Mixed Race Studies

A Curious Confluence: Where Racism & Privilege Collide

(1)ne Drop Project
2012-12-20

Rema Tavares, Founder
Mixed In Canada

Rema Tavares

When two sources of water come together to form one body, it is called a confluence.  This is a place where two distinct sources of water crash and tumble over each other, churning and frothing. Here, a new river is born that cuts through the terrain as a single system. Some of these amalgamated rivers are rough and rocky, others are smooth and calm; however most consist of intermittent turbulence and serenity until they meet their final destination: a lake or an ocean. This concept stems from an analogy shared with me by a great friend and colleague, one with whom I often discuss my Mixed-race identified experience. So how does this relate to racism and privilege? And how does this fit into my story? Arguably a more pressing question for the reader: Who am “I”?

Born in the 80’s, I am the daughter of a Jamaican-Canadian immigrant father of African & Sephardic heritage and a European-Canadian mother of Irish & Italian descent. I grew up in a village of approximately 1000 people in rural Canada. This country was colonized by Europeans, not unlike the U.S., and the legacy of colonialism can still be felt by people of colour (and infinitely more so by Canada’s Aboriginal population). With respect to the African Diaspora however, Canada is often stereotyped as “the good guy” and the haven beneath the North Star. I am proud of that aspect of Canadian history; however this is by far not the whole story…

…Choice—especially around identity—is a fascinating subject in and of itself. How we choose to identify is intensely personal for many, and perhaps particularly perplexing for some Mixed-race identified people, as it inherently calls into question our notions of “race”. Having said that, I can only speak for myself, and I have chosen to identify as Black-Mixed. Although how I have identified in the past has evolved, and will most like continue to do so into the future, I have always held my Blackness as the centre of gravity – the place from which all my many other identities flow…

Read the entire article here.

What’s in a name? Exploring the employment of  ‘mixed race’ as an identification

Ethnicities
Volume 2, Number 4 (December 2002)
pages 469-490
DOI: 10.1177/14687968020020040201

Minelle Mahtani, Professor of Geography and Journalism
University of Toronto

In the last 20 years, we have witnessed an explosion in scholarship and popular media accounts about the experience of ‘mixed race’ identity. Despite the increasing numbers of people who now identify as ‘mixed race’, relatively little research has been conducted on how ‘mixed race’ individuals consider this particular label of identity. Through qualitative, open-ended interviews with self-identified women of ‘mixed race’ living in Toronto, this article interrogates attachments to the identification of `mixed race’. The article begins by examining the popular discourse surrounding `mixed race’ identity, suggesting that the public imaginary positions the ‘mixed race’ woman as ‘out of place’ in the social landscape. It then explores how many women create cartographies of belonging by identifying as `mixed race’, reading the label as a `linguistic home’. It can provide a way to identify outside of constraining racialized categories of identity. The article also points out that many of the same women in this study effectively challenge, contest and discard the identification, dependent on a myriad of factors.

Read or purchase the article here.

A Missing Question Mark: The Unknown Henry Ossawa Tanner

Nineteenth-Century Art Worldwide: a journal of nineteenth-century visual culture
Volume 8, Issue 2 (Autumn 2009)

Will South, Chief Curator
Dayton Art Institute

Henry Ossawa Tanner in 1907

Henry Ossawa Tanner, The Banjo Lesson, 1893. Oil on canvas, 49″ × 35½”. Hampton University Museum.

This article examines Henry Ossawa Tanner’s complex sense of his own racial identity. Tanner’s conflict was born of the fact that in his personal adult life he walked a fragile line between his whiteness and his blackness; in France, he systematically worked to remove race from the equation of his life. The author also identifies for the first time the source of his best-known painting, The Banjo Lesson.

Race remains at the heart of Henry Ossawa Tanner studies. Though he would have wished it not to be so, the issue of Tanner’s African American identity defined him in the late nineteenth century and continues to be the criterion by which twenty-first-century audiences appraise his legacy. Tanner struggled and sacrificed to become a recognized and accomplished painter of spiritual narratives, while we would have him also be a reluctant hero—the artist who against all odds overcame social barriers to shine at the Paris Salons, see his work purchased by the Musée du Luxembourg, and be compared critically with James McNeill Whistler. Tanner’s path to artistic success was indeed marked by instances of insult and injustice, and his career ascendancy was a remarkable feat. He lived his life, however, one that was driven by a commitment to the creation of art, in conflict with the hopeful expectations of many of his contemporaries. Tanner’s conflict, one of enormous pain and complexity, was born of the fact that in his personal adult life he walked a fragile line between his whiteness and his blackness; in France, he systematically worked to remove race from the equation of his life.

