Mixed Race Studies

A reflection on Barack Obama’s presidency

The Economist
2016-12-24

Barack Obama’s presidency lurched between idealism and acrimony but some of his accomplishments will endure

1 “A skinny kid with a funny name”

Watch it again. He is unusually stilted at the beginning, as you might expect of a debutant on the autocue and the national stage. But soon he finds his rhythm, those crescendos alternating with electric pauses, ecclesiastical notes chiming with his scholarly charisma in a musical voice. Grippingly, he recounts the story of his life, in his telling a parable of unity in diversity—a moral he was still pushing 12 hard, disillusioning years later. “We are Americans first,” he urged in the Rose Garden on the day after Donald Trump was elected.

In fact, by the standards Barack Obama subsequently set—in a presidency defined by its speeches, and perhaps to be best remembered for them—his turn at the Democratic convention in 2004 was mundane. But his ascent will still be dated from the moment he loped onto that stage in Boston, with the rangy gait that became as familiar as his smile: an unknown politician from Illinois, soon to be the country’s only African-American senator, before, in short order, becoming its first black president. The paean he offered to America, a country that had embraced him as “a skinny kid with a funny name”, was also a kind of dare; the self-deprecation camouflaged a boast, since many in his audience saw the obstacles he faced as clearly as he did. “I’m the African-American son of a single mother,” Mr Obama reportedly told Binyamin Netanyahu when, years later, Israel’s prime minister lectured him on the world’s hazards, “and I live here, in this house. I live in the White House.”

His presidency will be counted in speeches because its trials proved harder to overcome than the barriers he scaled to attain it. Often he spoke as no other president could, becoming, through his identity and eloquence, a receptacle for the hopes of Americans and of—and for—the world. Think of his speech in Berlin in 2008, when he extolled multilateralism and the rule of law, or his now-defunct conciliation in Cairo the following year. Think of his eulogy after the Charleston killings. Yet posterity might score him higher on a broader metric had he been as effective in the more intimate persuasions of Congress, as consistent in projecting empathy as at exhortation, or more resolute abroad; had he been as adept at championing legislation or facing down tyrants as he could be at stirring hearts…

Read the entire article here.

The double life of Injun Joe

Maclean’s
1956-07-21

Dorothy Sangster [Katz] (1913-2011)

The tourists at Algonquin Park think they’re meeting a real live redskin in a tribal tepee. Indian schmindian! He’s Tex Boyden, who reads the New Yorker, sips Martinis and makes his living selling beads to the white natives

When Erl Boyden was five years old, his Uncle Richard took him to a wild-west show in Ottawa and introduced him to Buffalo Bill.

Excited by tom-toms and war cries and trailing war bonnets, little Erl fell in love with Indians on the spot. He took to cutting out pictures of Indians, improvising Indian costumes, collecting Indian souvenirs. His bedroom in the old Boyden home on Mackenzie Avenue, in the shadow of the Parliament Buildings, became a litter of bows and arrows and buckskins. His most treasured possession was a five-foot cotton tepee his aunt Bertha O’Donaghue sent him from New York. The Last of the Mohicans was his favorite book and he and his two brothers saved their nickels to see Broncho Billy Anderson on Saturday afternoons at the neighborhood movie house, and Custer’s Last Stand, a stage show that came to Ottawa’s Grand Opera House in 1907. School bored young Erl—his thoughts were elsewhere. He saw himself as a white boy who by his knowledge of hunting and outdoor lore is adopted by an Indian chief and given a place of honor in the tribe.

Boyden is sixty years old now, but he’s still playing Indian. All summer long you can find him sitting beside the highway at Dwight, a small resort town 160 miles north of Toronto on the road to Algonquin Park, under a sign that says, “Ugh! Indian Souvenirs!”

Tourists know him as Injun Joe…

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Author Joseph Boyden’s shape-shifting Indigenous identity

APTN National News
Aboriginal Peoples Television Network
Winnipeg, Manitoba, Canada
2016-12-23

Jorge Barrera

Three Day Road author Joseph Boyden’s uncle went by the alias “Injun Joe” and wore a headdress while selling drums made of tin cans wrapped in birch and other “Indian” items to tourists from a shop near Algonquin Park in Ontario.

A Maclean’s article in 1956 titled, The Double Life of Injun Joe, reported Earl [Erl] Boyden “may look like an Indian, think like an Indian and spend most of his year among Indians, but as far as he knows he hasn’t a drop of Indian blood.” The article said Earl Boyden’s father was a “well-to-do Ottawa merchant who traced his family to Thomas O’Boyden in Yorkshire” and that his mother was “Irish.”

