Mixed Race Studies

Fanshen Cox DiGiovanni on Growing Up with Matt Damon and Ben Affleck, Race, and What It Takes to Do a One-Woman Show

Phoenix New Times
2014-10-30

Zaida Dedolph

Fanshen Cox DiGiovanni stars in a one-woman show written by her and produced by Matt Damon and Ben Affleck.

Fanshen Cox DiGiovanni wants to talk about race in America — and she’s got an idea of where she wants to start. The writer-actor-director-producer extraordinaire will bring her one-woman show, One Drop of Love, to Mesa Arts Center on Saturday, November 1.

Inspired by her own experiences with race, family, and reconciliation, One Drop of Love endeavors to explore these concepts in a funny, relatable way. In addition to giving two performances, Cox DiGiovanni will be hosting a panel discussion and community dialogue on Thursday, October 31, at the Arizona Opera Center. We spoke with the creative about her performance, her history, and her first-ever visit to Arizona.

Zaida Dedolph: Fanshen, you seem to wear a lot of hats. Where did you learn to do all of these things?

Fanshen Cox DiGiovanni: I mostly see myself as an actor — that’s why I moved to Los Angeles and what I’ve been pursuing for the longest time in a creative capacity. I’ve known I wanted to be an actor since I was very young, but at the mean time I had all these other interests. So I joined the Peace Corps in West Africa and that got me into teaching, so I balanced teaching and acting.

As an actor, especially in LA, I started to notice that I wasn’t booking but I also was auditioning for things that I didn’t feel good about or proud of, so it was hard to bring my all to an audition when I felt like the roles were demeaning or just not me. As much as I think it’s good to stretch as an actor, it’s also good to know that you’ve got at least a base that you can work from. So I started to learn about writing.

It helps that I grew up with Matt Damon and Ben Affleck and was incredibly fortunate to watch them take a story that they believed in, then write that story, and write themselves into lead roles in that story, and then turn it into Good Will Hunting. So I had some people close to me to model the fact that I could write characters that I could feel good about and be proud of.

I started learning about writing, did some stand-up, wrote a couple feature-length screenplays, so now I had this writing and some characters I was proud of, but then I asked “what’s next, how do I get these characters out there?” and realized I needed to learn how to produce as well. I joined a program in Los Angeles called Project Involve [a faction of Film Independent that works to support filmmakers from backgrounds that are not frequently represented in the film industry] and learned a little more about producing.

My husband was researching MFA schools and found the most affordable one in the country was at California State University [at] Los Angeles, so I followed him into the program. That’s where I really learned hands on producing. One Drop of Love was my thesis for the MFA program, so I got to put all the things that I learned together. That’s how I ended up producing and performing and writing…

..ZD: When it comes to the American discussion of race, what issues do you think we are focusing too much attention on? Which ones do you think we should be paying more mind to?

FCD: I hope people walk away from the show [understanding] that we tend to focus too much on our differences when it comes to race. In the show I try to make it clear that race doesn’t exist genetically, and yes, we’ve all kind of come to a place where we believe in it culturally and politically, but genetically there is zero difference, as was proven by Human Genome Project.

In the show, I take the racial categories from the first U.S. Census in the 1790s. It had three racial categories and has been changed 24 times since then, now there are so many racial categories on the census. Anything that can change that easily can’t have any real, strong bearing on anything! Unfortunately, we’ve let it become so important.

I hope people will focus less on what our differences in race are and focus on what we all have in common, which is that none of us want racism. We created race to oppress people, so let’s not focus on these differences and instead focus on where we can unify…

Read the entire interview here.

