Mixed Race Studies

Daughters of the Trade: Atlantic Slavers and Interracial Marriage on the Gold Coast

University of Pennsylvania Press
January 2015
288 pages
6 x 9 | 17 illus.
Cloth ISBN: 978-0-8122-4673-5
Ebook ISBN: ISBN 978-0-8122-9058-5

Pernille Ipsen, Assistant Professor
Department of Gender and Women’s Studies, Department of History
University of Wisconsin, Madison

Examining five generations of marriages between African women and European men in a Gold Coast slave trading port, Daughters of the Trade uncovers the vital role interracial relationships played in the production of racial discourse and the increasing stratification of the early modern Atlantic world.

Severine Brock’s first language was Ga, yet it was not surprising when, in 1842, she married Edward Carstensen. He was the last governor of Christiansborg, the fort that, in the eighteenth century, had been the center of Danish slave trading in West Africa. She was the descendant of Ga-speaking women who had married Danish merchants and traders. Their marriage would have been familiar to Gold Coast traders going back nearly 150 years. In Daughters of the Trade, Pernille Ipsen follows five generations of marriages between African women and Danish men, revealing how interracial marriage created a Euro-African hybrid culture specifically adapted to the Atlantic slave trade.

Although interracial marriage was prohibited in European colonies throughout the Atlantic world, in Gold Coast slave-trading towns it became a recognized and respected custom. Cassare, or “keeping house,” gave European men the support of African women and their kin, which was essential for their survival and success, while African families made alliances with European traders and secured the legitimacy of their offspring by making the unions official.

For many years, Euro-African families lived in close proximity to the violence of the slave trade. Sheltered by their Danish names and connections, they grew wealthy and influential. But their powerful position on the Gold Coast did not extend to the broader Atlantic world, where the link between blackness and slavery grew stronger, and where Euro-African descent did not guarantee privilege. By the time Severine Brock married Edward Carstensen, their world had changed. Daughters of the Trade uncovers the vital role interracial marriage played in the coastal slave trade, the production of racial difference, and the increasing stratification of the early modern Atlantic world.

Table of Contents

• Maps
• Introduction. Severine’s Ancestors
• Chapter 1. Setting Up
• Chapter 2. A Hybrid Position
• Chapter 3. “What in Guinea You Promised Me”
• Chapter 4. “Danish Christian Mulatresses”
• Chapter 5. Familiar Circles
• Epilogue. Edward Carstensen’s Parenthesis
• Notes
• Note on Sources
• Bibliography
• Index
• Acknowledgments

Say It Loud, I’m Coloured and I’m Proud

The Root
2013-10-08

Lindsay Johns

Not black, not African: One man says it’s not easy being “Coloured” in South Africa.

Editor’s note: The spelling of the ethnic term “Coloured,” used within the context of South African history and culture, reflects the writer’s preference.

(The Root) — I know what you’re probably thinking, and to be honest, I don’t blame you. You probably took one look at the title of this piece and thought to yourself, “Hmmm, what kind of misguided individual, brainwashed by self-hate into a feeble attempt at reclaiming the oppressor’s language, would write a thing like that?” Regressive. Jarring. Distasteful, even. A deliberately provocative throwback to the demeaning racial abuse of the Jim Crow era, painfully evocative of segregated water fountains, restaurants, the backs of buses and despicable “Colored Only” signage.

Let me swiftly disabuse you of any such notion. Yes, you read the title correctly. Coloured and proud is what I am. And what’s more, I didn’t put my hands up to make inverted comma signs around the word, as if asking for special dispensation for the benefit of the politically correct brigade, whose knee-jerk reaction is to see it as an intrinsically bad word, without wholly understanding its usage or history in a broader, global context. I’m certainly not trying to be needlessly provocative but instead am trying to make a serious point. Just hear me out before you rush to judge or, worse still, take offense.

Let me make it very clear. I know full well that in an American or a British context, the term “colored” (or “coloured”) is an outdated and undeniably pejorative epithet. On that we are in wholehearted agreement. So you’ll be relieved to hear that I’m not using it in that context; nor would I ever.

