Mixed Race Studies

The complex history of Alexander Twilight, nation’s first African American to earn a bachelor’s degree

USA Today
2021-02-08

Marina Affo, Reporter
Delaware News Journal, New Castle, Delaware

Though Twilight is lauded today as an African American scholar, preacher and educator, for much of his life he was marked as white on census records.

Tucked away on Franklin Street at Vermont’s Middlebury College sits a modest, red-bricked building bearing the name of Twilight Hall.

It pays homage to the first student of African descent who graduated from Middlebury in 1823. Alexander Twilight was also the first Black person to obtain a bachelor’s degree across America – a piece of history Middlebury is proud to represent.

At Northern Vermont University, there is Alexander Twilight Theater and in Boston, there is Alexander Twilight Academy, which offers year-round academic programming for middle school students from under-resourced backgrounds to prepare them for high school and college.

Though not widely know, Twilight is celebrated as an accomplished African American man whose achievements paved the way for others like him.

But consider this: Though Twilight is lauded today as an African American scholar, preacher and educator, for much of his life he was marked as white on census records…

Read the entire article here.

Race and Authenticity: A Film Study on Douglas Sirk’s Imitation of Life

Drunk Monkeys
2020-05-18

Ilari Pass

Image © Universal Pictures

“It’s a sin to be ashamed of what you are.”
—Annie Johnson, Imitation of Life

Literature helps the reader travel inside the skin of the character—the mystery of another human being—and this understanding unsettles the reader’s received notion about the ‘other,’ a person who might be otherwise judged. The same can be applied to studying a film, allowing us to enhance our appreciation of subject matter that depicts a range of human experience by carefully looking at the artistic systems, such as cinematography, lighting, costume, and acting, that produce a rich and textured work of art. Douglas Sirk’s 1959 melodramatic film Imitation of Life, which depicts the lives of four different people living in a world that is beyond their control, is a film that operates at the level of art. The first half of the film deals with a question from a feminism perspective, about what it means to be a woman living in a male-dominated society, and the second half addresses the perspective of how women of color are affected by racism. It is a story about imitating, pretending to be something that isn’t true. However, what is true is what the characters literally see—gender and race—something no one can walk away from…

Read the entire article here.

Understanding the Legacy of Nella Larsen’s Passing

The Mary Sue
2021-02-04

Princess Weekes, Assistant Editor

Right now on the Sundance circuit is the Rebecca Hall-directed film Passing, starring Tessa Thompson and Ruth Negga. It is an adaptation of the Harlem Renaissance classic Passing by Nella Larsen. Embedded into the text is a rich powerful narrative about the Black American experience and the lengths people go to survive in America.

Nella Larsen was both in 1890s Chicago as the daughter of a mixed-race Afro-Caribbean man and a white Danish immigrant woman. Larsen didn’t grow up with her father and in 1891 the Great Migration hasn’t happened yet, so the Black population was less than 2%. After her mother remarried, they moved to a mostly white neighborhood filled with German and Scandinavian immigrants. As a result, Larsen did not grow up in the usual world of Black Americanness. Or Blackness period…

…While it would be easy to dismiss Passing as a typical “tragical mulatto” story, I have always felt that it was more Larsen reflecting on the ultimate tragedy of those who have passed.

In A Chosen Exile: A History of Racial Passing in American Life by Allyson Hobbs, the author explains that this is a narrative of loss. “I started to realize that writing this history of passing is really writing a history of loss,” Hobbs told NPR….

Read the article here.

Brazilian butt lift: behind the world’s most dangerous cosmetic surgery

The Guardian
2021-02-09

Sophie Elmhirst

The BBL is the fastest growing cosmetic surgery in the world, despite the mounting number of deaths resulting from the procedure. What is driving its astonishing rise?

The quest was simple: Melissa wanted the perfect bottom. In her mind, it resembled a plump, ripe peach, like the emoji. She was already halfway there. In 2018, she’d had a Brazilian butt lift, known as a BBL, a surgical procedure in which fat is removed from various parts of the body and then injected back into the buttocks. Melissa’s bottom was already rounder and fuller than before, and she was delighted by the effect, with how it made her feel and how it made her look. But it could be better. It could always be better.

On a recent afternoon, Melissa visited the British aesthetic surgeon Dr Lucy Glancey for a consultation. Glancey had performed Melissa’s first BBL at her clinic on the Essex-Suffolk borders, a suite of rooms boasting shining white cupboards, a full-length mirror and drawers stuffed with syringes. As she waited for Melissa to arrive, Glancey showed me a picture of Melissa on the beach in Dubai, wearing a palm-print bikini and posing in a kind of provocative crouch – arms, breasts, thighs and buttocks all arranged for optimum effect. “Look how good she looks,” said Glancey, admiring Melissa and her own work. “I said to her, I don’t see what else we can do.”

