Mixed Race Studies

T Book Club: A Discussion on “Passing”

T Magazine
The New York Times
2021-03-10, 00:00Z (2021-03-09, 19:00 EST; 2021-03-09, 16:00 PST)
This event begins at 2021-03-09, 19:00 Eastern Standard Time for viewers in North America.

Join T’s book club, which focuses on classic works of American literature, for a conversation on Nella Larsen’s “Passing” led by the novelist Brit Bennett.

The third title selected for T Magazine’s book club, Nella Larsen’s “Passing” (1929) tells the story of two old friends, both Black women, who reunite in 1920s Harlem, despite the fact that one of them is living as a white person. Critically acclaimed at the time of its publication, the novel captures the social anxieties that plagued America during the Great Migration and remains a resonant portrait of a fractured nation.

On March 9, watch a virtual discussion of the book, featuring the novelist Brit Bennett in conversation with T features director Thessaly La Force, that will address questions from readers. And, in the weeks leading up to the event, look for articles on “Passing” at tmagazine.com. We hope you’ll read along — and R.S.V.P. above.

For more information, click here.

Free People of Color History Conversation (Zoom Virtual Event)

Cape Fear Museum
814 Market Street
Wilmington, North Carolina 28401
Friday, 2021-02-05, 17:00Z (12:00 EST)

Jan Davidson, Cape Fear Museum and Host

In 1860, 12 percent of the free people of color in slave states lived in North Carolina. Join UNCG professor Dr. Warren Milteer and Cape Fear Museum on Zoom for a conversation about the lives of free men, women, and children of color in our region. Dr. Milteer, who authored North Carolina’s Free People of Color, will discuss his work with Museum historian Dr. Jan Davidson.

Warren Eugene Milteer, Jr. is an assistant professor of history at the University of North Carolina at Greensboro. He received his Ph.D. from the University of North Carolina at Chapel Hill in 2014. His publications include two academic books, Beyond Slavery’s Shadow: Free People of Color in the South (forthcoming with UNC Press, 2021) and North Carolina’s Free People of Color, 1715-1885 (LSU Press, 2020), the independently published Hertford County, North Carolina’s Free People of Color (2016), as well as articles in the Journal of Social History and the North Carolina Historical Review. Milteer was the recipient of the Historical Society of North Carolina’s R. D. W. Connor Award in 2014 and 2016 for the best journal article in the North Carolina Historical Review…

For more information, click here. To join the conversation, click here.

Afro-Descendant Rights in the Americas: The Perspective of Transnational Activists in the U.S. and the Region

WOLA: Advocacy for Human Rights in the Americas
Washington Office on Latin America
1666 Connecticut Ave NW, Suite 400
Washington, D.C. 20009
Friday, 2020-12-11, 14:00-15:30Z (09:00-10:30 EST)

(Image: Mikey Cordero / Defend Puerto Rico

Featuring:

James Early, Activist and Board Member
Institute for Policy Studies, Washington, D.C., United States

Zakiya Carr Johnson, Social Inclusion and Diversity Expert
ODARA Solutions, LLC, Atlanta, Georgia, United States

Carlos Quesada, Executive Director and Founder
The International Institute on Race, Equality and Human Rights, Washington, D.C., United States

Agripina Hurtado Caicedo, Coordinator for the Committee to Combat Racism, Xenophobia, and All Forms of Discrimination
Public Services International (PSI), Cali, Colombia

Deyni Terry Abreu, Attorney
Racial Unity Alliance (Allianza Unidad Racial), Havana, Cuba

Helmer Quiñones Mendoza, Afro-descendant philosopher
Afro-Colombian Peace Council (Consejo de Paz Afro-Colombiano, CONPA), Bogotá, Colombia

Ofunshi Oba Koso, Babalawo/Shaman and Human Rights Activist
Yoruba Cuba Association, Minneapolis, Minnesota, United States

Darryl Chappell, President and CEO
The Darryl Chappell Foundation, Washington, D.C., United States

In May 2020, the video of George Floyd’s unjust death at the hands of a police officer in Minneapolis, Minnesota was widely circulated, as the world confronted the unprecedented COVID-19 health crisis. Outrage over Floyd’s death and that of many other African Americans at the hands of the police fueled protests across the United States. The health crisis, its economic fallout, and the limited capacity of countries to fully respond revealed how structural inequities, racism, and the economic order can lead to serious consequences for Afro-descendants in the region.

