HCOL 86 E: D1: Mixed: Multiracialism in U.S. Culture

Posted in Anthropology, Course Offerings, Literary/Artistic Criticism, Media Archive, Social Science, United States on 2012-11-19 00:05Z by Steven

HCOL 86 E: D1: Mixed: Multiracialism in U.S. Culture

University of Vermont
The Honors College
Spring 2013

John Gennari, Associate Professor of English

This seminar will examine the theme of multiracial identity and culture in the United States. We’ll consider how U.S. concepts and ideologies of race have developed historically, and why within that history multiracial people and culture have been considered both a problem (e.g. the “tragic mulatto” figure in pre-1960s fiction and film) and a solution (e.g. the vaunted racial pluralism of jazz, the reformist rhetoric and ideology of post-civil rights era multiculturalism). We’ll consider how mixed-race identity and experience challenge and complicate racial classification schemes that govern U.S. institutional life, public policy, popular perception, and private imagination. We’ll reckon with the myriad ways multiracial people and culture point up the massive confusion of American thinking about race—a confusion perhaps best typified by the heralding of a so-called “post-racial” order upon the election of a mixed-raced President, only immediately to see Barack Obama’s racial and national identity become a source of lurid obsession. Course materials include historical and theoretical literature, personal essays and narratives, film, music, and other forms of popular culture. In addition to participating actively in class discussions, students will engage in regular informal and formal writing (in-class free writing, short essays, a longer final paper) and will stage a group presentation.

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Curious Studies of Mixed Bloods in the West Indies

Posted in Anthropology, Articles, Caribbean/Latin America, Media Archive, Oceania on 2012-11-18 17:23Z by Steven

Curious Studies of Mixed Bloods in the West Indies

Timaru Herald
Timaru, New Zealand
Volume XXXVI, Issue 2366
1882-04-22
page 3
Source: Papers Past, National Library of New Zealand Te Puna Mātauranga o Aotearoa

The following is contributed by the Paris correspondent of the New Orleans Picayune—There has been an interesting diicussion on the negro question m the French West Indies, carried on in two of our newspapers. An argument in one of them presents views which are so new to me that I have thought they may be novel to you, and so I translate the rejoinder. It was made to an article written to break down the prejudice of color, which keeps wide apart in Martinique white men and negroes. It ways “Unfortunately, the separation of whites and blacks is not caused by a mere prejudice. It is not a vain, stupid pride which leads whites to exclude negroes from their society. Our opponent imagines that ’emancipation, taking their privilege from whites, led the latter to make more of point of pride than ever to keep from confounding with people whom the law had as their equals.’ We must tell our opponent that pride had nothing to do with the separation of color. If the whites kept aloof from the negroes it was because equality made marriages possible socially, alliances which, unfortunately, considered anthropologically, would lead to the most disastrous consequences. There is a physiological law which must be deplored, for negros often deserve great sympathy; but this law must be brought to the knowledge of France, because Frenchmen are ignorant of it, and because this law explains the greater part of these differences which are wrongly attributed to politics. A great many observations have demonstrated that it is, so to say, impossible for a negro family, even after an infinite series of marriages with whites, to change completely the nature of their blood, while if a white family do but once marry with a negro, they lose for ever the purity of their race. In France we call mulatto all persons who are neither black nor white. In the colonies mulatto is applied only to tho offspring of a white man and a negress. After the first cross the children are classed by a scale whose degrees are very numerous, and depends whether the mulattress allies herself to blacks or whites. The first, second, third, or fourth degrees especially have distinct names; two mark the preponderance of white blood, two of negro. If the mulattress ally herself to a negro, the child is called a cafres; if the cafresse ally herself also to a negro, the child is called a griffe. On the contrary, if the mulattress ally herself to a white, the child is called mestif: if the mestive, too, ally herself to a white the child is called quadroon. The terrible consequences of the physiological law mentioned is this:—If the woman be of a more swarthy color than the man to whom she allies herself, the child’s color is like the mother’s color. If the father’s color be the blackest, the child’s color is like the father’s color. When two portons of tho same color are allied, their children are blacker than their parents, and curiously enough the second child is blacker than the first, the third blacker than the second, and so on. In fine, it is beyond doubt that a mixed population, left to themselves, are fatally destined to become negroes in a very few generations. We must add another and still more deplorable fact. It will explain the causes which have compelled the separation between whites and negroes, which cannot possibly be removed. On a plantation in one of the Lesser Antilles une mestive was born of a mulattress mother and a white father. This mestive became the mother of a quadroon. All the daughters of the successive alliances were for six generations allied to white men. Only boys issued from the seventh alliance. At the same time similar phenomena were observed on a neighboring plantation, but here only girls issued from the seventh alliance. The two last children of these seven alliances were married to whites. They were of remarkable beauty; their hair was of the lighter blond nothing about them retained anything of the African race; their skin was so white that they would easily hive been taken, not only for children of northern climes, but even for Albinos, had they not been so graceful and vigorous, so intellectual, nay, so brilliant. Well, their children were more than swarthy, and their grandchildren very dark mulattos. After these indisputable facts, we may well ask how many successive alliances with whites would be necessary to make all trace of black blood disappear? Could the result ever be attained? It may. From these facts, easily be seen why Creole females of pure while blood are averse to ever allying themselves with persons whose veins contain the least drop of negro blood. After a first marriage with this tainted blood, a second fault of that same sort would transform that white family that is to say, this European family, able at any time to return to Europe, to France, and reassume the social position it had before immigration—a second fault would transform it into a family of mulattos, and from mulatto to negro the road is short. We would be of the opinion of our opponent, and would hold with him, that we should lift up completely negroes to the level of whites, to make of them real Frenchmen, to subject them to the military draft, and make them serve in the garrisons of France as well aa of the colonies. Alas! a serious objection to this scheme exists—an objection whose importance Napoleon I saw, eager as he was to aeek soldiers everywhere. He said: “French blood would be soon tainted, and France would be menaced with possessing in a few years a great many persons of mixed blood.”

