The Hafu Nation: Five Voices

Posted in Articles, Asian Diaspora, Biography, Media Archive, United States on 2015-05-07 20:13Z by Steven

The Hafu Nation: Five Voices

Tokyo Weekender: Japan’s Premier English Magazine
2015-05-03

Kyle Mullin


Velina Hasu Houston (Photo by Ken Matsui)

Four members of the “Hafu Nation” share their experiences of living life from (at least) two perspectives.

Ariana Miyamoto has proven that beauty is not merely skin deep. Although some of her detractors criticized her for not being ethnically pure enough to represent Japan in this year’s Miss Universe pageant, many more supporters see her selection as an opportunity to address what role that mixed race individuals will play in the future of Japan. One work that has brought this question to movie audiences around the world is the documentary “Hafu” (the most common word used to describe Japanese people of mixed race). We reached out to one of the directors of the film, Megumi Nishikura, who put us in touch with several members of the local and international hafu community, who shared their views about Miyamoto’s selection, as well as their own experiences of multiethnicity inside and outside of Japan…

Velina Hasu Houston: A playwright and professor at USC who holds an MFA and PhD, and has explored the U.S.-Japan relationship through drama, fiction, essays, and film, among other forms.

“If Ms. Miyamoto were part white instead of part African American, there might be less brouhaha and discourse about her being named to represent Japan in the Miss Universe pageant. For example, recently Ms. Saira Kunikida, who is Japanese and Italian, was selected by Isetan to represent and be “the perfect symbol” (in the words of Fashion Headline Japan) of its “This is Japan” motto.

“Because Japan thinks of itself as a racially homogeneous and racially pure society, anybody that does not appear to be conventionally Japanese faces myriad issues of prejudgment and, at the very worse, discrimination in Japanese society. Sometimes this is positive in that Japanese citizens may be curious about someone who looks different, especially if that person appears to have some Asian traits. […] But more often than not being hafu in Japanese society can be trying. Japanese citizens stare at hafu constantly—on trains, walking down the street, in stores, and so on. It gets tiring always feeling as though you are being watched. You also may be racially profiled. If Japanese citizens perceive you to be of a certain race or national origin, they may behave differently toward you, thinking that you may act in a way that is to their detriment. These types of encounters are frustrating for hafu because our blood is Japanese as much as it is whatever else we are…

Read the entire article here.

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The Forgotten Supervillain of Antebellum Tennessee

Posted in Articles, Biography, History, Media Archive, Slavery, United States on 2015-05-01 11:31Z by Steven

The Forgotten Supervillain of Antebellum Tennessee

Narratively: Human Stories, Boldy Told.
2015-04-28

Betsy Phillips


(Photo Source: commons.wikimedia.org/wiki/File:Isaac-franklin-by-wb-cooper.jpg)

In a brutal business defined by cruelty, Isaac Franklin was perhaps the worst slave trader in all of cotton country—and the richest man in the south. Yet today his heinous crimes are long forgotten.

The people of Nashville hear slave trader Isaac Franklin’s great annual parade of misery long before they see it. The rhythmic thud of 400 trudging feet carries quite a way. Then comes the sound of men singing, “Cut him down, cut him down, catch him if you can.”

There’s a river and a field and a few scattered houses between Nashville and Franklin’s coffle coming down Gallatin Pike, but once it crests the hill at what will one day be known as Eastland Avenue, everyone up on the bluff can see it. A great centipede of 200 men chained together at the waist, their hands locked behind their backs, marching toward Nashville. A hundred women and children follow behind in wagons, destined for sale. A man with a fiddle walks alongside the chained men, playing to keep them moving at the same speed.

The time is late August 1833. Nashville is a village of 5,500 people living near the crumbling remains of Fort Nashborough. Log cabins are finally giving way to wood-framed buildings and, for the rich, brick. For the past seven years, it has been the state capitol, but it still has the feel of a frontier village. Most people are related or married into each other’s families. Gossip, drinking and duels provide most of the town’s entertainment.

The only bridge into town is the old stone-pillared toll bridge. In five years, when the Cherokee are forced across this bridge, sick, starving, afraid, Nashvillians will claim they were so moved by the suffering that they tried to help the refugees, but were rebuked by the soldiers escorting them. Yet the people in Franklin’s coffle are also sick and afraid. They’ve been walking clear from Alexandria, D.C., and they’ll keep walking all the way to Natchez, Mississippi.

