Mixed Race Studies

Professor Jared Ball on Ferguson and the Media

Truthout
2014-12-29

Dan Falcone

At the recent “Shrouded Narrative teach-in” at American University, Dan Falcone met Jared A. Ball, a professor of communication studies at Morgan State University in Baltimore, Maryland, who discussed, “Propaganda and Media.” In this interview, father and husband, author of I MiX What I Like: A MiXtape Manifesto and coeditor of A Lie of Reinvention: Correcting Manning Marable’s Malcolm X, Ball talks about the construction of Black identity, colonialism and what is needed to stop the police killings of a Black person every 28 hours.

Dan Falcone for Truthout.org: Professor Ball, could you tell the readers about your teaching, academic interests, and how they relate to activism and democratic participation?

Jared Ball: Thank you. My academic interests and teaching are very much tied to my personal political passions – all of which revolve around Black or Africana studies, political struggles, cultural production and how that all intersects or interacts with the political and “libidinal” (thanks to the work of Frank Wilderson and Jared Sexton) economies of media, communication and journalism.

This primarily works out to be a focus on the political function of mass media within the context of ongoing power (national, racial, class) struggles. I generally look to extend or tailor deep traditions of radical political, economic and cultural analyses and media criticism to our time and hope that I can make them relevant to students today. To better connect traditions of political activism to the immediate work of my classes, I’ve increasingly infused the work of political prisoners into our own course work, which allows me to tap an almost endless reservoir of knowledge and experience – while exposing students to a more realistic political context for our own studies.

Additionally, this approach infuses into our classes, ideas of political struggle and activism while challenging the limitations of conventional approaches to such study, including notions of “American democracy.”…

Read the entire interview here.

Meet Afro-Latina Trailblazer, Crystal Roman, Founder of The Black Latina Movement

Boriqua Chicks: A Fresh, Urban, Afro-Latina Perspective
2014-11-19

Crystal Shaniece Roman, CEO & Founder of The Black Latina Movement, LLC has used her personal experience with identity to fuel several creative projects that recognize and celebrate Black Latinas. From theatrical productions to a web series, blog, and speaking engagements, she uses her acting and production talents to challenge stereotypes and create a space for Black Latinas on stage and in film.

Check out our recent conversation below!

I read that your parents are Puerto Rican: your mom Black and your dad white. How was your experience growing up?

My dad is what can be considered a White Latino. Both his parents were born and raised in Puerto Rico. My mom is a Black Latina, 2 times over in the sense that her father is Jamaican and her mom (my grandma) is an Afro-Puerto Rican, hence me saying a Black Latina twice over. Growing up was a blend of both worlds. My mom and dad made sure I was fully emerged in both cultures. There were occasional incidents of internalized racism from both sides of the family concerning hair, skin tone, etc., here and there, but my mom was quick to “set anyone straight” about that kind of nonsense around me, if and when it did occur. Other outright experiences often came from the world, outsiders.

When did you first begin identifying as a Black Latina? What inspired you to embrace this identification?

I knew I was a Black Latina from youth, but I hadn’t articulated it, in that way or used the term until 2008. Once I started to use it I felt so empowered and proud to have a title/label that I approved for myself, instead of using ones that were given to me. I was always taught to embrace myself, but I realized often times—especially in my industry—that many people were not familiar or comfortable with a “mixed” person. Moreover, those in positions of power wanted what is to be considered a “typical” look of a Black woman or Latina for most roles. So I was pushed to educate (myself) more on my identity, howl embrace it and how others like myself do as well…

Read the entire interview here.

CNN’s Candy Crowley interviews President Barack Obama

Cable News Network (CNN)
2014-12-21

For his last interview of the year, President Obama sat down, exclusively, with CNN’s Candy Crowley to discuss North Korea’s cyber-attack on Sony Pictures, normalizing relations with Cuba, Russia, Iran, race relations in America and Guantanamo Bay.

The interview aired Sunday, December 21st, on CNN at 09:00 and 12:00 EST

Text highlights and a transcript of the discussion are below…

…CROWLEY: …And I thought, you know, do you think that you look at race matters somewhat differently because, yes, you’re the first African-American president, but your mother was white.

OBAMA: Right.

CROWLEY: You were raised by your mother and your white grandparents.

OBAMA: Yes.

CROWLEY: Does that give you a different perspective, do you think?

