Mixed Race Studies

17 Of The Most Powerful Things Latinos Said In 2015 That Got Us Thinking

The Huffington Post
2015-12-22

Carolina Moreno, Latino Voices Editor

Diversity, immigration, feminism and more — these celebrities covered it all.

Latinos gave us plenty to think about in 2015, and it’s time to revisit some of the best mic drop moments of the year.

From pointing out Hollywood’s lack of diversity to exemplifying the importance of redefining masculinity, there was no shortage of food for thought from wise Latinos. Take a look at what John Leguizamo, Zoe Saldana, America Ferrera, Gina Rodriguez and many more Latinos said that really got us thinking in 2015…

Read the entire article here.

Houston Bound: Culture and Color in a Jim Crow City

University of California Press
November 2015
320 pages
Hardback ISBN: 9780520282575
Paperback ISBN: 9780520282582

Tyina Steptoe, Assistant Professor of History
University of Arizona

Beginning after World War I and continuing throughout the twentieth century, Houston was transformed from a black-and-white frontier town into one of the most ethnically and racially diverse urban areas in the United States. Houston Bound draws on social and cultural history to show how, despite Anglo attempts to fix racial categories through Jim Crow laws, converging migrations—particularly those of Mexicans and Creoles—complicated ideas of blackness and whiteness and introduced different understandings about race. This migration history is also a story about music and sound, tracing the emergence of Houston’s blues and jazz scenes in the 1920s as well as the hybrid forms of these genres—like zydeco and Tejano soul—that arose when migrants forged shared social space and carved out new communities and politics. Houston’s location on the Gulf Coast, poised between the American South and the West, yields a particularly rich examination of how the histories of colonization, slavery, and segregation produced divergent ways of thinking about race.

This interdisciplinary book provides both an innovative historiography about migration and immigration in the twentieth century and a critical examination of a city located in the former Confederacy.

Blaxican: The Revolutionary Identity of Black Mexicans

teleSUR
2015-07-29

“The Afro-Latino term felt like home. There was finally a term that described what all of this was. It was a group of people who felt like I was feeling. I was finally able to identify with a group of people and it was a relief.”

Walter Thompson-Hernandez shares with teleSUR English the often-forgotten faces and stories of Black Mexicans, or Blaxicans, in the United States.

Walter Thompson-Hernandez often sees a reflection of himself in the stories his camera captures. Boldly staring into the lens of his camera, Black Mexican, or Blaxican, men and women slowly unveil a bit of themselves to him.

“I ethnically identify as Afro-Mexican. Racially, I embrace my Blackness as here in LA that is typically how I am read and what my experience is,” reads one of the photo stories now available on Instagram gallery known as “Blaxicans of Los Angeles.”

“The identity of Afro-Mexican acknowledges my African roots as well as the land we live on, though claimed by America, belongs historically to indigenous Mexican peoples.”

As the child of an African-American father and a non-black Mexican mother, the stories resonate with Thompson-Hernandez who started the Instagram page as an academic research project for the University of South Carolina, but found himself personally drawn to the project to understand the complexities of race and ethnicity in a country that often sees both as one and the same thing…

Read the entire article here.

Afro-Latinas Work for Cultural Survival

teleSUR
2015-03-20

Mai’a Williams
Quito, Ecuador

In recent years, there has been a resurgence of Afro-Latino youth in the U.S. rooting themselves, their families and their communities in their African heritages as a way to create cultures of resistance to the dominant narratives of colonization and white supremacy.

These movements have been for the most part led by Afro-Latina women who live within the intersections of oppression, gender, class, race, and immigration. They take inspiration from the past, as well as the future. And they work to co-create cultures that can fight against the overwhelming tide of erasure of their own African diasporic existences.The work of embracing Afro-Latino identity is a work for cultural survival and connection.

The U.S. Census Bureau reported that in 2010, 2.5 percent of the 54 million Latinos living in the United States co-identified as black. Many Latinos say that number is a significant undercount. Nicholas Jones, chief of the Bureau’s Racial Statistics Branch said, “I believe that what we’re hearing from the Afro-Latino community is that they do not believe that those numbers accurately illustrate the Afro-Latino community presence in the United States, and that’s the dialogue that we’re having.”

In the same census, over half of Latinos also identified themselves as white and 36 percent marked themselves as “some other race.”…

Read the entire article here.