From historical accounts of such marches, notably George William Featherstonhaugh’sExcursion Through the Slave States” and Edward Baptist’sThe Half Has Never Been Told: Slavery and the Making of American Capitalism,” the picture comes into focus. The men’s bare feet are blistered and bloody. The haunted-looking women try to keep the spirits of the children up, but every night brings new horror. People are beaten and whipped. Franklin and the three other white men traveling with him take women off into the brush. Not far enough off. Everyone hears the women pleading. Later, they hear the women crying.

Almost everyone in Nashville has known Isaac Franklin since he was born. They all know about the women he keeps trapped on his farm outside of town. And they all know that, when Franklin’s captives get to Natchez, whatever hell they’ve faced on the road — the beatings, the rapes, the forced marches — will seem like the good old days. King Cotton will grind most of these people to a bloody pulp. The ones not destined for the plantation are likely destined for the brothel.

No one rescues them. A couple of local traders come out to talk to Franklin. He doesn’t even bother to get off his horse. He’s not as imposing as you might expect such a man to be. In portraits from the period, his black hair is fine and perpetually messy. He frowns instead of smiles and his eyes are dark with some secret disappointment.

One of the traders gestures to the middle of the coffle. The dark corners of history leave us to imagine their conversation. “I’ll give you $350 for the tall one over there,” he says.

“Gentlemen,” Franklin snorts, “that’s a buying price, not a selling price.” The man will bring eight to nine hundred dollars in Mississippi.

Franklin’s victims pass briefly among the villagers and then disappear down the Natchez Trace

…Perhaps most chilling, though, is the idle chit-chat about the young women they raped and sold for sex, the “maids” and “fancy girls” — code words for light-skinned slave women. Every “your” in that phrasing — “your girl Minerva,” “your fancy girl Allice,” “your Charlottesville maid” — indicates that Isaac is teasing Ballard about his fondness for “fancy maids.” Not that Franklin saw anything wrong with that. Indeed, his disappointment at not finding the Charlottesville maid in the most recent shipment of slaves seems an admission he was hoping to get his turn.

Later letters between the two men and another nephew, James Franklin, make clear that the Charlottesville maid, a woman named Martha, was eventually raped by all three of them. This practice — not just of raping one’s slaves, but of openly bragging and joking about raping them — was so widespread that in his essay “‘Cuffy,’ ‘Fancy Maids,’ and ‘One-Eyed Men’: Rape Commodification, and the Domestic Slave Trade in the United States,” Edward E. Baptist maintains that “coerced sex was the secret meaning of the commerce in human beings.” In other words, this wasn’t some moral failing of a few rotten men. This was an important privilege of slave ownership.

Franklin and Armfield were making a lot of money specifically from selling women to men so that the men could rape them. White men were especially eager to pay for young, light-skinned women. Ethan Andrews wrote of the practice, “[M]ulattoes are not so much valued for field-hands, they are purchased for domestics, and the females to be sold for prostitutes…no objection seems to be felt to keeping in one’s house female slaves, who have been guilty of crimes for which a white female would forfeit her life.”

As Franklin noted in his letter, he was getting $800 to $900 for the kind of slave usually considered the most expensive — a strong male field hand — and the same for unskilled “fancy maids.” He thought a “fancy maid” who could also sew would bring more than that: $1,000. The letters the traders sent each other are peppered with references to “the fancy white maid” and “the fair maid” and “our white Caroline.” But Isaac’s letter hints at the cost of this abuse to the women. He couldn’t sell Minerva because she had become “a caution,” an old term for a woman who is too difficult to deal with.

What became of Minerva isn’t clear from the letter. A slave suitable for sex work must be somewhat compliant. If Isaac couldn’t break her will, likely she would have been be sold as a field hand. That Minerva hadn’t already been sold as such is surprising, unless Franklin was keeping her for his own pleasure. The traders had their favorite fancies, which they alternately shared with each other and held back for their own use…

Read the entire article here.

