Mixed Race Studies

Marrying Black Girls for Guys who aren’t Black

Jacana Media
October 2013
256 pages
198 x 130mm
Paperback ISBN: 9781920601287
d-PDF ISBN: 9781920601294
ePUB ISBN: 9781920601300
mobi file ISBN: 9781920601317

Hagen Engler

White guy Hagen Engler had been married to his black wife for a couple of years before he realised he was still a racist! Marrying Black Girls for Guys Who Aren’t Black describes his journey from being the whitest person this side of a Smokie concert to being slightly blacker, if not visibly so. Combining anecdotes, rhymes, essays and freestyle political discourse, the book charts a personal route to an integrated society in Unit 2, Sandown Court, Johannesburg. As the newly disenfranchised minority in his lounge, Hagen has gained a fresh insight into the struggles of the oppressed. Living with a gorgeous, militant black woman has helped this armchair liberal understand cultural and economic reality and also realise that while he can appreciate the kwaito-house works of Oskido and the later releases of Letta Mbuli, he will never enjoy Basketball Wives, Kenny Lattimore, or boiled tripe. The jury’s still out on umleqwa too. Once you make your peace with skin colour, does race even exist? Or is culture what distinguishes us? What happens when a surfer/bungee-jumper/rock ’n’ roll goofball hooks up with a black-diamond struggle veteran and shoe fetishist?

It’s hard to be a neoliberal hardliner when your partner’s real-life experience undermines all your prejudices. It’s cultural exchange over the TV remote; race relations in the contested space between the sink, the toaster and the microwave, as yet another mixed marriage cocks up the race debate. Hagen Engler learns about himself and our emerging, common culture as much as his lovely black wife in How to Marry a Black Chick for Guys who are White.

He has surfed Hawaii, run the Comrades, climbed Kilimanjaro, been sued by a clown and eaten a praying mantis. So a lot of the bucket-list boxes have been ticked.

End of Whiteness: Satanism & Family Murder in Late Apartheid South Africa

Jacana Media
March 2016
240 pages
235x155mm
Paperback ISBN: 9781431423279

Nicky Falkof, Senior Lecturer in Media Studies
University of the Witwatersrand, Johannesburg, South Africa

Satanism and family murder – bizarre responses to fear of change. This book examines the effects that apartheid may have had on those who benefitted from it the most.

The End of Whiteness aims to reveal the pathological, paranoid and bizarre consequences that the looming end of apartheid had on white culture in South Africa, and overall to show that whiteness is a deeply problematic category that needs to be deconstructed and thoughtfully considered.

This book uses contemporary media material to investigate two symptoms of this late apartheid cultural hysteria that appeared throughout the contemporary media and in popular literature during the 1980s and 1990s, showing their relation to white anxieties about social change, the potential loss of privilege and the destabilisation of the country that were imagined to be an inevitable consequence of majority rule.

The ‘Satanic panic’ revolved around the apparent threat posed by a cult of white Satanists that was never proven to exist but was nonetheless repeatedly accused of conspiracy, murder, rape, drug-dealing, cannibalism and bestiality, and blamed for the imminent destruction of white Christian civilisation in South Africa.

During the same period an unusually high number of domestic murder-suicides occurred, with parents killing themselves and their children or other family members by gunshot, fire, poison, gas, even crossbows and drownings. This so-called epidemic of family murder was treated by police, press and social scientists as a plague that specifically affected white Afrikaans families. These double monsters, both fantastic and real, helped to disembowel the clarities of whiteness even as they were born out of threats to it. Deep within its self-regarding modernity and renegotiation of identity, contemporary white South Africa still wears those scars of cultural pathology.

JewAsian: Race, Religion, and Identity for America’s Newest Jews

University of Nebraska Press
July 2016
198 pages
6 tables, 1 appendix
Hardcover ISBN: 978-0-8032-8565-1

Helen Kiyong Kim, Associate Professor of Sociology
Whitman College, Walla Walla, Washington

Noah Samuel Leavitt, Associate Dean of Students
Whitman College, Walla Walla, Washington

In 2010 approximately 15 percent of all new marriages in the United States were between spouses of different racial, ethnic, or religious backgrounds, raising increasingly relevant questions regarding the multicultural identities of new spouses and their offspring. But while new census categories and a growing body of statistics provide data, they tell us little about the inner workings of day-to-day life for such couples and their children.

