Mixed Race Studies

African ancestry of the population of Buenos Aires

American Journal of Physical Anthropology
Volume 128, Issue 1
pages 164–170, September 2005
DOI: 10.1002/ajpa.20083

Laura Fejerman
Institute of Biological Anthropology
University of Oxford

Francisco R. Carnese
Sección Antropología Biológica
Instituto de Ciencias Antropológicas
Facultad de Filosofía y Letras
Universidad de Buenos Aires

Alicia S. Goicoechea
Sección Antropología Biológica
Instituto de Ciencias Antropológicas
Facultad de Filosofía y Letras
Universidad de Buenos Aires

Sergio A. Avena
Sección Antropología Biológica
Instituto de Ciencias Antropológicas
Facultad de Filosofía y Letras
Universidad de Buenos Aires

Cristina B. Dejean
Sección Antropología Biológica
Instituto de Ciencias Antropológicas
Facultad de Filosofía y Letras
Universidad de Buenos Aires

Ryk H. Ward (1943-2003)
Institute of Biological Anthropology
University of Oxford

The population of Argentina today does not have a “visible” black African component. However, censuses conducted during most of the 19th century registered up to 30% of individuals of African origin living in Buenos Aires city. What has happened to this African influence? Have all individuals of African origin died, as lay people believe? Or is it possible that admixture with the European immigrants made the African influence “invisible?” We investigated the African contribution to the genetic pool of the population of Buenos Aires, Argentina, typing 12 unlinked autosomal DNA markers in a sample of 90 individuals. The results of this analysis suggest that 2.2% (SEM = 0.9%) of the genetic ancestry of the Buenos Aires population is derived from Africa. Our analysis of individual admixture shows that those alleles that have a high frequency in populations of African origin tend to concentrate among 8 individuals in our sample. Therefore, although the admixture estimate is relatively low, the actual proportion of individuals with at least some African influence is approximately 10%. The evidence we are presenting of African ancestry is consistent with the known historical events that led to the drastic reduction of the Afro-Argentine population during the second half of the 19th century. However, as our results suggest, this reduction did not mean a total disappearance of African genes from the genetic pool of the Buenos Aires population.

Read or purchase the article here.

Not Quite White: Arabs, Slavs, and the Contours of Contested Whiteness

Typecast Releasing
2012
USA
English
24 minutes

Jamil Khoury, Director and Writer

Stephen Combs, Director

Inspired by Jamil Khoury’s short play WASP: White Arab Slovak Pole, Not Quite White: Arabs, Slavs, and the Contours of Contested Whiteness is a thought-provoking documentary that explores the complicated relationship of Arab and Slavic immigrants to American notions of whiteness.

The film integrates scenes from WASP alongside interviews with Arab American and Polish American academics who reflect upon contested and probationary categories of whiteness and the use of anti-Black racism as a “whitening” dye.

In Not Quite White, Jamil Khoury (Artistic Director of Chicago’s Silk Road Rising) draws upon his own Arab (Syrian) and Slavic (Polish and Slovak) heritage as the lens through which to investigate the broader issue of immigrants achieving whiteness and hence qualifying as “fully American.” The film advances society’s on-going conversations about the meaning of whiteness and efforts at redefining whiteness.

Not just for white people, and not just for Arabs and Slavs, Not Quite White proceeds from the assumption that whiteness affects all our lives and that we all need to critically engage whiteness. “Whiteness has everything to do with melanin and pigmentation and it has nothing to do with melanin and pigmentation,” Khoury observes. “Whiteness is about power and borders and authorship. And whiteness can, and does, change.”

The academics featured in Not Quite White include: Roxane Assaf, Adjunct Faculty, School of the Art Institute of Chicago; Ann Hetzel Gunkel, Director of Cultural Studies, Columbia College Chicago; John Tofik Karam, Assistant Professor of Latin American and Latino Studies, De Paul University; Dominic A. Pacyga, Professor of History, Columbia College Chicago.

DVD copies also include On Whiteness, a 16-minute video essay in which writer and co-director Jamil Khoury discusses the themes and ideas presented in his film. Khoury’s short film both/and is also available from Typecast here.