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Exhibition brings black Germans’ stories to light

Posted in Anthropology, Articles, Europe, Media Archive, Social Science on 2012-11-10 17:21Z by Steven

Exhibition brings black Germans’ stories to light

DW
2012-11-09

Helen Whittle

An exhibit gives voice to the histories of Africans, African-Americans and Afro-Germans from the past 300 years of German history. It presents a differentiated perspective on the lives and histories of blacks in Germany.

Asked what comes to mind when they think about Germany, many foreigners conjure up stereotypical images of Oktoberfest, the Holocaust and the Berlin Wall.

But these images of Teutonic culture and society do little to reflect the diversity of the contemporary, multiethnic Federal Republic of Germany where one fifth of the population has an ethnic minority background, according to an exhibition that opened Saturday (3.11.2012) at Cologne’s Alte Feuerwache.

Jonas Behre, director at the Initiative for Black People in Germany (ISD), helped organize the exhibit titled “Homestory Deutschland: Black Biographies from History and the Present” and which provides a collective self-portrait, giving voice to the complex and varied histories of Africans, African-Americans and Afro-Germans from the past three centuries of German history.

“Even though black people have lived in Germany for hundreds of years, it is not viewed as a reality of everyday life,” said Behre, who was born in Eritrea but has lived for virtually all of his life in Germany. “And that can be seen in the discrimination and exclusion in daily life, and that’s what we hope to tackle with this exhibition.”…

…Another of the biographies illuminated in the exhibition is that of Afro-German actor, journalist and activist Theodor Wonja Michael. Born in Hamburg in 1925, Michael is Germany’s oldest living Afro-German. His father moved from Cameroon—then a German colony—to Germany in 1904.

Denied access to higher education on the basis of skin color, he would have liked to have become an archeologist or an ethnologist. But as a young man, one of the few possibilities he had to earn a living wage was as an actor in colonial films or “Völkerschauen”—the ethnological expositions or “human zoos” popular in Germany in the 19th and early 20th centuries.

After the end of the Second World War, Michael found it hard to get work he managed to get work as an actor of the theater stage.

Michael remembers how his father always felt it was his natural right to live in Germany and how this attitude remains integral to own perspective on life as an Afro-German today.

“Afro-German means that one has two backgrounds, namely an African one and a German one,” Michael said. “I think it’s an advantage having an insight into two cultures. I see it as a very positive thing.”…

Read the entire article here.

