Mixed Race Studies

Yuli – The Carlos Acosta Story

Dirty Movies — Your platform for thought-provoking cinema
2019-04-03

Redmond Bacon

Tender portrait of iconic ballet dancer doubles up as an exploration of fatherhood and also of the artist’s home nation Cuba – now available on VoD

Director – Icíar Bollaín – 2019

When I was very young, my parents took me to ballet class. I immediately baulked at the idea and sat on the floor until my mother gave up and took me home. At the time I believed that being a ballet dancer was the worst possible thing on earth; now I see it as a massive lost opportunity. Carlos Acosta’s own father, Pedro (Santiago Alfonso), wasn’t as magnanimous as my mother, completely ignoring his son’s wishes in the pursuit of a higher aim.

His bet paid off, turning Carlos Acosta (nicknamed Yuli) into one of the greatest ballet dancers that ever lived; the first black man to perform at the Royal Ballet in London. Played at three different ages by Edlison Manuel Olbera Núnez, Keyvin Martínez and finally by the man himself, Yuli…

It starts in the poverty stricken streets of Havana; a place where the best options for young men to make something of themselves is through sport or dance. Carlos’ talent, expressed early on through street dance, gives his father an idea, and soon he is dragged to an audition at the National Ballet School of Cuba. But Carlos doesn’t want to perform ballet and mocks both his future teachers and his parents by putting on a tongue-in-cheek Michael Jackson-homage. He derisively describes ballet as something “for faggots”. Yet it is this very same ebullient spirit that lands him a place. His talent cannot be denied.

This is played out against a political and ethnic backdrop that acutely portrays the complexity of the Afro-Cuban experience. In one haunting scene, Carlos’ father takes him to his great-grandmother’s plantation, showing him how he is a direct descendent from the slave trade. Meanwhile his white mother escapes with her white relatives to Miami, benefiting from the same privilege that is denied to the young man. Pedro spins this hardship into a positive, telling Carlos that if his descendants could survive slavery, then he can become anything he wants…

Read the entire review here.

Effa Manley

Ebbets Field Flannels
2019

Joe Swide

c. 1938. Wonderful image of Effa in a dress and wearing a Newark Eagles ball cap while being instructed on how to hold a bat by one of her players.

The most powerful woman in baseball

In the summer of 1947, the most powerful woman in baseball received a call from Bill Veeck, the owner of the Cleveland Indians. Veeck had spent the last five years scouting the Negro Leagues for the right ballplayer to integrate the American League and shortly after the Brooklyn Dodgers of the National League had broken baseball’s color line by acquiring Jackie Robinson from the Kansas City Monarchs, Veeck set his eyes on Larry Doby of the Newark Eagles. However, whereas the Dodgers managed to acquire Robinson without paying a cent to the Monarchs, Veeck found himself in a very different sort of negotiation with the owner of the Eagles, Effa Manley.

Manley was born into a biracial family in Philadelphia in 1897. Her mother was a white seamstress who was married to a black man but had an affair with her white employer, leading many to believe that he was Manley’s biological father. In any case, Manley was raised in a predominantly black community with a biracial identity like that of her siblings, and her ability to pass as either black or white enabled her to navigate both sides of the country’s racial divide…

Read the entire article here.

Sweet Taste of Liberty: A True Story of Slavery and Restitution in America

Oxford University Press
2019-08-05
288 Pages
28 b/w images, 2 maps
6-1/8 x 9¼ inches
Hardcover ISBN: 9780190846992

W. Caleb McDaniel, Associate Professor of History
Rice University, Houston, Texas

• The epic, unique, and haunting story an enslaved woman and her quest for justice
• Incorporates recent scholarship on slavery, reparations, and the ongoing connection between slavery and incarceration of black Americans
• McDaniel received a Public Scholar fellowship from the National Endowment for the Humanities that enabled him to write this book

Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood’s employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position.

By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood won her case: in 1878, a Federal jury awarded her $2,500. The decision stuck on appeal. More important than the amount, though the largest ever awarded by an American court in restitution for slavery, was the fact that any money was awarded at all. By the time the case was decided, Ward had become a wealthy businessman and a pioneer of convict leasing in the South. Wood’s son later became a prominent Chicago lawyer, and she went on to live until 1912.

McDaniel’s book is an epic tale of a black woman who survived slavery twice and who achieved more than merely a moral victory over one of her oppressors. Above all, A Sweet Taste of Liberty is a portrait of an extraordinary individual as well as a searing reminder of the lessons of her story, which establish beyond question the connections between slavery and the prison system that rose in its place.

