Mixed Race Studies

Norma Storch Is Dead at 81; Subject of TV Documentary

The New York Times
2003-09-21

Douglas Martin

Norma Storch, a white woman whose decision to have her 4-year-old mixed-race daughter raised by a black couple became the subject of an Emmy Award-winning documentary made by the daughter in adulthood, died on Aug. 28 at her home in Manhattan. She was 81.

The cause was cancer, said the daughter, June Cross, the producer of the documentary, “Secret Daughter,” which PBS broadcast in 1996.

The film was heralded as a searing look at race relations in the 1950’s and 60’s, and drew praise for its emotional rawness and the bravery of both mother and daughter. Other reviews suggested that the documentary’s power came from a mother’s willingness to reject her daughter and then rationalize it.

Ms. Cross said in an interview last week that this impression properly reflected the documentary but not their real relationship. She said that tensions were exaggerated for dramatic effect.

But for almost 35 years, Mrs. Storch and her husband—the actor and comedian Larry Storch, who starred as Cpl. Randolph Agarn in the 1960’s comedy series “F Troop,”—indisputably lived a lie. They told friends and acquaintances that the black girl who visited them at their Hollywood home was their adopted daughter, who lived with a black family for most of the year…

Read the entire obituary here.

Belle [World Premiere]

Toronto International Film Festival 2013
TIFF Bell Lightbox
Reitman Square
350 King Street West
Toronto, Ontario, Canada
2013-09-05 through 2013-09-15

Film Information:

Directed by Amma Asante
2013
105 minutes

Gugu Mbatha-Raw takes the title role alongside Tom Wilkinson, Miranda Richardson, Emily Watson and Canada’s Sarah Gadon in the true story of Dido Elizabeth Belle, the illegitimate, bi-racial daughter of a Royal Navy admiral in 18th-century Britain.

Fans of English period drama are accustomed to its gorgeous settings, social graces, and sophisticated language. But what’s often missing from those adaptations of Jane Austen or the Brontës is the institution at the foundation of that refined life: slavery. Austen wrote about how the slave trade made British gentry wealthy, but until now no film has brought both the glory and the contradictions of that life to the screen in such a powerful fashion.

In late eighteenth century England, Dido Elizabeth Belle is born to a white British admiral and a black Caribbean slave. The admiral’s well-bred family is appalled, but when he returns to sea, custom dictates that they raise his child as an aristocrat. Britain’s imposing Lord Mansfield (Tom Wilkinson) is both Dido’s uncle and the family patriarch, and instructs this biracial young woman (Gugu Mbatha Raw) to respect both the law and the social codes of her station. She is a lady, but an embarrassment. How is she ever to marry?…

For more information, click here.

Let’s Learn From the Past: Cumberland Posey Jr.

The Pittsburgh Post-Gazette
2013-08-29

Michele Sneddon, History Center Communications Assistant

As a standout player, manager and owner, Cumberland Willis Posey Jr. built the Homestead Grays into one of the most successful franchises in Negro League baseball history.

Born on June 20, 1890, Posey grew up in a wealthy African-American household in Homestead. His father, Cumberland “Cap” Posey Sr., was general manager for the Delta Coal Co., president of Diamond Coal and Coke, and president of the Pittsburgh Courier Publishing Co., which became one of the nation’s most influential African-American newspapers.

At Homestead High School, Posey starred as a power-hitting right fielder on the baseball diamond, a fullback on the football field and a dominant guard on the basketball court. Posey attended Penn State University and then the University of Pittsburgh before landing at the Pittsburgh Catholic College of the Holy Ghost, now Duquesne University. He played basketball there and led his team in scoring for three years as “Charles Cumbert,” a fake name used to gain eligibility as a “white” player. While Posey never graduated from college, he established a reputation as one of the region’s top athletes…

Read the entire article here.

Return to the rainforest: A son’s search for his Amazonian mother

BBC News Magazine
2013-08-28

William Kremer
BBC World Service

David Good’s parents come from different countries – hardly unusual in the US where he was raised. But the 25-year-old’s family is far from ordinary – while his father is American, his mother is a tribeswoman living in a remote part of the Amazon. Two decades after she left, David realised he had to find her.

After three days on the Orinoco River, David Good felt sick.

He had been eaten alive by the relentless biting gnats, he was tired and thirsty. The air was dank and humid. Fierce rays of sunlight bounced off the surface of the piranha-filled river as the 40-horsepower motor puttered and the launch pushed further upriver, deeper into the Amazon.

His stomach was a knot of apprehension – he had not slept the previous night at all.