Making Race and Nation: A Comparison of South Africa, the United States, and Brazil

Cambridge University Press
December 1997
412 pages
228 x 152 mm
Paperback ISBN: 9780521585903
Hardback ISBN: 9780521584555

Anthony W. Marx, President and CEO
New York Public Library

In this bold, original and persuasive book, Anthony W. Marx provocatively links the construction of nations to the construction of racial identity. Using a comparative historical approach, Marx analyzes the connection between race as a cultural and political category rooted in the history of slavery and colonialism, and the development of three nation states. He shows how each country’s differing efforts to establish national unity and other institutional impediments have served, through the nation-building process and into their present systems of state power, to shape and often crystallize categories and divisions of race. Focusing on South Africa, Brazil and the United States, Marx illustrates and elucidates the historical dynamics and institutional relationships by which the construction of race and the development of these nations have informed one another. Deftly combining comparative history, political science and sociological interpretation, sharpened by over three-hundred interviews with key informants from each country, he follows this dialogue into the present to discuss recent political mobilization, popular protest and the current salience of race issues.

Features

• A comprehensive historical comparative study of the major issues of race and nation
• Combines political, social and economic analysis to break barriers between country studies and issues of race, nation, state and social movement
• Draws upon archival material, literature, and more than 300 interviews

Table of Contents

• Preface
• Acknowledgements
• 1. Introduction
• Part I. Historical and Cultural Legacies:
  • 2. Trajectories from colonialism
  • 3. Lessons from slavery
  • 4. The uncertain legacy of miscegenation
    • Implications
• Part II. Racial Domination and the Nation-State:
  • 5. ‘Wee for thee, South Africa’: the racial state
  • 6. ‘To bind up the nation’s wounds’: the United States after the Civil War
  • 7. ‘Order and progress’: inclusive nation-state building in Brazil
  • Comparative racial domination: an overview
• Part III. Race Making from Below:
  • 8. ‘We are a rock’: Black racial identity, mobilization and the new South Africa
  • 9. Burying Jim Crow: Black racial identity, mobilization and reform in the United States
  • 10. Breaching Brazil’s pact of silence
• 11. Conclusion
• Notes
• Bibliography
• Index

In Buenos Aires, Researchers Exhume Long-Unclaimed African Roots

The Washington Post
2005-05-05

Monte Reel

BUENOS AIRES — Their disappearance is one of Argentina’s most enduring mysteries. In 1810, black residents accounted for about 30 percent of the population of Buenos Aires. By 1887, however, their numbers had plummeted to 1.8 percent.

So where did they go? The answer, it turns out, is nowhere.

Popular myth has offered two historical hypotheses: a yellow fever epidemic in 1871 that devastated black urban neighborhoods, and a brutal war with Paraguay in the 1860s that put many black Argentines on the front lines.

But two new studies are challenging those old notions, using distinct methods: a door-to-door census to determine how many Argentines consider themselves black, and an analysis of DNA samples to detect traces of African ancestry in those who consider themselves white.

The results are only partially compiled, but they suggest that many of the black Argentines did not vanish; they just faded into the mixed-race populace and became lost to demography. According to some researchers, as many as 10 percent of Buenos Aires residents are partly descended from black Argentines but have no idea.

“People for years have accepted the idea that there are no black people in Argentina,” said Miriam Gomes, a professor of literature at the University of Buenos Aires who is part black and considers herself Afro-Argentine. “Even the schoolbooks here accepted this as a fact. But where did that leave me?”…

…”Argentina was interested in presenting itself as a white country,” said George Reid Andrews, a history professor at the University of Pittsburgh who has specialized in black history in Latin America. “Its ideologues and writers put a great emphasis on the yellow fever epidemic and the war, and it was feasible to pretend that the black population had simply disappeared as immigration exploded.” …

… But personal definitions do not count when analyzing DNA, which is what a group of scientists from the University of Buenos Aires and Oxford University in England did earlier this year. After collecting blood samples at a local hospital, they searched for genetic markers that indicate African ancestry. The results, to be published this year in the American Journal of Physical Anthropology, suggested that 10 percent of those who identified themselves as white were, in part, descendants of black Argentines.

