Mixed Race Studies

Remapping Race on the Human Genome: Commercial Exploits in a Racialized America

Praeger
January 2017
310 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-3063-1
eBook ISBN: 978-1-4408-3064-8

Judith Ann Warner, Professor of Sociology
Texas A&M International University, Laredo, Texas

Do the commercial applications of the human genome in ancestry tracing, medicine, and forensics serve to further racialize and stereotype groups?

This book explores the ethical debates at the intersection of race, ethnicity, national origin, and DNA analysis, enabling readers to gain a better understanding of the human genome project and its impact on the biological sciences, medicine, and criminal justice.

Genome and genealogical research has become a subject of interest outside of science, as evidenced by the popularity of the genealogy research website Ancestry.com that helps individuals discover their genetic past and television shows such as the celebrity-focused Who Do You Think You Are? and Finding Your Roots with Henry Louis Gates, Jr.. Applications of DNA analysis in the area of criminal justice and the law have major consequences for social control from birth to death. This book explores the role of DNA research and analysis within the framework of race, ethnicity, and national origin—and provides a warning about the potential dangers of a racialized America.

Synthesizing the work of sociologists, criminologists, anthropologists, and biologists, author Judith Ann Warner, PhD, examines how the human genome is being interpreted and commonly used to affirm—rather than dissolve—racial and ethnic boundaries. The individual, corporate, and government use of DNA is controversial, and international comparisons indicate that regulation of genome applications is a global concern. With analysis of ancestry mapping business practices, medical DNA applications, and forensic uses of DNA in the criminal justice system, the book sheds light on the sociological results of “remapping race on the human genome.”

Features

• Provides historical background on the human genome in the modern context of the social construction of race and ethnicity
• Examines the use of overlapping racial-ethnic and geographical origin categories to situate ancestry, health risk, and criminal profiles in a stereotyped or discriminatory manner
• Argues for a re-examination of genome research to avoid racialization

In the Name of the Mother: Italian Americans, African Americans, and Modernity from Booker T. Washington to Bruce Springsteen

Dartmouth College Press
2017-01-03
296 pages
10 illus.
6 1/8 x 9 1/4″
Paperback ISBN: 978-1-5126-0019-3
Hardcover ISBN: 978-1-5126-0018-6
Ebook ISBN: 978-1-5126-0020-9

Samuele F. S. Pardini, Associate Professor of Italian
Department of World Languages and Cultures
Elon University, Elon, North Carolina

A bracingly original dialogue on modernity, class, and difference in the 20th century

In the Name of the Mother examines the cultural relationship between African American intellectuals and Italian American writers and artists, and how it relates to American blackness in the twentieth century. Samuele Pardini links African American literature to the Mediterranean tradition of the Italian immigrants and examines both against the white intellectual discourse that defines modernism in the West. This previously unexamined encounter offers a hybrid, transnational model of modernity capable of producing democratic forms of aesthetics, social consciousness, and political economy. This volume emphasizes the racial “in-betweenness” of Italian Americans rearticulated as “invisible blackness,” a view that enlarges and complicates the color-based dimensions of American racial discourse. This strikingly original work will interest a wide spectrum of scholars in American Studies and the humanities.

Table of Contents

• Acknowledgments
• Introduction
• New World, Old Woman: Or, Modernity Upside Down
• Rochester, Sicily: The Political Economy of Italian American Life and the Encounter with Blackness
• Structures of Invisible Blackness: Racial Difference, (Homo)Sexuality, and Italian American Identity in African American Literature during Jim Crow
• In the Name of the Father, the Son, and the Holy Gun: Modernity as the Gangster
• In the Name of the Mother: The Other Italian American Modernity
• The Dago and the Darky: Staging Subversion
• Notes
• Bibliography
• Index

The Human Face of Globalization: From Multicultural to Mestizaje

Rowman & Littlefield
November 2004
168 pages
Size: 6 x 9
Hardback ISBN: 978-0-7425-4227-3
Paperback ISBN: 978-0-7425-4228-0
eBook ISBN: 978-1-4617-1421-7

Jacques Audinet, Professor Emeritus in Anthropology
University of Metz and l’Institut Catholique de Paris

International immigration, massive migrations, economic globalization and a world-wide communications revolution have brought about a mixing of races, cultures and lifestyles unprecedented in human history. What are the implications of this phenomenon? What options present themselves… a battle of cultures for power; a move toward communitarian cooperation, or, something new, the evolution of racially and culturally mixed societies?

