The Stuart Hall Project (Washington premiere)

Posted in Anthropology, Media Archive, Philosophy, Social Science, United States, Videos on 2014-01-11 22:14Z by Steven

The Stuart Hall Project (Washington premiere)

The National Gallery of Art
East Building Auditorium
Between 3rd and 9th Streets, N.W. along Constitution Avenue N.W.
Washington, D.C.
2014-01-19, 16:30 EST (Local Time)

The celebrated Jamaican-born sociologist and theorist Stuart Hall (b. 1932) is the founding father of cultural studies — the popular interdisciplinary field that has reworked the way in which cultural patterns are studied within societies. Combining archival imagery, home movies, and found footage with new material and a uniquely crafted Miles Davis soundtrack, “John Akomfrah’s filmmaking approach matches Hall’s intellect, its intimate play with memory, identity, and scholarly impulse traversing the changing historical landscape of the second half of the twentieth century” — British Film Institute. (John Akomfrah, 2013, DCP, 95 minutes)

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Imagining Brazil: Seduction, Samba

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Media Archive, Women on 2014-01-05 01:22Z by Steven

Imagining Brazil: Seduction, Samba

Canadian Woman Studies / Les Caheiers de la Femme
Volume 20, Number 2 (2000)
pages 48-56

Natasha Pravaz, Associate Professor
Wilfrid Laurier University, Waterloo, Ontario, Canada

En utilisant des paroles de chants rythmés sur la samba et d‘autre matériel ethnographique, l‘auteure detecte la presence du mulâtre et de propos racistes dans la construction du nationalisme brézilien et discute sur l‘évidente ambivalence dans le discours ethnique local entre le désir et la rejection envers ce personage.

Using the words of songs and rhythmic samba on other ethnographic material, the author detects the presence the mulatto and racism in the construction of Brazilian nationalism and discusses the obvious ambivalence in the local ethnic discourse between desire and rejection to this personage.

A polysemic category, mulata in the Brazilian context can refer to “a woman of mixed racial descent,” but it also connotes voluptuosity, sensuality, and ability for dancing the samba. In its restricted sense, however, it names an occupation. That is, only women who engage in dancing the samba in a commodified spectacle and receive some form of remuneration for it can be called mulatas. Under this specific signification, the concept of the mulata can be contrasted to that of the passita, a solo dancer in the Carnival parades who performs, not for money, but out of love for samba and for her Samba School of choice. However, regardless of the subtleties of this and other distinctions, mulata and passista are perhaps merely privileged signifiers in a larger paradigmatic chain associating multiple cultural terms such as cabrocha, morena, criouh, brasileira, nega, pretinha, baiana, to name just a few. These multiple signifiers denoting “black woman” in Brazil may be seen as lexicological crystallisations of what has been described by Marvin Harris as a fluid “system of racial classification.” In Brazil, “race talk” has a dermal character, where slight gradations in skin colour are constructed as distinctions begging specific denomination. Depending on the context of utterance, most of the above mentioned racialized and gendered terms carry with them a certain fetishistic quality. In Brazil, the mulata is commonly portrayed as a woman always ready to deploy her tricks of sorcery and bewitching, embodying sensuality, voluptuosity, and dexterity in dancing the samba. She has become a figure of desire in the Brazilian imaginary. It is due to this semantic proliferation that I have decided to use the Brazilian lexicon, rather than to reduce its meaning by making reference to a “mulatto woman.”

Using a series of samba lyrics as my ethnographic material, I will address the figuration of the mulata as the embodiment of sensuality in the Brazilian imaginary; explore the use of racialized tropes and the figure of the mulata in the constitution of Brazilian discourses of national identity; and briefly discuss the conspicuous ambivalence between desire and abjection toward the mulata in local discourses of race…

Read the entire article here.

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Celebrating Afro-Venezuelan Heritage

Posted in Anthropology, Articles, Caribbean/Latin America, History, Media Archive on 2014-01-03 22:47Z by Steven

Celebrating Afro-Venezuelan Heritage

Global Exchange
Reality Tour Blog
2013-12-13

The following post is written by Reality Tours communications intern William Jones Jr as he explores Afro-Venezuelan identity historically and in its current context. Visit Venezuela on a Reality Tour to learn more about the struggles, contributions, and successes of Afro-Venezuelans.

History and Legacy

Under the leadership of the late President Hugo Chávez, Venezuela has made strides toward combating the historical legacy of racism and recognizing the national importance of African heritage, promoting social inclusion and respect for Afro-Venezuelans. Among them is the official celebration of the Month of Africa in May and Day of Afro-Venezuelans on May 10.