“A lot of people were very surprised by this,” said Francisco R. Carnese, a geneticist at the University of Buenos Aires and co-author of the study. “When you walk around Buenos Aires, you don’t see signs of African ancestry. But you see it in the genes.” ..

Read the entire article here.

The Cuban Remix: Rethinking Culture and Political Participation in Contemporary Cuba

University of Michigan
2008
555 pages

Tanya L. Saunders

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Sociology)

This dissertation examines the post-1959 activism of Cuba’s socially critical artists and intellectuals, and the effects of the Cuban state’s institutionalization of culture. I analyze the Cuban underground hip-hop movement as a case study of the ways in which Black artists and intellectuals in Cuba have employed cultural aesthetics to challenge contemporary inequalities organized around race, class, gender, and sexuality. I address the social context in which the Cuban underground hip-hop movement emerged by linking it to Cuba’s revolutionary project and to other counter-cultural social movements in Cuba’s history and from other post-colonial contexts. Drawing upon extensive ethnographic, historical, and interview-based research, the study engages with existing theories of the state, culture, civil society and the public sphere, but also reveals their limitations, particularly when applied to non-European contexts. As such, the dissertation offers significant insights into the relations between politics and culture, hegemony and resistance, history and the imagination of a better future, both in Cuba and beyond.

Table of Contents

• DEDICATION
• ACKNOWLEDGMENTS
• LIST OF FIGURES
• Chapter I: Introduction
  • 1.1 Cuban Underground Hip-Hop
  • 1.2 The Organization of the Dissertation
  • 1.3 Contextual Considerations: Latin American Politics and the Coloniality of Knowledge
  • 1.4 Contextual Considerations: The Cuban Revolution and the Aesthetic Debates
• Chapter II: Methodology
  • 2.1 Background
  • 2.2 Developing a Research Agenda
  • 2.3 Phase One
  • 2.4 Phase Two
  • 2.5 Phase Three
  • 2.6 Data Collection
• Section I
  • Chapter III: Public Spaces, Cultural Spheres: Rethinking Theories of Political Participation, Civil Society and Social Change
    • 3.1: Subaltern Critiques of Cold War Politics
    • 3.2 Post-Socialist? Neocolonial? Republican Socialism? Reflections on Cuba‘s State Project
      • Republican Ideals within a Socialist State
    • 3.3 Citizenship, Democracy and Civil Society in the Anglo-American Metanarrative of Citizenship
      • Citizenship and Civic Participation
    • 3.4 Discussion: ‘Non-Western’ Challenges to Social Change, Political Participation and Civil Society
  • Chapter IV: Civil Society and Art Worlds: Rethinking Politics and Political Participation
    • 4.1 Making the Connections: Art and Social Change
    • 4.2 Rethinking Cultural Logics: Culture, Political Participation and Grassroots Activism
    • 4.3 The Base and Superstructure of Culture: The Institutional Structure of Cuban Culture
    • 4.4 The Ministry of Culture
    • 4.5 Discussion
• Section II
  • Chapter V: Art and Revolution: Cuba‟s Artistic Social Movements and Social Change
    • 5.1 The alternative music scene: hip-hop and Anti-Modernist Aesthetics
    • 5.2 The Marginal Existence of Cuban Rock within Cuban Culture
    • 5.3 Nueva Trova: The Cuban Protest Music Movement
    • 5.4 Reflections on My First Nueva Trova Show
  • Chapter VI: Race, Place and Colonial Legacies: Underground hip-hop and a Racialized Social Critique
    • 6.1 Race and Cuba: Historical Considerations
    • 6.2 American Occupation and the Creation of the Cuban Republic 1898-1912
    • 6.3 The Revolutionary State Attempts to Solve the Race Problem in Cuba
    • 6.4. Making the Linkages: Discussion and Some Additional Thoughts
    • 6.5. Ethnographic Notes: Racial Identity in Contemporary Cuba
    • 6.6. “Everyone Knows That Whites Exist, But No One‘s Sure About The Blacks” Theoretical Perspectives on Art, hip-hop and Transnational Blackness
  • Chapter VII: Racial Identity and Revolution: The (Re-)Emergence of a Black Identity Among Havana‟s Underground Youth
    • 7.1 Cuban Underground Hip-Hop and Symbols of Blackness
    • 7.1a Raperos, Activistas, Revolutionaries: Underground Hip-Hop and Social Change
    • 7.2 Notes on Language
      • 7.2.1 Underground hip-hop/Comercialización/Institucionalización
    • 7.3 Transmitting Blackness: Graffiti, T-Shirts and the Black Experience
    • Figure 7q. Album cover, Jodido Protagonista, by Randeée Akozta (independently produced, circa 2004).
    • 7.4 Underground Graffiti: NoNo La Grafitera
    • 7.5 Section Summary/Concluding Remarks
• Section III
  • Chapter VIII: Cuba‟s Sexual Revolution? Women, Homosexuality and Cuban Revolutionary Policy
    • 8.1 All the Women Are Straight and All the Homosexuals are Men: Gender and Female (Homo-) Sexuality
    • 8.2. Silent Women, Invisible Lesbians: Researching the Experiences of Lesbians in Cuba
    • 8.3 Notes on Contemporary Lesbian, Gay Life in Cuba
  • Chapter IX: “Siempre Hay Lucha/There Is Always a Struggle”: Black Women, Race and Identity in Contemporary Cuba
    • 9.1 (1). ―No Particular Racial Subjectivity‖
    • 9.2 (2). The Racially Conscious Race Rejecters
    • 9.3 (3). The Racially Awakened
    • 9.4 (4). Racially Conscious Actors
    • 9.5 ¿Y Que Paso Con OREMI?/ And What Happened with OREMI? Black Lesbian Subjectivity in Contemporary Cuba
    • 9.6 Conclusion
  • Chapter X: “No Soy Kruda”: Las Krudas, Cuban Black Feminism and the Queer of Color Critique
    • 10.1 Who Are Las Krudas?
    • 10.2 Las Krudas: Raperas Underground
    • 10.3 Krudas‘ Black Feminist Discourse
    • 10.4 Como Existe La Heterosexualidad, Existe Homosexualidad/Just As There Is Heterosexuality, There Is Homosexuality
    • 10.5 Krudas and the Queer of Color Critique
    • 10.6 Reaction to Krudas‘ Work
    • 10.7 Conclusion/Discussion
• Chapter XI: Conclusion
  • The Sociological Implications of My Research
• Appendix
• Discography, Interviews, IRB Forms & Supplementary Materials
• Bibliography

