Mixed Race Studies

Brown: The Last Discovery of America

Penguin Books
2012
256 Pages
Paperback ISBN: 9780142000793
eBook ISBN: 9781101161500

Richard Rodriguez

In his dazzling new memoir, Richard Rodriguez reflects on the color brown and the meaning of Hispanics to the life of America today. Rodriguez argues that America has been brown since its inception-since the moment the African and the European met within the Indian eye. But more than simply a book about race, Brown is about America in the broadest sense—a look at what our country is, full of surprising observations by a writer who is a marvelous stylist as well as a trenchant observer and thinker.

Table of Contents

• Brown – Richard Rodriguez Preface
• One: The Triad of Alexis de Tocqueville
• Two: In the Brown Study
• Three: The Prince and I
• Four: Poor Richard
• Five: Hispanic
• Six: The Third Man
• Seven: Dreams of a Temperate People
• Eight: Gone West
• Nine: Peter’s Avocado
• Acknowledgments

The East-West House: Noguchi’s Childhood in Japan

Lee & Low Books
2012-09-02
28 pages
11.1 x 8.7 x 0.4 inches
Hardcover ISBN: 9781600603631

Christy Hale, Author, Illustrator

Isamu was a boy of the East and the West. Born in the United States to a Japanese father and Scotch-Irish American mother, Isamu grew up in Japan. From his earliest years he felt the tug of his biracial heritage, never quite fitting in or thinking he belonged. Pleasure came, however, from the natural world. Color, light, and shadow. Earth, wood, and stone. Working with these forms of nature, Isamu found a way to blend his cultural divide. It was an exploration that became the cornerstone and spirit of his lifelong creative journey.

With lyrical text and luminous artwork, Christy Hale tells the story of the boy who grew up to be the multifaceted artist Isamu Noguchi. Guided by his desire to enrich everyday life with art while bringing together Eastern and Western influences, Noguchi created a vast array of innovative sculptures, stage sets, furniture, and public spaces. The East-West House is a tribute to the artistic beginnings of this pioneering modern sculptor and designer.

Collective Identity, Oppression, and the Right to Self-Ascription

Lexington Books
May 2012
142 pages
Size: 6 x 9
Hardback ISBN: 978-0-7391-7190-5
Paperback ISBN: 978-0-7391-9057-9
eBook ISBN: 978-0-7391-7191-2

Andrew J. Pierce, Lecturer
Department of Philosophy
Sacred Heart University, Fairfield, Connecticut

Collective Identity, Oppression, and the Right to Self-Ascription argues that groups have an irreducibly collective right to determine the meaning of their shared group identity, and that such a right is especially important for historically oppressed groups. The author specifies this right by way of a modified discourse ethic, demonstrating that it can provide the foundation for a conception of identity politics that avoids many of its usual pitfalls. The focus throughout is on racial identity, which provides a test case for the theory. That is, it investigates what it would mean for racial identities to be self-ascribed rather than imposed, establishing the possible role racial identity might play in a just society. The book thus makes a unique contribution to both the field of critical theory, which has been woefully silent on issues of race, and to race theory, which often either presumes that a just society would be a raceless society, or focuses primarily on understanding existing racial inequalities, in the manner typical of so-called “non-ideal theory.”

Table of Contents

• Introduction
• Chapter 1: Minority Cultures and Oppressed Groups: Competing Explanatory Frameworks
• Chapter 2: Collective Identity, Group Rights, and the Liberal Tradition of Law
• Chapter 3: Identity Politics Within the Limits of Deliberative Democracy
• Chapter 4: The Future of Racial Identity: A Test Case

Transformable Race: Surprising Metamorphoses in the Literature of Early America

Oxford University Press
2014-01-27
336 Pages | 9 halftones
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780199313501

Katy L. Chiles, Associate Professor of English
University of Tennessee, Knoxville

• First detailed study of “literary race” in eighteenth-century America
• Brings together the scholarly discourses on American Indian identity, the racial regime of African slavery, and the developing discourse of race in eighteenth-century natural history with convincing literary analysis
• Covers canonical texts by Ben Franklin, Samson Occum, Phillis Wheatley, and J. Hector St. John de Crèvecoeur

As surprising as it might seem now, during the late eighteenth century many early Americans asked themselves, “How could a person of one race come to be another?” Racial thought at the close of the eighteenth century differed radically from that of the nineteenth century, when the concept of race as a fixed biological category would emerge. Instead, many early Americans thought that race was an exterior bodily trait, incrementally produced by environmental factors and continuously subject to change. While historians have documented aspects of eighteenth-century racial thought, Transformable Race is the first scholarly book that identifies how this thinking informs the figurative language in the literature of this crucial period. It argues that the notion of “transformable race” structured how early American texts portrayed the formation of racial identities. Examining figures such as Phillis Wheatley, Benjamin Franklin, Samson Occom, and Charles Brockden Brown, Transformable Race demonstrates how these authors used language emphasizing or questioning the potential malleability of physical features to explore the construction of racial categories.