Although Abolition occurred in 1854, freedom did not bring equality. Venezuela, like many other Latin American countries, used the idea of the mestizo born of European, Indigenous, and African blood, to uphold a myth of racial democracy that denied rampant discrimination on the basis of skin color and African identity on paper.  In reality African cultural traditions remained marginalized and European traditions were promoted. Blacks remained at the bottom of the economic and social hierarchy…

Read the entire article here.

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Whiter Shades of Pale: “Coloring In” Machado de Assis and Race in Contemporary Brazil

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2014-01-02 03:53Z by Steven

Whiter Shades of Pale: “Coloring In” Machado de Assis and Race in Contemporary Brazil

Latin American Research Review
Volume 48, Number 3 (2013)
pages 3-24
DOI: 10.1353/lar.2013.0046

Alex Flynn, Lecturer in Anthropology
Durham University, Durham, United Kingdom

Elena Calvo-González, Professor of Anthropology
Universidade Federal da Bahia, Brazil

Marcelo Mendes de Souza
Department of Comparative Literature
University of Auckland

Debates surrounding race in Brazil have become increasingly fraught in recent years as the once hegemonic concept of racial democracy (democracia racial) continues to be subject to an ever more agnostic scrutiny. Parallel to these debates, and yet ultimately inseparable from them, is the question of what it is to be “white.” In this interdisciplinary paper, we argue that whiteness has become increasingly established in Brazilian public discourse as a naturalized category. Seeking a fresh perspective on what we perceive to have become a sterile debate, we examine Machado de Assis and his work to illustrate how assumptions surrounding his short story “Pai contra mãe,” and indeed comments on the author’s very body, reveal the extent to which whiteness has come to be seen as nonnegotiable and fixed. Placing a close reading of Machado’s text at the heart of the article, we explain its implications for the scholarly debates now unfolding in Brazil concerning the construction of whiteness. The article then develops an anthropological reading of whiteness by pointing to the inherent differences between perspectives of race as a process and perspectives of race as a fixed and naturalized given.

Debates surrounding race in Brazil have become increasingly fraught in recent years as the once hegemonic concept of racial democracy (democracia racial) is subjected to an ever more agnostic scrutiny. In a public sphere where certain ‘“types of mixture’ are clearly preferred to the detriment of others” (Pinho 2009), what can be understood as whiteness has an obvious and tangible importance, with various signifiers having varying levels of meaning. The texture of hair, the shape of facial features, even certain embodied notions of interaction can connote discrete positions on a racialized hierarchy. As Pinho (2009, 40) states, following the tradition of 1950s anthropologists such as Oracy Nogueira (1998) or Donald Pierson (1971), skin color is perhaps only the beginning of someone’s subjective judgment: “One’s ‘measure of whiteness,’ therefore, is not defined only by skin color; it requires a much wider economy of signs where, together with other bodily features, hair texture is almost as important as epidermal tone. In any given context, the definition of whiteness is also, necessarily, shaped by the contours of gender and class affiliation.”

These judgments take place within a wider historical discourse that has promoted the “whitening” of Brazil as a country and race. Dávila (2003) describes how from the turn of the nineteenth century, state actors in Brazil implemented policies that had at their heart a belief in whiteness as a naturalized state identified with strength, health, and virtue. This racial category was gradually shaped in opposition to “blackness,” a status that carried an explicit cargo of laziness, primitive and childlike nature, and an inherently antimodern gaze to the past. Dávila outlines how state actors believed that the nation could be “whitened” by educating people out of a black identity and leading them toward a white set of behaviors and morals. In this way, race was not a biological fact, it was rather a metaphor for the imagining of Brazil’s modernist trajectory; race was a malleable tool with which to better the future. Thus, the racial mixing of Brazilian society was a deterministic process toward securing a brighter, “whiter” future, one where blackness and its degeneracy could be cast aside and social ascension would guarantee a more productive population. Dávila (2003, 6) states that in the 1930s, “white Brazilians could safely celebrate race mixture because they saw it as an inevitable step in the nation’s evolution.” But it is important to note here that the supposedly realizable goal at the end of this process was essentially being cast as a naturalized category. There were no searching questions as to exactly what whiteness represented on this hierarchical trajectory; the definition was based upon a certain Europeanness and was whatever blackness or  indigenousness was not. As Dávila (2003, 7) states, “whiteness” was defined through both “positive and negative affirmation,” becoming a sedimented and fixed category without any internalized processes of self-reflection.

