Mixed Race Studies

Where the Dead Pause, and the Japanese Say Goodbye: A Journey

W. W. Norton & Company, Inc.
January 2015
336 pages
Hardcover ISBN: 978-0-393-06301-1
6.6 × 9.6 in

Marie Mutsuki Mockett

How does one cope with overwhelming grief?

Marie Mutsuki Mockett’s family owns a Buddhist temple 25 miles from the Fukushima Daiichi nuclear power plant. In March 2011, after the earthquake and tsunami, radiation levels prohibited the burial of her Japanese grandfather’s bones. As Japan mourned thousands of people lost in the disaster, Mockett also grieved for her American father, who had died unexpectedly.

Seeking consolation, Mockett is guided by a colorful cast of Zen priests and ordinary Japanese who perform rituals that disturb, haunt, and finally uplift her. Her journey leads her into the radiation zone in an intricate white hazmat suit; to Eiheiji, a school for Zen Buddhist monks; on a visit to a Crab Lady and Fuzzy-Headed Priest’s temple on Mount Doom; and into the “thick dark” of the subterranean labyrinth under Kiyomizu temple, among other twists and turns. From the ecstasy of a cherry blossom festival in the radiation zone to the ghosts inhabiting chopsticks, Mockett writes of both the earthly and the sublime with extraordinary sensitivity. Her unpretentious and engaging voice makes her the kind of companion a reader wants to stay with wherever she goes, even into the heart of grief itself.

Overseas American: Growing Up Gringo in the Tropics

University Press of Mississippi
March 2005
240 pages
Cloth ISBN: 978-1-57806-720-6
Ebook ISBN: 978-1-61703-222-6

Gene H. Bell-Villada, Professor of Romance Languages
Williams College, Williamstown, Pennsylvania

Born in 1941 of a Hawaiian mother and a white father, Gene H. Bell-Villada, grew up an overseas American citizen. An outsider wherever he landed, he never had a ready answer to the innocuous question “Where are you from?”

By the time Bell-Villada was a teenager, he had lived in Puerto Rico, Venezuela, and Cuba. Though English was his first language, his claim on U.S. citizenship was a hollow one. All he knew of his purported “homeland” was gleaned from imported comic books and movies. He spoke Spanish fluently, but he never fully fit into the culture of the Latin American countries where he grew up.

In childhood, he attended an American Catholic school for Puerto Ricans in San Juan, longing all the while to convert from Episcopalianism so that he could better fit in. Later at a Cuban military school during the height of the Batista dictatorship, he witnessed fervent political debates among the cadets about Fidel Castro’s nascent revolution and U.S. foreign policy. His times at the American School in Caracas, Venezuela, are tinged with reminiscences of oil booms and fights between U.S. and Venezuelan teen gangs.

When Bell-Villada finally comes to the United States to stay, he finds himself just as rootless as before, moving from New Mexico to Arizona to California to Massachusetts in quick succession. His accounts of life on the campuses of Berkeley and Harvard during the tumultuous 1960s reveal much about the country’s climate during the Cold War era.

Eventually the “Gringo” comes home, finding the stability in his marriage and career that allows him to work through and proudly claim his identity as a “global nomad.”

Slavery before Race: Europeans, Africans, and Indians at Long Island’s Sylvester Manor Plantation, 1651-1884

New York University Press
238 pages
April 2013
Hardback ISBN: 9780814785775
Paperback ISBN: 9781479802227

Katherine Howlett Hayes, Associate Professor of Anthropology
University of Minnesota

The study of slavery in the Americas generally assumes a basic racial hierarchy: Africans or those of African descent are usually the slaves, and white people usually the slaveholders. In this unique interdisciplinary work of historical archaeology, anthropologist Katherine Hayes draws on years of fieldwork on Shelter Island’s Sylvester Manor to demonstrate how racial identity was constructed and lived before plantation slavery was racialized by the legal codification of races.

Using the historic Sylvester Manor Plantation site turned archaeological dig as a case study, Hayes draws on artifacts and extensive archival material to present a rare picture of northern slavery on one of the North’s first plantations. The Manor was built in the mid-17th century by British settler Nathaniel Sylvester, whose family owned Shelter Island until the early 18th century and whose descendants still reside in the Manor House. There, as Hayes demonstrates, white settlers, enslaved Africans, and Native Americans worked side by side. While each group played distinct roles on the Manor and in the larger plantation economy of which Shelter Island was part, their close collaboration and cohabitation was essential for the Sylvester family’s economic and political power in the Atlantic Northeast. Through the lens of social memory and forgetting, this study addresses the significance of Sylvester Manor’s plantation history to American attitudes about diversity, Indian land politics, slavery and Jim Crow, in tension with idealized visions of white colonial community.