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Quilombismo and the Afro-Brazilian Quest for Citizenship

Posted in Anthropology, Articles, Brazil, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2012-11-06 02:53Z by Steven

Quilombismo and the Afro-Brazilian Quest for Citizenship

Journal of Black Studies
Volume 43, Number 8 (November 2012)
pages 847-871
DOI: 10.1177/0021934712461794

Niyi Afolabi, Professor of African & African Diaspora Studies
University of Texas, Austin

Between the radicalism of Black Brazilian movements of the 1980s, an aftermath of the negation and rejection of the myth of “racial democracy” that denies Brazilian subtle racism, the rise of re- Africanization sensibilities among Afro-Carnival groups, and the current ambivalent co-optation that has been packaged as “affirmative action” in the new millennium, a missing link to the many quests for Afro-Brazilianness lies in the (dis)locations that permeate the issues of identity, consciousness, and Africa-rootedness. Recent studies have remained invested in the polarity between the rigidity of “race” (one-drop rule) from the North American perspective and the fluidity of identity as professed by the South American miscegenation thesis. Regardless of the given schools of thought, or discourses, that have not resolved the oppressive sociopolitical realities on the ground, one must face the many levels of (dis)locations that define Afro-Brazilian identities. This essay draws upon the cultural productions of five Afro-Brazilian poets from various regions of Brazil, namely, Oliveira Silveira, Lepê Correia, Jamu Minka, Abelardo Rodrigues, and Carlos de Assumpção. Beyond exposing the marginalized poets to a wider readership in English, the essay also engages the current debate in the shift from racial democracy to affirmative action in Brazil and the implications for continued racial tensions and contradictions in the Brazilian state.

Read or purchase the article here.

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Afro-Brazilians: Cultural Production in a Racial Democracy

Posted in Anthropology, Books, Brazil, Caribbean/Latin America, History, Literary/Artistic Criticism, Media Archive, Monographs on 2012-11-06 02:33Z by Steven

Afro-Brazilians: Cultural Production in a Racial Democracy

University of Rochester Press (an imprint of Boydell & Brewer)
2009-04-01
443 pages
9 x 6
Hardback ISBN: 9781580462624
eBook ISBN: 9781580467100

Niyi Afolabi, Professor of African & African Diaspora Studies
University of Texas, Austin

Brazil, the most racially diverse Latin American country, is also the most contradictory: for centuries it has maintained fantasy as reality through the myth of racial democracy. Enshrined in that mythology is the masking of exclusionism that strategically displaces and marginalizes Afro-Brazilians from political power.

In this absorbing new study, Niyi Afolabi exposes the tensions between the official position on racial harmony and the reality of marginalization experienced by Afro-Brazilians by exploring Afro-Brazilian cultural production as a considered response to this exclusion. The author examines major contributions in music, history, literature, film, and popular culture in the nineteenth and twentieth centuries to reveal how each performance by an Afro-Brazilian artist addresses issues of identity and racism through a variety of veils that entertain, ridicule, invoke, provoke, protest, and demand change at the same time.

Raising cogent questions such as the vital role of Afro-Brazilians in the making of Brazilian national identity; the representation of Brazilian women as hapless, exploited, and abandoned; the erosion of the influence of black movements due to fragmentation and internal disharmony; and the portrayal of Afro-Brazilians on the national screen as domestics, Afolabi provides insightful, nuanced analyses that tease out the complexities of the dilemma in their appropriate historical, political, and social contexts.

Contents

  1. Negotiating Cultural Production in a Racial Democracy
  2. Two Faces of Racial Democracy
  3. Quilombhoje as a Cultural Collective
  4. Beyond the Curtains: Unveiling Afro-Brazilian Women Writers
  5. (Un)Broken Linkages
  6. The Tropicalist Legacy of Gilberto Gil
  7. Afro-Brazilian Carnival
  8. Film and Fragmentation
  9. Ancestrality and the Dynamics of Afro-Modernity
  10. The Forerunners of Afro-Modernity
  11. (Un)Transgressed Tradition
  12. Ancestrality, Memory, and Citizenship
  13. Quilombo without Frontiers
  14. Ancestral Motherhood of Leci Brandao
  15. The Future of Afro-Brazilian Cultural Production
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Is Elizabeth Warren an Indian?

Posted in Anthropology, Articles, History, Media Archive, Native Americans/First Nation, Politics/Public Policy, United States, Virginia on 2012-10-29 17:23Z by Steven

Is Elizabeth Warren an Indian?

The Aporetic
2012-09-27

Mike O’Malley

The ques­tion posed above is extremely hard to answer. She doesn’t “look like an indian.” But what do Indians look like?

Just to recap: Elizabeth Warren is run­ning for the Sen­ate in Massachusetts. She’s been widely mocked for claiming herself as “native Ameri­can” at var­i­ous points in her career. Warren grew up in what’s now Oklahoma, a vast region which the US government had originally reserved for Indian tribes relocated from the East…

…The racial past of Americans is far more complicated and ambiguous than Americans generally realize. My favorite example is very personal. According to Virginia, the state in which I now reside, I am a black man. Had my family stayed in VA, my father could not have attended white schools and my parents would not have been allowed to marry. It’s absurd, and ridiculous: I’m as white as any white man you’d ever imagine, and no one in my family even knew of this history till about a decade ago. But there it is, a mat­ter of record.

