Mixed Race Studies

Barack Obama: The Road from Moneygall

Brandon Books
June 2010
288 pages
ISBN: 9780863224065 (hb); 9780863224133 (pb)

Steve MacDonogh (1949-2010), Editorial Director

A unique exploration of the president’s Irish ancestral origins.

In his presidential election acceptance speech, Barack Obama evoked a story of great change in America, and an America made up of many strands. In this book it is the strand of his own Irish background and ancestry that tells a story of emigration to escape hunger and of the struggle to build new lives in the land of opportunity.

“Our family’s story is one that spans miles and generations; races and realities,” Barack Obama has said. “It’s the story of farmers and soldiers; city workers and single moms. It takes place in small towns and good schools, in Kansas and Kenya, on the shores of Hawaii and the streets of Chicago. It’s a varied and unlikely journey, but one that’s held together by the same simple dream. And that is why it’s American.”

But it is an Irish story, too. Falmouth Kearney, Obama’s great-great-great-grandfather, was born in Moneygall, County Offaly in 1831, lived as a child through the apocalyptic famine years, and left a decimated, devastated country for America in 1850, aged 19. Here we learn for the first time the story of the Kearney family, of the Ireland they came from and the state of County Offaly in the dreadful famine years.

We learn, too, of how two students met in 1960 and married and had a child: Ann Dunham from Wichita, Kansas, a direct descendant of Falmouth Kearney, and Barack Obama, Sr., a Kenyan from Nyang’oma Kogelo, Nyanza Province.

Freedom’s Child: The Life of a Confederate General’s Black Daughter

Algonquin Books
1998
288 pages
ISBN: 9781565121867

Carrie Allen McCray (1913-2008)

When Carrie Allen McCray was a child, she was afraid to ask about the framed photograph of a white man on her mother’s dresser. Years later she learned that he was her grandfather, a Confederate general, and that her grandmother was a former slave. In her late seventies, Carrie McCray went searching for her history and found the remarkable story of her mother, Mary [Rice Allen], the illegitimate daughter of General J. R. Jones, of Lynchburg, Virginia. Jones would later be cast out of Lynchburg society for publicly recognizing his daughter. Freedom’s Child is a loving remembrance of how Mary spent her life beating down the kind of thinking that ostracized her father. She was a leader in the founding of the NAACP and hosted the likes of Langston Hughes and W.E.B. Du Bois as they plotted the war against discrimination at her kitchen table. Carrie McCray’s memories reward us with an extraordinarily vivid and intimate portrait of a remarkable woman.

Tale of a ‘Seditionist’–The Lawrence Dennis Story

AntiWar.com
2000-04-29

Justin Raimondo

War infects and weakens our republican form of government, spreads social and political diseases throughout the body politic—but is, as Randolph Bourne put it, “the health of the State.” The State, in wartime, is glorified and empowered: the militarization of society means that all resources are mobilized and placed at the disposal of government, and all dissent, however meek and mild, must be utterly discredited if not entirely snuffed out. In wartime the benevolent mask of the “democratic” state invariably slips, and the true face of repression is revealed in all its leering ugliness…

…WORLD WAR II AND THE HIGH ART OF DEMONIZATION

The infamous Moscow Trials of the 1930s, staged by Stalin to cement his hold on absolute power, were the model for the effort undertaken by the US government during the war years to not only discredit its opponents but also to jail them, if at all possible. The massive roundup of Japanese, German, and Italian-Americans was a corollary to the relentless propaganda campaign that singled them out as a “fifth column” coiled and ready to strike. This massive smear campaign was also directed at the large and combative antiwar movement of the time, the America First Committee, as well as its leading spokesmen: Charles A. Lindbergh, John T. Flynn, and “isolationists” in every walk of life were singled out by the War Party and viciously attacked—and this was true especially in the arts, from the actress Lillian Gish to the poet Robinson Jeffers, and in publishing, where the editorial staffs of the major American newspapers and magazines were purged of virtually all “isolationists.” When war finally came, the War Party took its terrible revenge on all who had held out the hope of peace—and none suffered more than Lawrence Dennis, who has yet to finally receive the honor that is his due.