Read the entire dissertation here.

Becoming Indian: The Struggle over Cherokee Identity in the Twenty-First Century by Circe Sturm (review)

The American Indian Quarterly
Volume 37, Numbers 1-2, Winter/Spring 2013
pages 269-272
DOI: 10.1353/aiq.2013.0006

Miguel A. Maymí

Circe Sturm’s book Becoming Indian: The Struggle over Cherokee Identity in the Twenty-First Century is an insightful view into the motivations of those who began identifying as Cherokee on the US census in recent years. There has been an explosion in the number of Americans now self-identifying as Native American (an increase of 647 percent from 1960 to 2000), an overwhelming majority of whom identify specifically as Cherokee. Circe Sturm, herself a Mississippi Choctaw descendant, set out to discover who these “racial shifters” were and why they had suddenly decided to become Indian. She also set out to discover what the politics and sentiments citizen Cherokees held for those “racial shifters.”

Sturm’s analysis is very ambitious. She sets out to answer a great deal of questions that vary from social, economic, and political implications of racial shifting for both those making the shift and citizen Cherokees, as well as theoretical and analytical practices and understandings in the field sites. However, the overriding question she asks is, Why are so many people shifting from simply claiming family ties to identifying as a more explicitly Native American ethnicity (8)? She strives to uncover the underlying motivations surrounding these decisions and considers whether they are mostly part of an attempt to reap the perceived financial and institutional benefits or whether there is an emotional reason behind the shift.