In 1914 the poet and art critic Eunice Tietjens wrote an article provisionally titled “H. O. Tanner” that she had hoped to publish in the International Studio.[1] She sent Tanner a draft of the article along with a letter, which read in part:

If there is anything in the article that you don’t like or don’t think is true I’m afraid you’ll have to expostulate to the editor, if he accepts it [the article]. The “if” seems large to me tonight, but then I’m tired . . .

Do write to me what you think of it. Here’s luck to us![2]

Tanner, in his rely to that letter, stated that the one problem he had with her article was contained in its last paragraph which reads:

In his personal life Mr. Tanner has had many things to contend with. Ill-health, poverty and race prejudice, always strong against a negro, have made the way hard for him. But he has come unspoiled alike through these early struggles and through his later successes. Simple and sincere like his canvases he has quietly followed his own instinct for beauty and has already given to the world many unforgettable paintings, while there are yet many years of work before him.[3]

Tanner’s objection was to the inference that he is a Negro. In the most comprehensive study done to date on the artist, the 1991 Philadelphia Museum of Art catalogue accompanying the exhibition of the same name, Henry Ossawa Tanner, Dewey Mosby characterizes Tanner’s response to Tietjens’s article as being revelatory of “the complicated nature of Tanner’s own thinking about race.”[4] Tanner’s reply begins:

May 25—1914
Dear Mrs. Tietjens—

Your good note & very appreciative article to hand I have read it & except it is more than I deserve, it is exceptionally good. What you say, is what I am trying to do, and in a smaller way am doing it (I hope).

The only thing I take exception to is the inference in your last paragraph—& while I know it is the dictum in the States, it is not any more true for that reason—

You say “in his personal life, Mr. T. has had many things to contend with. Ill-health, poverty, and race prejudice, always strong against a negro”—Now am I a Negro? Does not the 3/4 of English blood in my veins, which when it flowed in “pure” Anglo-Saxon men & which has done in the past, effective & distinguished work in the U.S.—does this not count for anything? Does the 1/4 or 1/8 of “pure” Negro blood in my veins count for all? I believe it (the Negro blood) counts & counts to my advantage—though it has caused me at times a life of great humiliations & sorrow—unlimited “kicks” & “cuffs” but that it is the source of all my talents (if I have any) I do not believe, any more than I believe it all comes from my English ancestors.

I suppose according to the distorted way things are seen in the States my curly blond curly-headed little boy would be a “negro.”[5]

Tanner’s statement “I believe it (the Negro blood) counts & counts to my advantage” has been interpreted as “clear confirmation of his [Tanner’s] pride in his own roots.”[6] When this letter was cited in the Philadelphia catalogue, however, the transcription contained a significant mistake. Instead of a period—”Now am I a Negro.”—Tanner actually placed a question mark at the end of that sentence: “Now am I a Negro?” This one mark completely changes the meaning of Tanner’s reply. Whereas he did not discount his African American blood, he emphasized that he is more white than black: three-quarters white, perhaps as little as one-eighth “pure” Negro. Furthermore, according to Tanner, neither his whiteness nor his blackness accounted for his talent.

The phrase “Now am I a Negro?” is profound evidence that Tanner understood himself to be, by virtue of genealogy and self-definition and not according to the “distorted way things are seen in the States,” not black. It was, he had come to conclude, a matter open to discussion. Yes, his African American blood counted, but again in his words, did the three-quarters of his English blood “not count for anything?”…

Read the entire article here.

“Multiracial” Today, but “What” Tomorrow? The Malleability of Racial Identification Over Time

Paper presented at the Population Association of America 2005 Annual Meeting
2005-03-31 through 2005-04-02
Philladelphia, Pennsylvania
27 pages

Jamie Mihoko Doyle
Department of Biostatistics and Epidemiology
University of Pennsylvania

Grace Kao, Professor of Sociology, Education, and Asian American Studies
University of Pennsylvania

We use the National Longitudinal Study of Adolescent Health (Add Health) to examine the change in racial identification among Multiracial Adolescents and Monoracial Adolescents as they make the transition from adolescence to adulthood. In general, we find that Multiracial youth exhibit more volatile racial identities than Monoracial youth. Youth who reported Native-American & White in Wave I were the least likely to maintain this identity (22%), while about 50% of Asian-white and black-white youth maintained their identities. In empirical analyses, we find that youth with more highly educated mothers have more stable racial identities between two waves of the survey. Physical appearance, as described by the interviewer at Wave I, is an important predictor of change between Wave I and Wave III responses. Our results suggest that while racial identity is malleable, it is still conditioned on variation in physical appearances.