Contents

• List of Figures and Table
• Acknowledgments
• Prologue
• 1 Tracing a Racialized History
• 2 Convergence
• 3 Building and Destroying
• 4 Objects of Interaction
• 5 Forgetting to Remember, Remembering to Forget
• 6 Unimagining Communities
• Epilogue
• Notes
• Bibliography
• Index
• About the Author

Love, Liberation, and Escaping Slavery: William and Ellen Craft in Cultural Memory

University of Georgia Press
2015-05-15
136 pages
8 b&w photos
Trim size: 6 x 9
Hardcover ISBN: 978-0-8203-3802-6
Paper ISBN: 978-0-8203-4724-0
Ebook ISBN: 978-0-8203-4832-2

Barbara McCaskill, Associate Professor of English and co-director of the Civil Rights Digital Library
University of Georgia

How William and Ellen Craft’s escape from slavery, their activism, and press accounts figured during the antislavery movement of the mid-1800s and Reconstruction

he spectacular 1848 escape of William and Ellen Craft (1824–1900; 1826–1891) from slavery in Macon, Georgia, is a dramatic story in the annals of American history. Ellen, who could pass for white, disguised herself as a gentleman slaveholder; William accompanied her as his “master’s” devoted slave valet; both traveled openly by train, steamship, and carriage to arrive in free Philadelphia on Christmas Day. In Love, Liberation, and Escaping Slavery, Barbara McCaskill revisits this dual escape and examines the collaborations and partnerships that characterized the Crafts’ activism for the next thirty years: in Boston, where they were on the run again after the passage of the 1850 Fugitive Slave Law; in England; and in Reconstruction-era Georgia. McCaskill also provides a close reading of the Crafts’ only book, their memoir, Running a Thousand Miles for Freedom, published in 1860.

Yet as this study of key moments in the Crafts’ public lives argues, the early print archive—newspapers, periodicals, pamphlets, legal documents—fills gaps in their story by providing insight into how they navigated the challenges of freedom as reformers and educators, and it discloses the transatlantic British and American audiences’ changing reactions to them. By discussing such events as the 1878 court case that placed William’s character and reputation on trial, this book also invites readers to reconsider the Crafts’ triumphal story as one that is messy, unresolved, and bittersweet. An important episode in African American literature, history, and culture, this will be essential reading for teachers and students of the slave narrative genre and the transatlantic antislavery movement and for researchers investigating early American print culture.

A Language of Our Own: The Genesis of Michif, the Mixed Cree-French Language of the Canadian Métis

Oxford University Press
1997-06-05
336 pages
1 linecut, 5 maps
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780195097115
Paperback ISBN: 9780195097122

Peter Bakker, Associate professor
Department of Aesthetics and Communication
Aarhus University, Aarhus, Denmark

The Michif language—spoken by descendants of French Canadian fur traders and Cree Indians in western Canada—is considered an “impossible language” since it uses French for nouns and Cree for verbs, and comprises two different sets of grammatical rules. Bakker uses historical research and fieldwork data to present the first detailed analysis of this language and how it came into being.

Machado de Assis: The Brazilian Master and His Novels

University of California Press
1970
270 pages
ISBN: 9780520016088

Helen Caldwell

Machado de Assis is among the most original creative minds in Brazils rich, four-century-long literary tradition. Miss Caldwell’s critical and biographical study explores Machado’s purpose, meaning, and artistic method in each of his nine novels, published between 1872 and 1908. She traces the ideas and recurrent themes, and identifies his affinities with other authors.

In tracing Machado’s experimentation with narrative techniques, Miss Caldwell reveals the increasingly subtle use he made of point of view, sometimes indirect or reflected, sometimes multiple and “nested” like Chinese boxes.

Miss Caldwell shows the increasing sureness with which he individualized his characters, and how. in advance of his time, he developed action, not by realistic detail, but by the boldest use of allusion and symbol. Each novel is shown to be an artistic venture, and not in any sense a regurgitation from a sick soul as some critics have argued.

In searching out the unity of his novels. Miss Caldwell explores the other aspects of Machado’s intellectual life—as poet, journalist, playwright, conversationalist, and academician. Of particular interest is her attention to his shift away from the social criticism of his early novels into the labyrinth of individual psychology in the last five—all of which rank among world literature. But this perceptive account never loses sight of the one element present in every piece of Machado’s fiction, in every one of his personages; that is, superlative comedy, in its whole range: wit, irony, satire, parody, burlesque, humor.

Altogether, Miss Caldwell reveals to us a writer, in essence a poet, who is still the altus prosator of Brazilian letters.

Read the entire book here or here.

