Mixed Race Studies

A Response to Richard Alba’s “The Likely Persistence of a White Majority”

New Labor Forum: A journal of ideas, analysis, and debate
2017-04-28

G. Cristina Mora, Assistant Professor of Sociology
University of California, Berkeley

Michael Rodríguez-Muñiz, Assistant Professor of Sociology and Latina/o Studies
Northwestern University, Evanston, Illinois

Photo Credit: Stephen Phillips

That politics undergirds censuses is a truism. At least since Benedict Anderson wrote Imagined Communities: Reflections on the Origin and Spread of Nationalism in 1983 [1]. scholars have accepted that censuses are both political and scientific enterprises. Census racial classifications are a case in point because they have historically become instituted through political efforts. For example, “Mulatto” became a census classification in 1850 after politicians, alarmed by racial miscegenation, demanded that the Census Bureau enumerate those of black/white parentage [2] More recent ethnoracial categories have arisen as a result of the political efforts championed by community stakeholders. To wit, the Hispanic/Latino classification emerged as Mexican, Puerto Rican, and other community leaders pressured the Census Bureau for official recognition during the 1970s [3] And if a Middle Eastern/North African category is added to the next census in 2020, as is predicted, it will be because activists, academics, and others have lobbied over two decades for its inclusion. In effect, rather than reflecting an existing reality, all census racial categories emerge, or are negotiated, in such a political fashion—none exists in nature.

Despite the political origins of our official racial and ethnic categories, lay and academic prognostications about the country’s demo- graphic future rarely take politics seriously.

Take, for example, sociologist Richard Alba’s provocative commentary published in The American Prospect, “The Likely Persistence of a White Majority.”…

Read the entire article here.

A Young Latino Arab American Throws His Hat in Congressional Ring

NBC News
2017-04-20

Brian Latimer, Assistant Producer

Ammar Campa-Najjar, 28, of Latino and Palestinian descent hopes he can unseat a long-term Republican representative in California’s District 50. Courtsey of Ammar Campa-Najjar

A young, American-born man of Latino and Arab heritage decided to throw his hat in the political ring after working as a community activist and in the Obama administration.

Ammar Campa-Najjar, 28, announced his candidacy Thursday in the hopes of unseating a long-term Republican representative in California’s District 50 in 2018.

Campa-Najjar is the fifth Democrat entering a crowded battlefield that includes Josh Butner, Pierre “Pete” Beauregard, Patrick Malloy and Gloria Chadwick. He hopes his experience as a community organizer during former Pres. Barack Obama’s second presidential campaign will give him an advantage.

Campa-Najjar, whose mother is Mexican American and whose father is Palestinian American, says he spent a lot of time speaking to Hispanic voters in his district to get them to the polls. In 2012, the district voted for Obama, but four years later did not show support for Hillary Clinton…

Read the entire article here.

Mexican Is Not a Race

The New Inquiry
2017-04-06

Chris Chen and Wendy Trevino

Poet Wendy Trevino argues that a radical new Chicanx politics means forging an identity based on shared political struggle, not myths of racial homogeneity–an idea rooted in anarchist struggles along the Texas-Mexican border a century ago

WITH the recent publication of a chapbook of sonnets, Brazilian Is Not a Race, poet Wendy Trevino excavates a history of racial violence at the borders of the U.S. and beyond. The chapbook also describes a childhood spent in the Rio Grande Valley where the narrator is pressured to internalize the social hierarchies that organize daily life in Harlingen, Texas.

Blurring boundaries of polemic and historical description, the poems trace the roots of these social divisions through the legacy of murderous state and settler border violence. But Trevino balances this account with a less familiar counter-history of militant Tejano resistance, embodied in figures like anarcho-syndicalist Ricardo Flores Magón. By presenting both histories, the work shows how border-making congeals racist “commonsense” assumptions over time, and also interrogates fundamentally anti-black and anti-indigenous Latin American state programs to cultivate cultural unity through “race mixing.” Attentive to the emergence of racial hierarchies out of a history of enslavement and the Spanish and English colonization of the Americas, Trevino’s writing returns to an unsettled past where unity is not a precondition for political action, but a product of it…

…CHRIS CHEN. I know Vasconcelos and Gloria Anzaldua have different understandings of the political implications of miscegenation. I’m reminded here of critic Jared Sexton’s account of how Vasconcelos’s version of mestizaje preserves an anti-black and anti-indigenous racial order as a “dream of unequivocally hierarchical global integration” whose “eugenicist impulses and implications are unavoidable, casting long shadows over whatever limited threats it presents to the ‘ethnic absolutism’ of Anglo-Saxon white supremacy.”

