Mixed Race Studies

Mixed Kids Roundtable: The Politics of Multiracialism and Identity

iMiXWHATiLiKE!: Emancipatory Journalism and Broadcasting
2015-01-23

Jared Ball, Host and Professor of Communication Studies
Morgan State University, Baltimore, Maryland

We were joined in this edition of iMiXWHATiLiKE! by a roundtable of panelists for a discussion of the politics of multiracialism and identity. Our guests included: Dr. Ralina Joseph, associate professor in UW’s Department of Communication and adjunct associate professor in the Departments of American Ethnic Studies and Gender, Women, and Sexuality Studies, Her first book, Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial (Duke University Press, 2012), critiques anti-Black racism in mixed-race African American representations in the decade leading up to Obama’s 2008 election; Dr. Darwin Fishman, Adjunct Professor at San Diego City College; and Ms. Lisa Fager, Professional agitator, Free Mind. Co-founder Industry Ears. Social market-er. HIV/AIDS Advocate. Indy Voter. Hip Hop. Black. White. Spook Who Sat By the Door. We talked about the film Dear White People and more generally about the history of multiracial identities and the politics of popular culture representation of those identities, and bunch more!

TCK TALENT: Gene Bell-Villada, literary critic, Latin Americanist, novelist, translator and TCK memoirist

The Displaced Nation: A home for international creatives
2015-01-21

Elizabeth (Lisa) Liang

Professor Gene Bell-Villada (own photo)

Elizabeth (Lisa) Liang is here with her first column of 2015. For those who haven’t been following: she is building up quite a collection of stories about Adult Third Culture Kids (ATCKs) who work in creative fields. Lisa herself is a prime example. A Guatemalan-American of Chinese-Spanish-Irish-French-German-English descent, she has developed her own one-woman show about growing up as a TCK, which is receiving rave reviews wherever it goes.

—ML Awanohara

Happy New Year, readers! Today I’m honored to be interviewing Gene Bell-Villada, author of the Third Culture Kid memoir Overseas American: Growing Up Gringo in the Tropics and co-editor of my first published essay in the TCK/global-nomad anthology: Writing Out of Limbo. Gene grew up in Latin America and “repatriated” to the USA for college and beyond; he is a Professor of Romance Languages (Spanish), Latin American Literature, and Modernism at Williams College in Williamstown, Massachusetts. He is also a published writer of fiction and nonfiction.

Welcome to The Displaced Nation, Gene. Like me, you’re an Adult Third Culture Kid of mixed heritage. Since you were born in Haiti and grew up in Puerto Rico, Cuba, and Venezuela as the son of an Asian-Polynesian mother from Hawaii and a WASP father from Kansas, your identity development was complex and nuanced, as you make clear in your memoir. Can you tell us how you identify yourself these days?

Like the title of my memoir, I identify myself as an Overseas American, of mixed WASP and Chinese-Filipino-Hawaiian ethnicity, with a Caribbean-Hispanic upbringing. I wrote my memoir in great measure to disentangle and explain that background—for myself and others! More broadly, in my middle 20s, it dawned on me that, by default, I happened to be a cosmopolitan, and that I couldn’t feel “local” even if I wished to. And so, I set out to make the best of that cosmopolitanism and build on it…

Read the entire interview here.

The Face of Skin, Inc.: An Interview with Chinyere Evelyn Uku by Thomas Sayers Ellis

Graywolf Press
August 2013

The cover image of Thomas Sayers Ellis’s Skin, Inc.: Identity Repair Poems features Ellis’s own black-and-white photograph of Chinyere Evelyn Uku, an African woman from Nigeria who has albinism. On the release of the paperback edition of Skin, Inc., Ellis conducted an interview with Uku about her life, identity, race, and image. This is an excerpt.

Thomas Sayers Ellis: Where were you born and raised? Tell us about your childhood and schooling. Did you grow up in a quiet household or a lively, loud one?