My family are Coloured from Cape Town in South Africa. And here’s the rub: In a South African context, “Coloured” is a wholly acceptable word. But, pray tell, I hear you ask, what exactly do I mean by “Coloured”? I can almost hear the confusion in your voice. That’s another word for “black,” right? Or do I mean “light-skinned”? Or does it mean “mixed-race”? In fact, it can mean all and none of the above…

Read the entire article here.

Why mixed-race comic was ‘born a crime’

Cable News Network (CNN)
2014-12-04

Jessica Ellis

Teo Kermeliotis

London (CNN) — When it comes to getting ready for a show, fast-rising South African comedian Trevor Noah has it all figured out.

“My ideal setting is I walk from the streets, backstage and straight onto the stage,” says Noah, who last year became the first African comedian to perform on Jay Leno’s The Tonight Show in the United States.

“Two minutes and I am on the stage. That way in my head I have gone from my world and then into a social setting with my friends. I want my audience to be my friends — that is when they will get the best comedy. If they see me as a performer, they won’t get the best show.”

At just 28 years old, Noah is already a big name in his country’s fledgling standup scene, as well as a cover star for Rolling Stone South Africa. But despite treating the audience as friends, he’s not afraid of provocative subject matter, with his latest show called “The Racist.”

he son of a black South African woman and a white Swiss man who met when interracial relationships were illegal in South Africa, Noah jokes that he was “born a crime.” On stage, he draws upon his particular life experiences to tackle thorny issues with his funny, and sometimes trenchant, punchlines…

Read the entire article here.

Genetic diversity of Sub-Saharan Africa revealed

BBC News
2014-12-04

Rebecca Morelle, Science Correspondent

Scientists have completed a comprehensive study of genetic diversity in Sub-Saharan Africa.

The African Genome Variation Project analysed the DNA of 1,800 people living across the continent.

The data is helping scientists to understand how susceptibility to disease varies across the region and has provided more insight into how populations have moved within Africa.

The research is published in the journal Nature.

Until now, most studies examining genetic risk factors for disease have focused on Europe. Little has been known about Africa, the most genetically diverse region in the world.

Dr Manj Sandhu, from the Wellcome Trust Sanger Institute and the University of Cambridge, said: “We originally set out to look at chronic diseases in Africa, and one strategy to understand the causes of those diseases is to look at the underlying genetic susceptibility.

“But to do that, you need a pretty good grasp of the variation in genomes across the region, but we realised that information wasn’t available.”…

Read the entire article here.

‘I’m proud of my African heritage’

The Korea Times
2014-12-14

Kim Se-jeong

Top award winner Park Ji-han says taekwondo changed him

When Park Ji-han was in his first year at elementary school, his classmates called him “African shala shala” because of his background and because he spoke Arabic.

Now, a decade later, the handsome youth’s nickname is “walking statue.” The high school sophomore stands about 179 centimeters tall, and he has chiseled features that could stare down any K-pop star or actors for that matter.

The change speaks volumes about how much Park, 17, went through as a young boy and how far he has come. He attributes this to taekwondo.

A student at Daekyeong Commercial High School in Seoul, he was recently named the grand winner in the 3rd Korea Multicultural Youth Awards organized by The Korea Times and the Ministry of Gender Equality and Family.

Park was born in 1997 to a Korean mother and Sudanese father. He lives with his parents and older brother in Itaewon in Seoul.

He began learning taekwondo when he was in the second grade.

“I had no friends in the first grade, but in the second grade I finally met a good friend, and I practiced taekwondo with him,” he told The Korea Times. Initially, he took up the martial art to defend himself as he was still scared of the boys who had mocked him…

Read the entire article here.

The African Genome Variation Project shapes medical genetics in Africa

Nature: International Weekly Journal of Science
Published online: 2014-12-03
15 pages
DOI: 10.1038/nature13997

Deepti Gurdasani
Wellcome Trust Sanger Institute
Genome Campus
Hinxton, Cambridge, United Kingdom

et. al.

