Mixed Race Studies

Rachel Dolezal and the ‘politics of passing’

Melissa Harris-Perry
2015-06-13

Melissa Harris-Perry talks with Allyson Hobbs, the woman who literally wrote the book about passing as another race in America, about the Rachel Dolezal story and how people have responded.

Watch the interview (00:07:43) here.

‘Are you African-American?’

All In With Chris Hayes
MSNBC
2015-06-12

Chris Hayes, Host

Lacey Schwartz, a film-maker who grew up in a white family then discovered that her biological father was black, shares her unique perspective on Rachel Dolezal, the head of the Spokane NAACP whose estranged parents claim is misrepresenting herself as black.

Watch the interview (00:09:19) here.

Pew: Multiracial Americans Now Make Up 7% Of Population

Wisconsin Public Radio
Thursday, 2015-06-11, 16:35 CDT

Aliya Saperstein, Assistant Professor of Sociology
Stanford University

Jennifer Sims, Adjunct Visiting Professor of Sociology
University of Wisconsin, River Falls

According to Census data, only about 2 percent of Americans consider themselves to be multiracial, but a new report out Thursday from Pew suggests that the real number of people with multiracial backgrounds is more than three times that. It also shows that the number of people who identify as…

Listen to the story (00:22:49) here.

Afro-Latinas: Finding A Place To Belong

New Latina
2012-03-12

Tracy López, Editor-in-Chief
Latinaish: Una Gringa Biena Latina

Identity – It’s something every human being wrestles with at some time in their life – some more than others. For Afro-Latinas, self identifying can be especially difficult. The sense of ignored, unrecognized and invisible, is prevalent among those who identify as Afro-Latinas. The fact that the word itself, Afro-Latino, does not yet appear in most dictionaries only lends credence to the voices calling for recognition.

Today we introduce you to three voices of Afro-Latinas.

• Ivy Farguheson – A Social Services reporter for the Muncie Star Press, Muncie, Indiana.
• Eusebia Aquino-Hughes – Nurse by profession. Blogs at Street Latino.
• Vianessa Castaños – Professional actress. Website: Vianessa.com. Twitter: @Vianessa.

Defining Afro-Latina

“To me, being Afro-Latina means that I am a part of the African diaspora in Latin America, more specifically, my parents were a part of the African diaspora in Costa Rica. This identity gives me the privilege of identifying with the Spanish aspects of Latino culture (such as the foods, the language, the immigrant experience in America) along with the African flavors that have made part of the Latino experience different than those who aren’t Afro-Latino(a) (the music, the dancing, the slave/worker history)…” – Ivy Farguheson “I self-identify as [a] proud Afro-Latina of Puerto Rican/African [descent]. It is an honor for me and many in my family to respect …our African roots…and [I] hope that our Latino community does the same…Our proud African roots have given contributions to our music, foods, arts, [and] language…” – Eusebia Aquino-Hughes “An Afro-Latina is just what the name implies, someone of Latin (or Hispanic) descent that has a predominantly African ancestry…I usually just describe myself as Dominican or Afro-Caribbean. I’ll occasionally identify with Afro-Latina, but never just ‘Latina’… I am 100% Dominican of West African, French, Spanish and Chinese decent. Rumor has it that there is some Taino blood in us as well.” – Vianessa Castaños…

Read the entire article here.

Allyson Hobbs

Morris Educational Foundation
Morristown, New Jersey
2015-05-04

Each issue, we are pleased to circle back with one of our Morristown High School esteemed alumni and catch up.

This spring we caught up with Allyson Hobbs, MHS Class of ’93…

Allyson Hobbs, MHS Class of 1993, Author & Assistant Professor at Stanford University

After graduating Morristown High School in 1993, Allyson attended Harvard University and graduated magna cum laude in 1997. After that, she worked at an advertising agency in New York City for a few years. However, in search of finding her professional passion, she decided to apply to graduate school and attended University of Chicago where she received a Ph.D. with distinction. It was through her experience there that she determined she wanted to pursue her book and a teaching. She has received fellowships from the Ford Foundation, the Michelle R. Clayman Institute for Gender Research, and the Center for the Comparative Study of Race and Ethnicity at Stanford. At Stanford, Allyson teaches courses on American identity, African American history, African American women’s history, and twentieth century American history. She has won numerous teaching awards including the Phi Beta Kappa Teaching Prize and the St. Clair Drake Teaching Award. She gave a TEDx talk at Stanford, she has appeared on C-SPAN and National Public Radio, and her work has been featured on CNN.com and Slate.com.

