Mixed Race Studies

Poet to discuss biracialism during UHV/ABR Fall Reading Series

University of Houston-Victoria Newswire
Victoria, Texas
2012-09-20

Born to a Chinese mother and a Norwegian father, award-winning author Paisley Rekdal’s mixed heritage often influences her poetry and essay writing.

She will share her insights about biracialism on Sept. 27 as the second speaker in the University of Houston-Victoria/American Book Review Fall Reading Series. Rekdal also will give a reading of her poetry.

The event will begin at noon in the Alcorn Auditorium of UHV University West, 3007 N. Ben Wilson St. It is free and open to the public. Light refreshments will be served.

“Rekdal’s interesting mix of style and subject matter is a great addition to our reading series,” said Jeffrey Di Leo, ABR editor and publisher, and dean of the UHV School of Arts & Sciences. “As an Asian American, she gives a voice to a part of biracialism that is underrepresented and continues that theme to other subjects that are often overlooked.”

During the event, Rekdal plans on reading and sharing photographs from her latest book, “Intimate: An American Family Album.” The book is a hybrid photo-text memoir that combines poems, fiction and nonfiction with photography from Edward S. Curtis, a famous photographer of the American West and Native American people.

The book explores her father’s mixed-race marriage to her mother while paralleling it with stories about Curtis and his Indian guide, Alexander Upshaw. Rekdal found inspiration by looking at photographs from Curtis and imagined his life.

“It’s a memoir about my family, but it also talks about representation of mixed-race people or how they are not represented,” she said…

Read the entire article here.

Intimate: An American Family Photo Album

Tupelo Press
April 2012
300 pages
Paperback ISBN: 978-1-932195-96-5
Clothbound ISBN: 978-1-936797-08-0

Paisley Rekdal, Professor of English
University of Utah

Intimate is a hybrid memoir and “photo album” that blends personal essay, historical documentary, and poetry to examine the tense relationship between self, society, and familial legacy in contemporary America. Typographically innovative, Intimate creates parallel streams, narrating the stories of Rekdal’s Norwegian-American father and his mixed-race marriage, the photographer Edward S. Curtis, and Curtis’s murdered Apsaroke guide, Alexander Upshaw. The result is panoramic, a completely original literary encounter with intimacy, identity, family relations, and race.

Poet Laureate Inaugural Reading

Library of Congress
Coolidge Auditorium, Thomas Jefferson Building (ground floor) (view map)
10 First Street, SE
Washington, D.C.
2012-09-13, 19:00 EDT (Local Time)

Natasha Trethewey, the 19th Poet Laureate Consultant in Poetry of the Library of Congress, will kick off the Library’s literary season with a reading. The event is free and open to the public. A reception and book signing will follow.

For more information, click here.  Also, a list of 2012/2013 public readings by Poet Laureate Trethewey are here.

View the inaugural reading here.

‘Thrall’ by Natasha Trethewey, the poet laureate of the United States

The Washington Post
2012-09-13

Elizabeth Lund

Thrall. By Natasha Trethewey. Houghton Mifflin Harcourt. 84 pp.

Natasha Trethewey’s “Thrall” is a must-read collection that equals the power and quality of her third book, “Native Guard,” which won the 2007 Pulitzer Prize . “Thrall” also demonstrates why this 46 -year-old writer is worthy of her recent appointment as poet laureate of the United States.

Trethewey, the daughter of an African American woman and a white man, explores racial attitudes and stereotypes throughout this slim volume, using both personal and historical lenses. The book opens with a gorgeous, understated poem about a fishing trip she and her father took years ago. That experience and their difficult relationship create an underlying tension that shapes the entire book. What readers notice first, though, is the poem’s engrossing imagery:

drizzle needling

the surface, mist at the banks like a net

settling around us —

everything damp

and shining…

Read the entire review here.