Chinyere Evelyn Uku: I was born in one of the most vibrant yet monumentally confusing places in the world: Lagos, Nigeria. I was born to parents who were very middle class, and we lived in an apartment building in bustling Victoria Island. I was very unaware of my condition, having no real understanding of albinism or any awareness of it. It did not prevent me from watching Muppet Babies so there was no cause for concern. My parents did not put any signs or signals in our home to alert me to the situation, so one can say I was exonerated at that age. I would wake up in the morning, see a cream-colored character, and proceed with my day of larking about and pretending to be productive and doing whatever I had to do to secure my parents’ approval. Life was good. School was also fair, starting with an elementary school of mixed-race children—Indians, Caucasians, Blacks—so then my lack of understanding of the implication of race was further de-emphasized…

…TSE: Has anyone, unfamiliar with your condition, ever mistaken you for white? Have you ever been forced to use “A Color” to refer to yourself or your identity?

CEU: On my childhood passport, my eyes and hair are listed as brown, and I remember thinking that they should take into consideration the fact that some people do not quite fit this description of black, brown, or blonde. I have been mistaken for white before. Typically at metro entrances or crowded places depending on the demographic. Most blacks or African Americans can typically identify that I am black or mixed race and feel drawn to me, and the twisted hair and braiding hairstyles I sport from time to time also helps them out. White people in general are initially perplexed and will not stare for more than a few minutes lest they are accused of staring and called rude or politically incorrect or something else they don’t like. They prefer to keep all comments to themselves and avert their eyes to avoid confrontation. You can imagine how shocked I was when someone came out and asked what the hell I was. “I’m sorry, I don’t mean to be rude, but are you Asian, biracial, or some kind of albino?” I laughed and told him what the hell I was, then he laughed too, and we went for ice cream and to see a foreign movie. He paid. I prefer the direct approach, but don’t make it a habit, or I might pop someone in the face. A couple of guys, rather loudly, were trying to determine what I was and yelled out, “No, that’s just a white girl with dreads!” Well, I have no intention of fixing the situation! Blame it all on Mother Nature…

Read the entire interview here.

Black Cubans: Restoring US Ties Is Cool, but America, Keep Your Hang-Ups About Race at Bay

The Root
2015-01-21

Diana Ozemebhoya Eromosele, Staff Writer

Will the current racial tensions in America seep into Cuba and awaken a sleeping giant? Black Cubans say probably not.

It doesn’t matter how much Cuba’s culture changes now that the U.S. has restored diplomatic relations; if you’re waiting for black Cubans to set off some sort of racial revolution, don’t hold your breath.

That’s according to some black Cubans who shared their thoughts on race with The Root in the edited Q&A below.

Omar Diaz is a 28-year-old black Cuban actor living in Miami who immigrated to the U.S. when he was 4 years old. He said that while he’s rooting for a democratic Cuba, he hopes that black Cubans will continue to benefit from the Castro revolution’s decree that Cubans prioritize nationalism over race.

Ruben^* is a 52-year-old black photographer and book publisher. He is the only interviewee still living in Cuba. Even though he spoke passionately about racial inequality in Cuba, he explained why he and most black Cubans don’t quite see themselves as Afro-Cuban or black Cuban—just Cuban.

First cousins Elia E. Espuet and Sira Perez, on the other hand, both strongly identify as Afro-Cubans. Both women, ages 63 and 62 respectively, immigrated to the U.S. when they were teenagers in the late 1960s, Fidel Castro having assumed power in 1959. They could easily pass as African Americans, though they vividly remember how they were advised not to, in order to escape the brutality facing black Americans fighting for civil rights. That distinction—Cuba’s kind of racism versus America’s kind of racism—stuck with them. They maintain that black Cubans have it better in some ways on that front.

Georgina Rodriguez, 53—their mulatto, as she describes herself, cousin (who was categorized as “white” in Cuba when she was born)—doesn’t want Americans spewing their “racial framework” and “neoconservatism” all over Cuba. She argues that the former doesn’t account for all of Cuba’s ethnicities, and the latter will only widen the inequality gap…

Read the entire article here.