THE OUTSIDER

Lawrence Dennis was an outsider in a movement of outsiders, a unique and largely solitary figure whose career as a writer and notorious “seditionist” embodies the tragedy and bravery of the Old Right, the pre-World War II “America First” generation of conservative intellectuals and activists. In many important ways, Dennis is the prototype of modern “paleo-conservatives.” His career as a controversialist and the leading American nationalist intellectual of his time charts the rise and fall of the Old Right – and, perhaps, holds a lesson for us today. Born in Atlanta in 1893, Dennis had what historian Justus Doenecke describes as “a varied career,” which included a stint as a “boy evangelist.” A recent article on Dennis in The Baffler—in which the author, transcending his own leftist politics, seems to appreciate if not fully understand his subject—informs us that he was born Lonnie Lawrence Dennis, adopted by a mulatto couple, and was undoubtedly of mixed race: his mother was black, but his father was in all probability white. To say that young Lonnie was a precocious kid is a definite understatement: by the age of five he was preaching before large audiences in Atlanta, and was soon bringing the Word to congregations around the country as “The Mulatto Boy Evangelist,” and taking his road show as far as England. He published his autobiography at the ripe old age of ten.

…THE BLACKEST IRONY

For Dennis to be anointed leader of a racist fifth column in America was just another irony in a life rich with them. For a supposed fellow-traveler of Hitler, Dennis hardly fit the Aryan mold. Charles A. Lindbergh, for whom Dennis is said to have written a few speeches, described him as having a “rugged,” dark-complexioned look that made him seem as if he would be more “at home at a frontier trading post.” Dennis’s archenemy, the notorious agent provocateur John Roy Carlson, noted that “Dennis’ hair is woolly, dark and kinky. The texture of his skin is unusually dark and the eyes of Hitler’s intellectual keynoter of ‘Aryanism’ are a rich deep brown, his lips fleshy.” This is the measure of what Lawrence had to endure: the man Life magazine called, in a picture caption, “America’s No. 1 intellectual Fascist . . . brain-truster for the forces of appeasement” and Hitler’s alleged pawn was almost certainly an African-American….

Read the entire article here.

Johnny Otis, ‘Godfather of Rhythm and Blues,’ Dies at 90

New York Times
2012-01-19

Ihsan Taylor

Johnny Otis, the musician, bandleader, songwriter, impresario, disc jockey and talent scout often called “the godfather of rhythm and blues,” died on Tuesday at his home in Altadena, Calif. He was 90.

His death was confirmed by his manager, Terry Gould.

Leading a band in the late 1940s that combined the high musical standards of big-band jazz with the raw urgency of gospel music and the blues, Mr. Otis played a key role in creating a new sound for a new audience of young urban blacks, a sound that within a few years would form the foundation of rock ’n’ roll.

With his uncanny ear for talent, he helped steer a long list of performers to stardom, among them Etta James, Jackie Wilson, Esther Phillips and Big Mama Thornton — whose hit recording of “Hound Dog,” made in 1952, four years before Elvis Presley’s, was produced by Mr. Otis and featured him on drums.

…Despite being a mover and shaker in the world of black music, Mr. Otis was not black, a fact that as far as he was concerned was simply an accident of birth. He was immersed in African-American culture from an early age and considered himself, he said, “black by persuasion.”

“Genetically, I’m pure Greek,” he told The San Jose Mercury News in 1994. “Psychologically, environmentally, culturally, by choice, I’m a member of the black community.”…

Read the entire obituary here.

Jean Toomer: Fugitive

American Literature
Volume 47, Number 1 (March, 1975)
page 84-96

Charles Scruggs, Professor of English
University of Arizona

As a young boy, Jean Toomer attended a dinner party during which someone asked his famous grandfather, P. B. S. Pinchback, if he indeed had “colored” blood. The light-skinned former lieutenant governor of Louisiana answered enigmatically, “That is what I have claimed.” According to Toomer in his unpublished autobiography, Pinchback never cleared up the matter for his grandson. Toomer insisted that he never knew for sure whether or not he was part Negro.

