Mixed Race Studies

Mirror, Mirror, on the Wall, Who is the Fairest of Them All? Colourism and light skinned privilege

The Pin
2018-02-11

Elodie Silberstein, Artist & Scholar
Brooklyn, New York

Image Credit: Elodie Silberstein

Footscray station. Fifteen minutes by train from the city centre and here I am, in the multicultural melting pot of Melbourne. I feel thrilled. I want to sense the buzzing atmosphere of the market, and to replenish the stock of hair products that I use to enhance my natural curls. Some friends advised me to look for the requisite articles in the numerous shops of the East African community. Being new to Australia, I struggle to find products in mainstream stores that are suitable for my textured hair inherited from my Cameroonian father and French mother. The first beauty salon I encounter sets the scene. The flagship products in the window display immediately grab my attention: skin-lightening body lotions, whitening soaps… you name it, they have it. Smiley models display their charms all over the packaging promising to women of colour a lighter skin tone. A few applications, et voilà! Mirror, mirror, on the wall, who is the fairest of them all? Faced with this extravaganza of skin-whitening products I am suddenly brought back to my childhood in Cameroon, and I cannot help but feel my heart sinking.

Growing up mixed-race in Douala was a peculiar experience. Interracial unions were rare in the 1970s. My parents were a bit of a curiosity. I became used to being called chocolat au lait (milk chocolate) by my neighbours. It did not take me long to realise the obvious advantages that my lighter hue provided me over my dark chocolate counterparts in the white, but also in the black community…

Read the entire article here.

When it Comes to Latinidad, Who Is Included and Who Isn’t?

Remezcla
2019-07-30

Janel Martinez

At the top of November 2018, an Instagram meme created by writer Alan Pelaez Lopez went viral. The Afro-Indigenous (Zapotec) activist placed the term Latinidad on a car making a sharp right turn at an exit. At the top of the image, the road sign that points ahead lists, “admitting racism & anti-Blackness exists & a commitment to build solidarity with Black and Indigenous people.” The arrow pointing right notes, “mestiza supremacy & your insistence that your great-great-great-great grandmother was Black.” The car, which moved in the latter direction, symbolizes the ideologies of Latinidad.

A few days later, Pelaez posted on their Instagram account that “Latinidad is canceled.”

With each repost or share, Latinxs, a large percentage identifying as Afro-Latinx and/or Indigenous, championed Pelaez Lopez’s meme and called for cancellation. Others, many who would be racialized as white or mixed-raced (mulatto or mestizo) Latinxs, contested the message.

Though positioned as an all-inclusive cultural identity, Latinidad has historically proven to be a term beneficial to a select few. Gauging one’s proximity to whiteness – gender, sexual preference and able-bodied privileges included – Latinidad incites the question, who is included and, ultimately, excluded from its definition?…

Read the entire article here.

Indian allies and white antagonists: toward an alternative mestizaje on Mexico’s Costa Chica

Latin American and Caribbean Ethnic Studies
Volume 11, 2016 – Issue 3: Mestizo Acts: The Politics and Performance of Mestizaje in Guatemala, Mexico, Bolivia, Peru and Colombia
pages 222-241
DOI: 10.1080/17442222.2015.1094873

Laura A. Lewis, Professor of Anthropology in Modern Languages and Linguistics
University of Southampton, Southampton, United Kingdom

San Nicolás Tolentino, Guerrero, Mexico, is a ‘mixed’ black-Indian agricultural community on the coastal belt of Mexico’s southern Pacific coast, the Costa Chica. This article examines local expressions of race in San Nicolás in relation to Mexico’s national ideology of mestizaje (race mixing), which excludes blackness but is foundational to Mexican racial identities. San Nicolás’s black-Indians are strongly nationalistic while expressing a collective or regional identity different from those of peoples they identify as Indians and as whites. Such collective expression produces an alternative model of mestizaje, here explored through local agrarian history and several village festivals. It is argued that this alternative model favors Indians and distances whites, thereby challenging dominant forms of Mexican mestizaje.

Read or purchase the article here.

That little Mexican part of me: race, place and transnationalism among U.S. African-descent Mexicans

Ethnic and Racial Studies
Published online: 2019-06-05
DOI: 10.1080/01419870.2019.1626016

Laura A. Lewis, Professor of Anthropology in Modern Languages and Linguistics
University of Southampton, Southampton, United Kingdom

This article uses semi-structured interviews and participant observation to examine transnationalism and notions of race among first- and second-generation young adult Afro-descended Mexicans and Mexican-Americans in the United States. I suggest that transnationally inflected understandings of race encourage both generations to privilege place-based over ancestry-based racial identities. For the first generation, which is mostly undocumented, place is part of their socialization as Mexicans and a way to forge a more secure sense of belonging in the United States. For members of the second generation, place resolves their position as an anomalous “race” not recognized in the United States.