The Dubious, Dangerous Science of Race Lives On, Says Scholar

Colorlines: News for Action
2011-09-23

Julianne Hing, Reporter/Blogger
Oakland, California

Back in the 19th century, scientists thought it was possible to determine a person’s race, and their corresponding levels of intelligence, based on the size of their skull. In the 20th century, mainstream scientists were convinced that intelligence was genetically determined, and therefore an inheritable trait; they helped spur the now disgraced eugenics movement.

In the 21st century, with racial science’s embarrassing history—and its disgraceful, deadly effects on people of color—seemingly long behind us, it’s easy to dismiss the science of yore as silly and antiquated. But Northwestern University law professor Dorothy Roberts argues this line of scientific inquiry is as alive as ever.

In her new book “Fatal Invention: How Science, Politics, and Big Business Re-create Race in the 21st Century,” Roberts says that scientists are still preoccupied with the problematic questions of whether racial stratification in society is the result of genetic differences. Is race something that’s written into our genetic code? Is there, say, a gene within black folks that makes them more predisposed to cancer and hypertension? Why not use DNA as a forensic tool to predict the race of an unknown suspect?

This obsession, she argues, has led us astray from focusing on the more pressing and legitimate causes of racial stratification: racial inequality that’s deeply embedded in the structures of society. We caught up with Roberts to talk about her new book, and some of the ridiculous, troubling ways this racial science is impacting everyday people’s lives.

You write in the intro that you took on this question looking into the biological reality of race as a personal challenge to yourself, to test your convictions that race is a political category. Can you say more about that?

What motivated me to write the book was that I noticed this revival of the idea that human beings are divided into biological races in genomic science and biotechnologies. I read the headlines, first, of studies that purported to prove that there was a deep structure based on race in the human genome, [of] the approval of race-specific medicine. And I went to a lecture at Northwestern’s medical school where a conservative commentator was invited to talk about race even though he was well-known for his views that biological race determines intelligence. So I was really alarmed that this idea was being resuscitated in new technologies and on the cutting edge of science, and even some liberals were embracing it as a way to address health inequities, without having any sense that there was a danger in this way of thinking about human beings.

So when I say it was a personal challenge it was because I was at first surprised that genomic science was going in that direction and also surprised in the number of people who I talked to who believe that race really is a natural division of human beings and who embrace genetic technologies for a test of identity. To me that really contradicted the political convictions I had, not only about the meaning of race but also the way to fight against racism in America…

Read the entire interview here.

What If Everything You Know About Race Is Wrong?

Texas Public Radio
San Antonio, Texas
2015-01-15

Jack Morgan, Arts and Culture Reporter

Fanshen Cox DiGiovanni

A one-woman show is coming to the Tobin Center and it’s probably unlike anything you’ve ever seen. It’s called “One Drop of Love.” starring Fanshen Cox DiGiovanni, produced by Ben Affleck and Matt Damon.

“How did you get mixed up with Ben Affleck and Matt Damon?” I asked.

(Laughs) “I think I met Matt when I was about 12 and Ben when we started high school together,” DiGiovanni told me. “And we did theater—we had a very wonderful theater program at Cambridge Rindge and Latin High School. And these two guys are such wonderful human beings.”

A year ago, DiGiovanni first produced this one-woman show for a Master of Fine Arts degree thesis performance.

“Ben came and saw my thesis performance and just said afterwards ‘I think this is really great and important and I’d like to help you get it to a wider audience.’”

Matt Damon also saw it and agreed with his friend. Thus DiGiovanni’s tour was conceived. So exactly what is One Drop of Love? It’s talking about one of this country’s most difficult subjects: race.

“I never know what kinds of experiences the people in the audience have had with race and racism,” DiGiovanni explains.

The whole show revolves around this premise.

“I start off the show as the character from a 1790 census, on which there were only three racial categories.”

In her show, she goes around her audience, linking audience members to one of those racial categories.

Walking through an audience, she names them: “Okay, white…black…mulatto…Chinese? Yes, hello…quadroon…no, I see you! An Indian…”

It’s one part history, one part performance art.

“There are people who look at me and shake their head and say ‘no, that’s not what I am!’ Which is very much the point, because that’s how the census was counted until 1970. A census worker would just go around and guess the race of the person they were looking at.”

She says race, in a sense, isn’t even real…

Read the entire article here. Listen to the interview (00:03:34) here.

