Mixed Race Studies

‘Longing for Oneself’: Hybridism and Miscegenation in Colonial and Postcolonial Portugal

Etnográfica
Volume VI, Number 1 (2002)
pages 181-200

Miguel Vale de Almeida, Professor of Anthropology
Instituto Superior de Ciências do Trabalho e da Empresa

This essay acknowledges that hybridism, in a troubling reminiscence of the 19th century debate on race and the hybrids is a central issue of debate in the social sciences today. The Portuguese case is one of the most complex and intriguing: if Brazil has been systematically praised as the example of the humanistic and miscegenating characteristic of Portuguese expansion, it has also been used as an argument for the legitimization of later colonialism in Africa, as well as for the construction of a self-representation of Portuguese as non-racists. The Portuguese nation, however, has seldom been described as a miscigenated nation and mestiça itself. Contemporary rhetoric on hybridity – as part of globalization, transnationality, postcolonial diasporas, and multiculturalism – clashes with the reality of the return of ‘race’ within a cultural fundamentalism. This paper focuses on discourses and modes of classification as the starting point for discussing specific practices and processes of Miguel Vale de Almeida identity dispute in the ‘Lusophone’ space.

This is an essay–not a research paper–that acknowledges that, in a troubling reminiscence of the 19th century debate on race and the hybrids, hybridism is a central issue of debate in the social sciences today. The term ‘hybrid’  was applied from botany to anthropology and was associated with both political and scientific speculations on ‘races’ as species or subspecies. The acknowledgment of the common humanity of all ‘races’ strengthened the separation between culture and nature as part and parcel of the project of Modernity (cf. Latour 1994); but it also diverted attention from hybridism to the field of miscegenation and mestiçagem – i.e., ‘racial’ and cultural mixing. Hybridism – and mixing in general – was condemned by some for its impurity and praised by others for its humanism. The result of the century-long debate is, however, much more hybrid itself than a clear opposition. Discourses on miscegenation and mestiçagem tended to be used as ideological masks for relations of power and domination. They were also used as central elements in national, colonial and imperial narratives. The Brazilian case is well known. The Portuguese case is one of the most complex and intriguing: if Brazil has been systematically praised as the example of  the humanistic and miscegenating characteristic of Portuguese expansion, it has also been used as an argument for the legitimization of later colonialism in Africa, as well as for the construction of a self-representation of the Portuguese as non-racists. The Portuguese nation, however, has seldom been described as a miscigenated nation and mestiça itself. In the discourses of national identity, emphasis has been placed upon what the Portuguese have given to the others–a gift of ‘blood’ and culture–and not on what they have received from the others. Present rhetoric on hybridity – as part of globalization, transnationality, postcolonial diasporas, and multiculturalism – clashes with the reality of the return of ‘race’ in cultural fundamentalism, policies of nationality and citizenship, and in the politics of representation. This paper will focus on discourses and modes of classification as the starting point for discussing specific practices and processes of identity dispute in the ‘Lusophone’ space. Three periods in the Portuguese production around miscegenation and hybridism will be analysed: a period marked by racist theories; a period marked by luso-tropicalism; and the present period marked by discussions of multiculturalism. Finally, the acknowledgment of creolized social formations as both the outcome of colonialism and the possible examples for thinking of new, less racist societies, closes this exploratory essay…

Read the entire article here.

Blow to multiple human species idea

BBC News
2013-10-17

Melissa Hogenboom, Science Reporter

The idea that there were several different human species walking the Earth two million years ago has been dealt a blow.

Instead, scientists say early human fossils found in Africa and Eurasia may have been part of the same species.

Writing in the journal Science, the team says that Homo habilis, Homo rudolfensis and Homo erectus are all part of a single evolving lineage that led to modern humans…

Read the entire article here.

The 10 Percenter

The New York Times
2011-10-13

Robert S. Boyton

Henry Louis Gates Jr. is having lunch at New York’s Union Square Cafe, hoping Danny Meyer’s chicken soup will soothe his allergies. He has just returned from Newark, where he interviewed Mayor Cory Booker for his new PBS series, “Finding Your Roots.” After lunch he’s catching a flight to Martha’s Vineyard for Bill Clinton’s birthday party. Author of 14 books, editor in chief of the online publication The Root, documentary producer and presenter, Gates, 61, is a one-man multimedia industry.

“I have no plans to slow down,” he says cheerfully.