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Trevor Noah’s World

Posted in Africa, Articles, Arts, Biography, Media Archive, South Africa on 2015-04-27 22:17Z by Steven

Trevor Noah’s World

The Atlantic
2015-04-05

Douglas Foster, Associate Professor of Journalism
Medill School of Journalism
Northwestern University, Evanston, Illinois

What makes The Daily Show’s new host unique—according to South African comics

CAPE TOWN, South Africa—When word circulated on Monday that standup comic Trevor Noah had been chosen to succeed Jon Stewart as host of The Daily Show, South Africans hailed Noah in hyper-caffeinated terms as the country’s “next great export” after Nelson Mandela, Desmond Tutu, and Charlize Theron. On that day, I happened to be in Johannesburg shepherding students through the newsroom of The Star, where the lineup of stories at the morning editorial conference included a series of firefights between gangsters and police on public highways, allegations of corruption at every level of government, and the teetering condition of the state-run utility company, which regularly plunges the country into rolling blackouts. It was no wonder that news of a major U.S. television show hiring a 31-year-old mixed-race South African phenom as anchor had proven so welcome.

By now, the basics about Trevor Noah are well-known. He’s the young, super-cool comedian with the cherubic face and itchy Twitter finger who, beginning in 2012, achieved global recognition by way of Jay Leno, David Letterman, and Jon Stewart. In a series of solo performances around the world over the last three years, he has blown up in ways that cultural figures from South Africa haven’t since the 1960s and 1970s, when musicians like Hugh Masekela and Miriam Makeba packed music halls during the height of racial oppression back home…

…What makes Noah’s comedy unique? “He’s slick as fuck!” Evans replied. “But also super charming,” added the young comic sitting next to him. He was a slight, Afrikaans-speaking man named Schalk Bezuidenhout, who sometimes opens for Noah when he’s performing in town. Only 22 years old—the same age as Noah when he jump-started his career as a comedian—Bezuidenhout had just come off stage after a set about the hazards of dating a flight attendant (“a non-smoking fuck”) and the unintended consequences of imposing a non-racial ideal on young people from South Africa’s 11 different language groups (“There’s nothing more messed up than a bunch of Afrikaans kids singing an African song”).

Both men said Noah distinguished himself from other comics by resisting labels and “genre-based comedy.” Bezuidenhout noted that Noah always identified himself as a mixed-race South African raised in straitened circumstances in Soweto without “using it as a crutch.” Contemporaries who have shared the stage with him say he’s unusually attuned to the audience, shifting direction based on the feel in the room, and Bezuidenhout has seen Noah drop chunks of material based on the city he’s performing in. This was a quality that a number of immigrants in South Africa had already mentioned to me. Omega Chembhere, a waiter, told me that when he had arrived from Zimbabwe 10 years earlier, much of South African pop culture had seemed inaccessible. “Trevor’s different, so good at it,” he said. “His strength is that everything springs from his experience in life, but you understand his reality because he makes an effort to explain.”…

Read the entire article here.

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Laura Kina

Posted in Articles, Arts, Asian Diaspora, Biography, Media Archive on 2015-04-22 20:22Z by Steven

Laura Kina

Fused Society
2015-04-16

Laura Kina, Vincent de Paul professor of Art, Media, & Design
DePaul University, Chicago, Illinois

Meet today’s Fused Society contributor, the accomplished Laura Kina!

“Laura Kina is a multiracial Asian American artist based in Chicago who identifies as “hapa, yonsei, and Unchinanchu” (mixed race, 4th generation Japanese American, and part of the Okinawan diaspora). Her father is Okinawan from Hawaiʻi and her mother is Anglo American (Spanish/Basque and French, English, Scottish, Irish, Dutch) from the Pacific Northwest. Kina’s artwork, scholarly research and activism center on themes of distance and belonging. She focuses on the fluidity of cultural difference and the slipperiness of identity. Asian American history and mixed race representations are subjects that run through her work.

Kina is a Vincent de Paul professor of Art, Media, & Design at DePaul University. She is the coeditor, along with Wei Ming Dariotis, of War Baby/Love Child: Mixed Race Asian American Art (University of Washington Press, 2013); cofounder of the DePaul biennial Critical Mixed Race Studies conference; and cofounder and consulting editor of the Journal of Critical Mixed Race Studies and reviews editor for the Asian Diasporic Visual Cultures and the Americas

Read the entire article here.