If Toomer’s racial identity was a puzzle to himself, his attitudes toward himself as Negro have also puzzled his critics. Before the publication of Cane (1923), he seemed to advertise his dark blood. After 1923 he ambiguously referred to himself as “an American, simply an American”; and around 1930 he refused to be included in several Negro anthologies. In the same year he let it be known that he was actually “white,” blaming the confusion on Waldo Frank, who had given the impression in his introduction to Cane that Toomer was a Negro. What mystifies everyone, as Darwin Turner pointed out, is why in the summer of 1923 Toomer rejected “a racial identification which a few months earlier he had accepted as a matter of slight importance.”

Explanations have been offered for Toomer’s apparent apostasy…

Read or purchase the article here.

Oscar James Dunn: A Case Study in Race & Politics in Reconstruction Louisiana

University of New Orleans
December 2011
296 pages

Brian Mitchell

A Dissertation Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Urban Studies

The study of African American Reconstruction leadership has presented a variety of unique challenges for modern historians who struggle to piece together the lives of men, who prior to the Civil War, had little political identity. The scant amounts of primary source data in regard to these leaders’ lives before the war, the destruction of many documents in regard to their leadership following the Reconstruction Era, and the treatment of these figures by historians prior to the Revisionist movement have left this body of extremely important political figures largely unexplored. This dissertation will examine the life of one of Louisiana’s foremost leaders, Lt. Governor Oscar James Dunn, the United States’ first African American executive officeholder.
 
Using previously overlooked papers, Masonic records, Senate journals, newspaper articles and government documents, the dissertation explores Dunn’s role in Louisiana politics and chronicles the factionalization of the Republican Party in Reconstruction New Orleans. Born a slave and released from bondage at an early age, Oscar J. Dunn was able to transcend the stigma which was often attached to those who had been held in slavery. A native of New Orleans, born to Anglo-African parents, he was also able to transcend the language barrier that often excluded Anglo-Africans from social acceptability in Afro-Creole society. Although illiterate, Dunn’s parents made critical strides in securing his social mobility by providing him with both a formal education and a trade apprenticeship. Those skills propelled Dunn forward within his Anglo-African community wherein he became a key figure in the community’s two most important institutions, the York Rite Masonic Lodge and the African Methodist Episcopal church.
 
This dissertation argues that Dunn’s political ascent was linked to the political enfranchisement of antebellum Anglo-Africans in Louisiana, Dunn’s involvement in Anglo-African institutions (particularly the York Rite Masonic Lodge and the African Methodist Episcopal church) and Dunn’s ability to find middle ground in the racially charged arguments that engulfed Reconstruction New Orleans’s political arena.