Read or purchase the article here.

Chinyere K. Osuji

New Books Network
2019-07-11

Reighan Gillam, Host and Assistant Professor of Anthropology
University of Southern California

Chinyere K. Osuji, Boundaries of Love: Interracial Marriage and the Meaning of Race (New York: New York University Press, 2019)

The increasing presence of interracial relationships is often read as an antidote to racism or as an indicator of the decreasing significance of race. In her book, Boundaries of Love: Interracial Marriage and the Meaning of Race (NYU Press, 2019), Chinyere K. Osuji examines how interracial couples push against, navigate, and often maintain racial boundaries. In-depth interviews with black-white couples in Rio de Janeiro, Brazil and Los Angeles demonstrate how couples negotiate racial difference with their spouses, within their families, and during public encounters. This comparative study of interracial couples in Brazil and in the United States shows just how race can be constructed differently, while racial hierarchies persist. This book would be of interest to those in fields such as racial and ethnic studies, family and kinship studies, gender studies, and Latin American studies.

Listen to the interview (00:52:56) here. Download the interview here.

Afro-Cuban Diasporas in the Atlantic World

Boydell & Brewer
July 2010
260 pages
12 black and white illustrations
9×6 in
Paperback ISBN: 9781580464734
Hardback ISBN: 9781580463263
eBook for Handhelds ISBN: 9781580468190
eBook ISBN: 9781580467056

Solimar Otero, Professor of Folklore
Indiana University, Bloomington

A study of the interchange between Cuba and Africa of Yoruban people and culture during the nineteenth century, with special emphasis on the Aguda community.

Afro-Cuban Diasporas in the Atlantic World explores how Yoruba and Afro-Cuban communities moved across the Atlantic between the Americas and Africa in successive waves in the nineteenth century. In Havana, Yoruba slaves from Lagos banded together to buy their freedom and sail home to Nigeria. Once in Lagos, this Cuban repatriate community became known as the Aguda. This community built their own neighborhood that celebrated their Afrolatino heritage. For these Yoruba and Afro-Cuban diasporic populations, nostalgic constructions of family and community play the role of narrating and locating a longed-for home. By providing a link between the workings of nostalgia and the construction of home, this volume re-theorizes cultural imaginaries as a source for diasporic community reinvention. Through ethnographic fieldwork and research in folkloristics, Otero reveals that the Aguda identify strongly with their Afro-Cuban roots in contemporary times. Their fluid identity moves from Yoruba to Cuban, and back again, in a manner that illustrates the truly cyclical nature of transnational Atlantic community affiliation.

Table of Contents

• Grassroots Africans: Havana’s “Lagosians”
• Returning to Lagos: Making the Oja Home
• “Second Diasporas”: Reception in the Bight of Benin
• Situating Lagosian, Caribbean, and Latin American Diasporas
• Creating Afrocubanos: Public Cultures in a Circum-Atlantic Perspective
• Conclusion: Flow, Community, and Diaspora
• Appendix: Case Studies of Returnees to Lagos from Havana, Cuba

Is race mixture an antidote to racism?

Monitor: Global Intelligence on Racism
2018-12-03

Monica Moreno-Figueroa, Senior Lecturer in Sociology at the University of Cambridge; Fellow in Social Sciences at Downing College, Cambridge

Peter Wade, Professor of Social Anthropology
University of Manchester

There is a tendency for commentators situated towards the political right to claim that we are living in a “post-racial” age. They point to the fact that since the Second World War, the institutional racism of the US South and of South African apartheid has been dismantled, that scientists now agree that all humans are genetically almost identical, that many societies have officially adopted multiculturalist policies, recognising and respecting the cultural differences that characterise racially diverse societies, and that rates of inter-racial marriage are rising fast as societies become more integrated.

Within this “post-racial” view, the presence of racism is not necessarily denied, but it is minimised and seen in a certain way. Overtly racist people are deplored as far-right fanatics who are not representative of the main trends in society. Those who protest against racism are accused of being over-sensitive “snow-flakes” who “can’t take a joke”, of unfairly demanding special treatment, or creating counter-productive divisiveness and discord in society.