A clear line runs through Gates’s myriad projects. “I want to get into the educational DNA of American culture,” he says. “I want 10 percent of the common culture, more or less, to be black.” Gates’s love of technology has been a boon in this regard. He is always thinking about new ways to circulate his ideas. “The Norton Anthology of African-American Literature” (1996) included a CD of oral literature with recordings of poets like Langston Hughes reading their work. He followed up “Africana: The Encyclopedia of the African American Experience” (1999) with Microsoft’s Encarta Africana on CD-ROM. The success of The Huffington Post inspired him to start The Root, The Washington Post’s online African-American publication. “I’m a tech geek. Whenever I read about something new, I think to myself, How can I take this and make it black?”…

…Gates is a member of the Personal Genome Project at Harvard Medical School, and he and his late father (who died at age 97 on Christmas Eve, 2010) were the first African-Americans to have their entire genomes sequenced. The tests showed that Gates Jr. has 50 percent European ancestry and descends from John Redman, a free African-American who fought in the Revolutionary War. In 2006, Gates was inducted into the Sons of the American Revolution. “When I do a black person’s DNA, there are never any people who are 100 percent black, no matter how dark they are,” he says…

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Identity issues

Harvard Gazette
2011-01-28

Stephanie Schorow, Harvard Correspondent

‘Black in Latin America’ examines perceptions of race

There were laughs of recognition as Silvio Torres-Saillant, professor of English and humanities at Syracuse University, told a story that underscored a major point of the “Black in Latin America” conference, which kicked off on Jan. 27 at Harvard.

Torres-Saillant, a former director of the Syracuse Latino-Latin American Studies Program, described being approached about joining a black campus caucus some years ago. A representative asked the carefully considered question: “Do you consider yourself more Hispanic or more black?”

His bemused silence may have been seen as an answer by the representative, but it reveals the false dichotomy that, for far too long, has been applied to the study of people of African descent who hail from South, Central, or North America and the Caribbean.

In what many participants called a “historic moment,” scholars from around the world gathered for three days at Harvard to explore issues of race, racial identity, and racism in countries as diverse as Haiti, Brazil, Mexico, and Peru. Of the estimated 12.5 million Africans shipped to the New World during the Middle Passage of the slave trade, the vast majority were taken to the Caribbean and Latin America.

“This is not just about Africa; this is not just about Latin America; this is how it all comes together,” said Caroline Elkins, Harvard history professor…

…In the first session of the conference, which focused on racial identity in the Dominican Republic, anthropologist Juan Rodriguez examined how Dominicans emphasize their European ancestry and distinguish themselves from Haitians who are perceived as the darker “other” or even as “foreigners,” even though the two countries share the same land mass.

Yet, Rodriguez said, examination of DNA from maternal lines of Dominicans finds that 85 percent have African ancestors, 9.4 Indian, and less than .08 European. DNA from paternal lines found 58 percent from European ancestors, 36 from African, and 1 percent Indian, he said. This emphasizes the abusive role played by the European male in relation to enslaved native and African women, he said.

In his humorous, yet poignant, remarks, Rodriguez discussed the use of race on Dominican national identification cards, rattling off some of the 12 classifications of skin color from the early 1970s, including white, black, ashen, discolored, so pale as to appear sick, light with freckles or moles, and purple. He also cited the 15 kinds of hair texture that ranged on a spectrum from “bueno” (good) for straight hair to “malo” (bad) for kinky hair.

Frank Moya Pons, a professor of Latin America and a former minister in the Dominican government, discussed his research into census data that reveals just how reluctant Dominicans have been over the decades to call themselves “mulatto,” preferring to identify themselves as Indians or the native people of the region. “We are in the presence of a mulatto population that calls itself Indian, which gives us much food for thought,” he said…

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Contesting Identities Through Walker Dance: Mestizo Performance in the Southern Andes of Peru

Repercussions: a journal dedicated to all areas of music studies
University of California, Berkeley
Fall 1994, Volume 3, No. 2
pages 50-80

Zoila Mendoza-Walker

This article analyzes an event in the city of Cusco, Peru that reverberated throughout the entire region during the late 1980s. This incident, which became known as the “events of Corpus,” generated a series of open antagonisms that pitted young members of Cusco ritual dance associations (called comparsas) who performed dances from the “Altiplano” region against a coalition of civil, religious and “cultural” authorities who opposed that performance. These confrontations, which have continued into the early 1990s, demonstrated the relevance of comparsa performance and of state and private “cultural institutions” in the definition and redefinition of local and regional identity among Cusco “mestizos.” In particular, they made evident that these dances were being used by young mestizo cusqueños (people of Cusco), especially women, to construct a new public identity that contested the gender and “ethnic” stereotypes promoted by the cultural institutions. Here I will discuss in some detail the confrontations that emerged in, the town of San Jerónimo demonstrating how a “folkloric” institution such as the comparsa can become a site for transformation rather than conservation of cultural values and roles…

Read the entire article here.

