Mixed Race Studies

Machado de Assis: Multiracial Identity and the Brazilian Novelist

Penn State University Press
2012-05-19
336 pages
6 x 9, 1 illustration
Hardcover ISBN: 978-0-271-05246-5

G. Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

Joaquim Maria Machado de Assis (1839–1908) was Brazil’s foremost novelist of the late nineteenth and early twentieth centuries. As a mulatto, Machado experienced the ambiguity of racial identity throughout his life. Literary critics first interpreted Machado as an embittered misanthrope uninterested in the plight of his fellow African Brazilians. By midcentury, however, a new generation of critics asserted that Machado’s writings did reveal his interest in slavery, race, and other contemporary social issues, but their interpretations went too far in the other direction. Reginald Daniel, whose expertise on Brazilian race relations gives him special insights, takes a fresh look at how Machado’s life—especially his experience of his own racial identity—was inflected in his writings. The result is a new interpretation that sees Machado as endeavoring to transcend his racial origins by universalizing the experience of racial ambiguity and duality into a fundamental mode of human existence.

Editor who grew up black in Nazi Germany dies

The Miami Herald
2013-01-21

Freida Frisaro, Associated Press

MIAMI — Hans Massaquoi, a former managing editor of Ebony magazine who wrote a distinctive memoir about his unusual childhood growing up black in Nazi Germany, has died. He was 87.

His son said Massaquoi died Saturday, on his 87th birthday, in Jacksonville. He had been hospitalized over the Christmas holidays.

“He had quite a journey in life,” said Hans J. Massaquoi, Jr., of Detroit. “Many have read his books and know what he endured. But most don’t know that he was a good, kind, loving, fun-loving, fair, honest, generous, hard-working and open-minded man. He respected others and commanded respect himself. He was dignified and trustworthy. We will miss him forever and try to live by his example.”…

…He writes that one of his saddest moments as a child was when his homeroom teacher told him he couldn’t join the Hitler Youth.

“Of course I wanted to join. I was a kid and most of my friends were joining,” he said. “They had cool uniforms and they did exciting things – camping, parades, playing drums.”…

Read the entire obituary here.

‘Searching for Zion’: Emily Raboteau’s Hunt for the Promised Land

The Daily Beast
2013-01-13

Mindy Farabee

A writer set out around the world to find the mythical ‘promised land’ of the African diaspora. Emily Raboteau speaks about the Jewish search for the same, African-American tourism to Ghana, and Barack Obama’s ties to this search.

Mention the notion of Zion, author Emily Raboteau notes, and most people will think almost automatically of Israel. But for citizens of the African diaspora, Zion, with its promised land of abundance and freedom from oppression, has carried profound cultural significance since the days of slavery, when the saga of Hebrew slaves fleeing Egyptian captors served as a galvanizing narrative.

In Searching for Zion: The Quest for Home in the African Diaspora, Raboteau’s self-described “strange admixture” of travelogue, cultural anthropology, and historical study, the author uses this promised land as a point of departure, lighting out for Israel, Ethiopia, Jamaica, Ghana, and the post-Katrina American South to talk to immigrants and others who have wrestled with displacement.

Her new book likewise stumbles across complications everywhere. In this edited interview below, she talks about family ghosts, the other side of heritage tourism, and the state of Zion today…

Read the entire interview here.

Midnight at the Barrelhouse: The Johnny Otis Story

University of Minnesota Press
2010
272 pages
23 b&w plates, 6 x 9
cloth ISBN: 978-0-8166-6678-2

George Lipsitz, Professor of Black Studies and Sociology
University of California, Santa Barbara

Considered by many to be the godfather of R&B, Johnny Otis—musician, producer, artist, entrepreneur, pastor, disc jockey, writer, and tireless fighter for racial equality—has had a remarkable life by any measure. In this first biography of Otis, George Lipsitz tells the largely unknown story of a towering figure in the history of African American music and culture who was, by his own description, “black by persuasion.”

Born to Greek immigrant parents in Vallejo, California, in 1921, Otis grew up in an integrated neighborhood and identified deeply with black music and culture from an early age. He moved to Los Angeles as a young man and submerged himself in the city’s vibrant African American cultural life, centered on Central Avenue and its thriving music scene. Otis began his six-decade career in music playing drums in territory swing bands in the 1930s. He went on to lead his own band in the 1940s and open the Barrelhouse nightclub in Watts. His R&B band had seventeen Top 40 hits between 1950 and 1969, including “Willie and the Hand Jive.” As a producer and A&R man, Otis discovered such legends as Etta James, Jackie Wilson, and Big Mama Thornton.

Otis also wrote a column for the Sentinel, one of L.A.’s leading black newspapers, became pastor of his own interracial church, hosted popular radio and television shows that introduced millions to music by African American artists, and was lauded as businessman of the year in a 1951 cover story in Negro Achievements magazine. Throughout his career Otis’s driving passion has been his fearless and unyielding opposition to racial injustice, whether protesting on the front lines, exposing racism and championing the accomplishments of black Americans, or promoting African American musicians.