Despite this historical lack of analysis, recent state interventions have prompted a more quotidian interest into questions of whiteness in Brazil. Carlos Hasenbalg and Nelson do Vale Silva’s groundbreaking research in the 1970s had already demonstrated the disparities linked to race in socioeconomic indicators between self=-classified “whites” and “browns/blacks,” with the latter grouped together due to the similarity of results when compared to the “white” group. Such work helped to destabilize the myth of racial democracy, as well as the “mulatto escape hatch” thesis, the idea that the space ceded to people of mixed race in Brazil allowed some to escape the “disabilities of blackness” (Degler 1971, 178). However, the recent introduction of racial quotas at federal and state universities has brought into sharp relief how binary manners of self-identification can have a profound influence on one’s social trajectory, or as Vron Ware (2004, 38) describes it, “the relationship between social and symbolic power.” With an expanding middle class and growing competition for places, university places reserved for those who do not identify as white has brought into the open questions and prejudices that many people might have perhaps preferred to remain opaque. The debates around the implementation of affirmative action policies have brought into sharp focus the serious issues that a bureaucratic reconfiguration of racial categories implies, given that the category “black” subsumed those that self-declared as mixed race. At the center of these debates is the question of what it is to be black and, discussed much less, what it is to be white, a subject that has acquired all the more significance with the recent publication of census data demonstrating that for the first time since records began, those that self-identify as white are in a minority (47.7 percent) in Brazil (Phillips 2011). In this article we will build upon recent literature on whiteness as well as more classical work on race and race relations to reinforce the idea that, rather than being a fixed category, whiteness is in fact a volatile and nuanced construction continually subject to social reinterpretations as well as state-determined reconfiguration…

Read the entire article here.

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Racial Democracy and Nationalism in Panama

Posted in Anthropology, Articles, Caribbean/Latin America, Media Archive, Social Science on 2014-01-01 08:36Z by Steven

Racial Democracy and Nationalism in Panama

Ethnology
Volume 45, Number 3 (Summer, 2006)
pages 209-228
DOI: 10.2307/20456595

Carla Guerrón-Montero, Assistant Professor of Anthropology, Latin American Studies, Black American Studies, and Women’s Studies
University of Delaware

In spite of having more fluid and flexible racial boundaries than other regions of the world, Latin America continues to have racially hegemonic practices. Panama has a myth of racial egalitarianism, yet an inability to perceive that racial inequality is pervasive. This is illustrated with the paradox of race relations between Afro-Antilleans and the indigenous peoples in the Archipelago of Bocas del Toro. Intermarriage in the region and the notion that there is no racial inequality contrasts with the constant recognition of differences. Race relations and ethnic identity in this region have their origins in the competition between British, North American, and Central American interests, and have been shaped in relation to Panamanian nationalism.

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A True History Full of Romance: Mixed Marriages and Ethnic Identity in Dutch Art, News Media, and Popular Culture (1883-1955)

Posted in Anthropology, Books, Communications/Media Studies, Europe, History, Media Archive, Monographs on 2013-12-31 17:21Z by Steven

A True History Full of Romance: Mixed Marriages and Ethnic Identity in Dutch Art, News Media, and Popular Culture (1883-1955)

Amsterdam University Press
2012-04-02
184 pages
Soft Cover ISBN: 9789089644251

Marga Altena, Historian of Visual Culture

This important study about ethnically mixed marriages in the Netherlands of the 1883-1955 period offers a compelling overview on the nature and experience of ethnicity from a wide range of scholarly perspectives.

Drawing from exhaustive research in the Netherlands, Europe and the Americas, Altena offers illuminating new insights into mixed-marriage families as they were depicted in the arts and in news media; and how the families themselves in turn reacted to, and influenced those images. The author focuses on well-documented individuals and shows how they gained a coherent voice in Dutch culture. Altena attributes to them conscious agency in their own self-presentation, rather than just viewing them as victims of racial prejudice.

A timely contribution to the debate surrounding ethnicity and integration in Dutch society, this work demonstrates how that process was mediated by the various agencies, while placing special emphasis on the marginal groups within central news media as crucial in the opinion making.

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Biracial Girls Will Be Fine If Their Dolls Don’t Look Like Them

Posted in Anthropology, Articles, Media Archive, United States on 2013-12-28 05:37Z by Steven

Biracial Girls Will Be Fine If Their Dolls Don’t Look Like Them

The Root
2013-12-27

Jenée Desmond-Harris

Race Manners: A rainbow of toys is great, but how kids live is much more important than how they play.

“Hello. I’m wondering if you can offer some broad guidance before I head out to the malls for Christmas shopping. I have two beautiful nieces in a very diverse, melting pot family. My sisters and I are white, and one has a daughter who is half-Japanese, and my younger sister’s husband is half-African American. The two little ones are 4 and 6. Both are very much in the girly-girl phase, pink, purple, dolls, etc. and also great friends.