OBAMA: I think it probably does. I – you know, I wrote a whole book about this. And, uh, there’s no doubt that, you know, I move back and forth between the racial divides, not just black-white, but Asian and Latino and, you know, I’ve got a lot of cultural influences.

I – I think what it does do for me is to recognize that most Americans have good intentions. I said a little bit about this in the press conference earlier today.

I assume the best rather than the worst in others. But it also makes me mindful of the fact that there’s misunderstanding, there’s mistrust and there are biases both overt and sometimes hidden that operate in ways that disadvantage minority communities.

And that’s a carryover. There’s a long legacy in this country that has gotten enormously better, but is still there. And when you look at what’s happened in law enforcement across the country over the last several years, um, that’s not news to African-Americans. What’s different is simply that some of it’s now videotaped and people see it.

And the question then becomes, you know, what practical steps can we take to solve this problem?

And I believe that the overwhelming majority of white Americans, as well as African-Americans, want to see this problem solved.

So I have confidence that by surfacing these issues, we’re going to be able to make progress on them…

Read the entire interview transcript here.

The Obamas: How We Deal with Our Own Racist Experiences

People Magazine
2014-12-17

Sandra Sobieraj Westfall

Barack and Michelle Obama (Gillian Laub)

The Obamas open up about raising their daughters, the impact of stereotypes, and what’s on the POTUS dance party playlist.

The protective bubble that comes with the presidency – the armored limo, the Secret Service detail, the White House – shields Barack and Michelle Obama from a lot of unpleasantness. But their encounters with racial prejudice aren’t as far in the past as one might expect. And they obviously still sting.

“I think people forget that we’ve lived in the White House for six years,” the first lady told People, laughing wryly, along with her husband, at the assumption that the first family has been largely insulated from coming face-to-face with racism.

“Before that, Barack Obama was a black man that lived on the South Side of Chicago, who had his share of troubles catching cabs,” Mrs. Obama said in the Dec. 10 interview appearing in the new issue of People.

In a 30-minute conversation, the president and Mrs. Obama candidly added their stories to the national discussion of race and racial profiling that was sparked by the deaths of Michael Brown in Ferguson, Missouri, and Eric Garner in Staten Island, New York.

“There’s no black male my age, who’s a professional, who hasn’t come out of a restaurant and is waiting for their car and somebody didn’t hand them their car keys,” said the president, adding that, yes, it had happened to him…

Read the entire article preview here.

INTERVIEW: Martha S. Jones, University of Michigan Professor

Impolite Conversations
2014-12-10

John L. Jackson Jr., Richard Perry University Professor of Communication, Anthropology, and Africana Studies
University of Pennsylvania

Martha S. Jones, Arthur F Thurnau Professor, Associate Professor of History and Afroamerican and African Studies
University of Michigan

Impolite Conversations is a fascinating collection of essay that captures a set of exchanges between journalist Cora Daniels and cultural anthropologist John L. Jackson, Jr. I make an appearance in Jackson’s chapter titled “All my best friends are light skinned women.” You’ll have to read the book to see how I fare. But check out my brief exchange with John about how I think about the question of skin color today here. This episode is part of their Impolite Conversations Web Series.

View the interview here. Download the interview here.

‘Pelo Malo’ Director Mariana Rondon: Why Her Movie Hits A Nerve

NBC News
2014-11-19

Sandra Guzman

For Latinos born with Afro-textured, curly hair or kinky hair – referred to as pelo malo or “bad hair” in Latin America and the Caribbean – their experiences can be quite intense and in many cases negative, as an Afro-Honduran recently told NBC News Latino contributor Raul A. Reyes.

Precisely because Afro-textured hair holds such a complex, racial history in our home countries, it can be tricky to explore as a topic. But in the skillful hands of Venezuelan director/writer Mariana Rondón, black hair is a window into Latin America’s soul.

The Venezuelan movie Pelo Malo, which opens Wednesday in selected theaters across the country, has generated controversy in Venezuela and grabbed audiences and juries alike. It has already won several awards, including top prize at the San Sebastian Film Festival.

The plot of the film seems simple enough: a nine-year old boy wants to straighten his afro-like hair to look like his favorite pop singer—a Justin Bieber type – for his school picture. His unemployed single mom, who is light skinned, will have none of it; she also worries he might be gay. As the battle between mother and son unfolds, with the backdrop of chaotic modern day Caracas and the child’s paternal black abuela, this brilliant film exposes every layer of modern day Venezuelan society—its negated racism, its beauty queen culture, its urban violence, poverty, its polarized politics, and its deeply rooted homophobia.

