‘One Drop of Love’ Creates Ripple Effect at UCSB

Posted in Articles, Arts, Identity Development/Psychology, Media Archive, Social Science, United States on 2013-05-19 22:36Z by Steven

‘One Drop of Love’ Creates Ripple Effect at UCSB

The Bottom Line
Weekly Newspaper of Associated Students, UC Santa Barbara: News, Features, Video & Investigative Journalism for UCSB
2013-05-13

Yuen Sin, Staff Writer

The personal is very much the political, as actress-playwright Fanshen Cox DiGiovanni illustrated through her solo show “One Drop of Love: A Daughter’s Search for her Father’s Racial Approval.” The show was performed at the University of California, Santa Barbara’s Multicultural Center on May 7.

First formulated as a Master of Fine Arts (MFA) thesis project, “One Drop of Love” began as Cox DiGiovanni’s personal attempt to revive her estranged relationship with her Jamaica-born father, who failed to show up at her wedding years before.

What ensued was a powerful multimedia, one-woman play laced with wit, warmth, and depth that fused her fragmented experiences with racial and cultural dispossession into a coherent narrative. The multidimensional show traversed back into the years of Cox DiGiovanni’s family history to untangle the weight of the socio-political events that have inevitably contributed to a crucial part of her identity and self-perceptions today…

Cox DiGiovanni slipped in and out of multiple roles with dexterity, first imperiously bearing down at the audience as an anonymous U.S. Census Bureau officer, and then staggering affectionately across the stage with a lilting accent as her grandmother, revealing through her impressions the fluid and ultimately arbitrary nature of identity labels.

Her personal trajectory of “placelessness”—not seeing herself as “black” enough to join the Black Students Union, and yet having candy vendors in Cape Verde, West Africa, come up to her (while on a pilgrimage of sorts to trace back her African roots and understand her father’s pan-African attitudes) to ask her why she was so “white”—was interspersed with scenes that traced the evolution of the practice of racial categorization by the U.S. Census Bureau. The contrast brought to the forefront her sense of frustration from continually being racially defined by others, and the puzzling practice of placing someone in the category of “black” as long as they possessed even “one drop” of Negro blood—hence the play’s title.

At the post-show dialogue with UCSB’s professor of sociology G. Reginald Daniel, Cox DiGiovanni reiterated the importance of engaging in “scary conversations about race and racism,” reflecting that her work producing and performing “One Drop of Love” completely transformed the nature of her family relations after their involvement in her show…

Read the entire review here.

Tags: , , , , ,

The Political Psychology of Personal Narrative: The Case of Barack Obama

Posted in Articles, Barack Obama, Identity Development/Psychology, Media Archive, Politics/Public Policy, Social Science, United States on 2013-05-14 21:30Z by Steven

The Political Psychology of Personal Narrative: The Case of Barack Obama

Analyses of Social Issues and Public Policy
Volume 10, Issue 1, December 2010
pages 182–206
DOI: 10.1111/j.1530-2415.2010.01207.x

Phillip L. Hammack, Associate Professor of Psychology
University of California, Santa Cruz

Guided by theories of narrative identity, racial identity development, and Freire’s (1970) notion of conscientização, this paper presents an interpretive analysis of Barack Obama’s personal narrative. Obama’s narrative represents a progressive story of self-discovery in which he seeks to develop a configuration of identity (Erikson, 1959; Schachter, 2004) that reconciles his disparate contexts of development and the inherited legacy of racism and colonialism. A major theme of his story centers on his quest to discover an anchor for his identity in some community of shared practice. Ultimately, he settles on a distinctly cosmopolitan identity in which he can foster conversation across axes of difference both within himself and among diverse communities. I discuss the extent to which election of a candidate with this personal narrative of cosmopolitan identity reflects a shifting master narrative of identity politics within the United States, as well as implications for Obama’s policy platform and governance style.

Read or purchase the article here.