TABLE OF CONTENTS

• LIST OF TABLES
• LIST OF ILLUSTRATIONS
• ABSTRACT
• CHAPTER I: Introduction
  • Understanding the complexities of Ethnicity and Class in Reconstruction New Orleans
• CHAPTER II: Literature Review
  • Specific Literature in Regard to Oscar James Dunn
• CHAPTER III: Methodology
  • The Problem
  • My Hypothesis
• CHAPTER IV: Giving Roots to the Rootless: The Origin of Oscar James Dunn (1822-1865)
  • Dunn’s Parents
  • Oscar James Dunn’s Youth
  • Dunn the Music Teacher
  • A Plasterer Again
  • Dunn the Mason
  • Dunn the Soldier
  • What a Difference a Place Makes: Geography in Dunn‘s Early Life
  • Reaching a Consensus on Dunn’s Origin
• CHAPTER V: Oscar J. Dunn’s Political Ascension
  • Outside of the Political Arena
  • Civil Rights and the Riot of 1866
  • White Lodge, Black Lodge
  • Cracks in the Foundation
• CHAPTER VI: The Negro Lieutenant Governor and the Republican Schism (1868-1869)
  • The Reluctant Candidate
  • The Test Oath Imbroglio
  • Dunn‘s Inauguration
  • The Metropolitan Police Bill
  • The Civil Rights Bill
  • There and Back again: The First Black Political Junket
  • A Homecoming of Sorts
  • Ending the French Masonic Invasion
  • The Lieutenant Governor‘s New Home
• CHAPTER VII: No Greater Divide (1870-1871)
  • The Masquerade Misadventure
  • Back in the Slammer Again
  • The Voodoo Exorcism
  • Airing Their Dirty Laundry in the Winds of Change
  • Warmoth‘s Presidential Visit
  • The Failed Coup: While the Cat was Away
  • The Two Conventions
  • The Longest Second Line
  • Hard Times and Fond Memories
• CHAPTER VIII: Dunn-Forgotten Hero
• BIBLIOGRAPHY
• APPENDIX A: John Parson’s Biography of Dunn
• APPENDIX B: J. Henri Burch’s Masonic Eulogy of Oscar J. Dunn
• APPENDIX C: Dryden’s Biography of Dunn
• APPENDIX D: Dunn’s Inaugural Address
• APPENDIX E: Louisiana’s Civil Rights Bill
• APPENDIX F: Lieut. Gov. Dunn’s Letter to Horace Greeley
• APPENDIX G: Oscar J. Dunn Commemoration ( J. Morris Chester’s Speech)
• VITA:

LIST OF TABLES

• Table 1. Attackers of James Dunn
• Table 2. Discrepancies in the Eureka Lodge‘s Roll and the First Regiment‘s Service
• Table 3. Dunn‘s Addresses and Dates of Residence
• Table 4. Black Voter Registration Sites in the City of New Orleans in 1865
• Table 5. First Ballot: Dunn‘s nomination for Lt. Governor
• Table 6. Second Ballot: Dunn‘s nomination for Lt. Governor

LIST OF ILLUSTRATIONS

• Figure 1. The American Theater (The Old Camp)
• Figure 2. Freedmen Voting in New Orleans (1867)
• Figure 3. First Vote
• Figure 4. The President Leaving the Willard Hotel (March 4,1853)
• Figure 5. Lieutenant Governor Dunn. 137
• Figure 6. Metropolitan Hotel (1863)
• Figure 7. Canal Street above Claiborne Street circa 1860-1870
• Figure 8. Lt. Governor Dunn and Family
• Figure 9. Sketch of Dunn in Formalwear
• Figure 10. Krewe of Comus Ball
• Figure 11. Currier & Ives Image

Read the entire dissertation here.

Glimpse of a Visionary: Jeffrey Campbell ’33

St. Lawrence University Magazine
Winter 2006

Steve Peraza ’06

Jeffrey Campbell ’33 is generally thought of as St. Lawrence’s first African-American graduate. In a University Fellowship paper, Steve Peraza ’06, a history and sociology double major from New York City, contends that Campbell deserves to be recognized on different and broader grounds. “Much of the attention brought to Jeffrey Campbell’s name at St. Lawrence University has centered on Campbell’s social status as the first African American student to graduate,” Peraza writes, “not his accomplishments as an exemplary American citizen committed to his ‘faith and works’. Campbell may never have accepted that legacy; he might have more readily identified with a legacy that posits him as a progressive-minded and intellectually motivated Unitarian Universalist minister.”

The son of a blue-eyed, blond-haired white woman and a Black Boston attorney, Campbell admits in a brief autobiographical sketch that he bore the psychological and social “burden” of mixed racial lineage from his birth on March 1, 1910 (he died September 16, 1984). Perhaps those moments in which the Campbell family had to guard their safety because of racial discrimination led Campbell to ignore his “racial condition” and “establish [his] individuality” as a human being and not a Black human being…

Read the entire article here.