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Obama’s Mother

Posted in Articles, Barack Obama, Biography, Media Archive, Politics/Public Policy, United States, Women on 2015-04-21 00:50Z by Steven

Obama’s Mother

Books & Ideas
2009-05-20

Gloria Origgi

The American presidential election was won by a woman: Stanley Ann Dunham. Born in 1942, she died of cancer in 1995, shortly after turning 52, and thus without having seen her visionary dream realized: the election of her son, Barack Hussein Obama, as 44th President of the United States.

The male name was imposed on her by Stanley Dunham, her father, who would have preferred a boy. As the only child of Stanley and his wife Madelyn Payne, Stanley Ann was nonconformist young girl and a solitary mother, convinced that she could raise her children in a way that would prepare them for a new world, globalized and multicultural, a world that certainly didn’t exist in her daily life as a middle-class girl in an anonymous little town in Kansas. Barack – or Barry, as she called him – is her creation, the fruit of a patient, attentive and loving education that was the commitment of her life, as she saw in her two racially mixed children the reflection of a better future, one in which the warm commingling of blood pacifies the false oppositions and odious attachments, the “unreal loyalties”, as Virginia Woolf called them, that reassure us in the desperate need for social identity to which our species falls prey.

When Barack Obama was born on August 4, 1961, he was still considered in half the American states the criminal product of miscegenation, or the interbreeding of races, a heinous biological hybrid whose existence simply wasn’t taken into consideration while those who committed it were punished with incarceration. Today it is a hard-to-pronounce word that was coined in the United States in 1863, with a specious Latin etymology, from miscere (mix) and genus (race), to indicate the supposed genetic difference between whites and blacks. The question of miscegenation became crucial during the Civil War and subsequent emancipation of the slaves. It was fine to grant civil rights to non-whites, but to allow intimate relations between whites and blacks was another story. The term appeared for the first time in the title of a pamphlet published in New York, Miscegenation: The Theory of Blending of the Races, Applied to the American White Man and Negro, in which the anonymous author promoted the idea of racial mixing as the project of the Republican Party, which supported the abolition of slavery. By encouraging the interbreeding of whites and blacks, racial differences would be progressively attenuated until they disappeared altogether. It was soon discovered that the pamphlet had been created by the Democrats in order to frighten American citizens faced with the intolerable Republican project of encouraging racial mixing. The crime of miscegenation was definitively abolished in 1967, when the U.S. Supreme Court ruled the anti-miscegenation laws to be unconstitutional in response to Loving v. Virginia, a case in which a racially mixed married couple was sentenced to a year in prison – with the sentence suspended for 25 years on condition that the couple leave the state of Virginia – for having been found in bed together under the same roof. The marriage certificate hanging above the nuptial bed wasn’t considered valid by the police – who, armed with rifles, broke down the entry door and beat the humiliated couple – because it was obtained in another county, one in which miscegenation wasn’t illegal. This occurred in 1959, and the couple had to wait eight years for the moral indecency of their ordeal and their own innocence to be recognized.

One must try to imagine that America in order to understand the courage of Stanley Ann, who was 18 years old and 4 months pregnant when she married the brilliant young Kenyan student Barack Obama Sr., the first African to be admitted to the University of Hawaii. He was 25. He’d arrived in Hawaii in 1959 thanks to a scholarship from the Kenyan government, which was also sponsored by the United States to help some of the more gifted African students get an education at an American University so they could return to their native country and become part of a new, competent, modern elite…

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The officer who refused to lie about being black

Posted in Articles, Biography, History, Media Archive, Passing, United Kingdom on 2015-04-17 21:59Z by Steven

The officer who refused to lie about being black

BBC News Magazine
2015-04-17

Leslie Gordon Goffe

Today it’s taken for granted that people of all ethnic groups should be treated equally in the armed forces and elsewhere. But as Leslie Gordon Goffe writes, during World War One black officers in the British armed forces faced a system with prejudice at its core.

When war was declared in 1914, a Jamaican, David Louis Clemetson, was among the first to volunteer.

A 20-year-old law student at Cambridge University when war broke out, Clemetson was eager to show that he and others from British colonies like Jamaica – where the conflict in Europe had been dismissed by some as a “white man’s war” – were willing to fight and die for King and Country.