Shades of Race: How Phenotype and Observer Characteristics Shape Racial Classification

American Behavioral Scientist
Published online before print 2015-10-28
DOI: 10.1177/0002764215613401

Cynthia Feliciano, Associate Professor of Sociology; Associate Professor of Chicano/Latino Studies
University of California, Irvine

Although race-based discrimination and stereotyping can only occur if people place others into racial categories, our understanding of this process, particularly in contexts where observers categorize others based solely on appearance, is limited. Using a unique data set drawn from observers’ assessments of photos posted by White, Black, Latino, and multiracial online daters, this study examines how phenotype and observer characteristics influence racial categorization and cases of divergence between self-identities and others’ classifications. I find that despite the growth in the multiracial population, observers tend to place individuals into monoracial categories, including Latino. Skin color is the primary marker used to categorize others by race, with light skin associated with Whiteness, medium skin with Latinidad, and, most strongly, dark skin with Blackness. Among daters who self-identify as Black along with other racial categories, those with dark skin are overwhelmingly placed solely into a Black category. These findings hold across observers, but the proportion of photos placed into different racial categories differs by observers’ gender and race. Thus, estimates of inequality may vary depending not only on how race is assessed but also on who classifiers are. I argue that patterns of racial categorization reveal how the U.S. racial structure has moved beyond binary divisions into a system in which Latinos are seen as a racial group in-between Blacks and Whites, and a dark-skin rule defines Blacks’ racial options.

Read or purchase the article here.

You may not know it — but if you speak Spanish, you speak some Arabic too

PRI’s The World
Public Radio International
2015-10-15

Joy Diaz, Reporter

Rihab Massif, originally from Lebanon, was my daughter’s preschool teacher in Austin. As a little girl, Camila, my daughter, spoke mostly in Spanish. And Massif remembers a day when Camila was frustrated because she couldn’t remember a word in English.

“She was telling me about her camis,” Massif says.

Camisa is the word in Spanish for “shirt,” and Massif understood it perfectly because camis means the same thing in Arabic.

“And I was like ‘Oh! There are some words related to Arabic,’” she says.

To see just how many, Massif and I did an exercise. I’d say a word in Spanish, and she’d say it back in Arabic.

“Aceite?”

“We say ceit,” Massif says.

“Guitarra?”

“We say guitar.”

Now that I am aware, it seems like I hear Arabic words everywhere…

…Linguist Victor Solis Parejo from the University of Barcelona in Spain says part of the language Spanish speakers use comes from a legacy of the Moorish influence. “Moors” was the name used to refer to the Arabic-speaking group from North Africa that invaded what would become Spain back in the eighth century. Their influence lasted about 700 years and is still visible today.

“Especially if you travel [in the] south of Spain­. For example in Merida, in the city where I was born, we have the Alcazaba Arabe, an Arabic fortification,” Parejo says. “So, you can see that in the cities nowadays, but you can also see that Islamic presence, that Arabic presence in the language.”…

Read the story here. Listen to the story here. Download the story here.

Q&A with Miriam Jiménez Román

Los Afro-Latinos: A Blog Following the Afro-Latino Experience
2012-03-30

Kim Haas

In February, Latina magazine listed “6 Afro-Latinas Who Are Changing the World.” Naturally, Miriam Jiménez Román was second on the list.

Her work as a writer, professor and head of the Afro-Latin@ Forum has educated the world about the Afro-Latin experience and made her an authority on the subject. Her latest work, The Afro-Latin@ Reader: History and Culture in the United States, has been hailed for critics for its diverse portrait of Black Latinos in America.

Jiménez sat down to speak with Los Afro-Latinos about the book, Afro-Latinos in the media and bridging the gap between African Americans and Latinos.

Los Afro-Latinos: Why did you publish The Afro-Latin@ Reader?

Miriam Jiménez Román: After the 2000 Census was released [the mainstream media], basically posed Latinos and African-Americans in a Black vs. Brown dynamic. And it gave the sense that the [United States] was evolving into this post racial state and we didn’t really have to talk about race anymore. Latinos didn’t have a concern about race because the Census says Latinos, the largest minority group, can be of any race and this is a demonstration of overcoming race in [the United States]. My co-editor [Juan Flores] and I and a number of other people were appalled by that kind of analysis.