The Afro-Latin@ Reader: History and Culture in the United States

Duke University Press
2010
584 pages
9.1 x 6.1 x 1.3 inches
Cloth ISBN: 978-0-8223-4558-9
Paperback ISBN: 978-0-8223-4572-5

Edited by:

Miriam Jiménez Román, Visiting Professor of Africana Studies
New York University

Juan Flores, Professor of Social and Cultural Analysis
New York University

The Afro-Latin@ Reader focuses attention on a large, vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean. The presence of Afro-Latin@s in the United States (and throughout the Americas) belies the notion that Blacks and Latin@s are two distinct categories or cultures. Afro-Latin@s are uniquely situated to bridge the widening social divide between Latin@s and African Americans; at the same time, their experiences reveal pervasive racism among Latin@s and ethnocentrism among African Americans. Offering insight into Afro-Latin@ life and new ways to understand culture, ethnicity, nation, identity, and antiracist politics, The Afro-Latin@ Reader presents a kaleidoscopic view of Black Latin@s in the United States. It addresses history, music, gender, class, and media representations in more than sixty selections, including scholarly essays, memoirs, newspaper and magazine articles, poetry, short stories, and interviews.

While the selections cover centuries of Afro-Latin@ history, since the arrival of Spanish-speaking Africans in North America in the mid-sixteenth-century, most of them focus on the past fifty years. The central question of how Afro-Latin@s relate to and experience U.S. and Latin American racial ideologies is engaged throughout, in first-person accounts of growing up Afro-Latin@, a classic essay by a leader of the Young Lords, and analyses of U.S. census data on race and ethnicity, as well as in pieces on gender and sexuality, major-league baseball, and religion. The contributions that Afro-Latin@s have made to U.S. culture are highlighted in essays on the illustrious Afro-Puerto Rican bibliophile Arturo Alfonso Schomburg and music and dance genres from salsa to mambo, and from boogaloo to hip hop. Taken together, these and many more selections help to bring Afro-Latin@s in the United States into critical view.

Contributors: Afro–Puerto Rican Testimonies Project, Josefina Baéz, Ejima Baker, Luis Barrios, Eduardo Bonilla-Silva, Adrian Burgos Jr., Ginetta E. B. Candelario, Adrián Castro, Jesús Colón, Marta I. Cruz-Janzen, William A. Darity Jr., Milca Esdaille, Sandra María Esteves, María Teresa Fernández (Mariposa), Carlos Flores, Juan Flores, Jack D. Forbes, David F. Garcia, Ruth Glasser, Virginia Meecham Gould, Susan D. Greenbaum, Evelio Grillo, Pablo “Yoruba” Guzmán, Gabriel Haslip-Viera, Tanya K. Hernández, Victor Hernández Cruz, Jesse Hoffnung-Garskof, Lisa Hoppenjans, Vielka Cecilia Hoy, Alan J. Hughes, María Rosario Jackson, James Jennings, Miriam Jiménez Román, Angela Jorge, David Lamb, Aida Lambert, Ana M. Lara, Evelyne Laurent-Perrault, Tato Laviera, John Logan, Antonio López, Felipe Luciano, Louis Pancho McFarland, Ryan Mann-Hamilton, Wayne Marshall, Marianela Medrano, Nancy Raquel Mirabal, Yvette Modestin, Ed Morales, Jairo Moreno, Marta Moreno Vega, Willie Perdomo, Graciela Pérez Gutiérrez, Sofia Quintero, Ted Richardson, Louis Reyes Rivera, Pedro R. Rivera , Raquel Z. Rivera, Yeidy Rivero, Mark Q. Sawyer, Piri Thomas, Silvio Torres-Saillant, Nilaja Sun, Sherezada “Chiqui” Vicioso, Peter H. Wood