Earl Boyden, who died in 1959, appears to have embraced Indigenous culture to the point where the local Ojibway would refer to him as “not a white man,” according to the article.

Over the years, Joseph Boyden has referred to his uncle’s “Ojibway ways” and once told an interviewer that he saw parallels between himself and his “Indian uncle” Earl.

“Just like my Indian uncle, I had a taste for the road and for adventure,” said Boyden, in an interview with Penguin Books for a reading guide accompanying Three Day Road, his breakthrough novel which won the Scotiabank Giller Prize. “At the time, I didn’t recognize the parallels between my uncle and me.”

The nephew eventually discovered something his uncle did not know—Indigenous ancestry hidden somewhere in the Scottish and Irish branches of the family tree.

Boyden has never publicly revealed exactly from which earth his Indigenous heritage grows. It has been an ever shifting, evolving thing. Over the years, Boyden has variously claimed his family’s roots extended to the Metis, Mi’kmaq, Ojibway and Nipmuc peoples.

The nature of Boyden’s ancestry claims caused an undercurrent of concern within some segments of the Indigenous community as the author’s prominence as a spokesperson on Indigenous issues grew…

Read the entire article here.

Meet the black Americans going home to China

Cable News Network (CNN)
2016-12-27

Yazhou Sun, Producer
CNN International

Paula Madison grew up knowing she was different.

Born in the predominantly African-American neighborhood of Harlem, New York, she was raised by a single mother who looked Chinese.

“When my mother opened the door and told me that dinner is ready, other kids would be very surprised,” Paula says. “Sometimes, they’d start using racial slurs.”

Madison’s father was African-Jamaican and left her mother when she was three.

“My mother always looked sad because she was away from her family,” she says. “I’ve known for my whole life that my grandfather is Chinese. I thought helping my mother find her family would make her happy.”

Paula knew that her grandfather had gone to Jamaica from China in 1905 to work on a sugar plantation and after his contract was fulfilled, he stayed in Jamaica to open a store.

She was determined to find out which village he came from and if he had any living relatives in China, but the only clue she had was her grandfather’s name: Samuel Lowe…

Read the entire article here.

‘Barry’ or How Barack Obama Learned to Stop Worrying and Love His Blackness

The Daily Beast
2016-12-20

Marlow Stern, Senior Entertainment Editor

Netflix

The new Netflix film ‘Barry’ explores young Obama’s days at Columbia University, torn between the world of his rich white girlfriend and the African-American community.

There’s a scene in Dreams From My Father, the memoir of Barack Obama, that illuminates how the future president struggled to feel at home in white America. Obama, 22, has paid a visit to the family estate of his white girlfriend, Genevieve Cook, 25. It’s a beautiful autumn day in Norfolk, Connecticut, and, after traipsing about the foliage-strewn woods, he finds himself in the family library. There, he observes an assemblage of photographs depicting his lover’s grandfather, a wealthy man of great import, posing with presidents, foreign dignitaries, and titans of industry.

“Standing in that room, I realized that our two worlds, my friend’s and mine, were as distant from each other as Kenya is from Germany,” wrote Obama. “And I knew that if we stayed together I’d eventually live in hers. After all, I’d been doing it most of my life. Between the two of us, I was the one who knew how to live as an outsider.”

That push-pull between these two sides of Obama, white and black, is explored in the new film Barry, now streaming on Netflix. Directed by Vikram Gandhi, it dramatizes the years Obama (played by Devon Terrell) spent at Columbia University in 1981 New York City…

Read the entire review here.

On the Record: Georgetown and the racial identity of President Patrick Healy

The Georgetown Voice
2010-04-14

Patrick Healy

Matt Sheptuck (COL ’10) is an American Studies major writing his senior thesis, which explores how Georgetown University has perceived Jesuit Father Patrick Healy’s racial identity over the years. In his research Sheptuck found that Healy, whom many of us know as the first African-American President of Georgetown and one of the first black presidents of any major American university, was understood as white for much of the University’s history, until beginning in the 1960s, when Georgetown began to “market” Healy as black.

Sheptuck says he isn’t “overtly condemnatory” of the University’s history, knowing that how they framed Healy was a product of the times. But he proposes that going forward, Georgetown doesn’t need to relegate Healy’s racial identity to the “one-dimensional” white or black designation, and should present him as the complex man he was. He also thinks Georgetown needs to look closely at its relationship with race in America in the past. Intrigued by his research, Vox caught up with Sheptuck on Tuesday to learn more.