JewAsian is a qualitative examination of the intersection of race, religion, and ethnicity in the increasing number of households that are Jewish American and Asian American. Helen Kiyong Kim and Noah Samuel Leavitt’s book explores the larger social dimensions of intermarriages to explain how these particular unions reflect not only the identity of married individuals but also the communities to which they belong. Using in-depth interviews with couples and the children of Jewish American and Asian American marriages, Kim and Leavitt’s research sheds much-needed light on the everyday lives of these partnerships and how their children negotiate their own identities in the twenty-first century.

The Best “Worst President”: What the Right Gets Wrong About Barack Obama

Dey Street Books (an imprint of HarperCollins)
2016-06-28
336 pages
Trimsize: 5.75 in (w) x 8.25 in (h) x 1.274 in (d)
Hardcover ISBN: 9780062443052
E-book ISBN: 9780062443090

Mark Hannah

Illustrated by Bob Staake

Political analyst and Democratic campaign veteran Mark Hannah and renowned New Yorker illustrator Bob Staake give Barack Obama the victory lap he deserves in this compendium that takes the president’s critics head-on and celebrates the president’s many underappreciated triumphs.

Barack Obama’s election in 2008 was a watershed moment in American history that inspired supporters on the Left—and fired up enemies on the Right. Elected in the midst of multiple crises—a Wall Street meltdown that imperiled the global economy and American troops entangled in two foreign wars—Barack Obama’s presidency promised, from the start, to be one of the most consequential presidencies in modern American history.

Although he stabilized the economy and restored America’s prestige on the global stage, President Obama has been denied the credit he deserves, receiving instead acidic commentary from political opponents such as former Vice President Dick Cheney, who declared that Obama was “the worst president in [his] lifetime”—an accusation that reflects the politics of resentment and recrimination that has come to characterize the president’s critics.

In The “Best Worst” President, Mark Hannah and New Yorker illustrator Bob Staake swiftly and systematically debunk conservative lies and disinformation meant to negate the president’s accomplishments and damage his reputation—baseless charges too often left unchallenged by the national media. The “Best Worst” President is a whip-smart takedown of these half-truths and hypocrisies, each refuted in a smart, witty, fact-based style. Hannah and Staake not only defend the president but showcase his administration’s most surprising and underappreciated triumphs—making clear he truly is the best “worst president” our nation has ever known.

The Common Cause: Creating Race and Nation in the American Revolution

University of North Carolina Press
June 2016
Approx. 640 pages
21 halftones, 1 figs., 7 maps, 33 tables, notes, index
6.125 x 9.25
Cloth ISBN: 978-1-4696-2663-5
Published for the Omohundro Institute of Early American History and Culture, Williamsburg, Virginia

Robert G. Parkinson, Assistant Professor of History
Binghamton University, The State University of New York

When the Revolutionary War began, the odds of a united, continental effort to resist the British seemed nearly impossible. Few on either side of the Atlantic expected thirteen colonies to stick together in a war against their cultural cousins. In this pathbreaking book, Robert Parkinson argues that to unify the patriot side, political and communications leaders linked British tyranny to colonial prejudices, stereotypes, and fears about insurrectionary slaves and violent Indians. Manipulating newspaper networks, Washington, Jefferson, Adams, Franklin, and their fellow agitators broadcast stories of British agents inciting African Americans and Indians to take up arms against the American rebellion. Using rhetoric like “domestic insurrectionists” and “merciless savages,” the founding fathers rallied the people around a common enemy and made racial prejudice a cornerstone of the new Republic.

In a fresh reading of the founding moment, Parkinson demonstrates the dual projection of the “common cause.” Patriots through both an ideological appeal to popular rights and a wartime movement against a host of British-recruited slaves and Indians forged a racialized, exclusionary model of American citizenship.

Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolás Guillén

Bucknell University Press
May 2016
274 pages
Size: 6 x 9
Hardback ISBN: 978-1-61148-758-9
eBook ISBN: 978-1-61148-759-6

Miguel Arnedo-Gómez, Senior Lecturer
Spanish and Latin American Studies Program
Victoria University of Wellington, New Zealand

The Cuban writer Nicolás Guillén has traditionally been considered a poet of mestizaje, a term that, whilst denoting racial mixture, also refers to a homogenizing nationalist discourse that proclaims the harmonious nature of Cuban identity. Yet, many aspects of Guillén’s work enhance black Cuban and Afro-Cuban identities. Miguel Arnedo-Gómez explores this paradox in Guillén’s pre-Cuban Revolution writings placing them alongside contemporaneous intellectual discourses that feigned adherence to the homogenizing ideology whilst upholding black interests. On the basis of links with these and other 1930s Cuban discourses, Arnedo-Gómez shows Guillén’s work to contain a message of black unity aimed at the black middle classes. Furthermore, against a tendency to seek a single authorial consciousness – be it mulatto or based on a North American construction of blackness – Guillén’s prose and poetry are also characterized as a struggle for a viable identity in a socio-culturally heterogeneous society.