Anthropologist and sociologist Jacques Audinet proposes an alternative to culture wars and simple multiculturalism as he explores the history and evolution of mestizaje, the mixing of races and cultures resulting in a third and new force able to ease the tensions between the original two. Audinet reviews the tragic history of imperial and colonial conquests and traces the growth of mestizaje, especially stimulated by literature, music and sports.

Audinet argues that, instead of chasing or preserving the illusion of “pure” races, we need to face the shifting boundaries of peoples and cultures. He acknowledges the uncertainty of the changes, but emphasizes the essential role that mestizaje can play in the avoidance of racial and cultural clashes while pursuing equality as part of the promise of a democratic society.

Cultural Studies 1983: A Theoretical History

Duke University Press
2016
232 pages
Cloth ISBN: 978-0-8223-6248-7
Paperback ISBN: 978-0-8223-6263-0

Stuart Hall (1932–2014)

Edited by:

Jennifer Daryl Slack, Professor of Communication and Cultural Studies
Michigan Technological University

Lawrence Grossberg, Morris David Distinguished Professor of Communication and Cultural Studies
University of North Carolina, Chapel Hill

The publication of Cultural Studies 1983 is a touchstone event in the history of Cultural Studies and a testament to Stuart Hall’s unparalleled contributions. The eight foundational lectures Hall delivered at the University of Illinois in 1983 introduced North American audiences to a thinker and discipline that would shift the course of critical scholarship. Unavailable until now, these lectures present Hall’s original engagements with the theoretical positions that contributed to the formation of Cultural Studies. Throughout this personally guided tour of Cultural Studies’ intellectual genealogy, Hall discusses the work of Richard Hoggart, Raymond Williams, and E. P. Thompson; the influence of structuralism; the limitations and possibilities of Marxist theory; and the importance of Althusser and Gramsci. Throughout these theoretical reflections, Hall insists that Cultural Studies aims to provide the means for political change.

Table of Contents

• Editor’s Introduction / Lawrence Grossberg and Jennifer Daryl Slack
• Preface to the Lectures by Stuart Hall, 1988
• Lecture 1. The Formation of Cultural Studies
• Lecture 2. Culturalism
• Lecture 3. Structuralism
• Lecture 4. Rethinking the Base and Superstructure
• Lecture 5. Marxist Structuralism
• Lecture 6. Ideology and Ideological Struggle
• Lecture 7. Domination and Hegemony
• Lecture 8. Culture, Resistance, and Struggle
• References
• Index

Krazy: George Herriman, a Life in Black and White

HarperCollins
2016-12-06
560 pages
Trimsize: 6 in (w) x 9 in (h) x 1.679 in (d)
Hardcover ISBN: 9780061732997
E-book ISBN: 9780062098054

Michael Tisserand

In the tradition of Schulz and Peanuts, an epic and revelatory biography of Krazy Kat creator George Herriman that explores the turbulent time and place from which he emerged—and the deep secret he explored through his art.

The creator of the greatest comic strip in history finally gets his due—in an eye-opening biography that lays bare the truth about his art, his heritage, and his life on America’s color line. A native of nineteenth-century New Orleans, George Herriman came of age as an illustrator, journalist, and cartoonist in the boomtown of Los Angeles and the wild metropolis of New York. Appearing in the biggest newspapers of the early twentieth century—including those owned by William Randolph Hearst—Herriman’s Krazy Kat cartoons quickly propelled him to fame. Although fitfully popular with readers of the period, his work has been widely credited with elevating cartoons from daily amusements to anarchic art.

Herriman used his work to explore the human condition, creating a modernist fantasia that was inspired by the landscapes he discovered in his travels—from chaotic urban life to the Beckett-like desert vistas of the Southwest. Yet underlying his own life—and often emerging from the contours of his very public art—was a very private secret: known as “the Greek” for his swarthy complexion and curly hair, Herriman was actually African American, born to a prominent Creole family that hid its racial identity in the dangerous days of Reconstruction.

Drawing on exhaustive original research into Herriman’s family history, interviews with surviving friends and family, and deep analysis of the artist’s work and surviving written records, Michael Tisserand brings this little-understood figure to vivid life, paying homage to a visionary artist who helped shape modern culture.

Springfield Road

Penguin Books UK
2014-09-30
272 Pages
129mm x 198mm x 18mm
Paperback ISBN: 9781783520558
eBook ISBN: 9781783520565

Salena Godden

Springfield Road is a journey into childhood in the late 1970s, a time of halfpenny sweets, fish and chips in newspaper, scrumping apples and foraging for conkers. Set in the dawn of Thatcher’s Britain, it’s a salute to every curly-top, scabby knee’d, mixed-up, half-crazy kid with NHS glasses, free school dinners and hand-me- downs, as told by the daughter of an Irish jazz musician and a Jamaican go-go dancer.