Tags: , ,

White ancestry in perceptions of Black/White biracial individuals: implications for affirmative-action contexts

Posted in Articles, Identity Development/Psychology, Media Archive on 2013-05-12 19:32Z by Steven

White ancestry in perceptions of Black/White biracial individuals: implications for affirmative-action contexts

Journal of Applied Social Psychology
Published online: 2013-05-09
DOI: 10.1111/jasp.12020

Jessica J. Good, Assistant Professor of Psychology
Davidson College, Davidson, North Carolina

Diana T. Sanchez, Associate Professor of Psychology
Rutgers University

George F. Chavez
Department of Psychology
Rutgers University

The present studies examine how White ancestry influences perceivers’ minority categorization of Black/White biracial individuals, as well as the implications of minority categorization for distribution of minority resources and stereotype use. Study 1 suggests that people are less likely to categorize those of Black/White biracial descent as minority and thus are less likely to view them as appropriate recipients of affirmative action than those of Black monoracial or Black/Native American descent. Study 2 tests a model in which Black/White biracial individuals with a greater amount of White ancestry are perceived as experiencing less discrimination and are less likely to be categorized as minority; therefore, they are judged as less appropriate for minority resources.

Read or purchase the article here.

Tags: , , , , , ,

Acclaimed Actress Performs Play on Race, Love

Posted in Articles, Census/Demographics, Identity Development/Psychology, Media Archive, United States, Women on 2013-05-08 19:16Z by Steven

Acclaimed Actress Performs Play on Race, Love

The Daily Nexus
University of California, Santa Barbara’s Independent, Student Run Newspaper
2013-05-08

Carissa Quiambao


William Zhou / Daily Nexus

Award-winning actress and playwright Fanshen Cox DiGiovanni performed her one-woman play, “One Drop of Love: A Daughter’s Search for Her Father’s Racial Approval” at the UCSB Multicultural Center Theater yesterday evening.

DiGiovanni, who has appeared in the Academy Award-winning film “Argo,” is the co-creator and co-host of award-winning weekly podcast Mixed Chicks Chat and a co-founder and co-producer of the Mixed Roots Film & Literary Festival.

Her solo performance, “One Drop of Love,” co-produced by Ben Affleck, Matt Damon and Chay Carter, begins with DiGiovanni counting the number of “whites” and “blacks” in the audience in a portrayal of a United States Census Bureau employee in 1790, then transitions into her present-day narrative meeting her husband and getting married in 2006, only to have her father decline attending her wedding…

…DiGiovanni alternates between scenes of racial categorization by the U.S. Census Bureau in the late 1700s and her personal narrative about growing up as a multiracial youth in cities across the United States and in West and East Africa. Using filmed images, photographs and animation, she explains the development of “race” in the U.S. and how it affected her identity and her relationship with her black, Jamaican father.

Over the course of the play, DiGiovanni explores her family history in order to reconstruct her racial identity and confront her father about his absence at her wedding. She said this process gave her insight into her heritage and ultimately allowed her to feel more comfortable with her personal identity.

“Today, especially having done this and reconnected with my dad, I feel stronger in my black identity as well as in my mixed identity,” DiGiovanni said. “I feel stronger, and I feel so much more relaxed about it. Unfortunately, it took a long time, and it might take you guys a long time, but just know that you will feel comfortable at some point. I think the sooner we can all get there, it will really help in terms of looking at racism.”…

Read the entire article here.

Tags: , , , , , ,

The Rise of Ethnic Pride for Multicultural Americans

Posted in Articles, Census/Demographics, Identity Development/Psychology, Media Archive, United States on 2013-05-07 03:00Z by Steven

The Rise of Ethnic Pride for Multicultural Americans

TheGuyOnSports
2013-04-13

Damien Haynes

In America, race and skin color are some of the most critiqued and analyzed issues within our society. For some people, growing up of mixed race decent can either be a detriment or a blessing. It can separate you from the rest of society or educate you to aspects of society that (for most people of a monoracial background) would go unlearned. People who are of mixed race decent is considered to be the fastest growing populous in the United States with a 32 percent increase as of 2010 on the U.S Census, according a CNN report. Although asking someone “What are you”, or “Where does your family come from,” is not lost in the consciousness of American conversation. The acceptance of persons who are of mixed race decent and those who identify as bi-racial or mixed, is on the rise.