Young Artists: Saya Woolfalk

W
November 2008

Timothy McCahill

For the last two years Saya Woolfalk has practically lived in No Place, the futuristic work she is creating through painting, sculpture and video. So it’s not surprising that when she talks about it, the line between fact and fiction seems a little fuzzy. More than just a plain old multimedia installation, No Place has its own inhabitants and culture. The bubbly 29-year-old delights in describing every nook and cranny. “I talk about it as if it could be real,” admits Woolfalk, who is completing a yearlong stint as an artist-in-residence at the Studio Museum in Harlem, where No Place was recently shown. “But I never forget that it’s another place.”

Woolfalk’s world is inhabited by half-human, half-plant figures called No Placeans, who in her paintings are portrayed roaming a psychedelic landscape reminiscent of Yellow Submarine. In one piece, they appear in front of a blue and yellow building surrounded by pink phalluses. As part of the project, Woolfalk filmed the No Placeans—played by the artist, her friends and colleagues—in the style of a documentary…

…Though the piece grew partly out of Woolfalk’s reflections on utopia, her influences also originate closer to home. Born in Japan to a Japanese mother and an African-American and white father, Woolfalk draws on Japanese anime and traditional African garments for many of her characters and costumes, blending cultures so that her work feels at once foreign and familiar. “Because I’m mixed race, I have this idea that to leave the conversation ambiguous is interesting,” she says…

Read the entire interview here.

Season 2, Episode 11: Writer Thomas Chatterton Williams

The Mixed Experience
2015-01-08

Heidi Durrow, Host

We continue the second part of the season with writer Thomas Chatterton Williams author of Losing My Cool and the newly published essay in Virginia Quarterly Review “Black and Blue and Blond.”

Listen to the episode here. Download the episode here.

When Being Black Is a Family Secret

the sisterhood: where jewish women converse
The Jewish Daily Forward
2015-01-02

Susan Reimer-Torn

When Lacey Schwartz was accepted at Georgetown University, it was a dream come true. It also blew the lid off a tightly-guarded secret.

Along with her admission, the high school senior from Woodstock, New York received an invitation to join the Black Student Alliance. She had chosen not to check an ethnicity box on her application, but she did include a photo.

The acknowledgement that she was black ran counter to a lifelong assumption: Schwartz was raised as the biological daughter of her mother and her father, two white Jews with Eastern-European origins. The invitation led to a process of inquiry that revealed a hidden truth: Schwartz was the daughter of her mother and her mother’s long-time black lover.

The young woman’s undaunted deconstruction of an explosive family secret inspired the autobiographical documentary Little White Lie. The film is the result of Schwartz revisiting her life with an ever-present camera to record startlingly frank encounters in a home, larger family and community where once there had only been denial. The film chronicles the process of dismantling a false identity and reconstructing a new one.

Reached by phone in a recent interview, Schwartz explains why her story speaks to so many. “My case is particular in its details. But lots of people feel a gap between the person they are raised to believe they are and who they sense they might be.”…

Read the entire article here.

How New Racial Demographics Are Remaking America

The Diane Rehm Show
WAMU 88.5 FM
Washington, D.C.
2015-01-05

Diane Rehm, Host

Mark Hugo Lopez, Director of Hispanic Research
Pew Research Center

Jim Tankersley, Economic Policy Correspondent
The Washington Post

William Frey, Senior Fellow, Metropolitan Policy Program (author of Diversity Explosion: How New Racial Demographics Are Remaking America)
Brookings Institution

Jamelle Bouie, Staff writer covering politics, policy, and race
Slate

America is becoming a country with no racial majority. In 2009, for the first time in U.S. history, more minority than white babies were born in a year. Soon, most American children will be racial minorities. The nation’s diversity surge played a key role in Barack Obama’s election as president. Many see these trends as necessary as a much-needed younger minority labor force is already boosting an aging baby boom population. But challenges loom, including clashes over public resources, overcoming a cultural generation gap, and fears over losing privileged status. Diane and her guests discuss how new racial demographics are remaking America.

Listen to the show (00:51:40) here.