Read the entire paper here.

Reproducing Race: The Paradox of Generation Mix

Lynne Rienner Publishers
October 2010
325 Pages
Hardcover ISBN: 978-1-58826-751-1
Paperback ISBN: 978-1-58826-776-4

Rainier Spencer, Director and Professor of Afro-American Studies; Professor of Interdisciplinary Studies
University of Nevada, Las Vegas

Is postraciality just around the corner? How realistic are the often-heard pronouncements that mixed-race identity is leading the United States to its postracial future? In his provocative analysis, Rainier Spencer illuminates the assumptions that multiracial ideology in fact shares with concepts of both white supremacy and antiblackness.

Spencer links the mulatto past with the mulatto present in order to plumb the contours of the nation’s mulatto future. He argues cogently, and forcefully, that the deconstruction of race promised by the American Multiracial Identity Movement will remain an illusion of wishful thinking unless we truly address the racist baggage that serves tenaciously to conserve the present racial order.

Table of Contents

• Introduction
• THE MULATTO PAST
  • The Mixed-Race Background
  • Of Tragic Mulattoes and Marginal Men
  • Mulatto Writers on Marginality
  • Imitations of Life
  • Rejecting a Shared Past
• THE MULATTO PRESENT
  • Postraciality, Multiraciality, and Antiblackness
  • Resurrecting Old Myths of Mulatto Marginality
  • The False Promise of Racial Bridging
  • Assessing the New Millennium Marginal Man
• THE MULATTO FUTURE
  • Whither Multiracial Militancy? Conserving the Racial Order
  • Mulatto (and White) Writers on Deconstructing Race
  • Beyond Generation Mix

A Rising Voice: Afro-Latin Americans

Miami Herald
2007-06-10 through 2007-06-24

In this series, the black experience is unveiled through a journey: to Nicaragua, where a quiet but powerful civil and cultural rights movement flickers while in neighboring Honduras, the black Garffuna community fights for cultural survival; to the Dominican Republic where African lineage is not always embraced; to Brazil, home to the world’s second largest population of African descent; to Cuba, where a revolution that promised equality has failed on its commitment to erase racism; and to Colombia, where the first black general serves as an example of Afro-Latin American achievements.

Part 1: Nicaragua and Honduras: Afro-Latin Americans: A rising voice
Audra D.S. Burch
A close-up look at a simmering civil rights movement in a tiny port settlement along Nicaragua’s Atlantic Coast.

…To appreciate the story of race here, is to understand the kaleidoscopic legacy of slavery, the historic demonization and denial of blackness and the practice of racial mixing.

This portrait is complicated by the lack of reliable census data because of traditional undercounting and because some blacks decline to identify themselves as such.

The dynamic along the coast is a layered quilt of Miskitos, mestizos and blacks. The ancestors of other Afro-Nicaraguans were free blacks who immigrated from Jamaica and other Caribbbean countries, lured by the good, steady jobs available for English speakers.

Stories abound about people who have hidden behind ambiguously brown complexions, “passing” for Miskito Indians, or mestizo.

“It’s hard to mobilize when you are still recouping the identity and just starting to openly use the term black,” says [Juliet] Hooker, the University of Texas professor whose father was a regional councilman…

Part 2: Dominican Republic: Black denial
Frances Robles
An examination on the sensitive nature of racial definition in a nation with inextricable ties to Africa.

SANTO DOMINGO—Yara Matos sat still while long, shiny locks from China were fastened, bit by bit, to her coarse hair.

Not that Matos has anything against her natural curls, even though Dominicans call that pelo malo—bad hair.

But a professional Dominican woman just should not have bad hair, she said. “If you’re working in a bank, you don’t want some barrio-looking hair. Straight hair looks elegant,” the bank teller said. “It’s not that as a person of color I want to look white.   I want to look pretty.”

And to many in the Dominican Republic, to look pretty is to look less black.

Dominican hairdressers are internationally known for the best hair-straightening techniques. Store shelves are lined with rows of skin whiteners, hair relaxers and extensions.

Racial identification here is thorny and complex, defined not so much by skin color but by the texture of your hair, the width of your nose and even the depth of your pocket.  The richer, the “whiter.” And, experts say, it is fueled by a rejection of anything black…

Part 3: Brazil: A Great Divide
Jack Chang
Black Brazilians speak out and push for affirmative action laws in the hemisphere’s most Africanized nation.