WENDY TREVINO. During “nation building” in both Mexico and Brazil, elites promoted strong mestizaje ideologies that imagined the prototypical citizens of each country to be mixed-race, although the imagined mix was different in each country. To say a country or place is racially homogenous because everyone’s a “mix” of the same peoples is to acknowledge existing racial divisions without acknowledging the racial hierarchies from which they stem, and as long as there are prisons, plantations, maquiladoras, favelas, etc., one can only ignore these hierarchies and their relation to the racialization of peoples. This conception of mestizaje can also erase whole groups of people, which became clear to me when I returned to Gloria Anzaldua’s Borderlands and the story of Malinche…

Read the entire interview here.

“Blaxicans of LA” challenges racial binaries and unpacks the complexities of intersectional identity

The Occidental Weekly
Los Angeles, California
2017-04-04

Mallory Leeper

Photograph by Walter Thompson-Hernández

Walter Thompson-Hernández, multimedia journalist and current doctoral student at UCLA, visited Occidental College Monday, March 27 to discuss his research, which aims to bridge the gap between academia and photography and popular culture. Thompson-Hernandez’s lecture explored the historical framework of brown and black relations including anti-black sentiments within the Latinx community. Thompson-Hernández sought to highlight the experiences of Angelenos facing issues of racial classification and assumed singular ethnic identity.

The Latino/a & Latin American Studies department at Occidental College and the Institute for the Study of Los Angeles (ISLA) co-sponsored the Blaxicans of LA lecture in Fowler 202. As a part of their spring speaker series, Professor Raul Villa, department chair, explained that the event is a part of an educational and promotional campaign to bring awareness about the stdy of Latinxs across the hemisphere to Occidental. According to Villa, Latinx representation is an important component in a global education.

Three years ago, Thompson-Hernández started the Instagram page Blaxicans of LA to address the complexity of intersectional experiences — especially those of “Blaxican,” a combination of African and Mexican heritage…

Read the entire article here.

Mestizos Come Home! Making and Claiming Mexican American Identity

University of Oklahoma Press
2017
336 pages
Illustrations: 8 color illus.
6″ x 9″
Hardcover ISBN: 9780806157191

Robert Con Davis-Undiano, Neustadt Professor and Presidential Professor of English
University of Oklahoma

Uruguayan writer Eduardo Galeano has described U.S. and Latin American culture as continually hobbled by amnesia—unable, or unwilling, to remember the influence of mestizos and indigenous populations. In Mestizos Come Home! author Robert Con Davis-Undiano documents the great awakening of Mexican American and Latino culture since the 1960s that has challenged this omission in collective memory. He maps a new awareness of the United States as intrinsically connected to the broader context of the Americas. At once native and new to the American Southwest, Mexican Americans have “come home” in a profound sense: they have reasserted their right to claim that land and U.S. culture as their own.

Mestizos Come Home! explores key areas of change that Mexican Americans have brought to the United States. These areas include the recognition of mestizo identity, especially its historical development across the nineteenth and twentieth centuries; the re-emergence of indigenous relationships to land; and the promotion of Mesoamerican conceptions of the human body. Clarifying and bridging critical gaps in cultural history, Davis-Undiano considers important artifacts from the past and present, connecting the casta (caste) paintings of eighteenth-century Mexico to modern-day artists including John Valadez, Alma López, and Luis A. Jiménez Jr. He also examines such community celebrations as Day of the Dead, Cinco de Mayo, and lowrider car culture as examples of mestizo influence on mainstream American culture. Woven throughout is the search for meaning and understanding of mestizo identity.

A large-scale landmark account of Mexican American culture, Mestizos Come Home! shows that mestizos are essential to U.S. national culture. As an argument for social justice and a renewal of America’s democratic ideals, this book marks a historical cultural homecoming.

