Neymar and the Disappearing Donkey

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Media Archive, Social Science on 2014-06-30 21:48Z by Steven

Neymar and the Disappearing Donkey

Africa is a Country
2014-06-17

Achal Prabhala
Bangalore, India

By the time you read this, it’s possible that every single person on the planet will know who Neymar da Silva Santos Júnior is…

…You could come to any number of conclusions from Neymar’s remarkable transformation. For instance, you could conclude that race doesn’t exist in Brazil, which is the favourite line of a specific tribe of Brazilians – impeccable liberals all, who just happen to be upper-class, white and at the top of the heap.

Or you could conclude that everyone in Brazil is indeed mixed – which is, incidentally, the second-favourite line of the selfsame tribe.

Or you could wonder what happened to this boy.

***

It’s too easy to condemn Neymar for pretending to be white: judging by the images, he is partly white. It’s silly to accuse him of denying his mixed-race ancestry, because the simplest search throws up hundreds of images of him as a child, none of which he seems to be ashamed of. There is this: when asked if he had ever been a victim of racism, he said, “Never. Neither inside nor outside the field. Because I’m not black right?”

Actually, the word he used was preto, which is significant, since, in Brazil, when used as a colour ascribed to people – rather than things, like rice or beans – it is the equivalent of the n-word; negro and negra being the acceptable ways of describing someone who is truly black. (And moreno or morena being standard descriptors for someone dark-skinned, as well as, occasionally, euphemisms for blackness). Technically speaking, however, his logic was faultless – and even kind of interestingly honest: the Neymar who made that statement was an unworldly eighteen-year-old who had never lived outside Brazil. And in Brazil, Neymar is not black…

Read the entire article here.

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An Evening with Hip Hop Scholar/Activist and 2008 Green Party Vice Presidential Candidate, Rosa Clemente

Posted in Anthropology, Latino Studies, Media Archive, United States, Videos on 2014-06-29 17:28Z by Steven

An Evening with Hip Hop Scholar/Activist and 2008 Green Party Vice Presidential Candidate, Rosa Clemente

Yemaya Pictures
California State University, Los Angeles
2014-05-08, 20:00 PDT
5151 State University Drive
Annenberg Science Building 132 (Science Building Wing B, Lecture Hall)
Los Angeles, California 90032

From May 8, 2014. The Pan-African Studies Department at California State University, Los Angeles presents An Evening with Hip Hop Scholar/Activist Rosa Clemente. Rosa speaks about Afro-Latin@ Identity and Critical Approaches to Blackness.

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Seoul International Seminar on Racism/Mixed Race in Korea and Japan

Posted in Anthropology, Asian Diaspora, Live Events, Media Archive, Social Science on 2014-06-18 20:36Z by Steven

Seoul International Seminar on Racism/Mixed Race in Korea and Japan

Yonsei University, South Korea
2014-06-21 through 2014-06-22
Co-organized & Sponsored by Department of Cultural Anthropology & Institute of Korean Studies, Yonsei University

…1:30-3:30 pm Mixed race/blood in modern Japan

(Chair: Lee Sang Kook, Yonsei University)

  1. A.K.M. Skarpelis (NYU Sociology and Institute of Social Science, University of Tokyo) , “Eugenic Ironies: Assimilating Colonial Korea into the Japanese Empire”
  2. Johanna O. Zulueta (Soka University), “Multiculturalism and Mixed Race in Okinawa: Politics of Inclusion/Exclusion in the Post-Cold War Years”
  3. Sachiko Horiguchi (Temple University Japan Campus) & Yuki Imoto (Keio University), “From Konketsu to Hafu: The politics of mixed-race categories in modern Japan”

Discussant: Han Geon Soo (Kangwon National University), Park Kyung Min (Michigan State University)

Coffee Break

4:00-6:00pm Cultural politics of mixed race celebrities in East Asia

Chair: Koichi Iwabuchi (Monash University)

  1. Ji-Hyun Ahn (University of Washington Tacoma), “Questioning the cultural currency of whiteness: White mixed-race celebrities and (contemporary) Korean popular culture”
  2. Jeehyun Lim (Denison University), “Black and Korean in Neoliberal Multiculturalism in South Korea”
  3. Kaori Mori-Want (Shibaura Institute of Technology), “Japan We are Haafu, So What?: A Different Perspective in Mixed Race Studies in the Voices of Japanese Haafu Comedians”

Discussant: Jung Hyesil (Hanyang University), Sachiko Horiguchi (Temple University Japan Campus)

6:00- 8:00 pm Reception…

For more information click here.