NBC News spoke to the Ms. Rondón who is visiting New York for today’s film’s premiere…

…Why black hair?

Black hair serves as a portal. In the beginning, the boy goes to the mirror; the mirror is a window into the most profound part of our identity. We all have that thing we don’t like about us, a nose, a body part. It’s where we begin to recognize ourselves.

In that sense, we all have pelo malo…

Read the entire interview here.

11-2 Insight Dr. Yaba Blay Author of One Drop – Shifting the Lens on Race

Power 99FM, WUSL-FM
Philadelphia, Pennsylvania
2014-10-30

Loraine Ballard Morill, Host

Yaba Blay, Assistant Teaching Professor of Africana Studies
Drexel University, Philadelphia, Pennsylvania

Dr. Yaba Blay author of (1)ne Drop: Shifting the Lens on Race talks about the changing definition of race and whether it matters.

Download the interview here.

Returning to an ‘Impossible’ Role

The New York Times
2014-04-23

Alexis Soloski

Amber Gray on ‘An Octoroon,’ at Soho Rep

Leaning against an upright piano, Amber Gray bent her voice and body to a song’s harmonies — tapping her feet, drumming her fingers, bowing her head, and turtling her chin forward and back.

A restless, dynamic performer, Ms. Gray recently appeared as the scheming Hélène in “Natasha, Pierre and the Great Comet of 1812.” She was now rehearsing for a much more innocent role: the title character of “An Octoroon” by Branden Jacobs-Jenkins.

A disquieting adaptation of Dion Boucicault’s controversial 1859 melodrama, which opens on May 4 at Soho Rep, the play centers on a tragic love affair between the heir to a Louisiana plantation and Ms. Gray’s Zoe. Though raised as a decorous Southern lady, Zoe is one-eighth black, an inheritance that condemns her to the slave auction block.

After her musical rehearsal at the New 42nd Street Studios, Ms. Gray, who has the sort of careless glamour that can make a Baja jacket and acid-washed jeans seem very nearly elegant, retired to a futon in the green room. She spoke with Alexis Soloski about terrifying musicals, biracial identity and playing a difficult scene. These are excerpts from the conversation…

…What was it like to grow up as a biracial child overseas?

I was too young to really understand a lot of it. In the military school systems, kids were mean. People would call me mulatto all the time. My dad was like: “Don’t let people call you that. Say that you’re mixed. Say that you’re biracial.” My parents were really careful with me. They were clear that you can’t separate out the two sides. You’d be denying half of yourself if you did.

Before you became involved with “An Octoroon,” did you read the 1859 version?

I did. I got really emotional reading it. It struck a chord. Most other mixed and biracial people I know have at least one secret or lie in their family, have at least one person who is choosing to pass or is passing and doesn’t even know it. That theme is so common. I have a half sister who didn’t know she was half black until she was 11. I’m interested in telling these stories because it is my family’s history…

Read the entire interview here.

Kathleen López: Chinese Cubans: A Transnational History

New Books in Latin American Studies: Discussions with Scholars of Latin America about Their New Books
2014-11-21

Alejandra Bronfman, Associate Professor of History
University of British Columbia, Canada

Successive waves of migration brought thousands of Chinese laborers to Cuba over the nineteenth and twentieth centuries. The coolie trade, which was meant to replace waning supplies of slaves, was but the first. In the twentieth century, a sugar boom in Cuba facilitated the entry of thousands more. Many of these itinerant workers stayed, and this book uses Chinese and Spanish languages sources and microhistorical methods to trace their lives as they married, raised children, formed associations and ran businesses. Kathleen López‘s book Chinese Cubans, A Transnational History (University of North Carolina Press, 2013) asks questions about belonging and offers a nuanced interpretation of the ways people of Chinese descent could proffer loyalties to Cuba even as they were embedded in transnational Chinese networks. There are surprising stories here, about race, family and work. Next time you encounter a Chinese-Cuban restaurant, you’ll know a little more about how it got there.

Listen to the interview (01:06:29) here. Download the interview here.