EXCLUSIVE: Bruno Mars Opens Up About the Loss of His Mother

Latina
2017-01-30

Jesus Trivino

Photographs by John Russo

MR. EVERYTHING

Bruno Mars redefines what it means to be a Latino man.

BRUNO MARS DOESN’T WALK; HE GLIDES.

It’s as if he’s perpetually ready to perform a Motown-style choreography set in front of tens of millions watching the Super Bowl (which he has done twice in the past four years)—even easing his way into a suburban L.A. pizza parlor, where moments earlier, his sexy, chart-topping 2012 hit, “Locked Out of Heaven,” was on blast, as if anticipating his appearance. Mars just has that aura. His outfit is straight Fania-era salsa/blaxploitation swag—Gucci cap over his curls; sunglasses; an open shirt, floral and teal; tan shorts; dress shoes (no socks, to accentuate those smooth legs); and minimal gold jewelry. He orders a plain slice, which he sprinkles with garlic powder, and a root beer. It’s obviously a joint he frequents, since he knows all the fellas by name, and the workers aren’t taken aback by the superstar in their midst. He walks to an open booth, wolfs down his food, controlling his urge to eat six more slices, he jokes, and proceeds to be the smoothest cat to ever have lunch at an old-school checkered-tablecloth pizzeria.

Mars learned about charm, confidence, and estilo early in life. “My whole sense of rhythm is because my dad was teaching me bongos as a kid,” he says of his father, Pedro Hernandez. “He’s an old-school working musician, so that’s where the pinky rings come from, the patent-leather shoes, the suits, and the pompadour. It all stems from watching my father. I remember at the time, me and my sisters would be a little embarrassed when he would take us to school in his big-ass Cadillac. No one had

Cadillacs in Hawaii. But my dad would show up in some boat-looking Caddy wearing some silky shit, and we’d run out into the car as soon as possible. And here I am wearing the swap-meet gold, driving Cadillacs,” he says with a laugh…

…But before he was Bruno Muhfuckin’ Mars, he was E-Panda’s lil’ bro, Peter Hernandez, born and bred in Hawaii to a beautiful Filipina and Spanish mom and Puerto Rock and Jewish papi from Brooklyn. His childhood musical career is well-documented on YouTube— at 4, he was the cutest Elvis Presley impersonator ever, performing with his family for oohing-and-ahhing tourists in Waikiki. As the years passed and his skills developed, Mars found himself dealing with racial-identity issues in the multicultural 50th state. “Growing up in Hawaii, there are not too many Puerto Ricans there,” says Mars, “so because of my hair, they thought I was black and white.”

The idea of not being easily categorized is something Mars has dealt with his entire life. When he moved to Los Angeles at 18 to make a serious go in the music industry, record label executives asked, “What are you? Are you urban? Are you Latin?”

“There are a lot of people who have this mixed background that are in this gray zone,” he says, leaning forward to make his point. “A lot of people think, ‘This is awesome. You’re in this gray zone, so you can pass for whatever the hell you want.’ But it’s not like that at all. It’s actually the exact opposite. What we’re trying to do is educate people to know what that feels like so they ’ll never make someone feel like that ever again. Which is a hard thing to do. Because no one can see what we see and no one can grow up with what we grew up with. I hope people of color can look at me, and they know that everything they’re going through, I went through. I promise you.”…

Read the entire article here.

Gender, race and prejudice

Skidmore College
Saratoga Springs, New York
2017-03-20

Leigh Wilton

“As an experimental social psychologist, I’m interested in how people see each other and how that affects their interactions,” says Leigh Wilton, who joined Skidmore’s psychology faculty last year. Her work focuses on race and gender. “People have expectations about gender and race,” she says, “but what happens when they encounter challenges to those beliefs, such as people who have mixed-race or nontraditional gender identities? What are the consequences, in terms of interpersonal and group relations, of the assumptions we hold?”

The essentialist school of thought holds that these identities are mostly in-born and immutable, rather than socially constructed and learned. But as Wilton points out, there’s no support for a scientific concept of race, and she asks, “If people see racial traits as genetically hard-wired, what do they think when they meet people of mixed-race parentage?