Given the importance of Africa to studies of human origins and disease susceptibility, detailed characterization of African genetic diversity is needed. The African Genome Variation Project provides a resource with which to design, implement and interpret genomic studies in sub-Saharan Africa and worldwide. The African Genome Variation Project represents dense genotypes from 1,481 individuals and whole-genome sequences from 320 individuals across sub-Saharan Africa. Using this resource, we find novel evidence of complex, regionally distinct hunter-gatherer and Eurasian admixture across sub-Saharan Africa. We identify new loci under selection, including loci related to malaria susceptibility and hypertension. We show that modern imputation panels (sets of reference genotypes from which unobserved or missing genotypes in study sets can be inferred) can identify association signals at highly differentiated loci across populations in sub-Saharan Africa. Using whole-genome sequencing, we demonstrate further improvements in imputation accuracy, strengthening the case for large-scale sequencing efforts of diverse African haplotypes. Finally, we present an efficient genotype array design capturing common genetic variation in Africa.

Read the entire article here.

Where the Negroes Are Masters: An African Port in the Era of the Slave Trade by Randy J. Sparks, and: Another America: The Story of Liberia and the Former Slaves Who Ruled It by James Ciment (review)

Journal of the Early Republic
Volume 34, Number 4, Winter 2014
pages 686-690
DOI: 10.1353/jer.2014.0068

Andrew N. Wegmann
Louisiana State University

Where the Negroes Are Masters: An African Port in the Era of the Slave Trade. By Randy J. Sparks. (Cambridge, MA: Harvard University Press, 2014. Pp. 309. Cloth $29.95)

The Atlantic slave trade stands at the center of Atlantic World studies. Indeed, the centuries-long trade in human beings from the coast of Africa to the Americas and Europe has come to define how each society bordering the Atlantic explains its cultural and racial demographics. Tales of families torn apart for the profit of a white man, of countless numbers taken across the Atlantic and forced into the fields of Jamaica, South Carolina, and Virginia, have fascinated and frustrated scholars and readers for decades. But rarely have these stories looked back to their origins, situating Africa at the center of the trade and the Atlantic community that made it possible. In Where the Negroes Are Masters, Randy Sparks does just that.

The strength of Sparks’s work lies in its uncommon approach. By placing the West African town of Annamaboe at the heart of the Atlantic slave-trading world, he shifts the academic focus of the slave trade from American fields and British trading houses to a Gold Coast trading town in which Africans call the shots, make enormous profit, and interact as commercial equals with European slavers. Sparks does not mince words, claiming that “the successful, capable, and wily merchants of Annamaboe were as integral to Atlantic commerce as those of Liverpool, London, Cádiz, Nantes, Charleston, New York, or Kingston” (3). Ruled and ‘‘owned’’ by the Fante people, Annamaboe was a place of commercial as well as cultural exchange, a site where the colonial powers of Europe entered into agreements and treaties with the reportedly ‘‘savage,’’ ‘‘barbarous’’ blacks of Africa. It was a place to which England sent its youngest, brightest captains to serve as governors before they rose in the political ranks to North America and the Caribbean. In return, the leaders (called caboceers) of Annamaboe frequently sent their sons to London and Paris for education, trading experience, and acculturation.

But, as Sparks points out, this was all a game. The caboceers at Annamaboe knew that both England and France wanted the thousands of slaves leaving the coast each year. The young men sent to London and Paris from Annamaboe, like the famous William Ansah Sessarakoo, son of the powerful caboceer John Corantee, imbibed European culture while also acquiring an intimate knowledge of the European side of the trade— profit margins, active political disputes, anything the leaders at Annamaboe could use to outwit and manipulate their European buyers.

Indeed, on a number of occasions the French and English nearly came to blows over the right of deposit at Annamaboe Road, the town’s primary port. In the end, the English muscled the French out of the region, and constructed a fort in town, for which they paid tribute, rent, and customs duties.

The relationship between Africans and Europeans did not stop at the trade itself. English merchants, traders, and governors residing in town often took ‘‘country wives’’—African women, sometimes mixed-race, who provided relief of carnal urges as well as connections in Annamaboe’s merchant elite. Richard Brew, an Irish-born trader who arrived at Annamaboe around 1745, became the wealthiest, most powerful private trader on the Gold Coast due in part to his ‘‘marriage’’ to John Corantee’s daughter. They lived together at Brew’s Annamaboe mansion (called ‘‘Castle Brew’’), and raised three mulatto children, all of whom took their father’s surname and served as interpreters and traders for Annamaboe until the early nineteenth century. As Sparks explains, the mulattoes, of which there were many along the Gold Coast, bridged the cultural and racial gap manifested in their pedigrees. Some served as soldiers for the English aboard slavers and in forts, positions strictly reserved for the mixed-race sons of European officials. Others, like the Brew children, served as interpreters, political representatives, and port traders for the caboceers. Many were Christian. Nearly all spoke both English and Fante, as well as ‘‘creole’’ (which Sparks never fully defines), and dressed in European stylings. They were the products of the cultural and racial exchange that brought Annamaboe, and the rest of the Gold Coast, into the heart of the Atlantic World.