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Japanese Brazilians celebrate mixed heritage

Posted in Anthropology, Articles, Asian Diaspora, Brazil, Caribbean/Latin America, Media Archive on 2014-06-18 07:43Z by Steven

Japanese Brazilians celebrate mixed heritage

Al Jazeera
2014-06-17

Jillian Kestler-D’Amour, Online Producer

Sao Paulo, Brazil – The room was a mixture of Brazilian green and yellow and Japanese red and white, as more than 200 members of the city’s large Japanese community turned out to watch the country of their ancestors take on Cote d’Ivoire in both teams’ World Cup opening match.

Chants of Japao! (Japan in Portuguese) rang out through the crowd, which was dominated by navy jerseys with the names Honda, Toshio, Takaya, Shiota, and Kagawa affixed to the back. The room erupted when Japanese star Keisuke Honda put the Samurai Blue ahead in the first half, but fans were ultimately stunned when Cote d’Ivoire scored twice in two minutes to win, 2-1.

“I feel very proud that Japan is in the World Cup and that we can host them here in Brazil,” said Analia Kita, before the game began. Wife of Kihatino Kita, the director of the Japanese-Brazilian Association that hosted the screening, Analia said she has tickets to cheer on Japan when the team takes on Switzerland next week in Natal.

“Between Japan and Brazil, it’s going to be very hard to choose [my favourite],” she said laughing. “But it’s going to have to be Brazil. I’m Brazilian.”…

…Dual identities

“We can characterise it as a mixture. We have 106 years of immigration and in this time, we have seen the mixture and integration of the Japanese culture in Brazil,” explained Celia Sakurai, a researcher on Japanese-Brazilian community and culture.

Born in Sao Paulo where she lives today, Sakurai told Al Jazeera that Japanese influence on Brazil’s culture can be viewed through the popularity of anime, Manga comics, and haikai (the Portuguese-language version of a haiku), the practise of judo and taeko (traditional Japanese drumming), and other arts…

Read the entire article here.

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Undercover Asian: Multiracial Asian Americans in Visual Culture

Posted in Anthropology, Asian Diaspora, Books, Communications/Media Studies, Media Archive, Monographs, United States on 2014-06-15 23:29Z by Steven

Undercover Asian: Multiracial Asian Americans in Visual Culture

University of Illinois Press
January 2014
264 pages
6 x 9 in.
15 black & white photographs
Cloth ISBN: 978-0-252-03807-5
Paper ISBN: 978-0-252-07956-6

Leilani Nishime, Assistant Professor of Communication
University of Washington, Seattle

Representations of mixed race Asian Americans in popular culture

In this first book-length study of media images of multiracial Asian Americans, Leilani Nishime traces the codes that alternatively enable and prevent audiences from recognizing the multiracial status of Asian Americans. Nishime’s perceptive readings of popular media–movies, television shows, magazine articles, and artwork–indicate how and why the viewing public often fails to identify multiracial Asian Americans. Using actor Keanu Reeves, golfer Tiger Woods, and the television show Battlestar Galactica as examples, Nishime suggests that this failure is tied to gender, sexuality, and post-racial politics. In contrast to these representations, Nishime provides a set of alternative moments when audiences can view multiracial Asians as multiracial. Through a consideration of the Matrix trilogy, reality TV star Kimora Lee Simmons, and the artwork of Kip Fulbeck, these examples highlight both the perils and benefits of racial visibility, uncovering our society’s ways of constructing racial categories. Throughout this incisive study, Nishime offers nuanced interpretations that open the door to a new and productive understanding of race in America.

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Black In The Dominican Republic: Denying Blackness

Posted in Anthropology, Caribbean/Latin America, Census/Demographics, Social Science, Videos on 2014-06-11 20:11Z by Steven

Black In The Dominican Republic: Denying Blackness

HuffPost Live
The Huffington Post
2014-06-10

Marc Lamont Hill, Host

In Latin America and Caribbean countries like the Dominican Republic many deny being of African decent, despite 90 percent of the population possessing black ancestry. Where has the blackness gone in the region?

Guests:

  • Biany Perez (Philadelphia, Pennsylvania) Graduate Student at Bryn Mawr College
  • Christopher Pimentel (New York , New York) Finance Student at Baruch College
  • Robin Derby (Los Angeles, California) Associate Professor of History, University of California, Los Angeles
  • Kimberly Eison Simmons (Columbia, South Carolina) Associate Professor, Anthropology and African American Studies, University of South Carolina
  • Silvio Torres-Saillant (Syracuse, New York) Professor of English, Syracuse University

 

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Galileo Wept: A Critical Assessment of the Use of Race in Forensic Anthropology

Posted in Anthropology, Articles, Media Archive on 2014-06-10 20:24Z by Steven

Galileo Wept: A Critical Assessment of the Use of Race in Forensic Anthropology

Transforming Anthropology
Volume 9, Issue 2 (July 2000)
pages 19–29
DOI: 10.1525/tran.2000.9.2.19

