Mixed Race Studies

Strip Clubs and the Sociology of Racism

Blackfeminisms.com: Centered on feminism & Women of the African Diaspora
May 2017

Melissa C. Brown

Strip clubs and sex work in general have long been studied by feminist scholars. There are two debates in feminism about sex work: radical feminists believe all sex work is exploitation within a patriarchal society. Radical feminists claim sex work exploits all women. Contemporary feminists believe sexual agency does exist. They emphasize empowerment and sexual agency within sexual economies, claiming women can take control in the sex industry. Feminists who argue for a more complicated position suggest focusing on sex workers right transnationally by analyzing both oppression and empowerment for women.

Sociologist Siobhan Brooks studied racial stratification in strip clubs in her 2010 Sexuality Research and Social Policy article:

These debates largely overlook structural racism within the sex industry that makes it difficult for women of color to maximize the benefit of the empowering aspects of sex work sex radical feminists underscore and produces problems not addressed by radical feminists, because sex work in and of itself is often not viewed as a problem by women of color but rather lack of decent shifts, safety, and better monetary gain…

…Taking Black Feminist Thought to the Strip Club

Brooks builds her argument on Patricia Hill Collins’s concept of controlling images. According to Collins, Black women face four: the mammy, the matriarch, the welfare mother and the Jezebel. Jezebel emerged during slavery. Collins argues mass media helps spread these racial ideologies. Black women are defined as sexually aggressive and more sexually available.

Brooks uses ethnography, fieldwork, and participant-observation for the study by interviewing 12 Black and Latina women aged 19 to 45 from NYC and Oakland. According to Brooks, dancers express having to manage racism as men offer money to White women over women of color, leading them to earn less. Some conceal their racial identity or engage in racial passing. Mixed women express being able to perform multiple ethnicities for customers. Darker women have to perform extra emotional labor…

Read the entire article here.

My Skin Is Black, My Name Is Latino (AfroLatinidad As a Layered Blackness)

Medium
2017-07-06

Jose Vilson
New York, New York

A younger me during one of my last visits to the Basílica Catedral Nuestra Señora de la Altagracia, Dominican Republic

I love jumping into cabs in Washington Heights for two reasons: the driver is almost always Dominican (as in Dominican Republic) and the driver is almost always surprised I can speak Spanish. He can have similar facial features, see the waves in my curly hair, and listen to the same music I have on my smartphone. It never matters. The second question is, “Wait, you’re Dominican? What barrio is your mom from?” I tell them the barrio and the cross-streets, and they get vexed. We exchange pleasantries, barbs about the way our music used to be, and elongated vowels before they finally drop me off at my destination.

Something about my blackness wouldn’t allow them to embrace theirs…

Read the entire article here.

‘Spider-Man: Homecoming’ Having A Biracial Love Interest For Peter Is Monumental

Bustle
2017-07-07

Olivia Truffaut-Wonga

Sony Pictures Releasing

Spider-Man: Homecoming isn’t just bringing Spider-Man back into the Marvel Cinematic Universe — it’s bringing diversity with it. Not only is a huge chunk of the movie’s supporting cast not white, but Homecoming provides the MCU with the universe’s first prominent women of color, Liz (Laura Harrier) and Michelle (Zendaya). Moreover, with Liz, Spider-Man: Homecoming introduces Marvel’s first biracial love interest. Yes, for the first time in the entire MCU, the white hero is involved in an interracial relationship, and this could not be more important when it comes to the representation of women of color on-screen.

You see, Homecoming marks the first MCU film with two prominent female characters of color and two prominent biracial characters. This distinction might sound unimportant, but to the many biracial fans out there, it actually means a lot, because it expands diversity in the MCU beyond easily defined ethnic boxes. In big studio movies, biracial characters are rare, and tend to appear only when being biracial is a part of the story. For the most part, major films stick to easily defined ethnic categories — black, white, Asian, Latinx, etc. The fact that Homecoming has two biracial female supporting characters and doesn’t make their race part of their storyline is monumental, not just for Marvel, but for Hollywood overall…

Read the entire article here.

Tanya Hernández Appears on Howard Jordan Radio Show

Fordham Law News: From New York City To You
2017-06-12

Tanya K. Hernández

Professor Tanya Hernández appeared on the Howard Jordan radio show where she discusses the 50th anniversary of the Supreme Court’s unanimous decision in Loving v. Virginia, which invalidated laws prohibiting interracial marriage.