To be of a multiracial background, a person has to be categorized as having the racial makeup of two or more ethnic groups. In a world where checking one box on a job application or census report is all that is offered, some people are caught between choosing one race over the other, not only on paper, but in some cases, all together within society.

The analysis of the United States population shows that multiple race groups such as White and Asian combinations, and White and Black combinations are the highest contribution to the change in the United States Census reporting since 2000…

…According to Andrew Jolivétte, Associate Professor and Chair of the American Indian Studies Department of San Francisco State University, more and more individuals are identifying themselves as multiracial due to an overall sociological acceptance and shift in perception….

Read the entire article here.

Tags: , , , , , , ,

Solo Show at UCSB’s MultiCultural Center Examines Notions of Racial Identity

Posted in Articles, Arts, Autobiography, Census/Demographics, Identity Development/Psychology, Media Archive, Social Science, United States, Women on 2013-05-06 18:06Z by Steven

Solo Show at UCSB’s MultiCultural Center Examines Notions of Racial Identity

Public Affairs & Communications
University of California, Santa Barbara
News Release
2013-05-01

Contact: Andrea Estrada: 805-893-4620; George Foulsham: 805-893-3071

Multimedia performance is produced by Ben Affleck, Matt Damon and Chay Carter

(Santa Barbara, Calif.)—When actress and playwright Fanshen Cox DiGiovanni married the love of her life in 2006, her father did not walk her down the aisle. In fact, he declined to attend the wedding altogether.

Seeking to understand why he chose not to participate, DiGiovanni began a trek through family history—and time and space—that ultimately led to her M.F.A. thesis project: the multimedia one-woman play, “One Drop of Love: A Daughter’s Search for Her Father’s Racial Approval.”

DiGiovanni will perform the hour-long show at UC Santa Barbara’s MultiCultural Center Theater on Tuesday, May 7. The performance begins at 6 p.m. and will be followed by a question-and-answer session with G. Reginald Daniel, professor of sociology at UCSB. Daniels is a leading expert in the field of critical mixed race studies…

…A leading activist on issues related to mixed race, DiGiovanni is an actor, comedian, producer, and educator. She developed “One Drop of Love” as the thesis project for her Master of Fine Arts degree in film, television, and theater from California State University Los Angeles. She will use footage from her performances—the most recent was at the University of Maryland—to produce a documentary film…

Read the entire news release here.

Tags: , , , , ,

One Drop of Love: A Daughter’s Search for Her Father’s Racial Approval (at University of California, Santa Barbara)

Posted in Arts, Identity Development/Psychology, Live Events, Media Archive, Social Science, United States, Women on 2013-05-06 18:05Z by Steven

One Drop of Love: A Daughter’s Search for Her Father’s Racial Approval (at University of California, Santa Barbara)

University of California, Santa Barbara
MultiCultural Center Theater [Directions] [Map]
University Center, Room 1504
Tuesday, 2013-05-07, 18:00-20:00 PDT (Local Time)

Fanshen Cox DiGiovanni, Playwright, Producer, Actress, Educator

Jillian Pagan, Director

Produced by: Ben Affleck, Matt Damon and Chay Carter

Q&A afterwards hosted by:

G. Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

Fanshen Cox DiGiovanni returns to the West Coast after a phenomenally successful performance at the University of Maryland.

Incorporating filmed images, photographs and animation, this one-woman show tells the story of how the notion of ‘race’ came to be in the U.S., and its effects on the narrator’s relationship with her father—a journey that will take audiences from the 1600s to the present, to cities all over the U.S. and to West and East Africa, where both father and daughter spent time in search of their ‘racial’ roots.


Fanshen Cox DiGiovanni. ©2103, Evan Tamayo

Fanshen Cox DiGiovanni is a leading activist concerning mixed race, and is an actor, comedian, producer and educator. One Drop of Love is her MFA thesis, and she will be using footage from her performances to make a documentary.