Perceptions of Mixed-Race: A Study Using an Implicit Index

Journal of Black Psychology
Published online before print: 2014-11-12
DOI: 10.1177/0095798414550248

Barlow Wright, Senior Lecturer in Psychology
Brunel University London, England

Michael Olyedemi
Brunel University London, England

Stanley O. Gaines Jr., Senior Lecturer in Psychology
Brunel University London, England

The psychology of race is in its infancy, particularly in the United Kingdom and especially regarding mixed-race. Most use untimed explicit indexes and qualitative/self-report measures. Here, we used not only explicit responses (participants’ choice of response categories) but also implicit data (participants’ response times, RT). In a Stroop task, 92 Black, White, and mixed-race participants classified photographs of mixed-race persons. Photos were accompanied by a word, such as Black or White. Participants ignored the word, simply deciding whether to categorize photos as White or Black. Averaged across three different instructional sets, White participants categorized mixed-race slightly to the White side of the center point, with Black participants doing the converse. Intriguingly, mixed-race participants placed mixed-race photos further toward Black than did the Black group. But for RT, they now indicated midway between White and Black participants. We conclude that at the conscious (key-press) level, mixed-race persons see being mixed-race as Black, but at the unconscious (RT) level, their perception is a perfect balance between Black and White. Findings are discussed in terms of two recent theories of racial identity.

Read or purchase the article here.

On The Cusp of Dual Identities #Dispatch: Afropean

Everywhere All The Time
2014-11-10

Bani Amor

Johny Pitts is a writer, photographer, and broadcast journalist interested in issues of Afro-European identity. He won a Decibel Penguin Prize for a short story included in the ‘The Map of Me’; a Penguin books anthology about mixed-race identity. He recently collaborated with author Caryl Phillips on a photographic essay for the BBC and Arts Council England dealing with London and immigration, and curates the online journal Afropean.com, for which he received the 2013 ENAR foundation (European Network Against Racism) award for a contribution to a racism free Europe. He currently hosts a youth travel show for the BBC and recently finished the first draft of a travel narrative about a five month trip through ‘Black Europe’, due to be released in 2015.

Bani Amor: Tell us about yourself. How would you describe your work and the impetus behind it?

John: Well, I hold American and British passports, I was raised between London and Sheffield, in the UK. My Father is black, my mother is white, and I was born on the cusp of Capricorn and Aquarius, so even my star sign dual! So I identify with W.E.B DuBois’ double consciousness stuff. I feel as though I kind of grew up in that liminal terrain between cultures, races and spaces, and I suppose my work is all about trying to find some kind of coherence in that liminal space. Instead of seeing myself as half-this or mixed-that, I try to solidify the cultural ground I walk on as something whole. And that is where this term ‘Afropean’ comes in.

It is a platform to engage with-and acknowledge the duality of- my influences, whilst bringing them together as something new. I didn’t create the term Afropean, so in a way I’m working off the backs of a Generation X who came of age in the 90’s. People like Neneh Cherry, Zap Mama, Stephen Simmonds, Les Nubians… artists and musicians who brought forth new aesthetics that were a mix of African and European influences. The word was being used, but it hadn’t really entered the popular lexicon, so I snapped up afropean.com and tried to create a community around that. See if there was a way for Afro-Europeans to get a sense of themselves in the same way I feel African Americans did…

Read the entire interview here.

‘One Drop of Love’ star Fanshen Cox DiGiovanni talks race, family and more

The Tampa Bay Times
St. Petersburg, Florida
2014-11-05

Robbyn Mitchell, Times Staff Writer

Fanshen Cox DiGiovanni: “Race is like a religion to us.”

It’s been an interesting year in race relations for America. In just over 10 months, there have been communities violently protesting loss of due process, NBA owners losing their teams over racist remarks and anti-immigration zealots blockading school buses full of brown children because they were presumed to be foreign.

It’s a climate — not of change, as was promised by the election of President Barack Obama, but of an overwhelming dedication to fight change.

“People believe in race so strongly they’re faithful to it. Race is like a religion to us,” said Fanshen Cox DiGiovanni, writer and performer of One Drop of Love, a one-woman multimedia show coming to the Straz Center for the Performing Arts Saturday night.

As a woman with parents who identify themselves as different races — her father is black and her mother is white — Cox DiGiovanni says she has the had the privilege to move between two different spheres of American society and decide for herself how she would be defined.

“The way I identify myself is as a culturally mixed woman searching for racial answers,” she said. “I care about justice and that’s more important than racial identity.”…

Read the entire article here.

BEING a mixed-race black person…

Max News: ‘View from the Bottom’ Magazine of Kevin Maxwell
London, United Kingdom
2014-11-05

Kevin Maxwell

I was talking with a black woman earlier, and we happened to get on to the subject of race – something close to my skin, literally.