“…Pew research center report that came out in May 18th … one data point in particular pointed out was that since this 1967 decision that intermarriage rates amongst newlyweds had increased five times…and the driving force behind the increase [five times]are Latinos…Latinos marrying whites, it represents 42% of intermarriage in United States…The data point doesn’t tell us about what kind of Latinos?…We have racial identity as well… To tell me Latinos are marrying whites does’t tell me anything about racial progress…”

The ‘Father of Black History’ Was Afro-Puerto Rican

Latino USA
National Public Radio
2017-06-30

Janice Llamoca, Digital Media Editor
Futuro Media Group

There’s a building in Harlem that houses, some say, the largest collection of Black history in the world. At the Schomburg Center for Research in Black Culture, you can see and touch original documents like the Malcolm X papers and the Nate King Cole papers. The center also holds specialized exhibits, film screenings, and panel discussions.

The center is named after Arturo Schomburg, also known as the “Father of Black History,” who sold his personal collection of books, pamphlets, manuscripts, and data to the New York Public Library in 1926…

Listen to the story (00:09:28) here.

Race and Ethnicity: Constancy in Change (First Edition)

Cognella Academic Publishing
2017
372 pages
Paperback ISBN: 978-1-63487-489-2

Edited by:

Milton Vickerman, Associate Professor of Sociology
University of Virginia

Hephzibah V. Strmic-Pawl, Assistant Professor of Sociology
Manhattanville College, Purchase, New York

Race and Ethnicity: Constancy in Change uses both classic readings and new research on contemporary racial inequality to create a logical progression through the primary issues of race and ethnicity.

The nine sections discuss the history of race and racism, define major concepts, and analyze how and why inequality persists. In addition to the readings, the anthology features introductions that frame each section’s readings, key terms with which students should be familiar, learning objectives for each section, and Reflect and Consider inquiries designed for each reading. Each section ends with a Highlight that showcases a contemporary racial trend in the news. The sections are also supplemented by Read, Listen, Watch, Interact! features, which supply easily accessible links to complementary readings, audio stories, videos, and interactive websites. The book concludes with Investigate Further, a list of readings for those who wish to delve deeper into a particular topic.

Race and Ethnicity enables students to grasp the fundamentals of race and racism and encourages them to engage in conversations about them. Ideal for sociology programs, the anthology is well-suited to courses on race and ethnicity.