Measuring Manhood: Race and the Science of Masculinity, 1830–1934

University of Minnesota Press
September 2015
368 pages
32 b&w photos
5 1/2 x 8 1/2
Paper ISBN 978-0-8166-7303-2
Cloth ISBN 978-0-8166-7302-5

Melissa N. Stein, Assistant Professor of Gender and Women’s Studies
University of Kentucky

From the “gay gene” to the “female brain” and African American students’ insufficient “hereditary background” for higher education, arguments about a biological basis for human difference have reemerged in the twenty-first century. Measuring Manhood shows where they got their start.

Melissa N. Stein analyzes how race became the purview of science in nineteenth- and early twentieth-century America and how it was constructed as a biological phenomenon with far-reaching social, cultural, and political resonances. She tells of scientific “experts” who advised the nation on its most pressing issues and exposes their use of gender and sex differences to conceptualize or buttress their claims about racial difference. Stein examines the works of scientists and scholars from medicine, biology, ethnology, and other fields to trace how their conclusions about human difference did no less than to legitimize sociopolitical hierarchy in the United States.

Covering a wide range of historical actors from Samuel Morton, the infamous collector and measurer of skulls in the 1830s, to NAACP leader and antilynching activist Walter White in the 1930s, this book reveals the role of gender, sex, and sexuality in the scientific making⎯and unmaking⎯of race.

European Others: Queering Ethnicity in Postnational Europe

University of Minnesota Press
2011
304 pages
6 b&w photos
5 1/2 x 8 1/2
Paper ISBN 978-0-8166-7016-1
Cloth ISBN 978-0-8166-7015-4

Fatima El-Tayeb, Professor of African-American Literature and Culture
University of California, San Diego

European Others offers an interrogation into the position of racialized communities in the European Union, arguing that the tension between a growing nonwhite, non-Christian population and insistent essentialist definitions of Europeanness produces new forms of identity and activism. Moving beyond disciplinary and national limits, Fatima El-Tayeb explores structures of resistance, tracing a Europeanization from below in which migrant and minority communities challenge the ideology of racelessness that places them firmly outside the community of citizens.

Using a notable variety of sources, from drag performances to feminist Muslim activism and Euro hip-hop, El-Tayeb draws on the largely ignored archive of vernacular culture central to resistance by minority youths to the exclusionary nationalism that casts them as threatening outcasts. At the same time, she reveals the continued effect of Europe’s suppressed colonial history on the representation of Muslim minorities as the illiberal Other of progressive Europe.

Presenting a sharp analysis of the challenges facing a united Europe seen by many as a model for twenty-first-century postnational societies, El-Tayeb combines theoretical influences from both sides of the Atlantic to lay bare how Europeans of color are integral to the continent’s past, present, and, inevitably, its future.

Contents

• Acknowledgments
• Introduction: Theorizing Urban Minority Communities in Postnational Europe
• 1. “Stranger in My Own Country”: European Identities, Migration, and Diasporic Soundscapes
• 2. Dimensions of Diaspora: Women of Color Feminism, Black Europe, and Queer Memory Discourses
• 3. Secular Submissions: Muslim Europeans, Female Bodies, and Performative Politics
• 4. “Because It Is Our Stepfatherland”: Queering European Public Spaces
• Conclusion: “An Infinite and Undefinable Movement”
• Notes
• Bibliography
• Index

The Color of Love: Racial Features, Stigma, and Socialization in Black Brazilian Families

University of Texas Press
November 2015
328 pages
6 x 9
Hardcover ISBN: 978-1-4773-0238-5
Paperback ISBN: 978-1-4773-0788-5

Elizabeth Hordge-Freeman, Assistant Professor of Sociology with a joint appointment in the Institute for the Study of Latin America & the Caribbean
University of South Florida

Drawing on more than one hundred interviews and observations within ten core families, this study of intimate relationships as sites of racial socialization reveals a new facet of race-based differential treatment and its origins—and the mechanisms that perpetuate these strata across generations.

The Color Of Love reveals the power of racial hierarchies to infiltrate our most intimate relationships. Delving far deeper than previous sociologists have into the black Brazilian experience, Elizabeth Hordge-Freeman examines the relationship between racialization and the emotional life of a family. Based on interviews and a sixteen-month ethnography of ten working-class Brazilian families, this provocative work sheds light on how families simultaneously resist and reproduce racial hierarchies. Examining race and gender, Hordge-Freeman illustrates the privileges of whiteness by revealing how those with “blacker” features often experience material and emotional hardships. From parental ties, to sibling interactions, to extended family and romantic relationships, the chapters chart new territory by revealing the connection between proximity to whiteness and the distribution of affection within families.

Hordge-Freeman also explores how black Brazilian families, particularly mothers, rely on diverse strategies that reproduce, negotiate, and resist racism. She frames efforts to modify racial features as sometimes reflecting internalized racism, and at other times as responding to material and emotional considerations. Contextualizing their strategies within broader narratives of the African diaspora, she examines how Salvador’s inhabitants perceive the history of the slave trade itself in a city that is referred to as the “blackest” in Brazil. She argues that racial hierarchies may orchestrate family relationships in ways that reflect and reproduce racial inequality, but black Brazilian families actively negotiate these hierarchies to assert their citizenship and humanity.