“I’m well aware that there are now, thankfully, dolls in many different ethnicities and even with different hair textures. But what’s the right choice for these two? The 4-year-old is Japanese and Caucasian but has light brown hair and essentially looks more like brunette white dolls. The 6-year-old who is half African American has fair skin and long dark hair and probably looks more like white dolls than African-American dolls. If I purchase dolls for them, should they receive the ones that reflect their nonwhite ethnicity or the way they look, or does it matter if they are at this point unaware of any color-related differences?” —Shopping Sensitively

Well, Christmas is over, but I decided to answer this anyway. After all, the relationship between little girls of color and dolls is by no means limited to the holiday season.

It’s why people were so ecstatic (seriously, what took so long?) when Natural Girls United’s line of dolls with realistic black hair came out and why it was so moving when the mom behind Chocolate Hair/Vanilla Care styled this doll’s hair so its braids (as well as its complexion and outfit) would match her daughter’s exactly.

Generally speaking, it sucks if little girls can’t access dolls that look like what they see in the mirror (that extends beyond race to body shape and size, etc). And when they can, everyone is happy. I think we can all agree on that.

Of course, when it comes to color, hair and background matching, your situation is extra complicated because you’re dealing with kids whose identity is up in the air (it’s anyone’s guess how they’ll see themselves 10 years from now when America’s demographics have changed even more), and who might not look anything like what a factory-made plastic representation of their particular racial mixtures would, even if those existed.

I just read—and can’t stop thinking about—Yaba Blay’s (1)ne Drop, which explores the way historical definitions of race help shape contemporary identities through a collection of individual stories and accompanying photos. Let’s just say there’s a lot of variation and very little predictability when it comes to people’s actual skin and hair color and how they identify. A doll manufacturer could spend the rest of the year producing all of the variations of complexion and features and textures chronicled in the project, and there would still be people who couldn’t find reflections of themselves…

Read the entire article here.

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Is Race a Fiction?

Posted in Anthropology, Canada, Identity Development/Psychology, Interviews, Media Archive, Videos on 2013-12-23 11:59Z by Steven

Is Race a Fiction?

Ideas with Paul Kennedy
CBC Radio-Canada
2013-12-04

Paul Kennedy, Host

Blood ties you to family, country and race. Should it? Watch a live panel discussion with Lawrence Hill, Priscila Uppal, Hayden King and Karina Vernon moderated by Ideas host Paul Kennedy.

What happens to personal identity when race is removed as a marker of who you are? What happens when we use the term “culture” to replace the idea of race?” The panelists explore these questions and more.

Panelists:

  • Lawrence Hill: Blood: The Stuff of Life is Lawrence Hill’s ninth book. His earlier works include the novels Some Great Thing and, and the memoir Black Berry, Sweet Juice: On Being Black and White in Canada.
  • Hayden King is an Anishinaabe writer, student, teacher, researcher at Ryerson University, McMaster University and Beausoleil First Nation.
  • Priscila Uppal is a poet, novelist, playwright and York University Professor in the Department of English.
  • Karina Vernon is an Assistant Professor at the University of Toronto and co-founder and editor of Commodore Books, the first black literary press in western Canada.

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From hair care to racism, Afro-Germans share experiences online

Posted in Anthropology, Articles, Europe, Media Archive, Women on 2013-12-20 19:00Z by Steven

From hair care to racism, Afro-Germans share experiences online

DW: Deutsche Welle
Berlin/Bonn, Germany
2013-12-18

Lori Herber, Cologne

Two 20-somethings in Germany have launched krauselocke.de, the country’s first online portal with an Afro-German perspective. For many in the community, it’s more than hair advice – it’s a roadmap to identity

After growing up with few role models who looked like them, Afro-Germans Barbara Mabanza (left) and Esther Donkor (right) didn’t want the same thing to happen to girls in Germany’s next generation. So they created a website to bring together a community.

Twelve-year-old Magdalena Inou is one of those girls the two had in mind. Magdalena has her Austrian mother’s quick smile and her Cameroonian father’s kinky hair. Tonight those tresses are pulled into a ponytail. She sits beside her mother, Sylvia and is quick to point out the obvious.

“My hair is different from the hair of my mother,” she explains, matter-of-factly. Her mother, Sylvia Inou adds. “I have German hair. Austrian hair. Straight hair.”