While such inequities are historic, the multiple crises led to conversations on racism, police brutality, and the state of human rights for Afro-descendants. Racism and abuses are long-standing in the Americas, yet do not receive the same level of global scrutiny. The U.S. Black Lives Matter movement and its antiracist efforts became the forefront of discussions on these matters. While globally less known, numerous resistance and civil rights movements in the Americas work to advance Afro-descendant rights, fight racism, and push for justice and equality. These transnational networks woven over the years provide mutual solidarity among peoples of the African diaspora in the region.

In March 2019, WOLA organized a daylong conference to take stock of the rights of Afro-descendant communities from a regional perspective. During that engagement, activists and academics examined these issues within the framework of the UN International Decade on Afro-descendants. Join WOLA on December 11 at 9:00 a.m. EST, as we continue this conversation integrating the developments affecting the African diaspora in the U.S. and region in the past year. Darryl Chappell, President and CEO of the Darryl Chappell Foundation, will moderate this upcoming conversation with key activists that for decades have done transnational work on the rights of Afro-descendants in the United States and across the Americas.

For more information and to register, click here.

Author Event: Dedria Humphries Barker on AADL.TV

Ann Arbor District Library
343 South Fifth Avenue
Ann Arbor, Michigan 48104
2020-08-20, 00-01:30Z [2020-08-19, 20:00 to 21:30 EDT]

Join Dedria Humphries Barker as she discusses her book, Mother of Orphans: The True and Curious Story of Irish Alice, a Colored Man’s Widow.

Before Her Time: The Heroic Schooling of a Mulatto Girl

White women who for love crossed the 19th century Jim Crow color line for a new life in a Black family were highly unusual and often ostracized. But one such woman was Alice Donlan. Her interracial family braved further complication when her husband died in 1912, and Alice put their three children in an orphanage. Why was the one-hundred year old mystery unraveled by a two decades of research by Alice’s great granddaughter, Dedria Humphries Barker. Mother of Orphans is the resulting family biography. In this presentation, Humphries Barker argues that Alice’s act was heroic and helped propel future generations, including the author, to lives of opportunity.

Richly illustrated with historical and contemporary photographs, Mother of Orphans tells the story of Humphries Barker’s great grandmother, Alice Donlan, an Irish American woman from Indiana, who found love in Cincinnati, Ohio, at the end of the Gilded Age when the Ohio River city was known as the London and Paris of America. It was also the age of Jim Crow and lynching. This family biography explains how navigating interracial family life and different cultural values led to Alice’s unspeakable act. An intricate social history, Mother of Orphans links the stories of four generations of related White and Black women directly affected by Alice’s unspeakable act. And, in the final analysis, the author was amazed at how the social condition of 21st century women remains very similar to the daunting challenges Alice faced, especially when it comes to child care.

Dedria Humphries Barker is a African American woman writer who lives in Lansing, Michigan where she is a working mother of three adult children. Her work has included being a journalist at The Michigan Chronicle, Detroit’s African American newspaper, a staff writer for two Gannett, Co., Inc. daily newspapers, The Commercial News in Danville, Illinois, and The Lansing State Journal in Michigan’s capitol city; an editor at Michigan State University, and a freelance writer whose work on parenting has appeared on Salon.com, Your Teen, and Literary Mama, and in the Redbook and Good Housekeeping magazines, and The Detroit News, among other periodicals. Her work has been published by the historical societies of Ohio and Michigan. She is a former professor of English at Lansing Community College in Michigan.

To watch the event, click here.