Midnight at the Barrelhouse is a chronicle of a life rich in both incident and inspiration, as well as an exploration of the complicated nature of race relations in twentieth-century America. Otis’s total commitment to black culture and transcendence of racial boundaries, Lipsitz shows, teach important lessons about identity, race, and power while encapsulating the contradictions of racism in American society.

Discovery of his roots leads him to track history of Chinese in Mexico

UCLA Today
Faculty and Staff News
2010-12-06

Letisia Marquez

Growing up in a predominantly white Los Angeles County suburb, Robert Chao Romero, an assistant professor of Chicana and Chicano studies, learned to hide his Chinese background.
 
The son of a Chinese mother and Mexican father, Romero recalled starting the first grade in Hacienda Heights and a classmate telling him an anti-Chinese joke.
 
“It was just a dumb kid’s joke, but it sort of sent the message to me that being Chinese is bad,” he added…

…One tidbit that had always intrigued Romero was that his parents knew a Chinese family who had lived in Mexico for many years. He decided to look into the history of Chinese Mexicans and discovered that although Spanish professors had written about the population, he could not find a book about Chinese Mexicans in English.
 
“The more I explored the topic, the more I realized this is a rich history that’s a forgotten history for the most part,” Romero said. “And I think a large part of the reason it’s forgotten is because it’s a dark chapter, unfortunately.”
 
Years later, Romero completed “The Chinese in Mexico, 1882-1940,” (University of Arizona, 2010) book which details the tragic history of Chinese immigrants in Mexico…

Read the entire article here.

From Slavery to Wealth: The Life of Scott Bond

University of Arkansas Press
February 2008 (Originally Published: 1917)
336 pages
6 x 9; 72 photographs and index
ISBN 13: 978-0-9768007-6-7 ISBN 10: 0-9768007-6-4

Dan. A. (Daniel Arthur) Rudd (1854-1933)

Theo. (Theophilus) Bond

Edited with a new Preface and Introduction by

Willard B. Gatewood, Alumni Distinguished Professor of History Emeritus
University of Arkansas, Fayetteville

In an era in which African Americans were oppressed and deprived of many of the rights and privileges of citizenship, Scott Bond rose from being born a slave in Madison County, Mississippi, in the early 1850s to wealth and status as a farmer, merchant, and business entrepreneur in Madison, Arkansas, by the early 1900s. From Slavery to Wealth is the story of an extraordinary individual widely known and respected at the time of its first publication in 1917, for his integrity, prodigious energy, and strong work ethic. Throughout his career he never wearied of imploring African Americans to seize the opportunities offered them in the South in general and in the Arkansas Delta in particular. Scott Bond enjoyed an enviable reputation among blacks as well as whites. This reputation ultimately extended far beyond his local community to prominent blacks throughout the South and elsewhere, especially after he gained wider exposure as a conspicuous figure in the National Negro Business League in the early years of the twentieth century.

With this 2008 reprint edition, the current generation can be inspired by the man who has been referred to as the black John D. Rockefeller of Arkansas.

Read the entire book (From Slavery to Wealth. The Life of Scott Bond. The Rewards of Honesty, Industry, Economy and Perseverance) via “Documenting the American South” here.

Scott Bond was born in the early 1850s to an enslaved mother named Ann who worked in the Maben-Bond household near Canton, Mississippi. His father was the nephew of a white slave-owner to whom Bond’s mother had temporarily been hired out as a domestic servant. Just prior to the outbreak of the Civil War, Bond and his mother were moved to Arkansas, along with his step-father, William Bond, and the rest of the Maben-Bond family’s slaves. After Emancipation, Bond lived with his step-father until age twenty-two, when he “undertook to vouch for himself” and began work on his lifelong goal of becoming a successful businessman (p. 37). Bond accomplished this goal. At the time of his death he owned and farmed 12,000 acres, while also raising livestock and operating a large mercantile store, at least five cotton gins, a gravel pit, a lumber yard, and a saw mill. A member of the National Negro Business League, Bond supported the efforts of Booker T. Washington, whose philosophies regarding the social advancement of African Americans through economic and agricultural success mirrored Bond’s own. In 1877, he married Magnolia Nash, with whom he had eleven sons. Bond was killed in March 1933 by one of his registered bulls. According to his son, Ulysses, he “went down swinging and died among the things he loved” (p. 152)…

Read the entire summary here.

Soledad O’Brien: A woman of many backgrounds

Irish Voice
2009-07-22

Cahir O’Doherty, Arts Editor and Feature Writer

Maria de la Soledad Teresa O’Brien’s name is like a bridge across cultures. In Spanish her full name means “The Blessed Virgin Mary of Solitude,” and when she first started working in the media many people quietly suggested she change it.

She refused. Pride in her cross-cultural heritage demanded that she be true to herself. Growing up on the North Shore of Long Island, she had always been Soledad O’Brien, she saw no reason to alter the fact.

“As much as my name is unusual, it aptly describes everything I am,” O’Brien, 42, told the Irish Voice. “I’m a light skinned black girl with fuzzy hair who’s got freckles.

“I think my full name kind of references that all in. I just didn’t want to lose that, and so I really held onto the name.”…

Read the entire article here.