From the outset of the book, Sturm makes a clear dichotomy, which she puts in constant conversation throughout the work: the essentially “authentic” citizen Cherokee and the racial shifters. Citizen Cherokees are those who have legal, federal recognition as being Cherokee, whereas racial shifters are “individuals who have changed their self-identification on the U.S. census from non-Indian to Indian in recent years” (5). Sturm also delves into the discussion of white privilege as an essential differentiator between race shifters and those who were born Cherokee, the establishment of Cherokee neotribal sects and the perceived threats to the federally recognized tribes they impose, and the greater implications of a country whose citizens are increasingly abandoning their white identity in preference for a less privileged and more discriminated Indian race.

Sturm’s book is derived from primarily three sources. First, she conducted both formal and informal research with the three nationally recognized tribes: the Cherokee Nation, the Eastern Band of Cherokee Indians, and United Keetoowah band of Cherokee Indians. Second, Sturm’s data are based on a survey she mailed out to leaders of prominent self-identified and state-recognized Cherokee groups; she received only a limited number in return from primarily retired and older members. Finally, much of Sturm’s information comes from interviews with racial shifters conducted by her research assistant, Jessica Walker Blanchard, who was sent to Alabama, Arkansas, Texas, and Oklahoma to conduct interviews with racial shifters. That Dr. Sturm is three times removed (and her reader four times) from the interviews with racial shifters attained by her assistant is inherently fraught and problematic (I will discuss this issue below).

Becoming Indian is divided into two parts, split down Strum’s dichotomous line of the race shifter and the citizen Cherokee. Part 1 is an analysis of the motivations and undercurrents of the migration of racial shifter identity. The first chapter of part 1 (chapter 2) explores the stories that commonly mark the impetus for change for many racial shifters. She states that from the interviews we can see that “race shifting is always a narrative act,” that in the stories racial shifters tell we can see the changing of self. Sturm identifies a common thread in the narratives, that of hiding, passing, and persecution. She ends the chapter by discussing the apparent need for racial essentialism, which plays out in these stories through the trope of Indian blood. Chapter 3 analyzes the inescapable whiteness that is inherent in racial shifters. That white privilege enables them to choose their ethnicity and thus is part of their identity. She nevertheless discusses how many racial shifters consciously attempt to completely…

Seeing Beauty, Sensing Race in Transnational Indonesia

University of Hawai‘i Press
March 2013
192 pages
Cloth ISBN: 978-0-8248-3664-1
Paper ISBN: 978-0-8248-3736-5

L. Ayu Saraswati, Assistant Professor of Women’s Studies
University of Hawai‘i

In Indonesia, light skin color has been desirable throughout recorded history. Seeing Beauty, Sensing Race explores Indonesia’s changing beauty ideals and traces them to a number of influences: first to ninth-century India and some of the oldest surviving Indonesian literary works; then, a thousand years later, to the impact of Dutch colonialism and the wartime occupation of Japan; and finally, in the post-colonial period, to the popularity of American culture. The book shows how the transnational circulation of people, images, and ideas have shaped and shifted discourses and hierarchies of race, gender, skin color, and beauty in Indonesia. The author employs “affect” theories and feminist cultural studies as a lens through which to analyze a vast range of materials, including the Old Javanese epic poem Ramayana, archival materials, magazine advertisements, commercial products, and numerous interviews with Indonesian women.

The book offers a rich repertoire of analytical and theoretical tools that allow readers to rethink issues of race and gender in a global context and understand how feelings and emotions—Western constructs as well as Indian, Javanese, and Indonesian notions such as rasa and malu—contribute to and are constitutive of transnational and gendered processes of racialization. Saraswati argues that it is how emotions come to be attached to certain objects and how they circulate that shape the “emotionscape” of white beauty in Indonesia. Her ground-breaking work is a nuanced theoretical exploration of the ways in which representations of beauty and the emotions they embody travel geographically and help shape attitudes and beliefs toward race and gender in a transnational world.

Black in Latin America

New York University Press
July 2011
270 pages
50 illustrations
Hardback ISBN: 9780814732984
Paperback ISBN: 9780814738184
eBook ISBN:

Henry Louis Gates Jr., Alphonse Fletcher University Professor of History
Harvard University

12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences.

Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.

In Brazil, he delves behind the façade of Carnaval to discover how this ‘rainbow nation’ is waking up to its legacy as the world’s largest slave economy.

In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro’s Communist revolution in 1959.

In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves’s hard fought liberation over Napoleon Bonaparte’s French Empire became a double-edged sword.