Fanshen and her father after University of Maryland performance. (2013-03-29). ©2013, Marvin T. Jones

Ms. Cox DiGiovanni appeared in the 2013 Academy Award and Golden Globe winning film Argo (2012); co-created, co-produced and co-hosted the award-winning weekly podcast Mixed Chicks Chat (2007-2012); and co-founded and produced the annual Mixed Roots Film & Literary Festival® (2008-20012). For more on Ms. Cox DiGiovanni and One Drop of Love, visit: http://www.onedropoflove.org.

G. Reginald Daniel is a professor of sociology at the University of California at Santa Barbara and a leading expert in field of critical mixed race studies. He received the 2012 Loving Prize from the Mixed Roots Film and Literary Festival in Los Angeles for his lifelong work as a scholar and participant within the multiracial community. He is the author of More Than Black? Multiracial Identity and the New Racial Order (Temple University Press, 2001) and Race and Multiraciality in Brazil and the United States: Converging Paths? (Pennsylvania State University Press, 2006). He is also the author of over 40 chapters and articles dealing with the topic of multiraciality. His latest book is Machado de Assis: Multiracial Identity and the Brazilian Novelist (Pennsylvania State University Press, 2012).


Fanshen and her parents after University of Maryland performance (2013-03-29). ©2013, Michael J. Hardy

Admission is free.

For more information, click here.

Tags: , ,

FILM: Mixed-Race People Tell Their Stories in ‘Hafu’

Posted in Articles, Asian Diaspora, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, United States on 2013-05-05 00:14Z by Steven

FILM: Mixed-Race People Tell Their Stories in ‘Hafu’

The Rafu Shimpo: Los Angeles Japanese Daily News
2013-05-03

J.K. Yamamoto, Rafu Staff Writer

Hafu,” a new documentary about mixed-race people in Japan, will be screened Wednesday, May 8, at 7:30 p.m. at the Japanese American National Museum, First and Central in Little Tokyo, as part of the 29th L.A. Asian Pacific Film Fest.

Directed by Lara Perez Takagi and Megumi Nishikura, the film had its Los Angeles premiere on April 5 at JANM during the Hapa Japan Conference. The Bay Area premiere was on April 7 at UC Berkeley.

The title, the Japanese pronunciation of “half,” is the most common term in Japan for people who are half Japanese. It is similar to the Hawaiian word “hapa,” which originally meant someone half Native Hawaiian and half Caucasian.

The film focuses on five stories that reflect the diversity of the Hafu experience:…

…At the L.A. premiere, Koji Sakai of JANM noted the connections between “Hafu” and the museum’s ongoing exhibition “Visible & Invisible: A Hapa Japanese American History”: “In a lot of ways the community, or people in general, think of Hapa as a new phenomenon, but in reality Hapas have been there from the very beginning in our community, and it’s time we acknowledge and support that.”

Duncan Ryuken Williams, co-director of the USC Center for Japanese Religions and Cultures, convener of Hapa Japan 2013, and co-curator of “Visible & Invisible,” had high praise for “Hafu”: “It’s a really thoughtful and inspirational film … The film directors did a great job of picking these five individuals. I think you’ll agree they represent the spectrum, the range of possible people in this Hafu experience … I’ve followed the making of this film and I know it’s a major labor of love for the two film directors. They put a lot into making this happen with the help of dozens of people who volunteered their time, most of whom were Hafu individuals.”…

Read the entire article here.

Tags: , , , , , , , , ,

Excursus on “Hapa”; or the Fate of Identity

Posted in Articles, Asian Diaspora, Identity Development/Psychology, Media Archive, Social Science, United States on 2013-05-02 03:25Z by Steven

Excursus on “Hapa”; or the Fate of Identity

Asian American Literature: Discourses & Pedagogies
Volume 3 (2012): Special Issue: Mixed Heritage Asian American Literature
11 pages