Penn Medicine and the Afterlives of Slavery (PMAS) presents: Christianity, Race, and Haunting of the Biomedical Sciences

University of Pennsylvania
Max Kade Center
3401 Walnut Street
Suite 329-A
Philadelphia, Pennsylvania
Wednesday, 2020-02-19, 16:00-17:30 EST (Local Time)

Terence Keel, Associate, Associate Professor, Department of African American Studies and the UCLA Institute for Society & Genetics
University of California, Los Angeles

The idea that so-called races reflect inherent biological differences between social groups has been a prominent aspect of Western thought since at least the Enlightenment. While there have been moments of refuting this way of thinking—most notably, the social constructionist thesis emerging as a dominant framework in the aftermath of WWII—fixed biological conceptions of race haunt new genetic technologies, where race is thought to be measurable at the molecular level. Keel argues that the resilience of this naturalized understanding of race may stem less from overtly political motives on the part of scientists and more from our inherited theological traditions that predate the Enlightenment and continue to shape and limit the intellectual horizon of scientific reasoning.

For more information, click here.

Interracialism: Biracials Learning About African-American Culture (BLAAC) with Dr. Zebulon Vance Miletsky

State University of New York, Stony Brook
Frank Melville Jr. Memorial Library
Central Reading Room
100 Nicolls Road
Stony Brook, New York 11794
2020-02-19, 16:00-17:15 EST (Local Time)

Zebulon Vance Miletsky, Ph.D., Assistant Professor of Africana Studies and History

A discussion of interracialism and interracial marriage, and the phenomenon of “anti blackness”—identity and mixed race in the 21st century, and the possible stakes for those who identify as multiracial and biracial—in these politically divided times.

For more information, click here.

Jackie Kay International Conference

Gylphi Contemporary Writers
February 2020

Liverpool, England, United Kingdom
2020-05-06
Contact: kay.conference@gylphi.co.uk

Organisers:

Natasha Alden, Senior Lecturer in Contemporary British Fiction
University of Aberystwyth, Aberystwyth, Wales, United Kingdom

Fiona Tolan, Senior Lecturer in English
Liverpool John Moores University, Liverpool, United Kingdom

Keynote speaker:

Deidre Osborne, Reader in English Literature and Drama
Goldsmiths, University of London

Jackie Kay is the author of some 30 works, including plays, poetry, prose (fiction and non-fiction), children’s literature, short stories and a ground-breaking novel. She has won or been shortlisted for over 20 literary awards and prizes, including the Guardian Fiction Prize, the inaugural Forward Prize for Poetry for a single poem, the Somerset Maugham Award and the Costa Poetry Award. She is the Scots Makar, professor of Creative Writing at Newcastle University, Chancellor of the University of Salford and a CBE.

Kay’s work is remarkable for its range of genres, its consistent reinvention of forms, and its marriage of intimate, domestic depictions of individual lives with broad political and philosophical themes. In works such as her breakthrough poetry collection, The Adoption Papers (1991), the novel Trumpet (1998) – a path-breaking depiction of trans identity – and the autobiographical Red Dust Road (2010), her publications explore identity, individuality and belonging, and love between family members, lovers and friends. Amongst many other questions, her works asks what Britishness is, what race means, what it is to love, and what gender is, and can be.

This international conference, the first on Kay’s work, brings together scholars from a wide range of literary and cultural studies. The British Council describe Kay as having, over the past two decades, ‘moved from marginal voice to national treasure.’ This conference will examine the work that has marked Kay’s shift from the margins to the centre, addressing a writer whose work has expanded the scope of British literature. We welcome papers on any topic related to Kay’s writing, including, but not limited to:

• Scottish national identity
• Autobiography and life writing
• Black British writing
• Trans identities
• Lesbian writing
• The family
• Adoption
• Scottish Women’s writing
• Black Scottish Writing
• The impact / legacy of Trumpet
• Intersections of form (such as music, poetry, fiction, music, dramatic voice)
• Landscape and place
• Love
• Humour
• The line between life and art

We welcome papers from any disciplines and theoretical perspectives, and from scholars at all career stages, especially ECRs. Please send a title and 300 word abstract for a 20-minute paper, as well as your name, any affiliation, and a 100-word professional biography, to kay.conference@gylphi.co.uk by 6 March 2020.