Soledad O’Brien Is Betting on Jeff Zucker

The New York Times Magazine
2012-12-18

Andrew Goldman

Your memoir made your experience growing up in Smithtown, a largely white town on Long Island, sound like a huge drag.
It really wasn’t. It is truly not fun to be the family that sticks out in an all-white community. On the other side, I have five brothers and sisters, we all look exactly the same and we’re very, very tight. The lessons about race were not pleasant, but there are things that I loved about my childhood. In the book, I didn’t want to be the tragic mulatto.

Is “tragic mulatto” a term I should know?
Oh, yeah. Google it. At Harvard I was taking an African-American studies class, and we were reading about the tragic mulatto. Invariably the tragic mulatto can’t fit in either world and flings herself off a bridge. So I’m reading, and I’m like, Oh, my God, I think I’m in literature, but my life was never like that.

Before this, I didn’t know you had a white Australian dad and a black Cuban mom. Would you prefer to have people not think about your race at all?
It never made a difference to me if people watching knew, but I want people to understand I’m very proud of what I am. My parents have a great story. And I think your background is critical in how you approach the stories that you’re covering…

Read the entire interview here.

Rose Hill: An Intermarriage before Its Time

Heyday Books
March 2012
192 pages
5.5 x 8.5
Paperback ISBN: 978-1-59714-188-8

Carlos Cortés, Professor Emeritus of History
University of California, Riverside

A riveting memoir of cultural crossfire

“Dad was a Mexican Catholic. Mom was a Kansas City–born Jew with Eastern European immigrant parents. They fell in love in Berkeley, California, and got married in Kansas City, Missouri.

That alone would not have been a big deal. But it happened in 1933, when such marriages were rare. And my parents spent most of their lives in Kansas City, a place both racially segregated and religiously divided.

Mom and Dad chose to be way ahead of their time; I didn’t. But because of them, I had to be. My mixed background meant that, however unwillingly, I had to learn to live as an outsider.”

The son of a Mexican Catholic father with aristocratic roots and a mother of Eastern European Jewish descent, Carlos Cortés grew up wedged between cultures, living a childhood in “constant crossfire-straddling borders, balancing loves and loyalties, and trying to fit into a world that wasn’t quite ready.” In some ways, even his family wasn’t quite ready (for him). His request for a bar mitzvah sent his proud father into a cursing rage. He was terrified to bring home the Catholic girl he was dating, for fear of wounding his mother and grandparents. When he tried to join a high school fraternity, Christians wouldn’t take him because he was Jewish, and Jews looked sideways at him because his father was Mexican.

In his new memoir, Rose Hill: An Intermarriage before Its Time, Cortés lovingly chronicles his family’s tumultuous, decades-long spars over religion, class, and culture, from his early years in legally segregated Kansas City during the 1940s to his return to Berkeley (where his parents met) in the 1950s, and to his parents’ separation, reconciliation, deaths, and eventual burials at the Rose Hill Cemetery. Cortés elevates the theme of intermarriage to a new level of complexity in this closely observed and emotionally fraught memoir adapted from his nationally successful one-man play, A Conversation with Alana: One Boy’s Multicultural Rite of Passage.

Edith and Winnifred Eaton: Chinatown Missions and Japanese Romances

University of Illinois Press
2002
240 pages
6 x 9 in.
14 black & white photographs, 7 line drawings
Cloth ISBN: 978-0-252-02721-5

Dominika Ferens, Professor of American Literature and Writing
University of Wrocław, Wrocław, Poland

Daughters of a British father and a Chinese mother, Edith and Winnifred Eaton pursued wildly different paths. While Edith wrote stories of downtrodden Chinese immigrants under the pen name Sui Sin Far, Winnifred presented herself as Japanese American and published Japanese romance novels in English under the name Onoto Watanna. In this invigorating reappraisal of the vision and accomplishments of the Eaton sisters, Dominika Ferens departs boldly from the dichotomy that has informed most commentary on them: Edith’s “authentic” representations of Chinese North Americans versus Winnifred’s “phony” portrayals of Japanese characters and settings.

Arguing that Edith as much as Winnifred constructed her persona along with her pen name, Ferens considers the fiction of both Eaton sisters as ethnography. Edith and Winnifred Eaton suggests that both authors wrote through the filter of contemporary ethnographic discourse on the Far East and also wrote for readers hungry for “authentic” insight into the morals, manners, and mentality of an exotic other.

Ferens traces two distinct discursive traditions–-missionary and travel writing–-that shaped the meanings of “China” and “Japan” in the nineteenth century. She shows how these traditions intersected with the unconventional literary careers of the Eaton sisters, informing the sober, moralistic tone of Edith’s stories as well as Winnifred’s exotic narrative style, plots, settings, and characterizations.

Bringing to the Eatons’ writings a contemporary understanding of the racial and textual politics of ethnographic writing, this important account shows how these two very different writers claimed ethnographic authority, how they used that authority to explore ideas of difference, race, class and gender, and how their depictions of nonwhites worked to disrupt the process of whites’ self-definition.