Allyson’s first book, A Chosen Exile: A History of Racial Passing in American Life, published by Harvard University Press in October 2014, examines the phenomenon of racial passing in the United States from the late eighteenth century to the present. A Chosen Exile has been featured on National Public Radio’s All Things Considered, the Tavis Smiley Show on Public Radio International, and the Madison Show on SiriusXM.

On a visit back to the East Coast, we visited Allyson and caught up…

…MEF: “Tell us more about your book?”

AH: “Writing the book has been an incredible experience. My book is about racial passing where light-skinned African Americans pass as white during the late 18th century to present. The inspiration for the book was a story about a relative of mine that my aunt had told me about. During the 1920’s and 30’s I had a female cousin who grew up in the Southside of Chicago. She attended a predominately black high school living in a historic African-American neighborhood. After graduating from high school, her mom decided she wanted her to move to California and live life as a white woman.   Since she was light-skinned, her mother believed this was the best thing she could do for her daughter giving her more opportunity and better life experiences. Her cousin did not want to go and pleaded with her mom not wanting to leave the life she known, her community, and her friends. However, her mom insisted so she moved to LA, married a white man, had children (who had no idea about her past).   Ten years later she receives a call from her mom to come back immediately because father is dying. She said she couldn’t come back as she is a white woman now, a life you forced me to have. That story inspired my book and really made me want to explore the history of passing.   We think of passing as a story about individualism and a way to get ahead. We don’t think about people who were so impacted, the story of all the people around them, families, friends, people who have to be accomplices, people who have to keep secret. I also felt that we often look at what is to gain by passing, I thought what would the story would look like with what is lost by passing.”…

Read the entire interview here.

“You get a cookie for being offended”: Mat Johnson on the fine art of racial satire

Salon
2015-05-24

Laura Miller

The author of “Pym” talks about his new novel, his love-hate relationship with Twitter and being a black nerd

Mat Johnson is a little apprehensive about his new novel, “Loving Day,” a satire of race relations and identity politics set in Philadelphia’s Germantown neighborhood. While writing it, he thought, “people were going to be pissed off. Black people were going to be pissed off and white people were going to be pissed off, and they were all going to be pissed off for slightly different reasons.” That’s because Johnson’s narrator, Warren Duffy, is “mixed,” the child of a black mother and an Irish-American father; he identifies as black, but his light-colored skin often leads strangers to mistake him for white.

Warren — who has failed as a comics artist, comics store owner and husband — returns to Philly from Wales, where he’s been hiding out from the conundrum of his own identity. He comes back to sell the decrepit mansion he inherited from his recently deceased father, a partially roofless and entirely creepy 18th-century estate house looming over the surrounding ghetto, a defunct “artifact of rich white folks’ attempt at dynasty.” Once there, he discovers he has a teenage daughter, Tal, the result of a one-night stand with a Jewish classmate. Vowing to do right by her, Warren becomes entangled with the Mélange Center, an eccentric organization that runs a charter school for mixed-race people who want to claim multiple identities. Warren calls it “Mulattopia,” and suspects it of being a cult, but Tal does love that school.

Meanwhile, Warren has seen two strange figures darting around corners and into outbuildings on the grounds of his mansion by night. Tal thinks they’re the ghosts of the first interracial couple. Warren is sure they’re just crackheads. Since “Loving Day” is Johnson’s follow-up to his celebrated 2011 novel, “Pym” — a brazen fusion of academic satire and two-fisted Arctic adventure yarn — the truth is likely to be very strange indeed.

I spoke with Johnson recently about his membership in the tribe of black nerds, his love-hate relationship with Twitter and why humor is an indispensable tool when you’re writing about race…

Read the entire interview here.

Novelist Mat Johnson Explores The ‘Optical Illusion’ Of Being Biracial

Weekend Edition Sunday
National Public Radio
2015-05-24

Growing up in Philadelphia, Mat Johnson lived mostly with his mother in a black neighborhood. The son of an African-American mother and an Irish-American father, his skin was so light that he might have passed for white. But being biracial meant only one thing back in the ’70s: “Um, it meant: black,” Johnson says with a laugh. “There wasn’t a lot of ambiguity there. I didn’t hear the world biracial or didn’t think of myself as biracial. And when I did hear that, I reacted to it defensively. I thought it was just black people of mixed heritage who were just trying to run away from blackness.”