First, we’re not in a post racial state. Race is still a very important part of how all of us – globally – live our lives. African-Americans and Latinos need to get together, create change that will benefit not just Latinos and African-Americans but all people of color…

Read the entire interview here.

African American Exceptionalism and the Truth Behind the Rage over Zoe Saldaña Playing Nina Simone

Upliftt: Latinos in Film, TV and Theater
2015-11-09

William Garcia

In a recent article from the Huffington Post, Zoe Saldaña talks about the Nina Simone biopic that has been controversial all over the Black blogospheres. Saldaña said: “the people behind the project weren’t my cup of tea.” She also said, “the director was fine but there was a lot of mismanagement.”

On June 11th 2015, during an InStyle magazine interview, Zoe Saldaña said: “I think I was right for the part, and I know a lot of people will agree, but then again I don’t think Elizabeth Taylor was right for Cleopatra either.” Those comments may seem, in a sense, post-racial, especially after defending African-American actor, Michael B. Jordan, for playing the Human Torch in the Fantastic Four Film.

The Black Movement in the United States has only paid a particular attention to blackness—leaving out Afro-Latinos as “not being really black.” Being Black in the U.S is equated with being African-American in a time where there is a continuous migration from Africa, the Caribbean and Afro-Latin America. The Black Movement in the U.S invisibilizes Afro-Latinos amongst other Afro-descendants in a time when all Black Lives Should Matter. Many African-Americans in the U.S created a controversy over Zoe Saldaña playing Nina Simone. There were several articles published infuriated with her allegedly “playing a blackface” and being a self-loathing Dominican–although most of these articles also forget she is half Puerto Rican. During a Hip-Hollywood.com interview, Zoe Saldaña clearly states she identifies as a Black woman, but that comment was omitted from many conversations…

Read the entire article here.

Check Both! Afro-Latin@s and the Census

NACLA: Reporting on the Americas Since 1967
2010

Miriam Jiménez Román

Earlier in 2010 a series of public service announcements circulated on the Internet in anticipation of the U.S. Census. The three short videos, produced and disseminated by the afrolatin@ forum, a New York–based educational nonprofit, urged Latin@s to identify both racially and ethnically, to “Check Both” on the census form. Targeting Black Latin@s, the campaign sought to challenge the prevailing notion of Latin@s as uniquely exempt from standard racial categories. By claiming both national origins and Black identity, Afro-Latin@s assert the continuing significance of race, both within Latin@ communities and in the broader society. At the very least, being counted on the census as Black and Latin@ brings attention to a social group that has long been invisible and subject to ongoing social and political marginalization…

…Latin@s may well be the only social group in the world who so emphatically insist on their ethnoracial mixture. But even as mestizo, or mixed identity—expressed variably as raza, “rainbow people,” or “mutts”—is a commonplace collective designation, Latin@s are also understood to be “of any race.” This apparent contradiction can be traced to the convergence of two seemingly distinct racial formations. On the one hand, the national ideologies of our countries of origin emphasize racial mixture and equate it with racial democracy—even as whiteness continues to be privileged, and indigenous and African ancestry are viewed as something to be overcome or ignored. On the other hand, in the United States Latin@s have been allocated an ambiguous racial middle ground that invisibilizes those too dark to conform to the mestizo ideal, while simultaneously distancing them from other communities of color, particularly African Americans…

Read the entire article here.

Once unknown, story of WWII Latino Tuskegee Airman uncovered

Fox News Latino
2015-11-20

Bryan Llenas, National Correspondent

Among the legendary Tuskegee Airmen, America’s first African-American military air squadron which heroically fought in World War II, was a little known about Hispanic pilot named Esteban Hotesse.

Born in Moca, Dominican Republic, but a New Yorker since he was 4 years old, Hotesse served with the Tuskegee Airmen for more than three years before he died during a military exercise on July 8th, 1945. He was just 26.

As a black Dominican, Hotesse was a part of a squadron credited for single-handedly tearing down the military’s segregation policies, while helping to change America’s perception of African-Americans during the Jim Crow era.

Enlisted on February 21, 1942 Hotesse was part of the 619 squadron of the 447 bombardment group known as the Tuskegee Airmen. Though his squadron never flew in combat, he took part in the battle for civil rights at home…

Read the entire article here.