In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people—far greater than the number brought to the United States—brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru.

Professor Gates’ journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. “Black in Latin America” is the third installment of Gates’s documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.

Table of Contents

• Acknowledgments
• Introduction
• 1. Brazil: “May Exú Give Me the Power of Speech”
• 2. Mexico: “The Black Grandma in the Closet”
• 3. Peru: “The Blood of the Incas, the Blood of the Mandingas”
• 4. The Dominican Republic: “Black behind the Ears”
• 5. Haiti: “From My Ashes I Rise; God Is My Cause and My Sword”
• 6. Cuba: The Next Cuban Revolution
• Appendix: Color Categories in Latin America
• Bibliography
• Index
• About the Author

Louisiana’s “Creoles of Color”: Ethnicity, Marginality, and Identity

Social Science Quarterly
Volume 73 Issue 3, September 1992
pages 615-

James H. Dormon, Alumni Distinguished Professor of History and American Studies
University of Southwestern Louisiana

This article traces the ethnohistory of Creoles of color, beginning with an examination of the social-historical order out of which they emerged, and argues the case that Creole marginality has been the major determinant of the Creole ethnic experience. While it is impossible to pinpoint the precise timing of the ethnogenesis of the group, it was certainly in the latter decades of the eighteenth century, during which years the group emerged as part of what the historian Laura Foner has termed a “three-caste social system” in colonial Louisiana. In the eighteenth century the dominant Louisiana population–the “hegemonic” population in current usage–was that of the white European elites (or those descending directly from such elites): large landowners and planter/merchants along with colonial officials, both civil and military. The increasingly large slave population, normally perceived by Europeans as African provided the agricultural labor deemed essential to staple crop production. Within the colonial social order, blacks were separated from the white population by caste lines written into law and generally enforced by social as well as legal sanctions. Yet from the beginning, and despite legal provisions forbidding the practice, whites and blacks established sexual contact, producing offspring that shared the genes of both parents.

Kings for Three Days: The Play of Race and Gender in an Afro-Ecuadorian Festival

University of Illinois Press
May 2013
216 pages
6 x 9 in.
16 black & white photographs, 3 maps
Cloth ISBN: 978-0-252-03751-1
Paper ISBN: 978-0-252-07901-6

Jean Muteba Rahier, Associate Professor of Anthropology and African & African Diaspora Studies
Florida International University

A vibrant study of symbol and social significance in one of Ecuador’s black populations

With its rich mix of cultures, European influences, colonial tensions, and migration from bordering nations, Ecuador has long drawn the interest of ethnographers, historians, and political scientists. In this book, Jean Muteba Rahier delivers a highly detailed, thought-provoking examination of the racial, sexual, and social complexities of Afro-Ecuadorian culture, as revealed through the annual Festival of the Kings. During the Festival, the people of various villages and towns of Esmeraldas—Ecuador’s province most associated with blackness—engage in celebratory and parodic portrayals, often donning masks, cross-dressing, and disguising themselves as blacks, indigenous people, and whites, in an obvious critique of local, provincial, and national white, white-mestizo, and light-mulatto elites. Rahier shows that this festival, as performed in different locations, reveals each time a specific location’s perspective on the larger struggles over identity, class, and gender relations in the racial-spatial order of Esmeraldas and of the Ecuadorian nation in general.

Contents

• List of Figures
• Preface and Acknowledgments
• Introduction
• 1. Setting Up the Stage: Contextualizing the Afro-Esmeraldian Festival of the Kings
• 2. The Village of Santo Domingo de Ónzole and the Period of Preparation of the Festival of the Kings: The Centrality of Sexual Dichotomy and Role Reversal
• 3. The Festival of the Kings in Santo Domingo de Ónzole
• 4. The Festival of the Kings in La Tola
• 5. Race, Sexuality, and Gender as They Relate to the Festival of the Kings
• 6. Performances and Contexts of the Play in January 2003
• Conclusion: From the Centrality of Place in Esmeraldian Ethnography to Theoretical and Methodological Considerations for the Study of Festivities
• Glossary of Esmeraldian Spanish Terms
• Notes
• References
• Index