Strange Fruit: Uncelebrated Narratives from Black History

Fulcrum Publishing
May 2014
176 pages
8 X 10
Paperback ISBN: 9781938486296

Joel Christian Gill

Strange Fruit Volume I is a collection of stories from early African American history that represent the oddity of success in the face of great adversity. Each of the nine illustrated chapters chronicles an uncelebrated African American hero or event. From the adventures of lawman Bass Reeves, to Henry “Box” Brown’s daring escape from slavery.

Kafka’s Blues: Figurations of Racial Blackness in the Construction of an Aesthetic

Northwestern University Press
June 2016
184 pages
6 x 9
Cloth ISBN: 978-0-8101-3286-3
Paper ISBN: 978-0-8101-3285-6
E-book ISBN: 978-0-8101-3287-0

Mark Christian Thompson, Associate Professor of English
Johns Hopkins University, Baltimore, Maryland

Kafka’s Blues proves the startling thesis that many of Kafka’s major works engage in a coherent, sustained meditation on racial transformation from white European into what Kafka refers to as the “Negro” (a term he used in English). Indeed, this book demonstrates that cultural assimilation and bodily transformation in Kafka’s work are impossible without passage through a state of being “Negro.” Kafka represents this passage in various ways—from reflections on New World slavery and black music to evolutionary theory, biblical allusion, and aesthetic primitivism—each grounded in a concept of writing that is linked to the perceived congenital musicality of the “Negro,” and which is bound to his wider conception of aesthetic production. Mark Christian Thompson offers new close readings of canonical texts and undervalued letters and diary entries set in the context of the afterlife of New World slavery and in Czech and German popular culture.

A Seminole Legend: The Life of Betty Mae Tiger Jumper

University Press of Florida
2001-11-30
208 pages
5.5 x 8.5
Hardcover ISBN 13: 978-0-8130-2285-7

Betty Mae Tiger Jumper

Patsy West

With A Seminole Legend, Betty Mae Jumper joins the ranks of Native American women who are coming forward to tell their life experiences. This collaboration between Jumper and Patsy West, an ethnohistorian who contributes general tribal history, is a rare and authentic account of a pioneering Florida Seminole family. It will take its place in Seminole literature, historical and anthropological studies, Florida history, women’s history, and Native American studies.

Betty Mae Tiger was born in 1923 to a Seminole Indian mother and a French trapper father, a fair-skinned half-breed who was nearly put to death at age five by tribal medicine men. Her inspiring autobiography is the story of the most decorated member of the Seminole Tribe of Florida—a political activist, former nurse, and alligator wrestler, who today has her own web site.

Jumper is also a beloved story-teller, renowned for passing along tribal legends. In this book she describes her family’s early conversion to Christianity and discusses such topics as miscegenation, war and atrocities, the impact of encroaching settlement on traditional peoples, and the development of the Dania/Hollywood Reservation. She became the first formally educated Florida Seminole, attending a government boarding school in Cherokee, North Carolina, where at age 14 she learned to speak English.

Legend of the Free State of Jones

University Press of Mississippi
2009-10-07
143 pages
3 maps, 7 b&w illustrations
5 1/2 x 8 1/2 inches
Paper ISBN: 978-1-60473-571-0
Ebook ISBN: 978-1-60473-572-7

Rudy H. Leverett

The original, full accounting of a rebellion in the heart of Dixie

A maverick, unionist district in the heart of the Old South? A notorious county that seceded from the Confederacy? This is how Jones County, Mississippi, is known in myth and legend.

Since 1864 the legend has persisted. Differing versions give the name of this new nation as Republic of Jones, Jones County Confederacy, and Free State of Jones. Over the years this story has captured the imaginations of journalists, historians, essayists, novelists, short story writers, and Hollywood filmmakers, although serious scholars long ago questioned the accuracy of local history accounts about a secessionist county led by Newt Knight and a band of renegades.

Legend of the Free State of Jones was the first authoritative explanation of just what did happen in Jones County in 1864 to give rise to the legend. This book surveys the facts, the records, and the history of the “Free State of Jones” and well may provide the whole story.

Rudy H. Leverett was born in an unplumbed cabin in the woods outside of Hattiesburg, Mississippi. He had a doctoral degree in education and spent his life writing extensively on the subjects of philosophy, the American South, and the McLemore family. He died on his birthday in 1999.