Viola Desmond: Her Life and Times

Roseway Publishing (an imprint of Fernwood Publishing)
October 2018
128 pages
Paperback ISBN: 9781773631233
Kindle ISBN: 9781773631257
ePub ISBN: 9781773631240

Graham Reynolds, Professor Emeritus and the Viola Desmond Chair in Social Justice
Cape Breton University, Sydney, Nova Scotia, Canada

with Wanda Robson

Teacher’s Guide for Viola Desmond: Her Life and Times

Many Canadians know that Viola Desmond is the first Black, non-royal woman to be featured on Canadian currency. But fewer know the details of Viola Desmond’s life and legacy. In 1946, Desmond was arrested for refusing to give up her seat in a whites-only section of a movie theatre in New Glasgow, Nova Scotia. Her singular act of courage was a catalyst in the struggle for racial equality that eventually ended segregation in Nova Scotia.

Authors Graham Reynolds and Wanda Robson (Viola’s sister) look beyond the theatre incident and provide new insights into her life. They detail not only her act of courage in resisting the practice of racial segregation in Canada, but also her extraordinary achievement as a pioneer African Canadian businesswoman. In spite of the widespread racial barriers that existed in Canada during most of the twentieth century, Viola Desmond became the pre-eminent Black beauty culturist in Canada, establishing the first Black beauty studio in Halifax and the Desmond School of Beauty Culture. She also created her own line of beauty products.

Accessible, concise and timely, this book tells the incredible, important story of Viola Desmond, considered by many to be Canada’s Rosa Parks.

Viola Desmond $10 bill wins international banknote of the year design award

CBC News
2019-04-30

Cassie Williams, Reporter/Editor

In March 2018, the federal government unveiled the vertical banknote design featuring Desmond’s portrait and a map of her north-end Halifax neighbourhood. The bill went into circulation in November. (Bank of Canada)

Canadian banknote tops designs from Switzerland, Norway, Russia, Solomon Islands

A Canadian $10 bill featuring Nova Scotia civil rights pioneer Viola Desmond has been named the best in the world.

The International Bank Note Society has announced the Desmond bill won the coveted Bank Note of the Year Award for 2018, beating out top designs from places like Switzerland, Norway, Russia and the Solomon Islands.

In March 2018, the federal government unveiled the vertical banknote design featuring Desmond’s portrait and a map of her north-end Halifax neighbourhood. The bill went into circulation in November.

Desmond played a seminal role in Canada’s civil rights movement when, on Nov. 8, 1946, she went to see a movie at the Roseland Theatre in New Glasgow, N.S., while her car was getting fixed.

Desmond, 32, was dragged out of the theatre by police and jailed for defiantly sitting in the “whites only” section of the film house. At the time, black people could only sit in the balcony.

Her ensuing legal fight against that injustice helped end segregation in Nova Scotia. In 2010, she was posthumously awarded an apology and a pardon…

Read the entire article here.

BOOK REVIEW: “White Like Her” by Gail Lukasik, Reviewed By C. Ellen Connally

Cool Cleveland
2019-07-16

Former Clevelander and author Gail Lukasik named her recently published memoir White Like Her. Subtitled My Family’s Story of Race and Racial Passing, Lukasik tells the story of her mother, Alvera Frederic Kalina, who changed her racial identity from black to white when she married in 1944 and moved to Cleveland. With that move, she abandoned her black family and racial heritage and in her mind, became white like the man she married.

Alvera hid her secret from the world until her daughter made the discovery when she was tracing her family tree. Her mother’s birth certificate and that of her grandfather and other relatives ,along with census records, showed that her mother and other relatives were black. When confronted with such concrete evidence, Alvera refused to admit her mixed-race heritage. In her mind, her life as a black person was over when she married and left New Orleans, the city of her birth. She begged her daughter not to reveal her secret. For 17 years, until her mother’s death, Lukasik continued her research but did not reveal her findings outside her immediate family.

Stories of passing — a term used to define the process of abandoning one’s cultural identity and adopting another — are traditionally associated with a light-skinned black person who assumes a white identity. People of color living as white have been the theme for many literary works in the late 19th and 20th century. Clevelander Charles W. Chesnutt, a black man who could have easily passed for white, wrote a significant number of stories about black people passing for white around the turn of the 20th century. Many of the stories take place in Cleveland which he fictionalized to be Groveland, Ohio…

Read the entire review here.