…And Brazilians are finally discussing race after decades of telling themselves and the rest of the world that the country was free from racism, said Sen. Paulo Paim, author of one of the pending affirmative-action bills.

“The Brazilian elite says this is not a racist country, but if you look at whatever social indicator, you’ll see exclusion is endemic,” he said. “We want to open up to more Brazilians the legitimate spaces they deserve…

…”I have never seen any evidence that suggests anything other than there’s widespread racism in Brazil,” said UCLA sociology professor Edward Telles, who studies race in Brazil…

…Black leaders also blame what they describe as decades of self-censorship about race spurred by the “racial democracy” vision of their country, which long defined Brazilian self-identity.

Preached in the early 20th century by sociologist Gilberto Freyre, the vision depicted a Brazil that was freeing itself of racism and even of the concept of race through pervasive mixing of the races…

Part 4: Cuba: A barrier for Cuba’s blacks
Miami Herald Staff Report
Economic and political apartheid are alive in Cuba, despite a revolution launched in 1959 that promised equality.

..DISPARITY IN NUMBERS

Cuba’s official statistics offer little help on the race issue. The 2002 census, which asked Cubans whether they were white, black or mestizo/mulatto, showed 11 percent of the island’s 11.2 million people described themselves as black. The real figure is more like 62 percent, according to the Institute for Cuban and Cuban-American Studies at the University of Miami.

And the published Census figures provide no way at all to compare blacks and whites in categories like salary or educational levels. Ramón Colás, who left Cuba in 2001 and now runs an Afro-Cuba race-relations project in Mississippi, said he once carried out his own telling survey: Five out of every 100 private vehicles he counted in Havana were driven by a Cuban of color.

The disparity between the census’ 11 percent and UM’s 62 percent also reflects the complicated racial categories in a country where if you look white you are considered white, no matter the genes.

“You know, there are seven different types of blacks in Cuba,” said Denny, who now works as a waiter but dreams of a hip-hop career. From darkest to lightest, they are: negro azul, prieto, moreno, mulato, trigueño, jabao and blanconaso…

Part 5: Achievers: Racism takes many hues
Leonard Pitts, Jr.
An overview on the achievement of black leaders in the region. And a personal essay by Miami Herald columnist Leonard Pitts Jr.

…Which brings us back to that earnestly debated question: Who is black?

A COMPLEX MATTER

The question is more complex than an American might believe. In Brazil, a nation of indigenous peoples and descendants of African slaves, European colonists and immigrants, a dark-skinned man who might automatically be called black elsewhere has a racial vocabulary that allows him to skirt the Africa in his heritage altogether. He can call himself moreno (racially mixed), mestizo (colored) or pardo (medium brown). Anything but “afrodescendente” (Africa-descended) or negro (black)…

..Brazil likes to think of itself as a racial democracy, says Miriam Leitao, but that’s a delusion. She has, she says, been making that argument for 10 years and has become one of the nation’s most controversial journalists in the process.

When she writes about racism in Brazil, people tell her she’s crazy. “I don’t know how to explain the thing that, for me, is so obvious,” she says

Multimedia

Read the entire series here.

Don Lemon: It only takes one drop

Cable News Network (CNN)
In America: You define America. What defines you?
2012-01-15

Don Lemon, Anchor
CNN Newsroom

This piece is part of a three-part series tied to the (1)ne Drop Project.

(CNN) – For years, the woman on the left in the photograph below could not be friendly to her own husband in public. She would pretend she didn’t know him or tell people he was her driver. She didn’t want him to be beaten in public as he had many times before.

She learned that particular survival technique from the woman in the photograph on the right, her mother and my grandmother, who had to use it from the 1930s until my grandfather died in the 1960s. Both women were often mistaken for white. And for whatever privileges my aunt and grandmother might have received for their light skin, their husbands paid for it by beatings or threats from white men. One handed-down family story that sticks with me is how my uncle was lucky to have survived a savage throttling in the 1950s after exiting a ferry crossing the Mississippi River from Baton Rouge to Port Allen. Apparently, he and my aunt had let down their guard. They never did it again.

Heck, as a child, I wasn’t even sure about my grandmother or my aunt. “Is Aunt-ee Lacy white?” I’d ask. “Lacy’s black,” an adult would say. Of course the reply was followed by a big laugh and a phrase I’d never forget: “It only takes one drop.” Meaning it only takes one drop of “Negro” blood to make you black…

Read the entire article here and watch a interview with (1)ne Drop Project author Dr. Yaba Blay here.