They’ve traveled more than eight hours from Vienna to Cologne to meet more than 50 fellow members of the online community called “Krauselocke,” or “kinky curls.” They want to get tips on how to care for Magdalena’s hair and, most importantly, to show Magdalena she’s not alone…

Read the entire article here.

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Afro-Mexico: Dancing between Myth and Reality by Anita González (review)

Posted in Anthropology, Articles, Book/Video Reviews, Caribbean/Latin America, Media Archive, Mexico on 2013-12-15 02:11Z by Steven

Afro-Mexico: Dancing between Myth and Reality by Anita González (review)

Latin American Music Review
Volume 34, Number 2, Fall/Winter 2013
pages 288-291
DOI: 10.1353/lat.2013.0019

Alex E. Chávez, Visiting Assistant Professor
Latin American and Latino Studies Program
University of Illinois, Chicago

Anita González, Afro-Mexico: Dancing between Myth and Reality. With photographs by George O. Jackson and José Manuel Pellicer. Austin: University of Texas Press, 2011. 183 pp. ISBN 978-0-292-72324-5.

In a mixed-race country like Mexico, being “black” means being part of an ethnic group, but in addition to the unstable inhabitations of racial identities, the richness of expressive culture therein also has much to do with carving out senses of community. With this understanding, González explores the cultural negotiations of Afro-Mexican identity in terpsichorean traditions throughout Mexico—with specific focus on Veracruz and the Costa Chica of Guerrero and Oaxaca. She elaborates on various quotidian dance practices embedded with an African cultural subtext of influence that demonstrates how socially and historically constituted ethno-racial constructions are voiced through performance. Taking cues from methodologies in performance, theater, and dance studies, she homes in on the communicative potential of the gesticulant. Moreover, she incorporates ethnography and relies on photographs to illustrate the dance forms.

Although there is existing scholarship that privileges broader socio-historical questions concerning the African diaspora in Latin America, studies focused on African-derived expressive forms in Mexico are few (Cruz Carretero, Martínez Maranto, and Santiago Silva 1990; McDowell 2000; Pérez Fernández 1990). In her efforts to show how Afro-Mexicans have been instrumental in cultural life in that country, González skillfully attends to the mobile history of ethnic encounter and exchange among Africans, indigenous groups, and the Spanish that has informed the hybridity of expressive forms and subjectivities over time. This approach in some ways gestures toward the types of analyses offered in Robin Moore’s Nationalizing Blackness (1997) and John Chasteen’s National Rhythms, African Roots (2004) in their own interrogations of the complicated nexus of performance, nation, and racial formation in Cuba and South America, respectively.

Mexico’s own fraught ideologies of mestizaje and mexicanidad constitute an officialized discursive field that has promoted a unified national culture by way of de-emphasizing localized and pluri-ethnic productions of subjectivity; and as it pertains to González’s study, this ideological scaffolding has obfuscated—if not entirely excluded—the African component. In this regard, apart from considering phenotype, González suggests that racial identities are also defined by geographic locale to the extent that “most Afro-Mexicans are unaware of the historical circumstances that explain their presence in Mexico,” which places particular importance on the cultural negotiations of social location as such (37).

At the core of Afro-Mexico lies González’s ambition to present a “diversity of perspectives about blackness” (103). She succeeds in this ambition as it relates to the dance forms in question. And by returning to the issues of archetype and stereotype repeatedly, she opens the door for considering the iterative relationship between racialization and performativity. Yet bringing the implicit connections between everyday life and institutionalized racial knowledges to the surface early in the book would have served in demonstrating more clearly how expressive culture fits within the arch of broader racial ideologies with implications for understandings of embodiment, performance, and the viscosity of race.

Nonetheless, the unique contribution of the book emerges from González’s own position of expertise as an artist and dancer so that when she contends that “the bent body posture and looseness of the upper body” in certain forms have aesthetic roots in African dance (66), her own bodily knowledge is involved in making that statement. Dances, she argues, consist of gestures within musical phrases. Possibilities for storytelling exist therein that “express social outlooks” (46). These stories unfold at different levels, from personal to communal, from political to mythical—often simultaneously. Her analysis likewise operates on several levels—form and content of the dance, musicality, historical roots, and ultimately the playing out of contemporary politics, since many of the dances are “theatrical scenarios that include attacks, public whippings, sexual overtones, and other disreputable acts” (40). Still, her descriptions in some ways beg for a more in-depth ethnographic rendering of these expressive flows to illustrate how they communicate beliefs and ideas, the very representations that become myths about blackness over time and how they unfold in relation to larger and contested understandings of nation and racial formation. Afro-Mexico is premised on the contention that in a society where ethno-racial identities are disputed, myths contain within them…

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