The man responsible, Walter Ashby Plecker, was convinced there were no “real” indians in VA. Instead, he argued, there lived a mongrel race of intermmarried people, the “WIN” tribe (White, Indian, Negro). If you listed yourself as “Indian” on official documents, Plecker would rewrite them, and change “indian” to “colored,” because there were no “real” indians. Had Warren grown up in VA, she would have been unable to prove any connec­tion to Indian ancestors, because Plecker destroyed the records. And yet, the descendants of Indians still live in Virginia today…

Read the entire article here.

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Race, Nation, And Cultural Identity In Brazil (AN200)

Posted in Anthropology, Brazil, Caribbean/Latin America, Course Offerings, Media Archive, Social Science on 2012-10-26 15:35Z by Steven

Race, Nation, And Cultural Identity In Brazil (AN200)

IES Abroad
Chicago, Illinois
Program(s): Rio de Janeiro – Study Brazil
Terms offered: Fall, Spring

Enrique Larreta, Director of the Institute of Cultural Pluralism
Candido Mendes University

The main focus of the course is the construction of national identity in modern Brazil, exploring the different processes that led to a range of cultural representations.  The course will start examining the concepts of race, racism and ethnicity in a comparative perspective, and will then discuss the issues of miscigenação, or the myth of racial democracy, and the contemporary politics of identity. Through the analysis of Brazilian modernism in architecture and culture, students will become acquainted with the dimension of Brazil as a future-oriented country.  A special focus of the course will be the study of the African slave trade until the abolition of slavery in 1888: during their visit to Bahia, students will be exposed to the ground-breaking work of photographer Pierre Verger.

Learning outcomes: By the end of the course, students will be able to:

  • Articulate the many dimensions of Brazilian cultural identity
  • Conceptualize race and ethnicity in a comparative perspective
  • Study the religious experience in Brazilian culture and society
  • Elaborate on the notion of Brazil as land of the future

For more infomation, click here.

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The “Brown Tinge”

Posted in Anthropology, Articles, Media Archive, Oceania on 2012-10-18 00:54Z by Steven

The “Brown Tinge”

Evening Post, Wellington, New Zealand
Volume CVI, Issue 46
1928-08-31
page 11
Source: Papers Past, National Library of New Zealand Te Puna Mātauranga o Aotearoa

Future New Zealanders

“Science and history will both some day demand an explanation of the brown tinge in the future New Zealander,” said Sir Apirana Ngata in his address to the Wellington branch of the New Zealand Historical Association last evening. The present offered a unique opportunity for the study of miscegenation by means of genealogical data. The extent to which the mixture of blood had proceeded during the past four or five generations might be gauged with almost mathematical accuracy, if the genealogical method were applied to the problem. For the present and the last generation or two, other interesting problems might be elucidated by the study of the charts where the mixture of breeds was shown.

Thus the effect of miscegenation on virility, constitution, longevity, intellectuality, and morality might be gauged at first hand. Some loose generalisations, as, for instance, that the half-caste partook of the vices of the two races without the virtues of either, might be checked with the facts. Light might even be cast on aspects of Mendelism. The Scotch-Māori, the Irish-Māori, the English-Māori, the German-Māori, the Danish-Māori, the Dalmatian-Māori, the Negro-Māori, the Portuguese-Māori, and, in the present generation, the Hindu-Māori and the Chinese-Māori marriages might all be found on record. In the generation following the first crossing of pure-bloods (it that term could be used) bewildering inter-mixtures of half-breeds with half-breeds of any ot these stocks, of half-breeds with purebloods on either side, of half with quarter, or other fractional breeds might still be patiently pursued by the research student. Dr. Condliffe had expressed the hope that through the mixture of blood the Māori would add another element of romance and daring and poetry that would make the people of New Zealand different even from their kindred peoples in other parts of the Empire. If history should come to register such a result it should not miss the opportunity now offered or tracing the steps towards its attainment.

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Three Winton Triangle Presentations at Greensboro conference.

Posted in Anthropology, Articles, History, New Media, Tri-Racial Isolates, United States on 2012-10-16 04:41Z by Steven

Three Winton Triangle Presentations at Greensboro conference.

Chowan Discovery Group
2012-10-15

Marvin T. Jones

The Chowan Discovery presentations about the Winton Triangle, its Civil War history and Chowan Discovery historical markers attracted many enthusiastic attendees at the annual conference of the Afro-American Genealogical and Historical Society (AAGHS) in Greensboro. Included in the audiences were history professionals and authors.
 