When Melissa walked into the room, she didn’t exactly resemble her digital self, but then, who does? She’d swapped Dubai-luxe for Suffolk-casual – blue jeans and a pink sweater. After a quick chat, Glancey – dark blue scrubs, coral toenails – asked Melissa to take off her clothes. Together, doctor and patient stood in front of the mirror and stared.

…Like anyone inspecting their own body, Melissa could see things no one else could see. She wasn’t seeing just its current form in the mirror, but multiple versions: her former body, her desired body, her digital body. In her teens, nearly a decade ago, when Cara Delevingne’s thigh gap had its own Twitter account, Melissa had wanted to be thin and flat like everyone else. Then fashions changed. Explaining why she got her first BBL, Melissa, who is white, said she had wanted to fill out a pair of jeans and appeal to the kind of men she liked. “I felt attracted to black men and mixed-race men, and they liked curvier women,” she told me…

…Not everyone can achieve the Kardashian body. As with much of the Kardashian West oeuvre, her bottom has its own attendant controversies, not least because it appears to want to be an idealised version of a black woman’s bottom. Kardashian West, who has Armenian heritage and has always denied having had bottom surgery, has long been accused of “blackfishing” – mimicking and appropriating black culture to enhance her brand. “It’s completely constructed, a kind of fiction,” said Alisha Gaines, professor of English at Florida State University, and the author of Black for a Day: White Fantasies of Race and Empathy. “She’s made an empire on appropriating blackness and selling it to all types of people, including black folks.”…

Read the entire article here.

The Hidden History of Black Argentina

The New York Review
2021-02-08

Uki Goñi

Allsport via Getty Images Diego Maradona (front, center) with family and friends in Villa Fiorito, Argentina, 1980

A century of European immigration brought with it a comprehensive effort to erase the country’s multiracial past. Only recently has that been reversed.

Erika Denise Edwards, Hiding in Plain Sight: Black Women, the Law, and the Making of a White Argentine Republic (Tuscaloosa: University Alabama Press, 2020).

“This country has no tradition of its own,” Argentina’s master writer, Jorge Luis Borges, told me in an interview in 1975. “There’s no native tradition of any kind since the Indians here were mere barbarians. We have to fall back on the European tradition, why not? It’s a very fine tradition.” The words grate to modern ears, but they seemed true to Borges’s world. His own grandmother, Frances Anne Haslam, had come from Staffordshire, England. And by 1920, when Borges turned twenty-one, over half the population of his native Buenos Aires had been born in Europe, the result of a vast wave of late nineteenth-century and early twentieth-century immigration.

According to this idea of Argentina’s roots, our capital city of Buenos Aires is “the Paris of South America,” and “we are all descendants from Europe,” as then President Mauricio Macri said at the World Economic Forum in Davos, Switzerland, in 2018. A corollary of this claim is one made by an earlier president, Carlos Menem, to a Dutch audience at Maastricht University in 1993 that, because Argentina had abolished slavery as early as 1813, “we don’t have blacks.” At a later lecture—bizarrely enough, at Howard University in Washington, D.C.—Menem added, “that is a Brazilian problem.”

For me, the myth of a European-only Argentina reached its breaking point last November, with the death of the soccer star Diego Maradona, arguably the greatest player who ever lived. He transcended the world of sports to become a figure of hope and defiance for millions of Argentines…

Read the entire review here.

A Family History of British Empire

Black Perspectives
2021-02-05

Mary Hicks, Assistant Professor of Black Studies and History
Amherst College, Amherst, Massachusetts

“Where are you from?”—The deceptively simple question looms over the sprawling narrative of Imperial Intimacies: A Tale of Two Islands, the newest work by Black feminist theorist, literary critic, and historian Hazel Carby. This historical and existential query frames Carby’s gripping exploration of her ambivalent relationship to idealized “Britishness” as the child of a white, working-class Welsh mother and a Black, Jamaican father born in 1940s London. The omnipresent demand by strangers that she produce a satisfying account of her origins exemplifies her experiences as an unlocatable and thus unimaginable subject (98). Her own emotionally charged childhood memories ground Carby’s evocative examination of the intertwined nature of intimacy, race, and labor in the British Empire, stretching from the period following World War II back to the revolutionary wars of the late eighteenth century.

Imperial Intimacies begins with the Gramscian imperative to reconstruct, and at times invent, one’s personal genealogy, not only in fact but in feeling…

Read the entire review here.

He became the nation’s ninth vice president. She was his enslaved wife.

The Washington Post
2021-02-07

Ronald G. Shafer

Richard Mentor Johnson became vice president in 1837. (Library of Congress)

Her name was Julia Chinn

She was born enslaved and remained that way her entire life, even after she became Richard Mentor Johnson’s “bride.”