Pelo Malo (Bad Hair)

Sudaca Films
2013
Venezuela
93 minutes
color

Written and Directed by Mariana Rondón
Produced by Marité Ugás

Starring

Samuel Lange as Junior
Samantha Castillo as Marta

Junior is nine years old and has “bad hair.” He wants to have it straightened for his yearbook picture, like a fashionable pop singer. This puts him at odds with his mother Marta. The more Junior tries to look sharp and make his mother love him, the more she rejects him, until he is cornered, face to face with a painful decision.

Director’s Note

Bad Hair is the intimate story of a nine-year old child’s initiation to life and his difficult journey marked by intolerance.

One of the first images that came to me for this movie was a large multi-family building and the thousands of stories that take place behind those walls: heat, nudity, precariousness, fragility, sensuality, sex, violence, family, mother, child. The little, intimate stories I imagined grew more complex and so my characters were born.

They are helpless characters. Wounded and hurtful adults, and children who are learning how to hurt. Marta, the mother, focused on survival, teaches her son Junior to survive just like her, without resources, without freedom. But Junior is different, he fights with everything he’s got for his desire: to straighten his hair and to dress as a singer for a picture he wants to give his mother: a picture that would show him as he wishes to be seen.

Caracas is also hostile to them, a city of urban, political and family violence. Dreams encapsulated in multi-family buildings- the result of Le Corbusier’s “Utopian city” project in the 50s—now turned into massive vertical hells.

I want to talk about intolerance in a social context that is riddled with dogmas, which don’t embrace otherness, where public affairs extend to the private life of its’ inhabitants, highlighting their differences, be they social, political or sexual.

For more information, click here.

Artists, Educators Laud Black Heritage In Dominican Republic

The Associated Press
2013-10-11

Ezequiel Abiú López, Foreign Correspondent
The Associated Press

SANTO DOMINGO, Dominican Republic (AP) — In a school auditorium filled with laughing students, actresses Luz Bautista Matos and Clara Morel threw themselves into acting out a fairy tale complete with a princess, a hero and acts of derring-do.

Morel had wrapped a white plastic sheet around her multi-colored blouse, while Bautista donned a brown paper bag over her blue tights. The two black actresses wore their hair free and natural, decorated only with single pink flowers.

“Yes, you’re a princess,” said Bautista to Morel, who fretted that she didn’t look like a traditional princess with her dark complexion and hair. Bautista then turned to a young girl sitting in the front row, who shared the same African-descended features as both actresses. “And you too,” Morel said as the child smiled back at her.

The theater group Wonderful Tree has visited schools all over Santo Domingo and some in the countryside to spread the word among black children that their features and heritage should be a source of pride. That message, though simple, has been nothing less than startling in this Caribbean country, where 80 percent of people are classified as mulattos, meaning they have mixed black-white ancestry, but where many still consider being labeled black an offense.

Wonderful Tree represents a larger cultural movement that’s working to combat the country’s historic bias through arts and education. The Dominican choreographer Awilda Polanco runs a contemporary dance company that’s trying to rescue Afro-Caribbean traditions, while the Technological Institute of Santo Domingo has been training primary school teachers to respect and celebrate their students’ African heritage, including through skits that young children can more easily understand.

It’s a bid to transform a color-obsessed society where a majority of the country’s 10 million people choose to identify themselves as “Indio” — or “Indian” — on government documents despite their black roots, and many reject afros in favor of closely cropped hair or sleek blowouts. Public schools for decades even prohibited students from attending classes with their hair loose or in a natural frizz.

Such hair, in fact, is called “bad hair” in the local Spanish lexicon while straightened hair is “good hair.”…

…Women in the Dominican Republic spend an estimated 12 percent of their household budgets on hair salons and treatments, according to “Good Hair, Bad Hair,” which included an economic and anthropological study of Dominican beauty salons.

Dictator Rafael Leonidas Trujillo, who oversaw the killing of some 17,000 Haitians in 1937 in an effort to expel them from the Dominican Republic, was himself a mulatto who used makeup to make his face lighter.

Trujillo was the first to include the term “Indio” in official documents, said historian Emilio Cordero Michel…

Read the entire article here.