Passing as Black? Some Initial Thoughts…

brianbantum: theology, culture, teaching and life in-between
2010-12-17

Brian Bantum, Assistant Professor of Theology
Seattle Pacific University

Thomas Chatterton Williams has written an intriguing article highlighting recent trends of multiracial children “passing as black.” If I let myself go I will write a short book on this before I finish, so I will refrain and simply offer a few thoughts and questions and invite your comments and thoughts as well.

Mongrel and biracial are not the same thing…. First, I think Williams is concerned that blackness is often construed so narrowly it creates a necessity to “pass.” He wants to point to biracial as more naturally a category within black existence and thus free biracial people to live into being black while also expanding what it means to be black.

I am deeply sympathetic to this project, but I wonder if it doesn’t collapse racial modalities of an earlier American era with our contemporary reality. That is, the biracial child of slavery was a child of rape or illicit love, but in either case their birth could be monetarily quantified. They were still a slave…

…The reason for this brief historical context is to highlight an important difference in the experience of biracial people today. Many of us remain with our parents or live in households where racial difference exists together. While Williams wants to expand the tent of blackness, I worry this expansion simplifies a reality that can only be repeatedly and necessarily complicated. That is, part of the tension felt by biracial people today is the remaining structure of racial certainty that presses upon us. And yet,  radically near or domestic realities render such formulations of certainty, and their cultural practices, unstable at best.

To simply say everyone is black is to ignore the important tensions that exist inside of households and yet are so often resisted or separated in a biracial person’s daily life. This is very different from a genealogical claim that “we all have mixture.” Of course, there are no “pure” people, but that is hardly evident from the structural and cultural realities of our daily life (as Williams himself suggests in his important book Losing My Cool.)…

…First, while the idea of passing as black is a fascinating trend, mixed marriages of black and (anything) remain the lowest of all mixed marriages in the United States and marriages of black women to anyone else remain the lowest of all mixed marriages. There is something going on here. While many who pass as black are definitely embracing something of themselves and seeking to live into a difference that is both perceived and real, there remain real problems of representation, standards of beauty and desire that we need to account for.

Second, I can’t help but think there is an element of class here that is going without analysis. Who are those who have the freedom to choose? What are the economic and social realities that permit mixed marriages in the first place? How will the re-segregation of schools shift this trend in twenty years? Could this phenomenon be one of the first (and last) fruit of school desegregation? Obviously, Williams does not have the space to address such questions, but these are things that are rattling around nonetheless…

Read the entire article here.

When You’re Mixed Race, Just One Box Is Not Enough

The Race Card Project: Six-Word Essays
National Public Radio
2013-04-02

NPR continues a series of conversations about The Race Card Project, where thousands of people have submitted their thoughts on race and cultural identity in six words. Every so often NPR Host/Special Correspondent Michele Norris will dip into those six-word stories to explore issues surrounding race and cultural identity for Morning Edition. You can find hundreds of six-word submissions and submit your own at www.theracecardproject.com.

Since The Race Card Project is about identity, it’s not surprising that many submissions deal with the question of how people choose to identify themselves. That can be more complicated for those who have two parents who do not share the same race — especially when asked to choose a particular box for race or ethnicity on an application or government form.

George Washington III is familiar with this quandary. An African-American voice-over artist, Washington has been married twice, both times to women who are white. When he heard about The Race Card Project, his thoughts went immediately to his children. His six words: “My mixed kids have it differently.”…

Read the article here. Listen to the story here.

Invisible Woman: Growing Up Black in Germany

Peter Lang
2008
168 pages
ISBN 978-1-4331-0278-3 (paperback)

Ika Hügel-Marshall (Translated by Elizabeth Gaffney)

Invisible Woman: Growing Up Black in Germany, republished in a new annotated edition, recounts Ika Hügel-Marshall’s experiences growing up as the daughter of a white German woman and an African-American man after World War II. As an “occupation baby”, born in a small German town in 1947, Ika has a double stigma: Not only has she been born out of wedlock, but she is also Black. Although loved by her mother, Ika’s experiences with German society’s reaction to her skin color resonate with the insidiousness of racism, thus instilling in her a longing to meet her biological father. When she is seven, the state places her into a church-affiliated orphanage far away from where her mother, sister, and stepfather live. She is exposed to the scorn and cruelty of the nuns entrusted with her care. Despite the institutionalized racism, Ika overcomes these hurdles, and finally, when she is in her forties, she locates her father with the help of a good friend and discovers that she has a loving family in Chicago.