Mixed Race Studies

The Escape; Or, A Leap for Freedom

University of Tennessee Press
2001-03-21
112 pages
ISBN-13: 978-1572331051
(Originally published in 1858)

William Wells Brown (1814-1884)

Edited by:

John Ernest, Judge Hugh M. Morris Professor of English
University of New Hampshire

A well-known nineteenth-century abolitionist and former slave, William Wells Brown was a prolific writer and lecturer who captivated audiences with readings of his drama The Escape; or, a Leap for Freedom (1858). The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.

The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.

John Ernest’s introductory essay balances the play’s historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom’s Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.

A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest’s keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.

The Poet X

HarperTeen
2018-03-06
368 pages
Hardcover ISBN: 9780062662804
E-book ISBN: 9780062662828

Elizabeth Acevedo

Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing #ownvoices novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

A Long Way from Home, A novel

Knopf
2018-02-27
336 pages
6-1/4 x 9-1/4
Hardcover ISBN: 9780525520177
eBook ISBN: 9780525520184

Peter Carey

The two-time Booker Prize-winning author now gives us a wildly exuberant, wily new novel that circumnavigates 1954 Australia, revealing as much about the country/continent as it does about three audacious individuals who take part in the infamous 10,000-mile race, the Redex Trial.

Irene Bobs loves fast driving. Her husband is the best car salesman in southeastern Australia. Together they enter the Redex Trial, a brutal race around the ancient continent, over roads no car will ever quite survive. With them is their lanky, fair-haired navigator, Willie Bachhuber, a quiz show champion and failed schoolteacher who calls the turns and creeks crossings on a map that will remove them, without warning, from the white Australia they all know so well. This is a thrilling high-speed story that starts in one way, and then takes you someplace else. It is often funny, more so as the world gets stranger, and always a page-turner even as you learn a history these characters never knew themselves.

Set in the 1950s, this is a world every American will recognize: black, white, who we are, how we got here, and what we did to each other along the way.

A Long Way from Home is Peter Carey’s late-style masterpiece.

Iola Leroy or, Shadows Uplifted

Broadview Press
2018-02-28
352 pages
5½” x 8½”
Hardcover ISBN: 9781554813858 / 1554813859
(Originally published in 1892)

Frances E. W. Harper (1825-1911)

Edited by:

Koritha Mitchell, Associate Professor of English
Ohio State University

Frances Harper’s fourth novel follows the life of the beautiful, light-skinned Iola Leroy to tell the story of black families in slavery, during the Civil War, and after Emancipation. Iola Leroy adopts and adapts three genres that commanded significant audiences in the nineteenth century: the sentimental romance, the slave narrative, and plantation fiction. Written by the foremost black woman activist of the nineteenth century, the novel sheds light on the movements for abolition, public education, and voting rights through a compelling narrative.

This edition engages the latest research on Harper’s life and work and offers ways to teach these major moments in United States history by centering the experiences of African Americans. The appendices provide primary documents that help readers do what they are seldom encouraged to do: consider the experiences and perspectives of people who are not white. The Introduction traces Harper’s biography and the changing critical perspectives on the novel.