It’s about discovering that life is unfair, that there are bullies out there, and that parents die; yet it is the very antithesis of a misery memoir. It’s a vivid, uplifting tale that seeks out the humour, colour and tenderness in the world, and when you read it you will say Hey! I remember, we did that too!

You might say: I remember being closer to the ground; I remember summers were longer and how oranges were bigger; I remember struggling to comprehend sex and war, life and death, heaven and hell, and perhaps you’ll say, I remember I missed my dad too…

Black Autonomy: Race, Gender, and Afro-Nicaraguan Activism

Stanford University Press
2016-11-30
248 pages
Cloth ISBN: 9780804799560
Paper ISBN: 9781503600546

Jennifer Goett, Associate Professor of Comparative Cultures and Politics
James Madison College, Michigan State University

Decades after the first multicultural reforms were introduced in Latin America, Afrodescendant people from the region are still disproportionately impoverished, underserved, policed, and incarcerated. In Nicaragua, Afrodescendants have mobilized to confront this state of siege through the politics of black autonomy. For women and men grappling with postwar violence, black autonomy has its own cultural meanings as a political aspiration and a way of crafting selfhood and solidarity.

Jennifer Goett’s ethnography examines the race and gender politics of activism for autonomous rights in an Afrodescedant Creole community in Nicaragua. Weaving together fifteen years of research, Black Autonomy follows this community-based movement from its inception in the late 1990s to its realization as an autonomous territory in 2009 and beyond. Goett argues that despite significant gains in multicultural recognition, Afro-Nicaraguan Creoles continue to grapple with the day-to-day violence of capitalist intensification, racialized policing, and drug war militarization in their territories. Activists have responded by adopting a politics of autonomy based on race pride, territoriality, self-determination, and self-defense. Black Autonomy shows how this political radicalism is rooted in African diasporic identification and gendered cultural practices that women and men use to assert control over their bodies, labor, and spaces in an atmosphere of violence.

Lucy Parsons: An American Revolutionary

Haymarket Books
February 2013
282 pages
Paperback ISBN: 9781608462131

Carolyn Ashbaugh

The life and times of Lucy Parsons, early American radical and labor organizer, told definitively here.

Lucy Parsons’ life energy was directed toward freeing the working class from capitalism. She attributed the inferior position of women and minority racial groups in American society to class inequalities and argued, as Eugene Debs later did, that blacks were oppressed because they were poor, not because they were black. Lucy favored the availability of birth control information and contraceptive devices. She believed that under socialism women would have the right to divorce and remarry without economic, political and religious constraints; that women would have the right to limit the number of children they would have; and that women would have the right to prevent “legalized” rape in marriage.

“Lucy Parsons’ life expressed the anger of the unemployed workers, women, and minorities against oppression and is exemplary of radicals’ efforts to organize the working class for social change.” —From the preface

Lucy Parsons, who the Chicago police considered “more dangerous than a thousand rioters,” was an early American radical who defied all the conventions of her turbulent era as an outspoken woman of color, writer, and labor organizer. Parsons’ life as activist spanned the era of the Robber Barons through the Great Depression, during which she actively campaigned and organized for the emancipation of the working class from wage slavery. Parsons courageously led the defense campaign for the “Haymarket martyrs,” including her husband Albert Parsons. Ashbaugh’s biography takes a giant leap toward reinterpreting the role of women in American history.

Traces of History: Elementary Structures of Race

Verso Books
January 2016
306 pages
Paperback ISBN: 9781781689172
Hardback ISBN: 9781781689165
Ebook ISBN: 9781781689196

Patrick Wolfe

Traces of History presents a new approach to race and to comparative colonial studies. Bringing a historical perspective to bear on the regimes of race that colonizers have sought to impose on Aboriginal people in Australia, on Blacks and Native Americans in the United States, on Ashkenazi Jews in Western Europe, on Arab Jews in Israel/Palestine, and on people of African descent in Brazil, this book shows how race marks and reproduces the different relationships of inequality into which Europeans have coopted subaltern populations: territorial dispossession, enslavement, confinement, assimilation, and removal.

Charting the different modes of domination that engender specific regimes of race and the strategies of anti-colonial resistance they entail, the book powerfully argues for cross-racial solidarities that respect these historical differences.

Born a Crime: Stories from a South African Childhood

Spiegel & Grau (an imprint of Random House)
2016-11-15
204 pages
Hardcover ISBN: 978-0399588174

Trevor Noah

The compelling, inspiring, and comically sublime story of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed

Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.

Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.

The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.