He was not a natural traveller or explorer. The lawns and parks of eastern Pennsylvania were his habitat and this trip to the Venezuelan Amazon – in July 2011 – was his first outside the US since early childhood…

…In 1968, the US anthropologist Napoleon Chagnon published his bestseller Yanomamo: The Fierce People. He described the tribe as being prone to petty disputes – usually over women – which escalate into wars between villages. He painted a picture of a world where chronic warfare, gang rape and murder were all facts of life.

It was as a graduate student of Chagnon’s that David Good’s father, Kenneth Good, first travelled to the Amazon in 1975. He travelled up the Orinoco past the Guajaribo Rapids, just as his son did 36 years later. He made his home in a little hut a short distance from the Hasupuweteri.

The plan was to stay for 15 months of fieldwork, measuring the animal protein intake of all the village members. This was to give Chagnon the data he needed to show his many critics that inter-village warfare was not related to the scarcity of food but stemmed from the drive to maximise reproductive success…

Read the entire article here.

The Stuart Hall Project (2013) (John Akomfrah – Smoking Dogs Films)

darkmatter: in the ruins of imperial culture
General Issue 10 (2013-07-18)
ISSN: 2041-3254

Dhanveer Singh Brar

“With deepest gratitude and respect” – If there is a moment when the pieces of Akomfrah’s The Stuart Hall Project fall into place, it is with this closing note. Gratitude and respect might seem like old fashioned words, pointing to sentiments which are thought to be out of date. They bring to mind images of unashamed acts of deference, of laying prostate (whether physically or intellectually) in front of an elder, but on the flip side there is nothing wrong with paying some dues. There is nothing wrong with acknowledging a debt, when you know how and why that debt has been earned. Gratitude and respect. With deepest gratitude and respect. Akomfrah is reaching for something infinite here, something he knows he owes Hall, but equally that neither he nor Hall would ever have any interest in cutting a deal on. There is a sense in which perhaps the film is clouded by those sentiments. It can be construed as one-eyed in its attempt to mark Hall’s importance to the history of intellectual and political life in this country, but I think such criticism might be missing the point: Hall is the condition of possibility for too many of us to forget what it is we owe him, and there is a danger, in our current moment, that such an act of collective forgetting might already be underway. It is between gratitude and the refusal to turn that gesture into credit, that The Stuart Hall Project goes to work…

Read the entire review here.

Tom Christian, Descendant of Bounty Mutineer, Dies at 77

The New York Times
2013-08-23

Margalit Fox

Tom Christian, known as the Voice of Pitcairn for his half-century-long role in keeping his tiny South Pacific island, famed as the refuge of the Bounty mutineers, connected to the world, died at his home there on July 7. Mr. Christian, Pitcairn’s chief radio officer and a great-great-great-grandson of Fletcher Christian, the mutiny’s leader, was 77.

With his death, Pitcairn’s permanent population stands at 51.

The cause was complications of a recent stroke, his daughter Jacqueline Christian said.

Though Mr. Christian was the world’s best-known contemporary Pitcairner, word of his death — reported in the July issue of The Pitcairn Miscellany, the island’s monthly newsletter — reached a broad audience only this week, when it appeared in newspapers in Britain, Australia and New Zealand.

“It takes awhile for news to get out,” Ms. Christian said by telephone from Pitcairn on Thursday…

…Britain’s only remaining territory in the Pacific, the Pitcairn archipelago lies roughly equidistant between Peru and New Zealand, about 3,300 miles from each. It comprises four small islands: Pitcairn, Henderson, Ducie and Oeno. Only Pitcairn Island, named for the sailor who sighted it from a British ship in 1767, is inhabited.

Pitcairn, settled by the mutineers and their Tahitian consorts in 1790, is a rocky speck of about two square miles. (Manhattan, by comparison, is about 24 square miles.) Most of its inhabitants are descended from the mutineers and the Tahitian women they brought with them…

…Though Pitcairn today has some trappings of 21st-century technology — electricity 14 hours a day and a country code, .pn, on the Internet — it still maintains a striking degree of isolation. The island has no airstrip: it can be reached by flying to Tahiti and taking a once-a-week plane from there to Mangareva Island, in the Gambier Islands, followed by a two- to three-day sea voyage.

There are no automobiles on Pitcairn, and the island’s rocks and cliffs bear names redolent of long-ago tragedies: “Where Dan Fall,” “Where Minnie Off,” “Oh Dear.”…

Read the entire obituary here.

Haji, an Actress Featured in Cult Films by Russ Meyer, Dies at 67

The New York Times
2013-08-17

Daniel E. Slotnik

Haji [Barbarella Catton], a voluptuous actress who played one of three homicidal go-go dancers in Russ Meyer’s 1965 cult film “Faster, Pussycat! Kill! Kill!,” died on Aug. 9 in Southern California. She was 67.

