bennett, about “Passing,” to be held on March 9.

There’s a scene in the 1959 melodramatic film “Imitation of Life” that I have seen dozens of times, but it’s not the one you’re probably imagining: the climatic funeral scene where Sarah Jane Johnson, a young Black woman passing for white, flings herself onto the casket of the dark-skinned mother she has spent the entire film disowning. Instead, the scene that sticks with me is halfway into the movie, when Sarah Jane meets up with her white boyfriend, who has secretly discovered that she is Black. “Is your mother a nigger?” he sneers, before beating her in an alley.

I’m not proud to admit that in elementary school, my best friend and I used to watch this scene over and over again, not because we thought it was tragic, but because we found it funny. The frenetic music in the background, the melodramatic slaps, Sarah Jane’s slow crumple to the asphalt. We knew we were wrong to laugh, but we were too young to take much seriously, let alone a character like Sarah Jane, whom we found more pitiful than pitiable. We’d watched her mope through the whole movie about not wanting to be Black. Well, fine. Go see how she likes it over there.

In a strange way, the beating scene itself is almost structured like a joke. Part of the pleasure of a passing narrative is watching the passer fool her audience; in this scene, however, the audience is aware while the passer is not. Sarah Jane asks her boyfriend to run away together, the boyfriend pretends to consider it. He only has one question: Is it true? Sarah Jane laughs, unsuspecting. Is what true? But of course, we already know the punchline…

Read the entire article here.

Cherokee Nation Strikes Down Language That Limits Citizenship Rights ‘By Blood’

National Public Radio
2021-02-25

Mary Louise Kelly, Host
All Things Considered

Rena Logan, a member of a Cherokee Freedmen family, shows her identification card as a member of the Cherokee tribe at her home in Muskogee, Okla., in this photo from October 2011. She is among the some 8,500 people whose ancestors were enslaved by the Cherokee Nation in the 1800s.David Crenshaw/Associated Press

The Cherokee Nation’s Supreme Court ruled this week to remove the words “by blood” from its constitution and other legal doctrines.

The words, added to the constitution in 2007, have been used to exclude Black people whose ancestors were enslaved by the tribe from obtaining full Cherokee Nation citizenship rights.

There are currently some 8,500 enrolled Cherokee Nation members descended from these Freedmen, thousands of whom were removed on the Trail of Tears along with tribal citizens.

“The Freedmen, until this Cherokee Nation Supreme Court ruling, they couldn’t hold office, they couldn’t run for tribal council and they couldn’t run for chief,” says Graham Lee Brewer, an editor for Indigenous affairs at High Country News and KOSU in Oklahoma. “And I would argue that that made them second-class citizens.”…

Read the entire story here. Download the story (00:04:10) here.

Twin sisters sue Wampanoag Tribe over disputed membership

Cape Cod Times
Hyannis, Massachusetts
2020-09-27

Jessica Hill, News Reporter

Twin sisters Kayla, left, and Katie Balbuena outside their East Falmouth home. The sisters have filed suit against the Mashpee Wampanoag Tribe, arguing that tribe has wrongly taken them off its membership roll. Steve Heaslip/Cape Cod Times

MASHPEE — Twin 20-year-old sisters are taking Wampanoag tribal leaders to court after they were removed from the tribal membership roll.

Kayla and Kaitlyn Balbuena are suing the Mashpee Wampanoag Tribe Enrollment Committee in Tribal Court after the committee removed them from the tribal roll about a month ago.

“We don’t want to sue our tribe,” Kayla said, “but we just want to fight for our rights back.”

The Balbuena sisters filed the lawsuit on Sept. 15. The sisters, who live in East Falmouth, argue that the tribe’s enrollment department placed them on a pending list and have taken away their rights as tribal members based on hearsay and falsehood.

The enrollment committee and Rita Lopez, the enrollment department director, did not respond to a request for comment. Jessie “Little Doe” Baird, vice chairwoman of the Mashpee Wampanoag Tribal Council, also did not respond to a request for comment.

Read the entire article here.

Meet The Quebec Dads Making Beautiful Black And Mixed-Race Dolls

The Huffington Post
2021-02-10

Amélie Hubert-Rouleau

A little girl with her Ymma doll. INSTAGRAM/YMMA.WORLD

“We realized that the Black dolls were missing.”

Ymma’s website prominently features a Nelson Mandela quote: “It is in your hands to make a better world for all who live in it.”

Gaëtan Etoga and Yannick Nguepdjop take that literally. The two Quebec dads founded the company, which makes Black and mixed-race dolls, to inspire children and expose them to difference…

Read the entire article here.

Still the tragic mulatto? Manufacturing multiracialization in magazine media, 1961–2011

Ethnic and Racial Studies
Volume 42, 2019 – Issue 4: Special Issue: The mechanisms of racialization beyond the black/white binary
pages 645-665
DOI: 10.1080/01419870.2017.1380212

Sheena K. Gardner, Assistant Research Professor
Mississippi State University
Social Research Center

Matthew W. Hughey, Professor of Sociology
University of Connecticut

On the heels of the 2000 US Census allowance of multiracial categorization and with rising mainstream discussion of multiracial heritage, questions over the meanings of multiracialism are quite prevalent. Scholars have highlighted how mainstream-oriented and black-oriented media structure (multi)racial conflicts, concepts, and categories. However, sociological analysis has neither examined qualitative differences and nuance among multiracial-oriented media sources nor specified the precise qualitative themes, frames, and discourse of that representation across time and media format. A content analysis of mainstream-, black-, and multiracial-oriented magazine articles demonstrates how varied media sources differently drew upon, resisted, and reproduced distinct understandings of multiracialism to reproduce the dominance of the “Tragic Mulatto” trope. The implications for this study illuminate the import of multiracial self-esteem, the intersection of conservative political movements and black interest groups in the fight for and against a multiracial movement, and the paradoxical role of anti-black stereotypes in multiracial representations.

Read or purchase the article here.