Johnson was born three years after Loving Day — the historic 1967 Supreme Court decision which made interracial marriage legal. His new novel, Loving Day, is a funny, sometimes absurd look at what it means to be mixed race in this country.

These days, Johnson has a more nuanced way to describe his racial identity. He says he is a mixed person of African-American descent. But he also uses another, more loaded word, to describe himself: mulatto…

Read the entire article here. Download the interview here. Read the transcript here.

The Great American Mulatto: Mat Johnson Talks Identity and Facing Ghosts

Gawker Review of Books
2015-05-20

Victor LaValle

Mat Johnson and I have been friends since we published our first books fifteen years ago. In that time we’ve spent an untold number of hours bullshitting about writing, parenting, and sundry nonsense. Mat’s new novel, Loving Day—which will be released by Spiegel & Grau on May 26—is the story of a mixed-race comic book artist who returns from Wales to his native Philadelphia to discover a daughter he never knew he’d fathered, a mixed-race cult that hopes to recruit him, and a pair of ghosts haunting his father’s home. Our conversation appears below.

Victor LaValle: Germantown’s Finest, what’s going on?

Mat Johnson: I’m sweating my ass of in Houston Fucking Texas is what’s going on. It’s like Philly in July but for six months down here.

VL: That’s going to ruin your image as a writer. Your Twitter profile photo makes you look like an elegant leg breaker, not a sweating goon.

MJ: Breaking legs builds moisture in your arm pits. I am rugged fiction writer man. I make my own paper from the pulp I chew off trees, man…

…VL: Art versus entertainment makes sense as a kind of push/pull in lit fiction, but in the new book you’ve added a third ingredient. Outrage. Some motherfuckers are going to be outraged by what you’ve put in this book. Black, white, mixed. It’s possible you’ve even defamed ghosts with one of the subplots.

MJ: I like being scared when I’m writing. I enjoy building to the moment where I’m like, I can’t believe I’m putting this on the page. All of Loving Day was like this. Growing up mulatto, looking white but being black. In the black community I never talked about being mixed. I was too busy overcompensating to fit in.

Writing this book I kept thinking, black people are going to hate that I’m even talking about this, mixed people are going to be annoyed about the way I’m talking about it, and white people aren’t going to know what the hell it is I’m even talking about. Shit, I’m still scared…

Read the entire interview here.

Being ‘Mixed Race’: Kira Lea Dargin and Annina Chirade

BBC World Service
The Conversation
2015-05-11

Kim Chakanetsa, Presenter

Left: Kira Lea Dargin. Credit: Claire Mahjoub, SSH. Right: Annina Chirade. Credit: Adu Lalouschek

Kira Lea Dargin’s parents met at church. Her mother is white from a Russian family who emigrated to Australia in the 1950s, and her father is Aboriginal Australian. Being “mixed” Kira says, means constantly having to explain how you came about or how your family manages to blend. Having come through some difficult times as a teenager Kira now happily identifies with both of her cultural backgrounds. As the director of ‘Aboriginal Model Management Australia‘, her mission is to help broaden how Australian beauty is defined.

Annina Chirade describes herself as Ghanaian Austrian. She is the founder and editor of Rooted In magazine. When she was growing up, between London and Vienna, people would often question whether she was related to her fair, straight-haired mother. After many years obsessively straightening her own “kinky, curly, Afro-” hair as a teenager, she found her own style – inspired by the confident styles of black female singers like Erykah Badu. Annina says that when you are ‘mixed-race’ people make assumptions about your identity and consider it to be “up for debate”, but she is clear that “whiteness is not something I’m a part of.”

Listen to the interview here. Download the episode (00:26:55) here.

Brian Bantum on Redeeming Mulatto

Homebrewed Christianity
2014-08-17

Bo Sanders

Brian Bantum teaches theology at Seattle Pacific University out in the mighty Northwest. This spring when he and Callid were both at the Christian Leadership Forum of FTE they sat down to talk about Brian’s book Redeeming Mulatto: A Theology of Race and Christian Hybridity. Because they are in a hotel lobby there a bit of background noise, but it is such a terrific interview that you’ll want to listen all the way through anyway If you want to followup on this conversation another great resource is this video of Brian giving a talk called “The Church Cannot be About Multiculturalism” at Quest Church‘s annual day conference on Faith & Race. Bantum is on twitter as well…

Listen to the interview here.