Nicole Myoshi Rabin
University of Hawai‘i, Manoa

When I was growing up the license plate on my mom’s Dodge minivan read: R3HAPAS. My mom explained to my sister, brother, and me that a Hapa was someone like us—part Asian. And, when I was a kid it made me feel special, gave me a sense of pride-in-difference, to be named in that way because in the predominately Jewish part of Los Angeles where I grew up, we were the only three Hapas I knew. In that community, it also offered me a shelter, something “identifiable” and nameable, to combat the questions about my identity. More than twenty years later, from the vantage point of a self-conscious multiracial individual and student of literature and cultural studies at the University of Hawai’i, I have come to separate myself from that license plate. Thinking back to the text of the plate, I see now that the letters—the possessive “R”—were more about my parents than they were about my siblings or me. For my parents, an interracial couple whose own parents refused to attend their wedding, Hapa was a term of empowerment, pride, creation—it embodied their (our) family. For my mother, it also symbolized a link to her memories of summers in Hawai’i. And while my brother and sister still identify as Hapa, and my family and friends identify me that way, I see that hunk of metal on my mother’s car not as my own, but as naming an identity I took on in the past, as her identity for me.

This story of the license plate summarizes some of the contradictions and tensions of the term Hapa. For many people, including my family members and me when I was younger, Hapa is, as Wei Ming Dariotis claims, “a word of power.” It gives individuals a term for a mixed race identity and access to a community of others who claim the same. But Hapa is also a term fraught with contradictions. It is a term that in some ways depends on and produces the very notions it hopes to subvert. It is this space of contradiction that I want to explore through this article. This examination of the term Hapa is crucial at this particular moment in Asian American Literature because there has been a recent rise in the number of conferences, panels, autobiographies, theoretical texts, and various other projects dealing with mixed heritage Asian Americans. May-lee Chai’s Hapa Girl: A Memoir (2007), Kip Fulbeck’s Part Asian 100% Hapa (2006), Theresa Williams-Leon and Cynthia L. Nakashima’s The Sum of Our Parts (2001), and Rudy P. Guevarra, Jr.’s Dissertation Mexipino: A History of Multiethnic Identity and the Formations of the Mexican and Filipino Communities of San Diego, 1900-1965 (2007) [now a published book] are just a few examples of the literary/cultural productions concentrated on mixed heritage Asian Americans. There have been panels focused on mixed heritage Asian Americans at the Critical Ethnic Studies Association, Asian American Association, and American Studies Association over the past few years. And, in Spring 2012 the Transnational Mixed Asians in Between Spaces (TMABS) hosted a symposium at the University of California, Berkeley. These examples demonstrate the growing interest in the Asian American community with issues of mixed heritage. As this concern continues to manifest within our culture, especially within our literature, examinations of terms like Hapa that are used to identify mixed heritage Asian Americans becomes increasingly important…

…Not only is the (self-) recognition of Hapa, as an identity, a means of reproducing the hegemony of monoraces through language; but it also works to reproduce racial hierarchy and stabilize and limit notions of racial identity. In her discussion on the legalization of gay marriage, Judith Butler makes an interesting point about recognition. She concludes that in the matter of recognition, there exists a sort of dilemma. On the one hand, to be outside the realm of recognition is to be disenfranchised in various ways. On the other hand, to become recognized can “lead to new and invidious forms of social hierarchy,” foreclosures, and support for the extension of state power (115). Although Butler is making her point about the foreclosure of the sexual field, the definition of the family and kinship, etc., her notion of the dilemma of recognition holds lessons for multiracial activists, scholars, and other individuals in a similar pursuit. In many ways, Hapa offers recognition (perhaps not state sanctioned) that works against a sense of disenfranchisement as a marginal racial identity in a society where racial identity has come to be one of the major ways in which we are identified and participate in public life. But some scholars, like Rainier Spencer in Reproducing Race, argue that some multiracial individuals, like Hapas, in their move for (self-) recognition are moving towards a position of “honorary whiteness” (108), leading to a “new form” of social hierarchy. In this argument (a version of hybrid vigor), the identification as Hapa works to separate the multiracial individual from his/her constituent “parts” and elevate him/her to a place above the lower-caste monoracial group. Although Spencer’s term, “honorary whiteness” suggests the presumption that Hapa refers to individuals of a white-Asian racial mixture who “elevate” above the monoracial category of Asian, his argument can be extended to non-white/Asian mixes as well. Spencer suggests that taking on a multiracial identity in some ways allows an individual to separate/elevate himself/herself from the racial group that he/she considers of lower privilege—whether that is Black, Hispanic, Asian, or Native American—as he/she moves toward whiteness, which remains positioned at the top. In this way, the term “honorary whiteness” in relation to Hapas can encompass other variations of mixedness beyond the Asian/white dialectic. And, although Spencer argues that the racial hierarchy is firmly rooted with African Americans on the bottom, I would add that the hierarchy might actually shift in specific contexts for particular individuals. In any case, whether or not “racial” elevation is the intention of the Hapa-identifying-individual, it is a concern that should be recognized and understood so that the multiracial individual can avoid becoming complicit in a racial hierarchy that continues to privilege whiteness…