He did die. Just 52 days before the war ended, he was killed in action on the Western Front…

…Another candidate for the first black officer is Jamaican-born George Bemand. But he had to lie about his black ancestry in order to become an officer. Bemand, whose story was unearthed by historian Simon Jervis, became a 2nd lieutenant in the Royal Field Artillery on 23 May 1915, four months before Clemetson became an officer and two years before Walter Tull.

When the teenage Bemand and his family migrated to Britain from Jamaica in 1907, and the ship he was on made a brief stopover in New York, Bemand, the child of a white English father and a black Jamaican mother, was categorised by US immigration officials as “African-Black”. Yet, asked in a military interview seven years later, in 1914, whether he was “of pure European descent”, Bemand said yes. His answer was accepted.

But Clemetson took a different approach.

“Are you of pure European descent?” he was asked, in an interrogation intended to unmask officer candidates whose ethnicity was not obvious and who were perhaps light-skinned enough to pass for white. “No,” answered Clemetson, whose grandfather Robert had been a slave in Jamaica, he was not “of pure European descent”.

By telling the truth about his ancestry, Clemetson threatened to disrupt the military’s peculiar “Don’t ask, don’t tell” racial practices, which were conducted with a wink and a nod…

Read the entire article here.

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The Life of William Apess, Pequot

Posted in Biography, Books, Monographs, Native Americans/First Nation, Religion, United States on 2015-04-16 22:53Z by Steven

The Life of William Apess, Pequot

University of North Carolina Press
March 2015
216 pages
1 halftone, notes, bibl., index
6.125 x 9.25
Cloth ISBN: 978-1-4696-1998-9

Philip F. Gura, William S. Newman Distinguished Professor of American Literature and Culture
University of North Carolina, Chapel Hill

The Pequot Indian intellectual, author, and itinerant preacher William Apess (1798–1839) was one the most important voices of the nineteenth century. Here, Philip F. Gura offers the first book-length chronicle of Apess’s fascinating and consequential life. After an impoverished childhood marked by abuse, Apess soldiered with American troops during the War of 1812, converted to Methodism, and rose to fame as a lecturer who lifted a powerful voice of protest against the plight of Native Americans in New England and beyond. His 1829 autobiography, A Son of the Forest, stands as the first published by a Native American writer. Placing Apess’s activism on behalf of Native American people in the context of the era’s rising tide of abolitionism, Gura argues that this founding figure of Native intellectual history deserves greater recognition in the pantheon of antebellum reformers. Following Apess from his early life through the development of his political radicalism to his tragic early death and enduring legacy, this much-needed biography showcases the accomplishments of an extraordinary Native American.

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Lines of Descent: W. E. B. Du Bois and the Emergence of Identity

Posted in Biography, Books, Europe, Literary/Artistic Criticism, Media Archive, Monographs, Philosophy on 2015-04-16 19:29Z by Steven

Lines of Descent: W. E. B. Du Bois and the Emergence of Identity

Harvard University Press
February 2014
240 pages
4-3/8 x 7-1/8 inches
Hardcover ISBN: 9780674724914

Kwame Anthony Appiah, Professor of Law and Philosophy
New York University

W. E. B. Du Bois never felt so at home as when he was a student at the University of Berlin. But Du Bois was also American to his core, scarred but not crippled by the racial humiliations of his homeland. In Lines of Descent, Kwame Anthony Appiah traces the twin lineages of Du Bois’ American experience and German apprenticeship, showing how they shaped the great African-American scholar’s ideas of race and social identity.

At Harvard, Du Bois studied with such luminaries as William James and George Santayana, scholars whose contributions were largely intellectual. But arriving in Berlin in 1892, Du Bois came under the tutelage of academics who were also public men. The economist Adolf Wagner had been an advisor to Otto von Bismarck. Heinrich von Treitschke, the historian, served in the Reichstag, and the economist Gustav von Schmoller was a member of the Prussian state council. These scholars united the rigorous study of history with political activism and represented a model of real-world engagement that would strongly influence Du Bois in the years to come.

With its romantic notions of human brotherhood and self-realization, German culture held a potent allure for Du Bois. Germany, he said, was the first place white people had treated him as an equal. But the prevalence of anti-Semitism allowed Du Bois no illusions that the Kaiserreich was free of racism. His challenge, says Appiah, was to take the best of German intellectual life without its parochialism—to steal the fire without getting burned.

