Mixed Race Studies

In Memoriam: Peggy Pascoe (1954-2010)

Perspectives on History
November 2010

Estelle Freedman, Edgar E. Robinson Professor of History
Stanford University

Scholar of gender, race, and the U.S. West; 2009 winner of AHA’s William H. Dunning Prize and Joan Kelly Prize

Peggy Pascoe, the Beekman Professor of Northwest and Pacific History and professor of ethnic studies at the University of Oregon, died at home in Eugene, Oregon, on July 23, 2010. She leaves behind an exceptional professional legacy, not only in her prize-winning scholarship on women and multicultural relations in the West, but also through the careers of the students and colleagues she mentored over the decades…

Pascoe was part way through the manuscript for her book on miscegenation law when she learned in 2005 that she had ovarian cancer. Initially she did not think that she would be able to complete the study. In 2007, at a panel held in her honor at the annual meeting of the Organization of American Historians, several colleagues commented on her draft chapters, which helped inspire her to go back to work on the book even as she endured multiple rounds of chemotherapy. The scholarly result was stunning. What Comes Naturally: Miscegenation Law and the Making of Race in America (Oxford, 2009) provides a sweeping and detailed account of the criminalization of interracial marriage and resistance to that process from the 1860s through the 1960s. It is also a superb history of the shifting meaning of “race” in American culture and the ways that gender and race are always mutually constructed. One of the most acclaimed books in U.S. social, cultural, and legal history, it received the Ellis W. Hawley and the Lawrence W. Levine Prizes from the Organization of American Historians; the John H. Dunning Prize and the Joan Kelly Memorial Prize from the American Historical Association; and the J. Willard Hurst Prize from the Law and Society Association…

Read the entire article here.

“The devil made the mulatto”: Race, religion and respectability in a Black Atlantic, 1931-2005

University of Toronto
2007
312 pages
Publication Number: AAT NR39517
ISBN: 9780494395172

Daniel R. McNeil, Lecturer in Media and Cultural Studies
Newcastle University, United Kingdom

According to The Historical Journal there has only been one scholarly study of mixed- race history. This text—New People: Mulattoes and Miscegenation in the United States—fails to address events after 1930 in any detail, and ends its historical analysis with a discussion of the mixed-race people who committed themselves to a “New Negro” group. In an attempt to cover this gap in the academic literature, my dissertation analyses the creative artistry of individuals who were born after 1930 and were told, by governmental agencies in the US, UK and Canada, that they had a Black father and a white mother. My first case study looks at Philippa Schuyler, the daughter of George Schuyler, the most prominent African American journalist of the early twentieth century. I acknowledge that George Schuyler’s journalistic peers marketed his daughter as a “Negro” child prodigy during the 1930s and 1940s, but I also document how she fashioned herself as a “mulatto” writer or a vaguely aristocratic “off-white” femme fatale during the 1950s and 1960s. My second case study looks at Lawrence Hill, a writer who grew up in the suburbs of Toronto during the 1950s and 1960s and has achieved a degree of prominence in Canada by casting himself as a middle-class Black “race man” like his African American father, the first director of the Ontario Human Rights Agency. Subsequent case studies investigate the legacy of the “Black is beautiful” movements of the 1960s on a wider variety of individuals—from working-class folks in Nova Scotia and Merseyside to American idols—and provide further evidence for my argument that a Black identity has been masculinized in opposition to the stigma attached to a “mulatto” identity associated with young “brown girls”. In doing so, I draw heavily on the work of Otto Rank, W.E.B Du Bois and Frantz Fanon. In particular, I link Rank’s ideas about creative artistry – that it was a masculine attempt to give birth to a new self, community or nation—to the theories of Du Bois and Fanon that defined “honest intellectuals” in a Black Atlantic against mixed-race women and children.

Purchase the dissertation here.

“Hearing Radmilla” Film Screening

Northern Arizona University
Flagstaff, Arizona
Gardner Auditorium, W. A. Franke College of Business (bldg. 81, room 101)
2010-11-22, 19:00 to 21:30 (Local Time)

Native American Heritage Month

The film will be introduced by filmmaker/producer Angela Webb, Radmilla Cody–Miss Navajo Nation 1997-1998, followed by Questions & Answer session. The film follows Radmilla through her controversial reign as the first biracial Miss Navajo (Navajo and African-American). An inspiring story of an activist-artist’s triumph over adversity and an identity colored by the politics of race and ethnicity. Co-sponsored by the Department of English, NAISA, and the Student Activity Council. Contact: Jeff Berglund, 523-9237.

For more information, click here.