Hispanic Or Latino? That Is The Question

Tell Me More
National Public Radio
2009-09-25

Michel Martin, Host

Sept. 15 to Oct. 15 is being celebrated as Hispanic Heritage Month, but the some say the word “Hispanic” should be retired, and would rather be referred to as Latino. Host Michel Martin speaks to four Latinos with varying opinions on the subject — syndicated columnist Ruben Navarrette, Afro-Latino Activist Roland Roebuck, “Ask a Mexican” columnist Gustavo Arellano and Tell Me More Planning Editor Luis Clemens.

I’m Michel Martin, and this is Tell Me More from NPR News. It’s time for our weekly visit to the Barbershop, where the guys talk about what’s in the news and what’s on their minds. And this week, we’re going for a different kind of shape-up than we usually do, you know, switching it up a little bit.

It’s Hispanic Heritage Month, and to mark the occasion, we’ve decided to represent right here in the Barbershop. So sitting in the chairs for a shape-up this week are syndicated columnist Ruben Navarrette, who writes for the San Diego Union-Tribune and CNN.com, Gustavo Arellano, who writes the syndicated column “Ask a Mexican,” community activist Roland Roebuck, and NPR editor Luis Clemens, our own. Welcome to you, and dare I say it? Hola…

…MARTIN: All right. And before we jump into other topics, I have to ask, this being Heritage Month, let’s start with the title itself. Whenever, you know, I have to choose, I always have this little moment, you know, why Hispanic versus Latino Heritage Month? Does it matter? Gustavo, I’m going to start with you because this is actually something you’ve written about and thought about a lot. So Hispanic versus Latino, why? Which?

Mr. ARELLANO: Which one? Honestly for me, it’s whatever people want to call themselves, whatever makes them more comfortable. Some people don’t like either of the labels. They want to call themselves Chicano or Boricua, or whatever their particular labels may be.

The reason why it’s called Hispanic Heritage Month is because it comes from the federal government deciding that hey, guess what? We’re all Hispanics, and this happened – the urban myth is that Richard Nixon was the godfather of Hispanics. That’s what Richard Rodriguez, the noted author said, but it was actually done during the Ford administration. And literally, it was done in the back room of some government hall where they took a poll. Should we call these people Latinos or Hispanic?

So Hispanic won. So in that case, that’s why I don’t like the term Hispanic. I don’t like the government telling me what I should call myself. I’d prefer Latino. But again, if you want to call yourself Hispanic, then God bless you. Or Dios bless you, right?

MARTIN: Okay, why do you prefer Latino?

Ms. ARELLANO: Just because it’s more out of, you know, out of eliminating the other part that I don’t like. So I don’t – I mean, I don’t like Hispanic only for that term, so I’ll use Latino. But me personally, I call myself Naranjedal(ph), a child of, you know, an orange-picker because I come from Orange County, California, and my grandparents were orange-pickers. So that’s what I would call myself, and that’s where – whenever I go across the country, that’s what I tell people I call myself. But, of course, only a very limited amount of people can call themselves that. So if I’m going to express brotherhood with the fellow people that were colonized by the Spaniards or the Portuguese, then I’ll just – I decide to call myself Latino.

MARTIN: Okay. Roland, what about you?

Mr. ROEBUCK: Well, this month should be called White Hispanic Heritage Month, because it allows an opportunity for white Hispanic to display their wares, and it also heightens the invisibility of Afro-Latinos that are seldom given a chance to participate in these national holidays. So we are invisible during the year, more so during White Hispanic Heritage Month.

MARTIN: Why do you say that? And for those who can’t – you consider yourself Afro-Latino.

Mr. ROEBUCK: Yes, yes. But just look at the events. Ever since Celia Cruz died, Roberto Clemente is not around, people are scrambling to find Afro-Latinos to be recognized because they concentrate on two areas.

MARTIN: Now, you prefer Latino, as opposed to – you don’t say Afro-Hispanic.

Mr. ROEBUCK: No. I say – if I’m going to use the Latino, it would be Afro-Latino because I want to acknowledge my Africanness, and I also want to recognize my cultural background, which is Puerto Rican. But I have to use both.

For me, Hispanic refers to white, Spanish-speaking individuals. So the whiter you are, the more inclined you will be to identify yourself as Hispanic. And this is prevalent throughout the Southern region of the United States. If you ask the average person on Columbia Road, do you consider yourself Hispanic? No. They will use a geographic identification…

Read the transcript here. Listen to the story here. Download the story here.