She said that a lot of mixed-race people only identified as black, when they had experienced racism. I thought, how true.

Prior to my own challenges against racism within the police, I’m unsure how I described myself. I mean, the Government gave me labels on forms like mixed-race because I have a white mother and black father – but, I was just me.

It was the Metropolitan Police which ironically got me to look closer under my skin, at my race and identity.

I wrote in The Nubian Times for the recent Black History Month that, in my challenges against discrimination within Scotland Yard the Met said I wasn’t black (enough) to be discriminated against.

I was like, this is just stupid.

The first thing people see when they meet me is my black skin, and it’s how I identify anyhow too – which, is what is important…

Read the entire article here.

Seahawks’ Russell Wilson Controversy Shows Dangers of Racial Authenticity Tests

The American Prospect
2014-11-01

Kevin Cokley, Associate Professor of Counseling Psychology; Associate Professor of African and African Diaspora Studies
University of Texas, Austin

The ‘are you black enough?’ question is perilously close to the racist one-drop rule of yore—whether called by blacks or whites.

Whether Seattle Seahawks quarterback Russell Wilson is “black enough” is beside the point. The real issue is why we are still talking about racial authenticity at all.

“My feeling on this—and it’s backed up by several interviews with Seahawks players—is that some of the black players think Wilson isn’t black enough,” Mike Freeman writes at Bleacher Report, reporting on tensions between just-traded teammate Percy Harvin and Wilson, including a locker room reportedly divided into pro/con camps.

“This is an issue that extends outside of football, into African-American society—though it’s gotten better recently,” Freeman writes. “Well-spoken blacks are seen by some other blacks as not completely black. Some of this is at play.”

The “Am I Black Enough?” racial authenticity card is a recurring theme in the lives of black athletes in particular, and black people in general. Concerns about racial authenticity are always present, especially for those who are biracial or somewhat more racially ambiguous as Wilson, with his light skin tone and curly hair, is believed to be…

Read the entire article here.

Interracial Couples, Intimacy, and Therapy: Crossing Racial Borders

Columbia University Press
October 2013
280 pages
6 B&W Photos
Cloth ISBN: 978-0-231-13294-7
Paper ISBN: 978-0-231-13295-4

Kyle D. Killian, Couple and Family Therapist; Associate Professor and Research Associate
Centre for Refugee Studies
York University, Toronto, Ontario, Canada

Grounded in the personal narratives of twenty interracial couples with multiracial children, this volume uniquely explores interracial couples’ encounters with racism and discrimination, partner difference, family identity, and counseling and therapy. It intimately portrays how race, class, and gender shape relationship dynamics and a partner’s sense of belonging. Assessment tools and intervention techniques help professionals and scholars work effectively with multiracial families as they negotiate difference, resist familial and societal disapproval, and strive for increased intimacy. The book concludes with a discussion of interracial couples in cinema and literature, the sensationalization of multiracial relations in mass media, and how to further liberalize partner selection across racial borders.

I have no doubt what colour I am

The Observer
London, United Kingdom
2009-01-17

Matthew Ryder, Barrister (QC)
London, United Kingdom

Let’s get beyond the debate over whether ‘mixed-race’ is synonymous with ‘black’. It is

The question of whether someone who is mixed-race is, in fact, “black” has been the subject of much discussion since Barack Obama began to be taken seriously as a contender for president. For those, like myself, who are mixed-race and had settled into our black identity a long time ago, the debate has been sometimes uncomfortable. While for some it was a moment for personal expression, for others the separation of “mixed race” from “black” is anathema.

It has been a debate that engaged this country more than the US. The proportion of mixed-race citizens, whose numbers famously include the Formula One racing driver Lewis Hamilton, is rising much faster here, and previously straightforward ethnic categories are being questioned by younger generations. With 63% of black Caribbean men born in the UK in mixed relationships, it is a trend that is set to continue.

It’s useful to see how the next US president, a master of racial nuance, handles this issue. Obama celebrates, even jokes about, his own diverse background. The love of his white American family pours from his biography, alongside his deep connection to his Kenyan relatives. But there is no question that the world’s most famous mixed-race man identifies himself as, among other things, a black man. His view, if you have travelled a similar path and reached the same conclusion, is a powerful affirmation…

Read the entire article here.