One of the joys of having three presentations at the conference was that the reputation of each lecture fed the attendance of the next.  This also gave more people the opportunity to hear about our work.  And then there are those increased sales of Carolina Genesis and the CDG mugs.  Hawking those mugs are fun, whether they sell or not – and they sold.  I enjoyed all of questions and comments.

Among the participants, I saw growing awareness about tri-racial people and free people of color in North Carolina at the conference.  This is an important trend for our mission…

Read the entire article here.

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The Politics of Samba

Posted in Anthropology, Articles, Arts, Brazil, Caribbean/Latin America, Media Archive, Politics/Public Policy, Social Science on 2012-10-16 04:30Z by Steven

The Politics of Samba

Georgetown Journal of International Affairs
Volume 2, Number 2 (Summer/Fall 2001)

Bruce Gilman

Samba, which was created in its present form in the 1910s, yet whose roots reach back much farther and tie Brazil to the African continent, has played an integral part in Brazil’s conceptualization as a nation. Originally despised by Brazil’s elite, samba’s message of racial integration was eventually used by both progressive reformers and authoritarian dictators. Despite samba’s image abroad as a catalyst for racial miscegenation, its political message never took hold in Brazilian society. Today, samba continues to be as much a source of social integration as a prism of Brazil’s racial fractures.

Historical Roots.

It is probable that the word “samba” originated in Angola, where the Kimbundu word semba designated a circle dance similar in choreography to the west African batuque that Bantu slaves brought to Brazil. While the exact number of blacks entering Brazil during its period of slavery is unknown, it is commonly estimated that at least eigh- teen million Africans were “imported” between 1538 and 1828. The primary center from which the Portuguese disseminated slaves into the Brazilian interior was Salvador, Bahia. It was the second largest city in the Portuguese Empire after Lisbon, and famous for its sensuality and decadence expressed in its beautiful colonial mansions and gold-filled churches. In Bahia, African culture took root to such an extent that today many African traditions are better preserved there than any-where else in the New World. Sambas rhythm is rooted in the rich musical heritage that Africans took with them in their forced migration to Brazil.

Although sambas rhythm is of African origin, its melody, harmony, form, and instrumentation are influenced by European traditions. The licentious lundu dance, derived from the rhythm of the batuque, became increasingly popular in Brazil in the late eighteenth century. At the same time, the flute, guitar, and cavaquinho, which initially accompanied the modinha the Brazilian way of playing the lyric song style of the Portuguese elite, would come to play an important role in samba. Brazilian poet and priest Domingo Caldas Barbosa (1740-1800), whose mother was a slave from Angola and whose father was a Portuguese businessman, broke with the tradition of the court style by substituting guitar for the harpsichord and introducing risqué lyrics in the most aristocratic salons of Lisbon. While Barbosa was indignantly criticized for his sensuous poetry, erudite Portuguese composers soon began producing their own modinhas. Both the lundu and the modinha crossed the boundaries between popular and elite, yet gained acceptance at the Lisbon royal court in an early instance of the fusion of African and Iberian styles. Brazil’s African-inspired musical traditions also merged with other non-Portuguese, European styles. In the mid-1840s, French traveling musical theater companies introduced the polka to Brazil. As the lundu fused with the polka, it turned into the maxixe, a Brazilianized version of the polka. The maxixe became the first genuinely Brazilian dance and decisively influenced the creation of samba as a specific genre, eventually finding acceptance among the elite of Rio de Janeiro.

…Racial marginalization was also fostered by the growing conviction among nineteenth-century intellectuals that true Brazilian nationhood required ethnic homogeneity. Influential scientists regarded people of mixed race as indolent , undisciplined, and shortsighted. They argued that Brazil’s racial composition did not exemplify cultural richness or vitality, but rather constituted a singular case of extreme miscegenation; consequently, the person of mixed race evolved into a symbol of Brazilian backwardness. Blacks were seen as a major factor contributing to Brazil’s inferiority because they would never be able to absorb, and could only imitate, “Aryan” culture. Racial mixing thus furnished an explanation for the defects and weaknesses of Brazilian society and became a central issue in Brazil’s conceptualization as a nation.

Most Brazilians believed that national homogeneity could be achieved through assimilation and miscegenation, but only if this guaranteed evolutionary superiority through a general “whitening” of the population. Thus, the most welcomed immigrants were southwestern Europeans who mixed readily with the rest of the Brazilian population; Africans were never considered among” possible candidates for immigration…

Read the entire article here.

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