Thrall, Poems

Houghton Mifflin Harcourt
2012-08-28
96 pages
6 x 9
Hardcover ISBN-13/ EAN:9780547571607; ISBN-10:0547571607
E-Book ISBN-13/ EAN:9780547840420; ISBN-10:054784042X

Natasha Trethewey, Charles Howard Candler Professor of English and Creative Writing
Emory University

By unflinchingly charting the intersections of public and personal history, Thrall explores the historical, cultural, and social forces—across time and space—that determine the roles consigned to a mixed-race daughter and her white father. In a vivid series of poems about interracial marriage depicted in the Casta Paintings of Colonial Mexico, Trethewey investigates the philosophical assumptions that underpin Enlightenment notions of taxonomy and classification, exposing the way they encode ideas of race within our collective imagination. While tropes about captivity, bondage, inheritance, and enthrallment permeate the collection, Trethewey, by reflecting on a series of small estrangements from her poet father, comes to an understanding of how, as father and daughter, they are part of the ongoing history of race in America.

Thrall not only confirms that Natasha Trethewey is one of our most gifted and necessary poets but that she is also one of our most brilliant and fearless.

Native Guard: Poems

Mariner Books an Imprint of Houghton Mifflin Harcourt
2007-04-03
64 pages
Trim Size: 5.50 x 8.25
Paperback ISBN-13/EAN: 9780618872657; ISBN-10: 0618872655

Natasha Trethewey, Charles Howard Candler Professor of English and Creative Writing
Emory University

Winner of the Pulitzer Prize

Through elegiac verse that honors her mother and tells of her own fraught childhood, Natasha Trethewey confronts the racial legacy of her native Deep South—where one of the first black regiments, the Louisiana Native Guards, was called into service during the Civil War. Trethewey’s resonant and beguiling collection is a haunting conversation between personal experience and national history.

Excerpt:

Miscegenation

In 1965 my parents broke two laws of Mississippi;
they went to Ohio to marry, returned to Mississippi.

They crossed the river into Cincinnati, a city whose name
begins with a sound like sin, the sound of wrong – mis in Mississippi.

A year later they moved to Canada, followed a route the same
as slaves, the train slicing the white glaze of winter, leaving Mississippi.

Faulkner’s Joe Christmas was born in winter, like Jesus, given his name
for the day he was left at the orphanage, his race unknown in Mississippi.

My father was reading War and Peace when he gave me my name.
I was born near Easter, 1966, in Mississippi.

When I turned 33 my father said, It’s your Jesus year – you’re the same
age he was when he died. It was spring, the hills green in Mississippi.

I know more than Joe Christmas did. Natasha is a Russian name –
though I’m not; it means Christmas child, even in Mississippi.

Race

Poem via Poetry Foundation from:

Antebellum Dream Book
Graywolf Press
2001
72 pages
Paperback ISBN: 1-55597-354-X

Elizabeth Alexander

Sometimes I think about Great-Uncle Paul who left Tuskegee,
Alabama to become a forester in Oregon and in so doing
became fundamentally white for the rest of his life, except
when he traveled without his white wife to visit his siblings—
now in New York, now in Harlem, USA—just as pale-skinned,
as straight-haired, as blue-eyed as Paul, and black. Paul never told anyone
he was white, he just didn’t say that he was black, and who could imagine,
an Oregon forester in 1930 as anything other than white?…

Read the entire poem here.

Brown Eyes: A Selection of Creative Expressions by Black and Mixed Race Women

Troubador Publishing
2006
292 pages
5 x 0.6 x 8 inches
ISBN 10: 1905237146; ISBN-13: 978-1905237142

Edited by:

Nicole Moore

Brown Eyes is a rare collection of poetry and autobiographical writing from a diverse group of black and mixed-race women—everyday women expressing themselves in their own unique and readable style. One of the first anthologies of its kind, Brown Eyes offers a fresh and challenging insight into the lives of black and mixed-race women in 21st century Britain.