The Influence of Bob Marley’s Absent, White Father

The Dread Library
Essays from the University of Vermont Class, Rhetoric of Reggae Music
2002-04-30

Scott Gurtman

My fadda was a guy yunno, from England here, yunno?  Him was like…like you can read it yunno, it’s one o’dem slave stories: white guy get the black woman and breed her.  He’s a English guy…I t’ink.  Cos me see him one time yunno.  My mother?  My Mother African.”   (Bob Marley, 1978)

The psychological aftermath of being an abandoned child of a biracial marriage was something that heavily influenced reggae superstar Bob Marley for his entire career.  Many of Marley’s most loyal fans and the vast majority of reggae enthusiasts are unaware that he was, indeed, born to a white father, Captain Norval Marley, and a black mother, Cedella Booker.  Bob Marley grew up angry with his father who he felt had mistreated him and his mother. Marley was also partially ashamed of his white heritage.  This childhood mentality of resentment and embarrassment sculpted Marley’s youth and eventually influenced the ideals and work of his musical genius for his entire career.  The sentiment of abandonment and the lack of a father figure forced Bob Marley to look to other means, like the ideals of Rastafarianism, for direction, comfort, and a sense of belonging.  The strong allegiance to black culture that resulted from the absence of his white father also partially attributed to Marley’s unwaveringly sense of Pan-Africanism.  The imperfections and almost total absence of Bob Marley’s Caucasian father, Captain Norval Marley, had a profound psychological influence on the great reggae icon…

Read the entire article here.

On Racial Frontiers: The New Culture of Frederick Douglass, Ralph Ellison, and Bob Marley

Cambridge University Press
June 1999
342 pages
8 b/w illus.
Size: 228 x 152 mm
Paperback ISBN-13: 9780521643931; ISBN-10: 0521643937

Gregory Stephens

Douglass, Ellison and Marley lived on racial frontiers. Their interactions with mixed audiences made them key figures in an interracial consciousness and culture, integrative ancestors who can be claimed by more than one group. An abolitionist who criticized black racialism; the author of Invisible Man, a landmark of modernity and black literature; a musician whose allegiance was to “God’s side, who cause me to come from black and white.” The lives of these three men illustrate how our notions of “race” have been constructed out of a repression of the interracial.

Table of Contents

• Introduction
• 1. Interraciality in historical context
• 2. Frederick Douglass as integrative ancestor: the consequences of interracial co-creation
• 3. Invisible community: Ralph Ellison’s vision of a multiracial ideal democracy
• 4. Bob Marley’s Zion: a trans-racial ‘blackman redemption’

Proud Shoes: The Story of an American Family

Beacon Press
1999-08-01 (originally published in 1956)
304 pages
Size: 5-3/8″ X 8″ Inches
Paperback ISBN: 978-080707209-7

Pauli Murray (Anna Pauline Murray) (1910-1985)

First published in 1956, Proud Shoes is the remarkable true story of slavery, survival, and miscegenation in the South from the pre-Civil War era through the Reconstruction. Written by Pauli Murray the legendary civil rights activist and one of the founders of NOW, Proud Shoes chronicles the lives of Murray’s maternal grandparents. From the birth of her grandmother, Cornelia Smith, daughter of a slave whose beauty incited the master’s sons to near murder to the story of her grandfather Robert Fitzgerald, whose free black father married a white woman in 1840, Proud Shoes offers a revealing glimpse of our nation’s history.

Scratching the surface: Artist Laylah Ali explores the social dynamics that lie beyond appearances

Boston Globe
2008-08-29

Cate McQuaid, Globe Correspondent

WILLIAMSTOWN – Laylah Ali doesn’t let many people into her studio.

“It’s a private space,” the artist says, welcoming a visitor. “It’s like being in my brain. I’m inviting you into my private brain space – the chaos and the mess.”

As far as chaos goes, this isn’t bad. In the basement of a building on the outskirts of the Williams College campus, where Ali teaches art, an airy studio is filled with white illustrator’s tables. Colored pencils and squat bottles of ink clutter the tables. But what catches the eye are the drawings Ali has tacked to the white walls with pushpins: Portraits, made in her signature cartoon style, of haunted figures with garish headdresses, scarification, and false beards, and smaller drawings that feature ruminative lists with oddly adorned figures drawn over them…

…Growing up in Buffalo as the daughter of an African-American father and a white mother, Ali attuned herself early to social dynamics and covert aggression. The family lived in an all-white neighborhood.

“I was the only black kid in my school,” Ali says. “I’ve been able to negotiate different social places because of that. . . . More people are seeing this now because of Barack Obama, but there have always been biracial people in the US, with the ability to move between these worlds and notice what’s different and what’s not different.

“I developed heightened powers of observation not just from curiosity,” she adds, “but for survival.”

As a child, the artist saw implicit judgment many places, and it wasn’t always black and white.

“It’s not just race. It’s also class,” Ali points out. “My mom’s family had come from some money. It was gone, but they still had the idea of what it’s like to have nice silver, a nice oriental rug. They had an aspiration from what they had lost.

“Dad’s family was from the farming Mississippi South. He grew up working the land. I keep asking him questions and finding out more things. He walked five miles to school and had no electricity at home.”

“My family is very American,” she sums up…

Read the entire article here.