Table of Contents

• Acknowledgments
• Editorial Note
• Introduction
• I. Historical Background before 1900
  • The Earliest Africans in North America / Peter H. Wood
  • Black Pioneers: The Spanish-Speaking Afroamericans of the Southwest / Jack D. Forbes
  • Slave and Free Women of Color in the Spanish Ports of New Orleans, Mobile, and Pensacola / Virginia Meacham Gould
  • Afro-Cubans in Tampa / Susan D. Greenbaum
  • Excerpt from Pulling the Muse from the Drum / Adrian Castro
• II. Arturo Alfonso Schomburg
  • Excerpt from Racial Integrity: A Plea for the Establishment of a Chair of Negro History in Our Schools and Colleges / Arturo Alfonso Schomburg
  • The World of Arturo Alfonso Schomburg / Jesse Hoffnung-Garskof
  • Invoking Arturo Schomburg’s Legacy in Philadelphia / Evelyne Laurent-Perrault
• III. Afro-Latin@s on the Color Line
  • Black Cuban, Black American / Evelio Grillo
  • A Puerto Rican in New York and Other Sketches / Jesus Colon
  • Melba Alvarado, El Club Cubano Inter-Americano, and the Creation of Afro-Cubanidades in New York City / Nancy Raquel Mirabel
  • An Uneven Playing Field: Afro-Latinos in Major League Baseball / Adrian Burgos Jr.
  • Changing Identities: An Afro-Latino Family Portrait / Gabriel Haslip-Viera
  • Eso era tremendo!: An Afro-Cuban Musician Remembers / Graciela Perez Gutierrez
• IV. Roots of Salsa: Afro-Latin@ Popular Music
  • From “Indianola” to “Ño Colá”: The Strange Career of the Afro-Puerto Rican Musician / Ruth Glasser
  • Excerpt from cu/bop / Louis Reyes Rivera
  • Bauzá-Gillespie-Latin/Jazz: Difference, Modernity, and the Black Caribbean / Jairo Moreno
  • Contesting that Damned Mambo: Arsenio Rodriguez and the People of El Barrio and the Bronx in the 1950s / David F. Garcia
  • Boogaloo and Latin Soul / Juan Flores
  • Excerpt from the salsa of bethesda fountain / Tato Laviera
• V. Black Latin@ Sixties
  • Hair Conking: Buy Black / Carlos Cooks
  • Carlos A. Cooks: Dominican Garveyite in Harlem / Pedro R. Rivera
  • Down These Mean Streets / Piri Thomas
  • African Things / Victor Hernandez Cruz
  • Black Notes and “You Do Something to Me” / Sandra Maria Esteves
  • Before People Called Me a Spic, They Called Me a Nigger / Pablo “Yoruba” Guzman
  • Excerpt from Jíbaro, My Pretty Nigger / Felipe Luciano
  • The Yoruba Orisha Tradition Comes to New York City / Marta Moreno Vega
  • Reflections and Lived Experiences of Afro-Latin@ Religiosity / Luis Barrios
  • Discovering Myself / Un Testimonio / Josefina Baez
• VI. Afro-Latinas
  • The Black Puerto Rican Woman in Contemporary American Society / Angela Jorge
  • Something Latino Was Up with Us / Spring Redd
  • Excerpt from Poem for My Grifa-Rican Sistah, or Broken Ends Broken Promises / Mariposa (María Teresa Fernandez)
  • Latinegras: Desired Women—Undesirable Mothers, Daughters, Sisters, and Wives / Marta I. Cruz-Janzen
  • Letter to a Friend / Nilaja Sun
  • Uncovering Mirrors: Afro-Latina Lesbian Subjects / Ana M. Lara
  • The Black Bellybutton of a Bongo / Marianela Medrano
• VII. Public Images and (Mis)Representations
  • Notes on Eusebia Cosme and Juano Hernandez / Miriam Jimenez Roman
  • Desde el Mero Medio: Race Discrimination within the Latino Community / Carlos Flores
  • Displaying Identity: Dominicans in the Black Mosaic of Washington, D.C. / Ginetta E. B. Candelario
  • Bringing the Soul: Afros, Black Empowerment, and Lucecita Benítez / Yeidy M. Rivero
  • Can BET Make You Black? Remixing and Reshaping Latin@s on Black Entertainment Television / Ejima Baker
  • The Afro-Latino Connection: Can this group be the bridge to a broadbased Black-Hispanic alliance? / Alan Hughes and Milca Esdaille
• VIII. Afro-Latin@s in the Hip Hop Zone
  • Ghettocentricity, Blackness, and Pan-Latinidad / Raquel Z. Rivera
  • Chicano Rap Roots: Afro-Mexico and Black-Brown Cultural Exchange / Pancho McFarland
  • The Rise and Fall of Reggaeton: From Daddy Yankee to Tego Calderon and Beyond / Wayne Marshall
  • Do Platanos Go wit’ Collard Greens? / David Lamb
  • Divas Don’t Yield / Sofia Quintero
• IX. Living Afro-Latinidads
  • An Afro-Latina’s Quest for Inclusion / Yvette Modestin
  • Retracing Migration: From Samana to New York and Back Again / Ryan Mann-Hamilton
  • Negotiating among Invisibilities: Tales of Afro-Latinidades in the United States / Vielka Cecilia Hoy
  • We Are Black Too: Experiences of a Honduran Garifuna / Aida Lambert
  • Profile of an Afro-Latina: Black, Mexican, Both / Maria Rosario Jackson
  • Enrique Patterson: Black Cuban Intellectual in Cuban Miami / Antonio Lopez
  • Reflections about Race by a Negrito Acomplejao / Eduardo Bonilla-Silva
  • Divisible Blackness: Reflections on Heterogeneity and Racial Identity / Silvio Torres-Saillant
  • Nigger-Reecan Blues / Willie Perdomo
• X. Afro-Latin@s: Present and Future Tenses
  • How Race Counts for Hispanic Americans / John R. Logan
  • Bleach in the Rainbow: Latino Ethnicity and Preferences for Whiteness / William A. Darity Jr., Jason Dietrich, and Darrick Hamilton
  • Brown Like Me? / Ed Morales
  • Against the Myth of Racial Harmony in Puerto Rico / Afro-Puerto Rican Testimonies Project
  • Mexican Ways, African Roots / Lisa Hoppenjans and Ted Richardson
  • Afro-Latin@s and the Latino Workplace / Tanya Kateri Hernandez
  • Racial Politics in Multiethnic America: Black and Latina/o Identities and Coalitions
  • Afro-Latinism in United States Society: A Commentary / James Jennings
• Sources and Permissions
• Contributors
• Index