Vox Populi: So tell me a little about your thesis.

Matt Sheptuck: I’m looking at how the University’s changing racial conceptualization of Patrick Healy’s identity fit in relation to how the University thought about race in general. And what I’ve found in my research about Healy, who was president from 1874 – 1882, is two main periods from the 1880s, when Healy resigned as president, up to the present, in which the University talked about his racial identity differently…

Read the interview here.

Review: In New Biopic ‘Barry,’ The Real Obama Remains Hidden

Newsweek
2016-12-16

Tom Shone

While President Barack Obama decides on his future—a return to his roots as a community organizer? A de facto leader for the Trump resistance? More writing?—pop culture has stepped in to give him the Mount Rushmore treatment. First we had Southside With You, a sweet, inoffensive Sundance hit about his and Michelle Obama’s first date. Now we have Barry, Vikram Gandhi’s film for Netflix about Obama’s year as a transfer student at Columbia University, a period in which the future president read a lot of books, smoked a ton of cigarettes and eventually decided to become a community organizer. This is Obama: The Awakening.

Taking the lead is Australian actor Devon Terrell, who is more strapping than his subject but gets just the right mixture of Vulcan self-possession and self-doubt, giving him a slight stammer as ideas struggle for expression through multiple thought-menus. Casting a non-American actor was a smart move. The film records not just Obama’s first encounter with New York—the Big Apple of Ronald Reagan’s first term, with its beatboxes, graffiti and break-dancers—but with a kind of urban black experience he hadn’t experienced in Hawaii. Passing between worlds, he belongs wholly to neither…

Read the entire review here.

How ‘Barry’ Gets Obama Right—And Wrong

Newsweek
2016-12-21

Matthew Cooper, Political Editor

President Barack Obama during a White House news conference in Washington, December 16. A new Netflix production, “Barry,” charts his college years in New York, when “Barry,” as he was known, wrestled with his racial identity. JONATHAN ERNST/REUTERS

There’s less than a month left of Barack Obama’s presidency, but the 55-year-old remains enigmatic. His remarkable ascent—as the son of a mixed-race marriage, the child of a single mother in Hawaii—to the Oval Office is as great a Log Cabin tale as that of any of his 43 predecessors. Maybe it’s because of his swift rise or his outlier/insider duality that he remains, even in his last days in office, the object of so much dispute.

The president has already penned two deservedly acclaimed memoirs and more are planned. And he’s been the subject of two biopics, this summer’s charming Southside with You, about his first date with Michelle (nee Robinson), and now Barry, a Netflix production that charts his college years in New York, when “Barry,” as he was known, wrestled with his racial identity…

Read the entire article here.

China Machado, Breakthrough Model Until the End, Dies at 86

The New York Times
On The Runway
2016-12-19

Vanessa Friedman

China Machado, the first non-Caucasian to appear in the pages of an American glossy fashion magazine and a model who broke not only the race barrier but also the age barrier, died on Sunday in Brookhaven, N.Y., on Long Island. She was 86.

Her family said the cause was cardiac arrest.

Ms. Machado (whose first name was pronounced CHEE-na) lived a colorful life: She was born Noelie de Souza Machado on Christmas Day 1929, in Shanghai; fled the country with her parents in 1946, after the Japanese occupation; had an affair with Luis Dominguín, the Spanish bullfighter, who left her for Ava Gardner; and socialized with François Truffaut…

Read the entire obituary here.

‘Barry’ director on race, identity and why the young Obama matters

Mashtable
2016-12-20

Proma Khosla

Vikram Gandhi didn’t direct the Netflix biopic Barry because he cared about Barack Obama. He made it because he cared about a kid named Barry.

Gandhi set out to discover who Barack was before he was Barack, back in 1981. The film follows a portion of Obama’s life then as a student at Columbia University, and how it shaped who he would grow up to be.

“I don’t know who Barack Obama is,” Gandhi told Mashable in a phone interview. “I didn’t study that. I studied who Barry was. I related with Barry. The things that he’s struggling with are things that people around me have struggled with, I’ve struggled with, and I think that I still struggle with. Barack Obama’s the president; I have no idea what that’s like, but I know what it’s like to be a confused kid, a 20-year-old kid in New York City trying to figure out where you belong.”

The 1981 iteration of Barack Obama held particular resonance for Gandhi, who studied at Columbia some 17 years later. He remembered the classes, the bars, the diners — he even lived next door to the building that once housed a future president. The film is an intersection of two identity crises: What it means to grow up and what it means to be mixed race in America…

Read the entire article here.