Although central to the commercial and cultural development of the Atlantic World, Sparks’s…

Race, sex, and colonialism

OUPblog: Oxford University Press’s Academic Insights for the Thinking World
2014-10-20

Carina Ray, Associate Professor of African and Afro- American Studies
Brandeis University, Waltham, Massachusetts

DJ/Presenter Reggie Yates and Dr. Carina Ray review historical documents

As an Africanist historian committed to reaching broader publics, I was thrilled when the research team for the BBC’s genealogy program Who Do You Think You Are? contacted me late last February about an episode they were working on that involved the subject of some of my research, mixed race relationships in colonial Ghana. I was even more pleased when I realized that their questions about shifting practices and perceptions of intimate relationships between African women and European men in the Gold Coast, as Ghana was then known, were ones I had just explored in a newly published American Historical Review article, which I readily shared with them. This led to a month-long series of lengthy email exchanges, phone conversations, Skype chats, and eventually to an invitation to come to Ghana to shoot the Who Do You Think You Are? episode.

After landing in Ghana in early April, I quickly set off for the coastal town of Sekondi where I met the production team, and the episode’s subject, Reggie Yates, a remarkable young British DJ, actor, and television presenter. Reggie had come to Ghana to find out more about his West African roots, but he discovered along the way that his great grandfather was a British mining accountant who worked in the Gold Coast for close to a decade. His great grandmother, Dorothy Lloyd, was a mixed-race Fante woman whose father — Reggie’s great-great grandfather — was rumored to be a British district commissioner at the turn of the century in the Gold Coast.

The episode explores the nature of the relationship between Dorothy and George, who were married by customary law around 1915 in the mining town of Broomassi, where George worked as the paymaster at the local mine. George and Dorothy set up house in Broomassi and raised their infant son, Harry, there for two years before George left the Gold Coast in 1917 for good. Although their marriage was relatively short lived, it appears that Dorothy’s family and the wider community that she lived in regarded it as a respectable union and no social stigma was attached to her or Harry after George’s departure from the coast…

Read the entire article here.

Who Do You Think You Are? Reggie Yates [with Reggie Yates]

Who Do You Think You Are?
BBC One
Series 11: Episode 8 of 10
Running Time: 00:59:09
First Aired: 2014-09-25

Presenter and DJ Reggie Yates grew up knowing very little about his father’s side of the family. Reggie sets out on the trail of his grandfather, Harry Philip Yates. His journey takes him to Ghana, where he unravels a complex family history where Ghanaian culture and British colonialism collide.

[Features Fordham University history professor Carina Ray.]

For more information, click here.

Commercial music radio, race and identity in South Africa

Media Culture & Society
Volume 36, Number 7 (October 2014)
pages 901-915
DOI: 10.1177/0163443714536076

Tanja Estella Bosch
University of Cape Town, South Africa

In South Africa, listeners often believe that radio stations deliberately constitute their audiences in terms of race. This article further explores this notion using commercial music station Good Hope FM as a case study. Radio creates a textured soundscape that is experienced as part of the material culture of the home; it contributes to the creation of domestic environments and it can help maintain and establish identities. These assertions are explored further through interviews with listeners. Mediated experience has long influenced self-identity, and this study explores popular conceptualizations of GHFM as a ‘coloured’ or mixed-race radio station, through these listener interviews, conducted in the home. The article explores the possibility that the symbolic arrangement of broadcast music and talk elements in one ensemble, embody and expresses group self-consciousness; and that the cultural consumption of GHFM leads to the formulation of an imagined identity based on ethnicity. Consumption of radio station content becomes a dialectical identity-forming process played out through tuning in. While GHFM listeners re-articulate normative discourses of identity and old apartheid constructions in their reflections on their media consumption, the article shows the act of tuning in as a critical part of their dialectical identity-forming process.

Read or purchase the article here.