As well as being an important contribution towards Black British literature, the book celebrates, reflects upon and embraces our diverse female identities and the common-thread that unites all of us living the UK experience.

Some of the contributions explode with energy, others speak with softness, many discuss childhood, motherhood, love, while others deal with loss and historical betrayal. The voices collected in Brown Eyes range from teenage to mature, rural and urban, from mothers and daughters, and countless others, all contributing to this anthology’s diverse creativity.

The Lost Country of Sight

Anhinga Press
2008
90 pages
Paper ISBN 978-1-934695-06-7

Neil Aitken

Winner: 2007 Philip Levine Prize for Poetry

It’s difficult to believe that Neil Aitken’s The Lost Country of Sight is a first book, since there is mastery throughout the collection. His ear is finely tuned, and his capacity for lyricism seems almost boundless. What stands out everywhere in the poems is his imagery, which is not only visually precise but is also possessed of a pure depth. The poems never veer off into the sensational; they are built from pensiveness and quietude and an affection for the world. “Traveling Through the Prairies, I Think of My Father’s Voice” strikes me as a perfectly made poem, but poems of similar grace and power are to be found throughout the book. This is a debut to celebrate. — C.G. Hanzlicek, Judge, 2007 Philip Levine Prize Prize for Poetry

Fueled by motion and emotion, Neil Aitken’s The Lost Country of Sight is literally and figuratively a moving collection. His winding roads and “ghost cars” move us over the landscapes of identity and personal history with stirring meditative grace. “There is a song at the beginning of every journey,” Aitken tells us in one poem even as he says in another, “these are journeys we never take.” This poet is both our wise, wide-eyed tour guide and our dazed, day-dreaming companion in this rich, mature debut. — Terrance Hayes

The voice in these poems is that of a sighted, awake heart discovering its home in language and its homelessness in the world. Steeped in longing, the imagination here is concrete, vivid, sensuous, and ultimately erotic, even as it perceives that meaning and beauty are evanescent. This book is a full helping from the world’s infinite fund of tears. — Li-Young Lee

Doubters and Dreamers

University of Arizona Press
2011
96 pages
5.50 in x 8.50 in
Paper ISBN: 978-0-8165-2927-8

Janice Gould

Doubters and Dreamers opens with a question from a young girl faced with the spectacle of Indian effigies lynched and burned “in jest” before UC Berkeley’s annual Big Game against Stanford: “What’s a debacle, Mom?” This innocent but telling question marks the girl’s entrée into the complicated knowledge of her heritage as a mixed-blood Native American of Koyangk’auwi (Concow) Maidu descent. The girl is a young Janice Gould, and the poems and narrations that follow constitute a remarkable work of sustained and courageous self-revelation, retracing the precarious emotional terrain of an adolescence shaped by a mother’s tough love and a growing consciousness of an ancestral and familial past.

In the first half of the book, “Tribal History,” Gould ingeniously repurposes the sonnet form to preserve the stories of her mother and aunt, who grew up when “muleback was the customary mode / of transport” and the “spirit world was present”—stories of “old ways” and places claimed in memory but lost in time. Elsewhere, she remembers her mother’s “ferocious, upright anger” and her unexpected tenderness (“Like a miracle, I was still her child”), culminating in the profound expression of loss that is the poem “Our Mother’s Death.”

In the second half of the book, “It Was Raining,” Gould tells of the years of lonely self-making and “unfulfilled dreams” as she comes to terms with what she has been told are her “crazy longings” as a lesbian: “It’s been hammered into me / that I’ll be spurned / by a ‘real woman,’ / the only kind I like.” The writing here commemorates old loves and relationships in language that mingles hope and despair, doubt and devotion, veering at times into dreamlike moments of consciousness. One poem and vignette at a time, Doubters and Dreamers explores what it means to be a mixed-blood Native American who grew up urban, lesbian, and middle class in the West.

Read an excerpt here.