Table of Contents

• RACE & ETHNICITY: WHY IT MATTERS / MILTON VICKERMAN AND HEPHZIBAH V. STRMIC-PAWL
• KEY TERMS
• PART 1 THE FOUNDATIONS OF RACE
  • READING 1.1 Race BY PETER WADE
  • READING 1.2 AAA Statement on Race BY AMERICAN ANTHROPOLOGICAL ASSOCIATION
  • HIGHLIGHT: Eugenics are Alive and Well in the United States BY PAUL CAMPOS, TIME
• PART 2 THE SOCIAL CONSTRUCTION OF RACE
  • READING 2.1 Immigrants and the Changing Categories of Race BY KENNETH PREWITT
  • READING 2.2 The Theory of Racial Formation BY MICHAEL OMI AND HOWARD WINANT
  • HIGHLIGHT: Why Do So Many Americans Think They Have Cherokee Blood: The History of a Myth BY GREGORY D. SMITHERS, SLATE
• PART 3 STRUCTURING AMERICAN IDENTITY THROUGH IMMIGRATION
  • READING 3.1 The United States: A Nation of Immigrants BY PETER KIVISTO
  • READING 3.2 The Three Phases of US Bound Immigration BY ALEJANDRO PORTES AND RUBEN RUMBAUT
  • READING 3.3 The Ideological Roots of the “Illegal” as Threat and the Boundary as Protector BY JOSEPH NEVINS
  • READING 3.4 Segmented Assimilation Revisited: Types of Acculturation and Socioeconomic Mobility in Young Adulthood BY MARY C. WATERS, VAN C. TRAN, PHILIP KASINITZ, AND JOHN H. MOLLENKOPF
  • READING 3.5 Immigration Patterns, Characteristics, and Identities BY ANNY BAKALIAN & MEHDI BOZORGMEHR
  • READING 3.6 The Reality of Asian American Oppression BY ROSALIND CHOU AND JOE FEAGIN
  • HIGHLIGHT: Future Immigration Will Change the Face of America by 2065 BY D’VERY COHN, PEW RESEARCH CENTER
• PART 4 RACISM: THEORIES FOR UNDERSTANDING
  • READING 4.1 The Nature of Prejudice BY PETER ROSE
  • READING 4.2 Racism without Racists: “Killing Me Softly” with Color Blindness BY EDUARDO BONILLA-SILVA AND DAVID G. EMBRICK
  • READING 4.3 Colorstruck BY MARGARET HUNTER
  • READING 4.4 The White Supremacy Flower: A Model for Understanding Racism BY HEPHZIBAH V. STRMIC-PAWL
  • READING 4.5 Family Law, Feminist Legal Theory, and the Problem of Racial Hierarchy BY TWILA L. PERRY
  • HIGHLIGHT: Yes, All White People Are Racists— Now Let’s Do Something About It BY TIM DONOVAN, ALTERNET
• PART 5 STRUCTURED RACIAL INEQUALITY
  • READING 5.1 The American Dream of Meritocracy BY HEATHER BETH JOHNSON
  • READING 5.2 Racial Orders in American Political Development BY DESMOND S. KING AND ROGERS M. SMITH
  • READING 5.3 Migration and Residential Segregation BY JOHN ICELAND
  • READING 5.4 “White, Young, Middle Class”: Aesthetic Labor, Race and Class in the Youth Labor Force BY YASEMIN BESEN-CASSINO
  • READING 5.5 Why Both Social Structure and Culture Matter in a Holistic Analysis of Inner-City Poverty BY WILLIAM JULIUS WILSON
  • HIGHLIGHT: Nine Charts About Wealth Inequality in America BY THE URBAN INSTITUTE
• PART 6 RACISM IN POPULAR CULTURE
  • READING 6.1 The Revolution Will Not Be Available on iTunes: Racial Perspectives BY DUSTIN KIDD
  • READING 6.2 Racial Exclusion in the Online World BY REBECCA J. WEST AND BHOOMI THAKORE
  • READING 6.3 Fear Of A Black Athlete: Masculinity, Politics and The Body BY BEN CARRINGTON
  • READING 6.4 The Native American Experience: Racism and Mascots in Professional Sports BY KRYSTAL BEAMON
  • HIGHLIGHT: Pop Culture’s Black Lives Matter Moment Couldn’t Come at a Better Time BY STEVEN W. THRASHER, THE GUARDIAN
• PART 7 CONTEMPORARY SYSTEMS OF OPPRESSION
  • READING 7.1 The State of Our Education BY TERENCE FITZGERALD
  • READING 7.2 The Immigration Industrial Complex BY TANYA GOLASH-BOZA
  • READING 7.3 Evading Responsibility for Green Harm: State Corporate Exploitation of Race, Class, and Gender Inequality BY EMILY GAARDER
  • HIGHLIGHT: 5 Links Between Higher Education and the Prison Industry BY HANNAH K. GOLD, ROLLING STONE
• PART 8 THE FUTURE OF RACE
  • READING 8.1 Liminality in the Multiracial Experience: Towards a Concept of Identity Matrix BY DAVID L. BRUNSMA, DANIEL J. DELGADO, AND KERRY ANN ROCKQUEMORE
  • READING 8.2 Race and the New Bio-Citizen BY DOROTHY ROBERTS
  • READING 8.3 A Post-Racial Society? BY KATHLEEN FITZGERALD
  • HIGHLIGHT: Choose Your Own Identity BY BONNIE TSUI, THE NEW YORK TIMES MAGAZINE
• PART 9 FIGHTING RACIAL INEQUALITY
  • READING 9.1 The Problem of The Twentieth Century is The Problem of The Color Line BY W.E.B. DU BOIS
  • READING 9.2 The Optimism of Uncertainty BY HOWARD ZINN
  • READING 9.3 Why We Still Need Affirmative Action BY ORLANDO PATTERSON
  • HIGHLIGHT: The Case for Reparations BY TA-NEHISI COATES, THE ATLANTIC
• INVESTIGATE FURTHER

Princess Nokia In Conversation at Brown University

Brown University
2017-04-27 (Published on 2017-05-16)

Facilitated by Sofia Robledo Rower ’18

Destiny Nicole Frasqueri, also known as Princess Nokia, is an Afro-Latina Boricua artist and musician based in New York City. Her music tackles the intersection of gender, race, class, urbanism, and age in captivating sonic and linguistic medleys. This public conversation will focus on spirituality, feminism, and race in her artistic process and performances.

Presented by Women’s History Series 2017

Watch the discussion here.

Princess Nokia Is Ready to Reign

The Village Voice
2017-03-29

Ivie Ani

ioulex

I meet up with Destiny Frasqueri — the 24-year-old Nuyorican alternative hip-hop artist known variously as Princess Nokia, Wavy Spice, or simply Destiny — in the East Village. I’m running late; she’s even later, so I get to the Astor Place cube first. Fifteen minutes later she walks up, dressed, as she’d indicated in a text apologizing for being behind schedule, in a beige duster coat and sweats to match, carrying a cherry-print Louis V bag. She’s wearing oversize shades, no makeup, just a touch of mascara. Her dark hair blows in the breeze, caressing a diamond-studded choker.