Johnson, a Kentucky congressman who eventually became the nation’s ninth vice president in 1837, couldn’t legally marry Julia Chinn. Instead the couple exchanged vows at a local church with a wedding celebration organized by the enslaved people at his family’s plantation in Great Crossing, according to Miriam Biskin, who wrote about Chinn decades ago.

Chinn died nearly four years before Johnson took office. But because of controversy over her, Johnson is the only vice president in American history who failed to receive enough electoral votes to be elected. The Senate voted him into office.

The couple’s story is complicated and fraught, historians say. As an enslaved woman, Chinn could not consent to a relationship, and there’s no record of how she regarded him. Though she wrote to Johnson during his lengthy absences from Kentucky, the letters didn’t survive.

Read the entire article here.

‘Majority Minority’ America? Don’t Bet on It

The Wall Street Journal
2021-02-05

John J. Miller

Illustration: Ken Fallin

How a Census Bureau error led Democrats to assume they were on the right side of inexorable demographic trends.

Remember the “coalition of the ascendant”? National Journal’s Ronald Brownstein invented the phrase in 2008 to describe the “growing elements of American society” that had elected Barack Obama and given Democrats commanding majorities in both congressional houses: “young people, Hispanics and other minorities, and white upper-middle-class professionals.”

Republican successes in 2010, 2014 and 2016 called the coalition’s durability into question. But the 2020 election—Joe Biden’s victory notwithstanding—may provide the greatest reason to doubt it. Compared with 2016, President Trump and congressional Republicans improved their standing significantly among Hispanic voters and made smaller strides among other groups, such as Asian-Americans, blacks and Muslims.

“The majority minority narrative is wrong,” says sociologist Richard Alba, referring to the idea that nonwhite Americans will outnumber whites by 2050 or so. In his recent book, “The Great Demographic Illusion,” Mr. Alba, 78, shows that many “nonwhites” are assimilating into an American mainstream, much as white ethnic groups did before them. Government statistics have failed to account for this complex reality, partly for political reasons, and in doing so they’ve encouraged sloppy thinking about the country’s future…

Read the entire article here.

Camila Pitanga on people questioning her blackness: “It’s as violent as if I was barred from a restaurant or a hotel because of my color.”

Black Brazil Today
2012-02-11

Marques Travae

Having captured the hearts of millions of Brazilians with her portrayals of several memorable characters in Brazil’s ever popular novelas, Camila Pitanga has earned her wings as a top actress and one of the most visible black actresses on the air. Her success is the fruit of hard work, an early start (appearing in the film Quilombo at age 6 in 1984) and having a famous father couldn’t have hurt (father Antônio Pitanga is a long-time actor). Of her role as Rose, an ex-domestic in the novela, Cama de Gato, Pitanga says: “I identify myself with Rose because she is a fighter and I have this reference in my family. My father is a man of humble origins from Bahia, he was a mailman and it was the arts that created his identity. Rose will not become an artist but she has a dignity that I identify with.”…

Read the entire interview here.

The True Story of Jess Krug, the White Professor Who Posed as Black for Years—Until It All Blew Up Last Fall

The Washingtonian
2021-01-27

Marisa Kashino

Photograph courtesy of YouTube

She fabricated harrowing personal backstories, peddled gross caricatures, and spoke from perspectives she had no right to claim. And nobody stopped her.

“Iam a coward.”

Jessica Krug’s confession started ricocheting across screens one brutally muggy afternoon in late-summer Washington. “For the better part of my adult life,” it began, “every move I’ve made, every relationship I’ve formed, has been rooted in the napalm toxic soil of lies.” Krug, a faculty member at George Washington University, had taken to Medium, the online forum, to reveal a stunning fabrication. Throughout her entire career in academia, the professor of African history—a white woman—had been posing as Black and Latina.

“I have thought about ending these lies many times over many years, but my cowardice was always more powerful than my ethics. I know right from wrong. I know history. I know power. I am a coward,” she wrote. “You should absolutely cancel me, and I absolutely cancel myself.”

The statement, posted September 3, 2020, went viral immediately, unleashing a tidal wave of Oh, my Gods across the text chains of Krug’s GW colleagues and other academics. “We were all blindsided,” says GW history-department chair Daniel Schwartz. Distraught emails from Krug’s students—less than a week into a virtual semester already upended by the coronavirus pandemic—began piling up in faculty in-boxes. Meanwhile, an online mob went to work churning up old photos of Krug and tanking the Amazon ratings of her book. By the end of the day, a now-infamous video of Krug calling herself “Jess La Bombalera” and speaking in a D-list imitation Bronx accent was all over the internet….

Read the entire article here.