For Wilton, it’s more than academic. With a Latina mother and white father, she grew up with a natural curiosity about what social identities really mean and also with a drive to test ways of improving social interactions across difference…

Read the entire article here.

On the Usefulness of Hispanic Heritage Month

American Mestiza: Living In Between the In Between
2016-10-15

Sarah A. Chavez, Visiting Assistant Professor of English
Marshall University, Huntington, West Virginia

This fine fall day – and it is a fine fall day: sunny, the leaves are changing and floating softly to the ground in a light breeze, it’s not hot – is the last day of Hispanic Heritage Month. I have mixed feelings about Hispanic Heritage Month, the same way I do about Women’s History Month, and African American History Month. If we just lived in a world that held the accomplishments of Latinxs, women, and African Americans in the same esteem as Anglo Americans, and if we had more fair representation in U.S. text books, we wouldn’t need these token months. Largely, months like these end up being used to assuage liberal guilt for the rest of the year when no one is held accountable for the monolithic literature, art, history, sociological perspective teachers assign. These are the special months where a teacher brushes the dust off their copy of Martin Luther King Jr.’s “I Have A Dream” speech and shows their students art by Diego Rivera and Frida Kahlo (even though they are solidly Mexican and therefore not “Latina/o” or “Hispanic”), and talks about how in the 1940s women got to put on pants and tie up their hair in red kerchiefs and that was very empowering…

Read the entire article here.

The Signifyin(g) Saint: Encoding Homoerotic Intimacy in Black Harlem

Black Perspectives
2017-03-14

James Padilioni Jr, Ph.D Candidate and Teaching Fellow in American Studies (Africana-affiliated)
College of William and Mary, Williamsburg, Virginia

On June 25, 1942, Edward Atkinson arrived at 101 Central Park West to sit for a photo shoot in the home studio of Carl Van Vechten. Van Vechten, author of the infamous 1926 novel Nigger Heaven, was a white patron of the Harlem Renaissance and amateur photographer who took hundreds of photographs of Black Harlem’s who’s who such as Paul Robeson, Billie Holiday, and James Weldon Johnson. Atkinson, an off-Broadway actor no stranger to playing a role, transformed himself into Martin de Porres (1579-1639), a Peruvian friar who became the first Afro-American saint when the Vatican canonized him in 1962 as the patron of social justice. I trace Martin’s iconography and ritual performances across Black communities in Latin and Anglo America to reveal the historical relations of power that structure and materialize the networks harnessed by Black peoples to mobilize resources in their varied yet persistent efforts to create meaningful lives out of the fragments of the Middle Passage…

Read the entire article here.

Orange Is the New Black Dives into Latinx Identity Politics

The Outtake
2016-11-07

Rebecca Bodenheimer

Maria Ruiz (Jessica Pimentel) and Gloria Mendoza (Selenis Leyva)

The series treats relations between Dominicans, Mexicans, and Puerto Ricans with a level of nuance uncommon in mainstream media

The fourth season of Orange Is the New Black (2013 — ) has a lot to say about inter-ethnic hostility within the Latinx community. The episode “Power Suit” (4.2) dives most deeply into these conflicts, treating relations between New York Dominicans, Mexicans, and Puerto Ricans with a level of nuance and depth uncommon in mainstream media.

In “Power Suit,” we learn via flashbacks that inmate Maria Ruiz (Jessica Pimentel) does not have an easy relationship with the Dominican nationalism her father tried to inculcate in her. We see her reject the ethnocentrism of her father, which is primarily directed at the new waves of Mexican immigrants whom he sees as attempting to take over “Dominican” territory in New York…

…Because Latin American countries have historically included a mixed-race category in their official population counts, many Latinx draw a hard and fast line between mestizo/mulato (mixed race) and negro (black). This presents a major contrast with racial categorization in the U.S., so shaped by the “one-drop” rule that lumps everyone with African ancestry together as “black.”

Afro-Latinx have only begun to be recognized in recent decades as a distinct population group in many countries, such as Mexico, Peru, and Colombia. Thus, to delve into the racial politics of Latinx identity and give this issue some airplay is not a small feat…

Read the entire article here.