Growing Up On Burritos and Black-Eyed Peas: An Autoethnography of Multiracial Identity Development

Georgia State University
2014-05-16
210 pages

Marie Castro Bruner

A Dissertation Presented in Partial Fulfillment of Requirements for the Degree of Doctor of Philosophy in Teaching and Learning in the Department of Middle-Secondary Education in the College of Education Georgia State University

The immigration debate is not new to the United States; however, today’s heated discussions include strong anti-Mexican sentiments (Bean & Stone, 2012; Hughey, 2012). As Americans attempt to secure borders in an effort to insure safety and economic security, current legislation includes elements of racial profiling against Mexicans that could extend to those who possess varying levels of Mexican blood since physical characteristics tend to guide racial labeling (Aoki & Johnson, 2009; Bernal, 2002; Fernandez, 2002; Quiñones et al, 2011). As an individual of Mexican and White bloodlines, racial categorization has resulted in internal struggles and social dilemmas for me.

The purpose of this dissertation was to gain understanding of my personal multiracial identity development within various social contexts; this study fulfills the requests of theorists seeking to understand multiracial identity development through self-analysis over a lifetime (Binning et al, 2009; Charmaraman & Grossman, 2010; Cheng & Lee, 2009; Miville et al, 2005). This qualitative dissertation used critical autoethnography as its methodology and theories of multiracial identity (Poston, 1990; Root, 1996; Rockquemore, Brunsma, & Delgado, 2009) and LatCrit (Aoki & Johnson, 2008; Solórzano & Bernal, 2001; Tate, 1997; Valdes, 1997; Villalpando, 2004; Yosso, 2005) while considering the impact of Whiteness Studies (Jay, 2005; Jeffries, 2012; Yeung, Spanierman & Landrum-Brown, 2013), and the cultural process of naming (Boris, 2005). The research questions guiding this dissertation were: How have I internalized and interpreted encounters related to racial identification, and what does being multiracial mean to me?

The presentation of findings included narrative analysis of visual and audio data sets located on a personal website that accompanies this study; online presentation of this study provides an opportunity to explore multiracial identity development in a space that has potential for impacting change due to popularity and accessibility (Bamford, 2005; Lang, 2002; Lange, 2008). Findings revealed complexities and fluidity in multiracial identity development as well as problems of self-identifying as monoracial. The significance of this study is that it will contribute to ongoing discussions of multiracial identity development as well as add to the growing body of literature related to LatCrit Theory, Whiteness Studies, and autoethnographic studies.

Read the entire dissertation here.

Do Mixed-Race (Black/White) People have an Ethical Obligation to Identify as Black?

The Center for the Study of Biracial Children
2014-08-15

Francis Wardle, PhD.

So says Thomas Chatterton Williams, in a March, 2012 article published in the New York Times. This article joins an increasing number of vocal voices published in progressive publications and in books published by academic presses. But why? At a period of time when same-sex marriage is becoming acceptable, and gender identification is greatly expanded, why do intellectuals insist on the very narrow one-drop-rule definition of blacks in America?

This particular article, As Black as We Wish to Be, is by a black man married to a white, blond-haired, blue-eyed French woman. While insisting that his children must be loyal to the black community, he hypocritically argues that “exhortations to stick with one’s own, however well intentioned, won’t be able to change that” (marrying outside of the black race). As my black wife suggests, it seems that some black men who marry white women try to assuage their guilt by insisting their children identify as black.

What are Mr. Williams’ arguments? One, all biracial children “look black”, and therefore should identify as black, 2) America is still not fully equitable, providing social and economic justice to all, 3) people who choose a mixed-race identity are engaged in the “private joys of self-expression” (i.e. are selfish), 4) the one-drop rule that was created to protect the purity and superiority of the white race is not all that bad, 5) identifying as mixed by people who are truly mixed will have a devastating impact on government support for black programs and overall black well-being, especially in our schools, 6) racial self-identification means that racial identity will become a matter of individual will, and 7) identifying as black is required to “honor those who came before us”.

Let me address each of these arguments briefly…

Read the entire article here.