Mother of Orphans: The True and Curious Story of Irish Alice, A Colored Man’s Widow

2Leaf Press
July 2019
250 pages
6 x 9
Print ISBN: 978-1-940939-78-0
eBook ISBN: 978-1-940939-87-2

Dedria Humphries Barker

Introduction by:

Cathy J. Schlund-Vials, Professor of English; Professor of Asian/Asian American Studies
University of Connecticut

Mother of Orphans is the compelling true story of Alice, an Irish-American woman who defied rigid social structures to form a family with a black man in Ohio in 1899. Alice and her husband had three children together, but after his death in 1912, Alice mysteriously surrendered her children to an orphanage. One hundred years later, her great-grand daughter, Dedria Humphries Barker, went in search of the reasons behind this mysterious abandonment, hoping in the process to resolve aspects of her own conflicts with American racial segregation and conflict.

This book is the fruit of Barker’s quest. In it, she turns to memoir, biography, historical research, and photographs to unearth the fascinating history of a multiracial community in the Ohio River Valley during the early twentieth century. Barker tells this story from multiple vantage points, frequently switching among points of view to construct a fragmented and comprehensive perspective of the past intercut with glimpses of the present. The result is a haunting, introspective meditation on race and family ties. Part personal journey, part cultural biography, Mother of Orphans examines a little-known piece of this country’s past: interracial families that survived and prevailed despite Jim Crow laws, including those prohibiting mixed-race marriage. In lyrical, evocative prose, this extraordinary book ultimately leaves us hopeful about the world as our children might see it.

Passing: A Family in Black & White

Blackstar Film Festival
Philadelphia, Pennsylvania
Saturday, 2019-08-03, 10:00 EDT (Local Time)

United States
2019
(00:48:00)

Robin Cloud, Director

After years of hearing the story of her Nebraska cousins, who, unbeknownst to them, were passing for white, filmmaker Robin Cloud reaches out to the lost cousins in an attempt to bring them back into the family. We follow Robin as she travels through the South and Midwest.

For more information, click here.

Multi Racial Reads #20 and #21

Carol Baldwin’s Blog
2019-07-22

Carol Baldwin

It’s been awhile since I’ve shared the books that I read while writing Half-Truths. Here are two more books that have helped me understand one of my characters, Lillian Harris.

If you aren’t familiar with Half-Truths, this is the pitch for my book:

In the heavily segregated South, fifteen-year-old Kate Dinsmore’s world is shaken when she realizes she’s related to her grandmother’s Black housemaid. This knowledge leads Kate to truths that threaten to destroy her family.

Ever since I saw the pictures of the principals in the hallway of the former Rosenwald School in Charlotte, NC and saw a man who appeared White but was Black, I knew that my book would revolve around two girls—Kate Dinsmore and Lillian Harris—who were related but belonged to two different races.

What I didn’t know was what Lillian looked like.

Light, Bright, and Damn Near White by Michelle Gordon Jackson helped me figure that out…

…But what about the Blacks who chose to pass? What was their life like?

Allyson Hobbs’ book, A Chosen Exile: A History of Racial Passing in American Life, pointedly showed me the pain and difficulties associating with passing…

Read the entire article here.

Shocking Role in History After ‘Boy Evangelist’

Lost Buxton: Information about Buxton, Iowa by Rachelle Chase
2019-01-09

Rachelle Chase

Lonnie Lawrence Dennis as a child

“At a revival we used to have, I remember this little boy was preaching,” said Gertrude Stokes, an African American resident of Buxton, Iowa. “He used to wear a little white robe. He ran our revival and that’s when I joined the church.”

The little boy was eight-year-old Lonnie Lawrence Dennis. On November 16, 1902, Lonnie appeared at St. John’s A.M.E. Church in Buxton. To a full house, he preached “The Life of Christ,” after which a long line formed at the altar. At least 50 men, women and children had decided to “follow the story of Christ.”¹ Lonnie remained in Buxton for 10 days, where he continued to convert many, like Stokes.

During this time, locals trudged through mud to hear him. Others traveled from surrounding towns, such as Albia, Lovilia and Oskaloosa. Lonnie had become known nationwide and everyone wanted to hear the renowned child evangelist…

…But not only had he ditched his first name, he had apparently ditched his parents and all public references to being black. In 1913, he entered a prestigious prep school, Phillips Exeter Academy, and in 1915 he entered Harvard. After serving briefly in WWI in France, he resumed his studies at Harvard, graduated in 1920, and landed a job with the State Department.

But it was his activities beginning in the 1930s that shocked (and appalled) me—activities that made him “widely known as the most influential person in American fascism”…

Read the entire article here.