Diana Smay
Emory University

George Armelago, Goodrich C. White Professor of Anthropolgy (1936-2014)
Emory University

Anthropology has been haunted by the misuse of the race concept since its beginnings. Although modern genetics has shown time and again that race is not a biological reality and cannot adequately describe human variation, many anthropologists are unable or unwilling to put aside racial typology as an explanatory tool. Here, we consider the case of forensic anthropology as an example often held up by uncritical anthropologists as evidence that the race concept “works.” The logic appears to be that if forensic anthropologists are able to identify races in skeletal remains, races must be biological phenomena. We consider four general viewpoints on the subject of the validity and utility of race in forensic anthropology and offer an argument for the elimination of race as part of the “biological profile” identified by forensic anthropologists.

Read the entire article here.

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Seeking Roots in Shifting Ground–Dr. Laura Tugman’s topic for 18th Union, June 28

Posted in Anthropology, History, Live Events, Media Archive, Tri-Racial Isolates, United States on 2014-06-04 18:03Z by Steven

Seeking Roots in Shifting Ground–Dr. Laura Tugman’s topic for 18th Union, June 28

Melungeon Heritage Association: One People, All Colors
2014-05-20

18th Melungeon Union
Vardy, Tennessee and Big Stone Gap, Virginia
2014-06-27 through 2014-06-28

Dr. Laura Tugman will discuss her doctoral dissertation, entitled Seeking Roots in Shifting Ground: Ethnic Identity Development and the Melungeons of Southern Appalachia. Her research examined the experience of Melungeon ethnic identity development through ethnographic interviews with Melungeon individuals in Southern Appalachia. Her study concluded that the identity development process and group dynamics occurring within the Melungeons present challenges to the current multicultural psychology literature regarding ethnic identity development. As recently as the early 1990s, many believed that the Melungeons would soon be completely assimilated into mainstream white America. More recently, the formation of the Melungeon Heritage Association has renewed ethnic pride for many Melungeons who have either previously concealed their heritage—or were not even aware of it—due to a long-standing generational practice of concealing Melungeon heritage. Dr. Tugman examined the ethnic identity development process and life experiences of Melungeons, particularly the impact of social dynamics, both within and outside the group, on self-identification.

For more information, click here.

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The Politics of Race in Panama: Afro-Hispanic and West Indian Literary Discourses of Contention

Posted in Anthropology, Books, History, Literary/Artistic Criticism, Media Archive, Monographs on 2014-05-29 02:52Z by Steven

The Politics of Race in Panama: Afro-Hispanic and West Indian Literary Discourses of Contention

University Press of Florida
2014-04-15
200 pages
6 x 9
Cloth ISBN 13: 978-0-8130-4986-1

Sonja Stephenson Watson, Associate Professor of Spanish
University of Texas, Arlington

This volume tells the story of two cultural groups: Afro-Hispanics, whose ancestors came to Panama as African slaves, and West Indians from the English-speaking countries of Jamaica and Barbados who arrived during the mid-nineteenth and early-twentieth centuries to build the railroad and the Panama Canal.

While Afro-Hispanics assimilated after centuries of mestizaje (race mixing) and now identify with their Spanish heritage, West Indians hold to their British Caribbean roots and identify more closely with Africa and the Caribbean.

By examining the writing of black Panamanian authors, Sonja Watson highlights how race is defined, contested, and inscribed in Panama. She discusses the cultural, racial, and national tensions that prevent these two groups from forging a shared Afro-Panamanian identity, ultimately revealing why ethnically diverse Afro-descendant populations continue to struggle to create racial unity in nations across Latin America and the Caribbean.

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Radmilla’s Voice: Music Genre, Blood Quantum, and Belonging on the Navajo Nation

Posted in Anthropology, Articles, Arts, Media Archive, Native Americans/First Nation, United States, Women on 2014-05-26 05:46Z by Steven

Radmilla’s Voice: Music Genre, Blood Quantum, and Belonging on the Navajo Nation

Cultural Anthropology
Volume 29, Issu3 2 (May 2014)
pages 385-410
DOI: 10.14506/ca29.2.11

Kristina Jacobsen-Bia, Assistant Professor of Music
University of New Mexico

Window Rock, Navajo Nation, Arizona, September 1997. A young woman butchers a sheep as the crowd at the Navajo Nation Fairgrounds watches. Her hair tied back in a tsiiyéél, a woman’s hair bun, she wears a velvet top, silver concho belt, long satin skirt, and leather moccasins—the markers of traditional Navajo femininity. As she expertly slits the sheep’s throat to begin the arduous process of dissecting the animal, her skirt remains spotless: Not a drop of blood touches it.