Race and the Modern Exotic: Three ‘Australian’ Women on Global Display

Monash University Publishing
October 2011
180 pages
Paperback ISBN: 9781921867125
eBook ISBN: 9781921867132

Angela Woollacott, Manning Clark Professor of History
The Australian National University

Annette Kellerman, Rose Quong and Merle Oberon were internationally successful ‘Australian’ performers of the first half of the twentieth century. Kellerman was a swimmer, diver, lecturer, and silent-film star, Quong an actor, lecturer and writer who forged a career in London and New York, and Oberon one of the most celebrated film stars of the 1930s and 1940s, first in London and then Hollywood.

Through her international vaudeville performances and film roles, Kellerman played with the quasi-racial identity of South Sea Islander. Quong built a career based on her own body, through a careful appropriation of Orientalism. Her body was the signifier of her Chinese authenticity, the essentialist foundation for her constructed, diasporic Chinese identity. The official story of Oberon’s origins was that she was Tasmanian. However, this was a publicity story concocted at the beginning of her film career to mask her lower-class, Anglo-Indian birth. Despite anxious undercurrents about her exoticism, Australians were thrilled to claim a true Hollywood star as one of their own.

These three women performers created newly modern, racially ambiguous Australian femininities. Racial thinking was at the core of White Australian culture: far from being oblivious to racial hierarchies and constructions, Australians engaged with them on an everyday basis. Around the world, ‘Australian’ stars represented a white-settler nation, a culture in which white privilege was entrenched, during a period replete with legal forms of discrimination based on race. The complex meanings attached to three successful ‘Australian’ performers in this period of highly articulated racism thus become a popular cultural archive we can investigate to learn more about contemporary connections between race, exoticism and gender on the global stage and screen.

Eslanda: The Large and Unconventional Life of Mrs. Paul Robeson

Yale University Press
2013-01-08
424 pages
64 b/w illus.
6 1/8 x 9 1/4
Cloth ISBN: 9780300124347

Barbara Ransby, Professor, Gender and Women’s Studies, African American Studies & History
University of Illinois, Chicago

• Won Honorable Mention for the 2013 Southern California Book Festival, in the Biography/Autobiography category, sponored by JM Northern Media LLC.
• Won an Honorable Mention for the 2013 New England Book Festival given by the JM Northern Media Family of Festivals, in the Biography/Autobiography Category.
• Selected as a Choice Outstanding Academic Title for 2013 in the North America Category.
• Won a Honorable Mention for the 2014 Los Angeles Book Festival in the Biography/Autobiography Category.

Eslanda “Essie” Cardozo Goode Robeson lived a colorful and amazing life. Her career and commitments took her many places: colonial Africa in 1936, the front lines of the Spanish Civil War, the founding meeting of the United Nations, Nazi-occupied Berlin, Stalin’s Russia, and China two months after Mao’s revolution. She was a woman of unusual accomplishment—an anthropologist, a prolific journalist, a tireless advocate of women’s rights, an outspoken anti-colonial and antiracist activist, and an internationally sought-after speaker. Yet historians for the most part have confined Essie to the role of Mrs. Paul Robeson, a wife hidden in the large shadow cast by her famous husband. In this masterful book, biographer Barbara Ransby refocuses attention on Essie, one of the most important and fascinating black women of the twentieth century.

Chronicling Essie’s eventful life, the book explores her influence on her husband’s early career and how she later achieved her own unique political voice. Essie’s friendships with a host of literary icons and world leaders, her renown as a fierce defender of justice, her defiant testimony before Senator Joseph McCarthy’s infamous anti-communist committee, and her unconventional open marriage that endured for over 40 years—all are brought to light in the pages of this inspiring biography. Essie’s indomitable personality shines through, as do her contributions to United States and twentieth-century world history.

W. E. B. Du Bois and The Souls of Black Folk

University of North Carolina Press
August 2015
288 pages
6.125 x 9.25, notes, index
Paper ISBN: 978-1-4696-2643-7

Stephanie J. Shaw, Professor of History
Ohio State University

In this book, Stephanie J. Shaw brings a new understanding to one of the great documents of American and black history. While most scholarly discussions of The Souls of Black Folk focus on the veils, the color line, double consciousness, or Booker T. Washington, Shaw reads Du Bois’ book as a profoundly nuanced interpretation of the souls of black Americans at the turn of the twentieth century.

Demonstrating the importance of the work as a sociohistorical study of black life in America through the turn of the twentieth century and offering new ways of thinking about many of the topics introduced in Souls, Shaw charts Du Bois’ successful appropriation of Hegelian idealism in order to add America, the nineteenth century, and black people to the historical narrative in Hegel’s philosophy of history. Shaw adopts Du Bois’ point of view to delve into the social, cultural, political, and intellectual milieus that helped to create The Souls of Black Folk.