Fifty years after Frantz Fanon: beyond diversity

Advances in Psychiatric Treatment
Volume 18, Number 1 (January 2012)
pages 25-31
DOI: 10.1192/apt.bp.110.008847

Adedapo Sikuade

Frantz Fanon (1925–1961), a West Indian of mixed race, was a French colonial psychiatrist trained in Lyon, France, who worked mainly in colonial North Africa between 1953 and 1957. He was one of the earliest psychiatrists to suggest that the lived experience of ethnic minorities within a discriminatory colonial environment could trigger mental illness. This article focuses on Fanon’s work and contributions to psychiatry, as well as his philosophy, advocacy for social inclusion and pioneering work in culturally relevant rehabilitation. It also examines what lessons could be learnt from his life’s work as a psychiatrist and traces his influence on a generation of psychiatric researchers, suggesting how his contribution may have influenced critical thought and current views.

Read or purchaes the article here.

Mix Up, Mix Up: Reviewing Bob Marley as the Militant Mulatto

University of Miami
Fall 2011
ENG 106 R4/S4

Rachel Panton, Lecturer of English

In lieu of what would have been Bob Marley’s 66th birthday, we will explore the impact of Rastafari on the life and music of Marley, and on other contemporary Roots Reggae artists. We will also discuss the history of Marley’s mixed-race heritage and the ways in which race influenced his music and being. Students will be encouraged to investigate these issues, as well as develop their own inquiries about this mystical legend.