Contents

• Acknowledgements
• Introduction
• Frances Ellen Watkins Harper: A Brief Chronology
• A Note on the Text
• Iola Leroy; Or, Shadows Uplifted
• Appendix A: Slavery, Civil War and Emancipation, Reconstruction and Its Demise
  1. From the Fugitive Slave Act (1850)
  2. United States Supreme Court Justice Roger Taney, the Dred Scott Decision (1857)
  3. From the First Confiscation Act (1861)
  4. From the Second Confiscation Act (1862)
  5. The Emancipation Proclamation (1863)
  6. From the Freedmen’s Bureau Act (1865)
  7. The Thirteenth Amendment (1865)
  8. From the Fourteenth Amendment (1868)
  9. The Fifteenth Amendment (1870)
  10. The Compromise of 1877
  11. From United States Supreme Court Justice Billings Brown, Plessy v. Ferguson (1896)
• Appendix B: Not White? Then You Can’t Be Equal
  1. From Abraham Lincoln, Address on Colonization to a Deputation of Negroes (1862)
  2. From Frances Harper, “Mrs. Frances E. Watkins Harper on the War and the President’s Colonization Scheme,” Christian Recorder (27 September 1862)
  3. From Michigan Supreme Court Justice James Campbell, The People v. Dean (1866)
• Appendix C: Black Families in Slavery and Freedom
  1. From Frederick Douglass, Narrative of the Life of Frederick Douglass (1845)
  2. Dictated letters between enslaved husbands and wives while separated by their owners
  3. From “Arrest of Fugitive Slaves,” Cincinnati Gazette (29 January 1856)
  4. Frances Harper, “The Slave Mother: A Tale of Ohio” 1857)
  5. Testimony about enslaved men and women who fled slavery to join the Union effort and often planned to return to help family members escape (1863)
  6. Letter from a black soldier to his children (1864)
  7. Letter from a black soldier to the owner of one of his daughters (1864)
  8. Newspaper Notices in Hopes of Finding Lost Loved Ones after Emancipation (1866–93)
• Appendix D: Education in Slavery and Freedom
  1. From the South Carolina Negro Act (1740)
  2. Account about an enslaved woman who ran a midnight school (1881)
  3. Account of teaching/learning in secret during slavery (1902)
  4. An account of finding the spark for learning while enslaved (1885)
  5. Accounts of the consequences of learning to read and write
  6. Account of black soldiers wanting education
  7. Account of recently emancipated people’s eagerness to learn
  8. Testimony on Ku Klux Klan preventing school attendance after Emancipation (1872)
• Appendix E: Preventing Freedom Even after Emancipation
  1. Laws constraining black girls and boys via apprenticeship and African Americans of every age via vagrancy statutes (1865)
  2. Testimony about Ku Klux Klan raping black women whose husbands/fathers voted (1871)
  3. From Henry W. Grady, “The Race Problem in the South” (1889)
  4. From Ida B. Wells, The Red Record: Tabulated Statistics and Alleged Causes of Lynching in the United States (1895)
• Appendix F: Black Women’s Activism
  1. From Frances Harper, “We Are All Bound Up Together” (1866)
  2. Frances Harper, “Aunt Chloe’s Politics” (1872)
  3. From Frances Harper, “Colored Women of America,” Englishwoman’s Review (15 January 1878)
  4. From Frances Harper, “The Woman’s Christian Temperance Union and the ColoredWoman,” African Methodist Episcopal Church Review (1888)
  5. From Frances Harper, “Enlightened Motherhood: An Address … Before the Brooklyn Literary Society” (15 November 1892)
  6. From Fannie Barrier Williams, “The Intellectual Progress of The Colored Women of the United States Since the Emancipation Proclamation” (1893)
• Appendix G: Being Black and a Woman: Aesthetics and Reception
  1. William J. Watkins, “The Reformer,” Frederick Douglass’ Paper (7 April 1854)
  2. Grace Greenwood, Impressions of Harper as a Speaker (1866)
  3. From Anna Julia Cooper, “The Status of Woman in America” (1892)
  4. Reviews of Iola Leroy
     1. “Publications Reviewed,” Christian Recorder (12 January 1893)
     2. From “Review 1,” Independent (5 January 1893)
     3. Richmond Planet (21 January 1893)
     4. From “Recent Fiction,” The Nation (23 February 1893)
     5. From “Our Book List,” A.M.E. Church Review (April 1893)
     6. “Book Review,” Friends’ Review; a Religious, Literary and Miscellaneous Journal (22 June 1893)
     7. Review of Reviews (January 1895)
     8. From “Recent Fiction,” Independent (29 October 1896)
     9. From Edward Elmore Brock, “Brock’s Literary Leaves,” Freeman (Indianapolis) (14 August 1897)
     10. [W.E.B. Du Bois,] “Writers,” Crisis (April 1911)
• Works Cited and Select Bibliography

Incognegro: Renaissance #1

Dark Horse Comics
2018-02-07
32 pages
b&w, Miniseries
UPC: 7 61568 00235 5 00111

Writer: Mat Johnson
Artist: Warren Pleece
Editor: Karen Berger

After a black writer is found dead at a scandalous interracial party in 1920s New York, Harlem’s cub reporter Zane Pinchback is the only one determined to solve the murder. Zane must go ”incognegro” for the first time–using his light appearance to pass as a white man–to find the true killer, in this prequel miniseries to the critically acclaimed Vertigo graphic novel, now available in a special new 10th Anniversary Edition.

With a cryptic manuscript as his only clue, and a mysterious and beautiful woman as the murder’s only witness, Zane finds himself on the hunt through the dark and dangerous streets of ”roaring twenties” Harlem in search for justice.

A page-turning thriller of racial divide, Incognegro: Renaissance explores segregation, secrets, and self-image as our race-bending protagonist penetrates a world where he feels stranger than ever before.