Table of Contents

  • Introduction
  • 1. The Awakening
  • 2. Culture and Cosmopolitanism
  • 3. The Concept of the Negro
  • 4. The Mystic Spell
  • 5. The One and the Many
  • Notes
  • Acknowledgments
  • Index
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Was pro baseball’s first African-American player passing for white?

Posted in Articles, Biography, History, Media Archive, Passing, United States on 2015-04-12 01:55Z by Steven

Was pro baseball’s first African-American player passing for white?

Vox
2015-04-11

Jenée Desmond-Harris


William Edward White on the 1879 Brown baseball team. White is in the second row, seated and wearing a hat. (Source: Brown University Archives via Slate)

A story about professional baseball’s little-known first black player (well, possible first black player) raises as many questions about racial identity as it does about the official list of African-American sports pioneers.

In a fascinating February 2014 piece for Slate, Peter Morris and Stefan Fatsis explain that William Edward White, who played one game for the National League’s Providence Grays in 1879, publicly identified as white but was actually born to a white Georgia man and an enslaved biracial woman.

William Edward White was born in 1860 to a Georgia businessman and one of his slaves, who herself was of mixed race. That made White, legally, black and a slave. But his death certificate and other information indicate that White spent his adult life passing as a white man. Since the 1879 game was unearthed a decade ago, questions about White’s race have clouded his legacy.

The laws in most states at the time would have categorized someone like White — who had one black-identified parent and roughly one-quarter African ancestry — black. But he was identified as “white” on his death certificate and several census forms, and according to Slate’s reporting, it’s unlikely that even his wife knew he was the child of a mixed-race mother.

So should he be considered the first African-American baseball player? Should we start celebrating him among other black trailblazers every February, right along with Jackie Robinson?…

Read the entire article here.

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A real-life Lucious Lyon: The former slave who built a Beale Street “Empire” and transformed Memphis

Posted in Articles, Biography, History, Media Archive, United States on 2015-04-09 01:27Z by Steven

A real-life Lucious Lyon: The former slave who built a Beale Street “Empire” and transformed Memphis

Salon
2015-04-04

Preston Lauterbach


Bob Church (Credit: University of Memphis Special Collections)

Memphis — and music as we know it — wouldn’t be the same without Robert Church’s legacy of vice, virtue and power

Depending on which critic or fan you ask, Fox TV’s “Empire” is somewhere between Shakespeare’s drama “King Lear” and Norman Lear’s campy “Good Times.” Less apparent to the show’s legions of viewers is how the story of Lucious Lyon and Empire Entertainment echoes the original black empire, a real-life dynasty of vice, virtue, and power, built in the heart of the old Confederacy just after the Civil War by a former slave who became monarch, Robert Church.

Like Lucious Lyon, who must plan for the future of his empire after being diagnosed with a crippling, often fatal, ailment, Bob Church had plenty of reasons to consider his legacy. It wasn’t so much that a specific death sentence loomed over Church—he just happened to find himself in life threatening situations, often. By his early 30s, Church had survived two gunshot wounds to his head, a steamboat disaster, a Civil War naval battle that he escaped by swimming the Mississippi River and an assassination attempt that backfired when a shotgun aimed at him exploded toward the shooter. Had Bob Church not been the combination of tough and lucky that saved him in these fateful scrapes, legendary Beale Street in Memphis, Tennessee, might be just another strip of concrete. Instead, it gained such an extraordinary reputation that Memphis entertainer Rufus Thomas would crack, “If you could be black on Beale Street one Saturday night, you’d never want to be white no more.”

Beale Street’s birth as an alternate universe for black America, a center of political clout and cultural fertility that changed America, all began with Church…

…Understanding the uncertainty of the vice-lord life in a hell-roaring river town, Church knew he must cultivate an heir. His eldest son Thomas lived in New York, passing for white, some have said. Thomas wouldn’t do. Eldest daughter Mary had become a steadfast leader in her own right, the first black woman on Washington, D.C.’s board of education and a founder of the NAACP. She could not be compromised. As with Lucious Lyon’s three sons, there was some competition among the Church children—they all would have liked to keep his money—but unlike “Empire’s” twisted succession plot, old man Church had no doubt who to choose: his youngest son, Robert Jr…

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