Sheep butchering, a traditional Navajo art of subsistence, constitutes the first part of the Navajo Nation’s annual Miss Navajo pageant. The second is singing, and the same young woman—Radmilla Cody—performs a traditional “skip dance” song in the Navajo language. But something makes her performance different. As Radmilla’s voice carries across the fairground, she adds melismas, or vocal flourishes, note glides, and a bluesy inflection to the more nasal sound of traditional skip dance songs, which are typically sung by men (McAllester 1954). Onlookers cock their heads to listen more closely, and they hear for the first time the singer who will become known as the “Navajo Whitney Houston.” The crowd responds ecstatically; Radmilla, a twenty-one-year-old from Grand Falls, Navajo Nation, is publicly crowned the forty-sixth Miss Navajo Nation, 1997–1998.

When I introduced myself in Navajo to Radmilla in 2011 at a CD signing (for I had long been a fan of her music), she seemed amused to hear an Anglo, a bilagáana, speaking her language. She joked that we try performing some skip dance songs together in a perhaps improbable duo—a white woman and she, a half-black, half-Navajo one, performing old Navajo standards. As she autographed a glossy poster for my friend’s nine-year-old niece, who is of mixed Navajo, Korean, and French descent, she wrote in flowing cursive: “Beautiful you are! Many blessings to you. Always remember that, and walk in beauty.”

Radmilla dramatically broke the mold in more ways than one. There was, most obviously, her distinctive, hybrid singing at the intersection of Navajo tradition and African American rhythm and blues; that style reflected Radmilla’s own mixed heritage: she was the child of a Navajo (Tł’ááshchí’í clan) mother and a Naakai Łizhinii, or African American, father. In the documentary Hearing Radmilla (2010), she recalled being singled out as a child living on the Navajo reservation for her African American appearance, being perceived as different from other Navajos. There was also the later denouement to Radmilla’s story, her arrest in 2003 for aiding an abusive, drug-selling boyfriend and her subsequent attempt to rehabilitate her public image as a good citizen of the Navajo tribe. Fully fluent in Navajo and a citizen of the Navajo Nation, she embodied a unique story, and Radmilla’s voice became a lightning rod for reflection and debate about the twenty-first-century politics of race, blood, music genre, and belonging in Navajo country.

What, then, does Radmilla’s story reveal about the relationship between sound, racial identity, and blood quantum on the Navajo Nation? And what, in particular, can be said about the role of the singing voice in the politics of indigeneity? In this article, I use two case studies to show the tensions still surrounding black-Native parentage in Native American communities such as the Navajo (or Diné)5 and analyze reactions to Radmilla’s voice as a partial reflection of larger racial stereotypes about blackness and criminality that permeate U.S. society. These ideas tie crucially into issues of tribal citizenship in Native North America in the era of casinos, where the affective and political stakes of belonging have been dramatically raised, and citizenship and enrollment have come to signify more rigid demarcations between who belongs and who does not. Second, I demonstrate how sound itself becomes an “ethnic trope,” defined as symbols constructed as “allusions toward an ideal that has no living model” (Fast 2002, 23), where voice, musical genre, phenotype, and heritage-language skills index a speaker as more or less “authentically” Diné. Here, I distinguish sound from music, defining sound as a broader framework encompassing both music and language, which allows me to talk about the singing and speaking voice within a single frame. In Radmilla’s case, the supposedly black dimensions of both her phenotype and her traditional singing were used to single her out as less than fully Navajo. And, both in her crowning and in her run-in with the law, Radmilla’s identity as a celebrity gained what Daphne Patai (qtd. in Starn 2011, 123) has called “surplus visibility” about racial matters, “always put on the spot when controversy arises.”

Using my own fieldwork singing and playing with the Navajo country-western group, Native Country Band, as a counterpoint to Radmilla’s experience, I examine how individual and collective voices become marked by racial identities. On the one hand, her voice, perceived racial identity, and idiosyncratic singing style designated Radmilla as a cultural outsider. At the same time, in other contexts and because of her ability to broker generational differences in her choice of recorded material, her voice was celebrated as being quintessentially Navajo, securing her insider status as a Diné citize. Bringing sound into conversations about blood, belonging, and indigeneity, I show how racial identities become marked and investigate the role played by voice in this marking. Music and language both reflect and reinforce ideas of inclusion, exclusion, and communal reckoning in contemporary Navajo communities and in U.S. society at large (Harkness 2010; Feld et al. 2004). My larger contention becomes, in the case of Radmilla, the Navajo Nation, and the U.S. nation, that aesthetics—and voice and sound in particular—matter in relation to politics, albeit often in divergent ways and on differing scales…

Read the entire article here.

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