The Night My Mother Met Bruce Lee: Observations on Not Fitting In

Vintage an Imprint of Random House
2000
224 pages
Paperback ISBN: 978-0-375-70855-8 (0-375-70855-3)
E-Book ISBN: 978-0-307-42908-7 (0-307-42908-3)

Paisley Rekdal, Professor of English and Asian Studies
University of Utah

When you come from a mixed race background as Paisley Rekdal does — her mother is Chinese American and her father is Norwegian– thorny issues of identity politics, and interracial desire are never far from the surface. Here in this hypnotic blend of personal essay and travelogue, Rekdal journeys throughout Asia to explore her place in a world where one’s “appearance is the deciding factor of one’s ethnicity.”

In her soul-searching voyage, she teaches English in South Korea where her native colleagues call her a “hermaphrodite,” and is dismissed by her host family in Japan as an American despite her assertion of being half-Chinese. A visit to Taipei with her mother, who doesn’t know the dialect, leads to the bitter realization that they are only tourists, which makes her further question her identity. Written with remarkable insight and clarity, Rekdal a poet whose fierce lyricism is apparent on every page, demonstrates that the shifting frames of identity can be as tricky as they are exhilarating.

Manuel Zapata Olivella and the “Darkening” of Latin American Literature

University of Missouri Press
2005
168 pages
6 x 9
index, bibliography
ISBN 978-0-8262-1578-9

Antonio D. Tillis, Associate Professor of African and African American Studies
Dartmouth University

Manuel Zapata Olivella and the “Darkening” of Latin American Literature is an examination of the fictional work of one of Latin America’s most prolific, yet overlooked, writers. Born in Colombia to parents of mixed ancestry, Zapata Olivella [English translation by Google here] uses his novels to explore the plight of the downtrodden in his nation and by extension the experience of blacks in other parts of the Americas. Author Antonio D. Tillis offers a critical examination of Zapata Olivella’s major works of fiction from the 1940s to the present, including Tierra mojada (1947); Pasión vagabunda (1949); He visto la noche (1953); La Calle 10 (1960); En Chimá nace un santo (1963); Las claves mágicas de América (1989); and Hemingway, el cazador de la muerte (1993).

Tillis focuses on the development of the “black aesthetic” in Zapata Olivella’s stories, in which the circumstances of the people of African heritage are centered in the narrative discourse. Tillis also traces Zapata Olivella’s novelistic effort to incorporate the Africa-descended subject into the literature of Latin America. A critical look at the placement of Afro–Latin American protagonists reveals the sociopolitical and historical challenges of citizenship and community. In addition, this study explores tenets of postcolonial and postmodern thought such as place, displacement, marginalization, historiographic metafiction, and chronological disjuncture in relation to Zapata Olivella’s fiction. Tillis concludes that the novelistic trajectory of this Afro-Colombian writer is one that brings into literary history an often overlooked subject: the disenfranchised citizen of African ancestry.

 By expanding and updating the current scholarship on Zapata Olivella, Tillis leads us to new contexts for and interpretations of this author’s work. This analysis will be welcomed by readers who are just beginning to discover the writings of Zapata Olivella, and its new approach to those writings will be appreciated by scholars who are already familiar with his works.

Damn Near White: An African American Family’s Rise from Slavery to Bittersweet Success

University of Missouri Press
October 2010
192 pages
15 illustrations, bibliography index
ISBN-10: 0826218997
ISBN-13: 978-0826218995

Carolyn Marie Wilkins, Professor
Berklee College of Music, Boston, Massachusetts

Carolyn Wilkins grew up defending her racial identity. Because of her light complexion and wavy hair, she spent years struggling to convince others that she was black. Her family’s prominence set Carolyn’s experiences even further apart from those of the average African American. Her father and uncle were well-known lawyers who had graduated from Harvard Law School. Another uncle had been a child prodigy and protégé of Albert Einstein. And her grandfather [J. Ernest Wilkins] had been America’s first black assistant secretary of labor.

Carolyn’s parents insisted she follow the color-conscious rituals of Chicago’s elite black bourgeoisie—experiences Carolyn recalls as some of the most miserable of her entire life. Only in the company of her mischievous Aunt Marjory, a woman who refused to let the conventions of “proper” black society limit her, does Carolyn feel a true connection to her family’s African American heritage.

When Aunt Marjory passes away, Carolyn inherits ten bulging scrapbooks filled with family history and memories. What she finds in these photo albums inspires her to discover the truth about her ancestors—a quest that will eventually involve years of research, thousands of miles of travel, and much soul-searching.

Carolyn learns that her great-grandfather John Bird Wilkins was born into slavery and went on to become a teacher, inventor, newspaperman, renegade Baptist minister, and a bigamist who abandoned five children. And when she discovers that her grandfather J. Ernest Wilkins may have been forced to resign from his labor department post by members of the Eisenhower administration, Carolyn must confront the bittersweet fruits of her family’s generations-long quest for status and approval.

Damn Near White is an insider’s portrait of an unusual American family. Readers will be drawn into Carolyn’s journey as she struggles to redefine herself in light of the long-buried secrets she uncovers. Tackling issues of class, color, and caste, Wilkins reflects on the changes of African American life in U.S. history through her dedicated search to discover her family’s powerful story.