…Finally, Hapa can work to uphold notions of race and racial essentialism. Multiracial scholars, as well as other race theorists, have long argued about the social construction of race and racial identity. In many Mixed Race Studies contexts, multiracial individuals are said to depict the instability of race and racial categories because of their inability, or determination not, to fit into the monoracial categories. By creating Hapaness as an oppositional category/identity, demanding to be recognized as such, or claiming membership to such a group, Hapas are in some ways (re)stabilizing racial identity in an alternate form. Spencer argues against “the [multiracial] movement’s loud proclamations inveighing against biological race while simultaneously and quite explicitly advocating for federal recognition of a new biological racial identity” (102). He goes on to argue that the construction of a multiracial community/identity “creates new racial subjects while conforming to the preexisting U.S. racial order” (239). While not all Hapa, or other multiracial, groups are advocating for state recognition, Spencer makes an interesting point about the reliance on a biological definition of race and the dependence upon the current racial schema. Even as we consciously recognize race as a socio-historic construction, the definition of Hapa as someone of part Asian descent implies its reliance upon a certain form of biological race, or ethnicity, and its adherence to the current racial order (in this case its dependence on the racial category of Asian/Pacific Islander)…

Read the entire article here.

Tags: , , ,

Am I Enough? A Multi-Race Teacher’s Experience In-Between Contested Race, Gender, Class, and Power

Posted in Articles, Asian Diaspora, Autobiography, Identity Development/Psychology, Media Archive, Social Science, United States on 2013-05-02 02:01Z by Steven

Am I Enough? A Multi-Race Teacher’s Experience In-Between Contested Race, Gender, Class, and Power

Journal of Curriculum Theorizing
Volume 28, Number 3, 2012
pages 128-141

Sonia Janis, Lecturer of Social Studies Education
University of Georgia

AM NOT WHITE. I am not Black. I am mixed. I am one half Polish, one quarter Russian, and one-quarter Japanese. I was born, raised, and educated in public schools in the suburbs of Chicago, and then abruptly transitioned to public schools located in north Alabama when I was an adolescent. My inquiry explores my mixed race experience of childhood, adolescence, college years, teaching and administration positions, pursuing curriculum studies, and working as a pre-service teacher educator in a predominantly White institution. My inquiry explores the spaces in-between race and place from my perspective as an educator who is multiracial and/or hapa according to the latest race-based verbiage. I search for language to portray the experience of people of mixed race such as myself and come across a long list of such words as: Afroasian, Ainoko, Ameriasian, biracial, Eurasian, Haafu, half-breed, hapa haole or hapa, griffe, melange, mestizo(a), miscegenation, mixie, mono-racial, mulatto(a), multiracial, octoroon, quadroon, spurious issue, trans-racial, and zebra (Broyard, 2007; Murphy-Shigematsu, 2001; Root, 1996a; Spencer, 1999). I find that most of these words, whether they are verbs, nouns, or adjectives, have negative connotations. I use “multiracial,” “biracial,” and “mixed race” interchangeably throughout my writing.