In this scenario, post-raciality and racism are seen as being in an either/or relationship, a zero-sum game in which the more post-racial a society is, the less racism it must have. However, Latin American societies can teach us, both in historical and contemporary experiences, that this scenario is misleading. The region shows us that post-raciality and racism can co-exist, with both aspects forming simultaneous dimensions of the same context. What is more, it is not that post-raciality is a mask behind which the workings of racism lurk: they are both deeply-rooted aspects of society…

Read the entire article here.

Delaware’s Forgotten Folk: The Story of the Moors and Nanticokes

University of Pennsylvania Press
2006 (originally published in 1943)
232 pages
13 illustrations
5 1/2 x 8 1/2
Paper ISBN: 9780812219838

C. A. Weslager (1909-1994)

Photographs by L. T. Alexander
Drawings by John Swientochowski

“It is offered not as a textbook nor as a scientific discussion, but merely as reading entertainment founded on the life history, social struggle, and customs of a little-known people.”—From the Preface

C. A. Weslager’s Delaware’s Forgotten Folk chronicles the history of the Nanticoke Indians and the Cheswold Moors, from John Smith’s first encounter with the Nanticokes along the Kuskakarawaok River in 1608, to the struggles faced by these uniquely multiracial communities amid the racial and social tensions of mid-twentieth-century America. It explores the legend surrounding the origin of the two distinct but intricately intertwined groups, focusing on how their uncommon racial heritage—white, black, and Native American—shaped their identity within society and how their traditional culture retained its significance into their present.

Weslager’s demonstrated command of available information and his familiarity with the people themselves bespeak his deep respect for the Moor and Nanticoke communities. What began as a curious inquiry into the overlooked peoples of the Delaware River Valley developed into an attentive and thoughtful study of a distinct group of people struggling to remain a cultural community in the face of modern opposition. Originally published in 1943, Delaware’s Forgotten Folk endures as one of the fundamental volumes on understanding the life and history of the Nanticoke and Moor peoples.

Table of Contents

• Preface
• 1. Red, White, and Black
• 2. The Mysterious Moor
• 3. Plot in the Swamp
• 4. The Persistent Red Thread
• 5. An Unexpected Champion
• 6. The Good Fight
• 7. A World Unknown
• 8. Links with the Past
• Bibliography

Are you a halfie?

The Korea Times
2019-05-13

David Tizzard

Sunya (left), Loren (right) and their two children Anika and Neptune.

Since the mid-20th century, South Korea has clung to a message of homogeneity and race as a cornerstone of its national identity. It has advocated genetic purity (and at times superiority) as it looks in the geopolitical mirror and asks the most existential of questions.

Yet the story delivered through school text books and the broader public consciousness has often come into conflict with the reality of history. It also ignores the generations of halfies living both here and abroad, often the product of the tragic Korean War that tore the peninsula in two.

While that particular conflict is labeled “the forgotten war,” many see halfies as “the forgotten race.” Throughout the early years the first generations faced discrimination, sometimes growing up in single-parent households, orphaned, or simply socially reviled.

To be a halfie anywhere is difficult. To be a halfie in Korea is a tale unto itself…

Read the entire article here

“I Will Not Say Nigger” excerpt

Vimeo
2017-09-25

Eleanor Kipping

The artist begins performance before audience enters the space. She writes i will not say nigger on a large sheet of charcoal covered brown paper. An hour passes. She begins her monologue by asking audience and herself who the word nigger belongs to, who has the right to use it, and who exactly is a nigger. She concludes that she is a nigger and begins to remove her eurocentric makeup and dress. She stands nude before the audience, revealing her natural hair and skin color and speaks in open confession on the reasons that her ‘light skin is not right skin’ and changes her entire outfit to that more stereotypical of a black female. She packs her white identity into a suitcase and returns to writing lines until she is alone.

The black female experience is heavily dominated by the constant need to navigate the spaces within and between dominant cultures. Many black and brown females are too familiar others monitoring their behavior, language, and appearance, and have to choose where and how they will relate to dominant standards. Despite their double-consciousness, they are still situated as ‘other’ within society. These experiences define their identities and sense of self.

“I Will Not Say Nigger” explores the language and exchanges that take place between dominant and minority cultures/races, but often go unaddressed. The unspoken is present in relationships, the workplace, and other social encounters. They are subtle, difficult to define, and are often brushed under the rug, yet reveal that we are far from the post-racial society that so many insist exists. The character that you in see this piece explores the spectrum of these experiences through her mixed-race identity and shares them in through a spoken and physical confession.

Photo and video shot by Amy Olivia Pierce, edited by Eleanor Kipping, audio recorded live at the University of Maine Innovative Media Research and Commercialization Center.