Frasqueri has appeared in Vogue, modeled for Calvin Klein, and had her song “Tomboy” used for an Alexander Wang runway show. But what makes her a figure of fascination for music aficionados in their teens and early twenties is the way she celebrates the beauty of imperfection, building a hero’s identity out of being a self-described “fucked-up kid.” She’s stunning yet still rough around the edges, rhyming about wearing dirty sneakers, smoking blunts in the stairwell, and proclaiming the power in her heritage. For her followers, her attractiveness lies in her contrasts. “Eczema so bad I’m bleeding,” she raps on “Bart Simpson,” the first track on 1992, the album she put up on SoundCloud last September. Sure enough, I look down and her irritated hands are bleeding slightly.

“I’m just ghetto as hell,” she says once we’ve settled in at San Loco for some chicken nachos. “That’s the only way that I know how to just be myself.”…

…Frasqueri’s mom passed by the time she was nine, and she grew up living in various homes across the Bronx, Harlem, and the Lower East Side. She experienced abusive foster care, life in the projects, and brief escapes to camp with wealthy kids from the Upper West Side. She’d skip class but bury herself in books, digging deep into the Black literary canon. (“I am Black Harlem Renaissance,” she says. “I am Walter Dean Myers and Langston Hughes, baby.”) She taught herself, studying Kemetic philosophy, practicing brujería and Santería, claiming her inheritance of Yoruba and Taíno cultures, and falling in love with New York City. Pissy project elevators and breezy summer barbecues in the street suffuse Frasqueri’s memories. She represents a specific kind of New York, what she describes as her own “urban realism.” “What makes life beautiful?” she muses at one point. “The ghetto makes life beautiful. Black people make life beautiful.”…

…“I’m a Brown Afro-indigenous woman. That makes people uncomfortable as it is. The folks that have a problem with me and say, ‘You still live with privilege. You not fully Black.’ I can’t win and I can’t lose, so I’ma just keep going.” She smiles. “Yes, I’m mixed-race. There’s girls who look like me and glorify being exotic. I have a responsibility to my Blackness.”…

Read the entire article here.

The Afro-Latino Festival NYC Celebrates A Culture That’s Ready To Be Heard

The Village Voice
2017-06-27

Siddhartha Mitter

Two revelers dance at last year’s festival Source: New Visual Collective

At 26, Amara La Negra, the Dominican-American singer, has a string of energetic tropical-funk hits in Spanish, fierce dance moves, a fashion line, hundreds of thousands of social media followers, and rising star power in her hometown of Miami and back in the Dominican Republic. But Amara is also Afro-Latina — a visibly, unapologetically Black woman making her career in worlds where colorism still runs rampant, among them the D.R. with its social hierarchy and the international Latin entertainment industry. With her dark skin, exuberant Afro, and in-your-face “La Negra” stage name, Amara is making a point.

“Change would be more Afro-Latinos in Hollywood, more on magazine covers,” Amara says. “It would be main roles in novelas, which we don’t yet have. They’ll cast you to be either a slave, a gangster, or a prostitute. They stereotype us.” Last year, a light-skinned beauty queen put on blackface and butt pads to parody Amara on Dominican TV. “We’re still a long way [from] seeing big change,” Amara says. “But we’re being more vocal.”…

…In New York City, the flagship venue for the new cultural reassertion is the Afro-Latino Festival, which holds its fifth edition on July 7 and 8. A grassroots project led by Mai-Elka Prado Gil and Amilcar Priestley, a Panamanian couple in Brooklyn, it has ballooned since 2013 from an outdoor afternoon party to a two-day international summit gathering musicians, filmmakers, activists, scholars, and partygoers….

Read the entire article here.

The Mexipino Experience: Growing Up Mexican and Filipino in San Diego

Remezcla
2017-06-27

Rudy P. Guevarra Jr., Associate Professor of Asian Pacific American Studies
Arizona State University

Author Rudy P. Guevarra Jr. Photo by Jimaya Gomez, Art by Alan López for Remezcla.

Rudy P. Guevarra Jr. is the author of Becoming Mexipino: Multiethnic Identities and Communities in San Diego

Growing up in San Diego, I remember watching my abuelito tend the guava tree he grew for my mother, while singing along to the Mexican rancheras that blared from his tiny radio in the backyard. When my mother called him in for lunch, he’d start whistling, as Linda Ronstadt’s Canciones de mi Padre echoed from the house. We both knew that we’d be eating caldo de res con arroz Mexicano. Once a month, my Filipino grandfather, or tata, would also pay us visits from San Francisco. I’d help him and my mother cook Filipino delicacies, like chicken adobo, pansit, and lumpia. He’d have us in tears, laughing at his jokes, while the smell of soy sauce and vinegar permeated the entire house.

Many of our family functions centered on moments like these – eating Filipino food while listening to Mexican music, bathing ourselves in the experiences that were for me, the essence of being a Mexipino…

Read the entire article here.