As I reflect on my experience as a seventh grade student, a public school administrator, and now as a pre-service teacher educator in a predominantly White institution, I explore my rememory (Morrison, 1990) of lives in two distinct regions of the United States: the Midwest and the South. Many of the stories take place in the South, a culturally distinct part of the United States with a unique history of race. This history revolves almost exclusively around the interactions between people described by the simplified racial duality of White and Black. Though other races are recognized in the South, the United States, and the rest of the world, the emphasis on the duality of Black and White relations remains poignantly more significant in the Southeastern region of the United States. These Black and White, inevitably racist, relations are still engulfed in the everyday experience of people living in the South resulting in an unexplainable and immeasurable divide. I feel abandoned in a wedge-shaped space in-between Black and White race. As I cross this divide in my social and political surroundings, I find myself back, forth, and in-between this divide, entrenched in a duality that excludes me on a daily, if not hourly, basis, sometimes by force, and other times by choice. Perpetually tying racial tensions exclusively to Black and White races is only one of the ways malpracticed multicultural education, especially in the South, has exploited a liberating theory of multiculturalism. My experiences challenging this divide, personifies how multiculturalism remains marginalized in a confining Black and White duality of the social construction of race. I constantly imagine the spaces beyond Black and White (Seller & Weis, 1997).

Into which category does my experience fit? Does my experience have a category? Is my experience in many different categories? Or is my experience in-between categories? If my experience is in-between, what categories is it in-between? One’s space in-between can be explored by, from, and through the voices of others who experience contradictory spaces regarding race, gender, sexuality, power, ethnicity, and class (e.g., Anzaldua & Keating, 2002; He, 2003, 2010). Recognizing the fluidity of lived experiences, He (2003) unfolded an inquiry into cross-cultural lives of three women living in-between two continents that tried to “make sense of ‘in-betweenness’” (p. 2). He’s (2010) exploration into in-betweenness continues as she delves into her experience as an academic with cultural, geographical, linguistic, and historical awakening in-between exiled spaces. My inquiry explores my experience in a contested space, in-between race and place, as a multiracial female residing in-between the Midwest and the South. Acknowledging lived experience in-between race and place, I hope that other educators are challenged to explore their own undefined experiences along with those of their students…

…As a multiracial educator, who is a proponent of the ideas and theories supporting multiculturalism, I feel anguished to know that I have not encountered any school that facilitates a multicultural space with an understanding of the liberating goal—cultural emancipation—as the driving force. This idealistic, but unmarked, goal of cultural emancipation is one route to problematize the social construction of race, along with its oppressive counterpart—racism. Rather than believing cultural emancipation is a possibility, my experiences reveal that schools view multicultural education as one more thing on their compliance list that they need to demonstrate evidence of completing by the end of each routine school year. Celebrating cultural signifiers, such as food, clothing, customs, and festivals, is a widely utilized practice for fulfilling this requirement (Loutzenheiser, 2003). Is accomplishing the original reasoning, “educational equity for all,” behind adding “multicultural education” to schools’ lists of compliance even considered? I imagine it is added because a stakeholder with financial and/or political power expects multiculturalism to appear on the “highly effective list” without any rationale, just as a mandate. My inquiry is intended to challenge the shallow multicultural practices by revealing how misconceptions of race and culture have disguised themselves as cultural understanding and competence. These embedded and proliferating misunderstandings influence the daily experiences of young people from all cultural backgrounds to their detriment, and ultimately to our society’s damage…

…I encountered a challenge to my beliefs about multi-race studies when I began to read Rainier Spencer’s (1999) ideas. He is boldly critical of multi-race theory, which pushed me to think critically about my own understandings of multiracialism. In his book, Spurious Issues: Race and Multiracial Identity Politics in the United States, Spencer (1999) starts: “‘You’re not worried about me marrying your daughter,’ James Baldwin told a White southerner during a television debate. ‘You’re worried about me marrying your wife’s daughter. I’ve been marrying your daughter even since the days of slavery’” (p. 1). This quote re-ignites the reality of White superiority directly into one of society’s most personal, yet significantly political, spaces: marriage. Spencer does not hesitate to be confrontational about how historically oppressive and unreliable notions of multiracialism are, if we are ever to become a society without racism. He discusses how multiracial and antiracial ideologies could disrupt the U.S. racial ordering of society by asking “how can mixed-race or multiracial persons place themselves with consistency and meaning within that system?” (p. 5). The pain and frustration associated with multi-racialism remains as long as the myth of race remains. Spencer believes it is well past time to begin problematizing race categories altogether. He believes we must move away from classifications of people and promotes the ideology that we are all members of the human race…

Read the entire article here.

Tags: , ,