Her death was confirmed by the dancer and actress Kitten Natividad, a friend, who said she did not know the cause. She said Haji had high blood pressure and heart problems in recent years and was taken to a hospital after falling ill at a restaurant in Newport Beach.

Haji, a brunette of Filipino and British descent, met Meyer, the celebrated B-movie director, in the mid-1960s while she worked in a strip club in California. He cast her as the lead in his biker movie “Motorpsycho” (1965) even though she had no acting experience…

Read the entire obituary here.

Wilder than her pet cheetah, the sex-mad Black Venus who outwitted the Nazis: Remarkable story of Josephine Baker as Rihanna is set to play legendary seductress in biopic

The Daily Mail
2013-08-22

Annabel Venning

Under scorching stage-lights, Josephine Baker stepped out in front of the audience entirely naked, but for a few strategically-placed flamingo-feathers.

Her male dance partner carried her upside down, her long, slender legs stretched out in the splits.

He set her down, and she began to dance. As the light played on her coffee-brown skin, her body seemed to become almost molten as she wound herself around her partner.

She was, she later recalled, lost in the eroticism of the moment, ‘intoxicated . . . driven by dark forces I didn’t recognise,’ as she writhed seductively before shuddering to a climactic halt.

For a few moments the Paris audience remained silent, as if stunned. Then they rose to their feet as one and erupted in ecstatic applause.

She was hailed as the ‘Black Venus’. Picasso dubbed her the ‘Nefertiti of now’. Author Ernest Hemingway called her ‘the most sensational woman anyone ever saw’.

It was the start of an extraordinary career.  Josephine Baker, the girl from the St Louis ghetto, rose to become one of the greatest divas ever, an icon of the Jazz Age, talented and glamorous, but also decadent and amoral.

Today, all that many people remember of her is that she danced naked except for her famous tutu made of (fake) bananas…

Read the entire article here.

Albert Murray, author who drew on the free-wheeling spirit of jazz, dies at 97

The Washington Post
2013-08-19

Adam Bernstein, Reporter

Albert Murray, a self-described “riff-style intellectual” whose novels, nonfiction books and essays drew on the free-wheeling spirit of jazz and whose works underscored how black culture and the blues in particular were braided into American life, died Aug. 18 at his home in New York City. He was 97…

…He began a full-time writing career after leaving the Air Force in 1962 at the rank of major. His debut collection, “The Omni-Americans: New Perspectives on Black Experience and American Culture,” had immediate cultural impact.

It was a tome of contrarian, independent thinking — a riposte to both black complacency and black militancy. It also fought attempts to interpret black life through sociological concepts, even those espoused by well-meaning liberals such as Daniel Patrick Moynihan.

“The United States is in actuality not a nation of black people and white people,” Mr. Murray wrote. “It is a nation of multicolored people. There are white Americans so to speak and black Americans. But any fool can see that the white people are not really white and that black people are not black. They are all interrelated one way or another.”

American culture, he continued, is “incontestably mulatto,” and Americans of all races are inheritors of a cultural tradition that makes them “part Yankee, part backwoodsman and Indian — and part Negro.”…

Read the entire obituary here.

Mixed-Bloods and Tribal Dissolution: Charles Curtis and the Quest for Indian Identity

University Press of Kansas
1989
244 pages
15 photographs, 3 maps, 6 x 9
Cloth ISBN 978-0-7006-0395-4

William E. Unrau, Emeritus Endowment Association Distinguished Research Professor of History
Wichita State University, Wichita, Kansas

This book shows that without the cooperation of the “mixed-bloods,” or part-Indians, dispossession of Indian lands by the U.S. government in the nineteenth and early twentieth centuries would have been much more difficult to accomplish. The relationship between the Métis and the loss of Indian lands, never before fully explored, is revealed in Unrau’s study of Charles Curtis, a mixed-blood member of the Kansa-Kaws.

Curtis is best remembered as Herbert Hoover’s vice-president, but he also served in Congress for more than 30 years.

A successful lawyer and Republican politician, Curtis had spent his early years on a reservation but grew up comfortably and fully integrated into the white world. By virtue of his celebrated status, he became the most important figure in the debate over federal Indian policy during the late nineteenth and early twentieth centuries.

As the Indian expert in Congress, Curtis had significant power in formulating and carrying out the assimilationist program that had been instituted, particularly by the Dawes Act, in the 1880s. The strategy was to encourage reservation Indians to reject communal life and reap the rewards of individual enterprise. Central to these developments were questions of ownership, land claims, allotments, tribal inheritance laws, and what constituted the public domain. The underlying issues, however, were Indian identification and assimilation. The government’s actions—affecting schools, the federal courts, Indian Office personnel, allotment and inheritance laws, mineral leases, and the absorption of the Indian Territory into the state of Oklahoma—all bore the mark of Curtis’s hand.