What We Lose, A Novel

Viking (an imprint of Penguin Random House)
2017-07-11
224 pages
Hardcover ISBN: 978-0735221710
Paperback ISBN: 978-0008245948

Zinzi Clemmons

From an author of rare, haunting power, a stunning novel about a young African-American woman coming of age—a deeply felt meditation on race, sex, family, and country

Raised in Pennsylvania, Thandi views the world of her mother’s childhood in Johannesburg as both impossibly distant and ever present. She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love.

In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

Emancipation Day: A Novel

Doubleday Canada
2013-07-30
336 pages
6.3 x 0.9 x 9 inches
Paperback ISBN-13: 978-0385677660

Wayne Grady

How far would a son go to belong? And how far would a father go to protect him?

With his curly black hair and his wicked grin, everyone swoons and thinks of Frank Sinatra when Navy musician Jackson Lewis takes the stage. It’s World War II, and while stationed in St. John’s, Newfoundland, Jack meets the well-heeled Vivian Clift, a local girl who has never stepped off the Rock and longs to see the world. They marry against Vivian’s family’s wishes–there’s something about Jack that they just don’t like–and as the war draws to a close, the couple travels to Windsor to meet Jack’s family.

But when Vivian meets Jack’s mother and brother, everything she thought she knew about her husband gets called into question. They don’t live in the dream home Jack depicted, they all look different from one another–different from anyone Vivian has ever seen–and after weeks of waiting to meet Jack’s father, he never materializes.

Steeped in jazz and big-band music, spanning pre- and post-war Windsor-Detroit, St. John’s, Newfoundland, and 1950s Toronto, this is an arresting, heartwrenching novel about fathers and sons, love and sacrifice, race relations and a time in our history when the world was on the cusp of momentous change.

Provenance: A Novel

Creative Cache
2015-09-16
334 pages
5.2 x 0.8 x 8 inches
ISBN-13: 978-0991614325

Donna Drew Sawyer

• Winner of the 2017 Maryland Writers’ Association Annual Book Award for Historical Fiction
• Selected for the 2017 “Go On Girl Book Club” reading list
• Finalist for 2016 “Phillis Wheatley Award for First Fiction.”

Southern civility turns savage when Hank Whitaker’s dying words reveal the unimaginable. No one—not his socialite wife, Maggie, or young son, Lance—ever suspected the successful businessman, husband, and father they knew and loved was a black man passing for white. In 1931, in the segregated South, marriage between whites and blacks is illegal. Maggie is now a criminal facing jail. When Lance receives death threats to atone for his father’s betrayal, the family flees the U.S. for the racial freedom of Paris.

Still grieving Hank’s death and fearful of their uncertain future as Europe marches toward war, Lance and Maggie mourn the lives they loved but lost. As they struggle to create new lives and identities for themselves, they find a surprising community of artists and American expats that are on the same journey and show them a different way to live and to love. Provenance is a sweeping historical saga about love, betrayal, tragedy, triumph, passion, privilege and the universal desire for acceptance—regardless of who you are or where you’re from.

New People, A Novel

Riverhead (an imprint of Penguin)
2017-08-01
240 pages
Hardcover ISBN: 978-1594487095
Paperback ISBN: 978-0735219410

Danzy Senna

From the bestselling author of Caucasia, a subversive and engrossing novel of race, class and manners in contemporary America.

As the twentieth century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, “King and Queen of the Racially Nebulous Prom.” Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation, on the Jonestown massacre. They’ve even landed a starring role in a documentary about “new people” like them, who are blurring the old boundaries as a brave new era dawns. Everything Maria knows she should want lies before her–yet she can’t stop daydreaming about another man, a poet she barely knows. As fantasy escalates to fixation, it dredges up secrets from the past and threatens to unravel not only Maria’s perfect new life but her very persona.

Heartbreaking and darkly comic, New People is a bold and unfettered page-turner that challenges our every assumption about how we define one another, and ourselves.

Passing for White

Barrington Stoke
2017-05-11
112 pages
Paperback ISBN: 978-1-78112-681-3

Tanya Landman

She must pose as a master to make herself free.

It’s 1848 in the Deep South of America. Rosa is a slave but her owner is also her father and her fair skin means she can ‘pass for white’. With the help of Benjamin, her husband, she disguises herself as a young white man – and Benjamin’s master. In this guise, the two of them must make their way out of the South, avoiding those they have encountered before and holding their nerve over a thousand miles to freedom.

Inspired by the amazing true story of Ellen and William Craft, this is a powerful tale of danger, injustice and unimaginable courage.

Information for Adults: This book has a dyslexia-friendly layout, typeface and paperstock so that even more readers can enjoy it. It has been edited to a reading age of 8.

It features a removable ‘super-readable’ sticker.

Read the first chapter here.