The conference is sponsored by Gylphi. Selected papers from the conference will be published as Jackie Kay: Critical Essays, with a foreword by Kay, as part of Gylphi’s Contemporary Writers: Critical Essays series (Series Editor: Dr Sarah Dillon).

For more information, click here.

Ahamefule J. Oluo: Susan

The Clarice Smith Performing Arts Center
University of Maryland
8270 Alumni Drive
College Park, Maryland 20742-1625
2020-02-07 and 2020-02-08, 20:00 EST (Local Time)

After moving audiences at The Clarice in 2017, trumpeter, composer and comedian Ahamefule J. Oluo returns with “Susan,” a memoir delivered through wry comedic monologue and live, grand-scale big-band and jazz.

When Susan Hawley was a sophomore in college, she fell in love with a doctoral student from Nigeria. They got married, had two children, and just as their dream life seemed like it was coalescing, her husband went back to Nigeria to visit his family and never contacted her again—leaving her a Midwestern white lady with two African babies. They were desperately poor; Susan began gaining weight rapidly, soon reaching 400 pounds. These were the cards she was dealt. Ahamefule J. Oluo’s theatrical work, Susan, tells his mother’s story as a means to tell the story of millions of women. It is a tangible crystallization of how race, class and size affect people all over the world every day. Despite all that darkness, Susan will be funny. It’s a collection of wry, black, but humane monologues, interspersed with live, grand-scale orchestral music.

This vulnerable theatrical work about his childhood tells the story of how his Midwestern mother was left to raise two bi-racial babies after the sudden departure of her husband. There’s obvious chemistry between Oluo’s singular voice and the grand creation of the music; at times, when the story is too painful for him, the ensemble carries the show. “Susan” is a category-defying reflection on how race, class, and appearance impact everyone—and how we play the hand that we’re dealt.

In 2002, after being selected as Town Hall Seattle’s first-ever artist-in-residence, Oluo realized he wanted to do something different. After years of performing and recording with prominent musicians like John Zorn, Hey Marseilles, Wayne Horvitz and Macklemore, Oluo knew he had his own story to tell—and the diverse set of skills to do it. During his time in residency, he began experimenting with blending big-band, jazz, standup and memoir to formulate a new musical and theatrical identity.

For more information, click here.

New Hampshire: Beyond Black & White

Black Heritage Trail of New Hampshire
2019-2020 Elinor Williams Hooker Expanded Tea Talk Series
Keene State College
Young Student Center
Mountain View Room
229 Main Street
Keene, New Hampshire 03435
Sunday, 2019-11-10, 14:00 EST

Contact information:
JerriAnne Boggis, Executive Director
603-570-8469

Panelists: David Watters, Darrell Hucks, & (TBA)
Moderator: Dottie Morris

Moving beyond rigid racial identities, this talk will explore the contemporary as well as historic intersection between Black and Indigenous communities, the presence of “passing” mixed race individuals, and the most recent immigrant experience within a New England context. These complex interactions, connections conflicts, experiences, and resistant efforts of Black, white and multi-racial citizens will be explored through scholarly research and an analysis of the film Lost Boundaries.

For more information, click here.

Red Dust Road

National Theatre of Scotland
2019-08-10 through 2019-09-21

Elaine C. Smith and Sasha Frost

Based on the soul-searching memoir by Scots Makar Jackie Kay, adapted by Tanika Gupta, and directed by Dawn Walton.

“You are made up from a mixture of myth and gene. You are part fable, part porridge”

Growing up in 70s’ Scotland as the adopted mixed raced child of a Communist couple, young Jackie blossomed into an outspoken, talented poet. Then she decided to find her birth parents…

From Nairn to Lagos, Red Dust Road takes you on a journey full of heart, humour and deep emotions. Discover how we are shaped by the folk songs we hear as much as by the cells in our bodies.

Opening at the Edinburgh International Festival in August 2019, and at HOME, Manchester in September 2019

Touring to Macrobert Arts Centre, Stirling and Eden Court Theatre, Inverness in autumn 2019.

For more information, click here.