Tell Me a Story: Genomics vs. Indigenous Origin Narratives

GeneWatch
Council for Responsible Genetics
Volume 26, Number 4, Religion & Genetics (Aug-Oct 2013)
pages 11-13

Kim TallBear, Associate Professor of Anthropology
University of Texas, Austin

On April 13, 2005 the Indigenous Peoples’ Council on Biocolonialism issued a press release opposing the Genographic Project, which aimed to sample 100,000 indigenous and other traditional peoples to “trace the migratory history of the human species” and “map how the Earth was populated.” IPCB critiques Genographic, and the Human Genome Diversity Project before it, as the contemporary continuation of colonial, extractive research. The analysis is also a fundamental historical examination of Western science. IPCB foregrounds the intellectual and institutional authority that science, a powerful tool of colonizing states, has to appropriate indigenous bodies – both dead and living – material cultural artifacts, and indigenous cultural narratives in the service of academic knowledge production.

Critics point out that such knowledge rarely serves indigenous peoples’ interests and can actively harm them. In the 19th and early 20th centuries massacre sites and graves were plundered for body parts to be used in scientific investigations that inform today’s anthropological and biological research on Native Americans. Throughout the 20th century, indigenous peoples around the world witnessed the too common practice of “helicopter research” – quick sampling without return of results or benefit to subjects. Indigenous DNA samples and data taken in earlier decades when ethics standards were lax continue to be used and cited in contemporary investigations, bringing those injustices into the 21st century. And new, more ethical research still takes time from other pressing projects and needs. Informed community review and collaboration with researchers will increase community benefit, but informed participation has costs. It takes resources to build capacity to sit at the table as equals instead of as vulnerable subjects – as simply the raw materials for science…

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Lines of the Nation: Indian Railway Workers, Bureaucracy, and the Intimate Historical Self

Columbia University Press
June 2007
360 pages
Cloth ISBN: 978-0-231-14002-7

Laura Bear
Department of Anthropology
The London School of Economics

Lines of the Nation radically recasts the history of the Indian railways, which have long been regarded as vectors of modernity and economic prosperity. From the design of carriages to the architecture of stations, employment hierarchies, and the construction of employee housing, Laura Bear explores the new public spaces and social relationships created by the railway bureaucracy. She then traces their influence on the formation of contemporary Indian nationalism, personal sentiments, and popular memory. Her probing study challenges entrenched beliefs concerning the institutions of modernity and capitalism by showing that these rework older idioms of social distinction and are legitimized by forms of intimate, affective politics.

Drawing on historical and ethnographic research in the company town at Kharagpur and at the Eastern Railway headquarters in Kolkata (Calcutta), Bear focuses on how political and domestic practices among workers became entangled with the moralities and archival technologies of the railway bureaucracy and illuminates the impact of this history today. The bureaucracy has played a pivotal role in the creation of idioms of family history, kinship, and ethics, and its special categorization of Anglo-Indian workers still resonates. Anglo-Indians were formed as a separate railway caste by Raj-era racial employment and housing policies, and other railway workers continue to see them as remnants of the colonial past and as a polluting influence.

The experiences of Anglo-Indians, who are at the core of the ethnography, reveal the consequences of attempts to make political communities legitimate in family lines and sentiments. Their situation also compels us to rethink the importance of documentary practices and nationalism to all family histories and senses of relatedness. This interdisciplinary anthropological history throws new light not only on the imperial and national past of South Asia but also on the moral life of present technologies and economic institutions.

Public genealogies: Documents, bodies and nations in Anglo-Indian railway family histories

Contributions to Indian Sociology
Volume 35, Number 3 (October 2001)
pages 355-388
DOI: 10.1177/006996670103500303

Laura Bear
Department of Anthropology
The London School of Economics

This article argues for an approach to archives and documents that focusses on their material effects. It traces the impact of the East Indian Railway Nationality Files on the intimate stories of family genealogies among Anglo-Indian railway workers. The procedures of proof and record-keeping associated with these files (kept from 1927-50) displaced Anglo-Indian family histories into a public realm of state documents and archives, making these the final arbiters and guardians of their origins. Anglo-Indian workers often protested their assigned status by writing to the bureaucracy, especially as family members were regularly classed differently by distinct institutions. They sought a continuous public genealogy for themselves. Their interest in doing this and the practices of the nationality archive reveal the new conjunctions between political rights and family origins in Indian civil society. Increasingly, both the jati of nationalists and the enumerable community of colonial bureaucrats rested on a genealogical imperative, which excluded Anglo-Indians because of their ‘mixed’ origins from belonging to either India or Britain. The material effects of this historical moment and the archive are visible in contemporary conversations with Anglo-Indian railway families. They tell stories of disappearing documents, of ghosts disturbed by lack of an archive, of their bodies as treacherous records of identity and of the impossibilities of being an Indian community.

Read or purchase the article here.