Daughters of the Trade: Atlantic Slavers and Interracial Marriage on the Gold Coast

University of Pennsylvania Press
January 2015
288 pages
6 x 9 | 17 illus.
Cloth ISBN: 978-0-8122-4673-5
Ebook ISBN: ISBN 978-0-8122-9058-5

Pernille Ipsen, Assistant Professor
Department of Gender and Women’s Studies, Department of History
University of Wisconsin, Madison

Examining five generations of marriages between African women and European men in a Gold Coast slave trading port, Daughters of the Trade uncovers the vital role interracial relationships played in the production of racial discourse and the increasing stratification of the early modern Atlantic world.

Severine Brock’s first language was Ga, yet it was not surprising when, in 1842, she married Edward Carstensen. He was the last governor of Christiansborg, the fort that, in the eighteenth century, had been the center of Danish slave trading in West Africa. She was the descendant of Ga-speaking women who had married Danish merchants and traders. Their marriage would have been familiar to Gold Coast traders going back nearly 150 years. In Daughters of the Trade, Pernille Ipsen follows five generations of marriages between African women and Danish men, revealing how interracial marriage created a Euro-African hybrid culture specifically adapted to the Atlantic slave trade.

Although interracial marriage was prohibited in European colonies throughout the Atlantic world, in Gold Coast slave-trading towns it became a recognized and respected custom. Cassare, or “keeping house,” gave European men the support of African women and their kin, which was essential for their survival and success, while African families made alliances with European traders and secured the legitimacy of their offspring by making the unions official.

For many years, Euro-African families lived in close proximity to the violence of the slave trade. Sheltered by their Danish names and connections, they grew wealthy and influential. But their powerful position on the Gold Coast did not extend to the broader Atlantic world, where the link between blackness and slavery grew stronger, and where Euro-African descent did not guarantee privilege. By the time Severine Brock married Edward Carstensen, their world had changed. Daughters of the Trade uncovers the vital role interracial marriage played in the coastal slave trade, the production of racial difference, and the increasing stratification of the early modern Atlantic world.

Table of Contents

• Maps
• Introduction. Severine’s Ancestors
• Chapter 1. Setting Up
• Chapter 2. A Hybrid Position
• Chapter 3. “What in Guinea You Promised Me”
• Chapter 4. “Danish Christian Mulatresses”
• Chapter 5. Familiar Circles
• Epilogue. Edward Carstensen’s Parenthesis
• Notes
• Note on Sources
• Bibliography
• Index
• Acknowledgments

A Tale of Two Plantations: Slave Life and Labor in Jamaica and Virginia

Harvard University Press
November 2014
522 pages
6-1/8 x 9-1/4 inches
9 line illustrations, 31 tables
Hardcover ISBN: 9780674735361

Richard S. Dunn, Roy F. and Jeannette P. Nichols Professor Emeritus of American History
University of Pennsylvania

Forty years ago, after publication of his pathbreaking book Sugar and Slaves, Richard Dunn began an intensive investigation of two thousand slaves living on two plantations, one in North America and one in the Caribbean. Digging deeply into the archives, he has reconstructed the individual lives and collective experiences of three generations of slaves on the Mesopotamia sugar estate in Jamaica and the Mount Airy plantation in tidewater Virginia, to understand the starkly different forms slavery could take. Dunn’s stunning achievement is a rich and compelling history of bondage in two very different Atlantic world settings.

From the mid-eighteenth century to emancipation in 1834, life in Mesopotamia was shaped and stunted by deadly work regimens, rampant disease, and dependence on the slave trade for new laborers. At Mount Airy, where the population continually expanded until emancipation in 1865, the “surplus” slaves were sold or moved to distant work sites, and families were routinely broken up. Over two hundred of these Virginia slaves were sent eight hundred miles to the Cotton South.

In the genealogies that Dunn has painstakingly assembled, we can trace a Mesopotamia fieldhand through every stage of her bondage, and contrast her harsh treatment with the fortunes of her rebellious mulatto son and clever quadroon granddaughter. We track a Mount Airy craftworker through a stormy life of interracial sex, escape, and family breakup. The details of individuals’ lives enable us to grasp the full experience of both slave communities as they labored and loved, and ultimately became free.

Visit the interactive website about the enslaved families here.

Of Many Colors: Portraits of Multiracial Families

University of Massachusetts Press
1997-11-21
160 pages
0.5 x 8 x 10.5 inches
ISBN (paper): 978-1-55849-101-4
ISBN (cloth): 978-1-55849-100-7 (out of print)

Gigi Kaeser, Co-director
Family Diversity Projects, Inc., Amherst, Massachusetts

Peggy Gillespie, Co-director
Family Diversity Projects, Inc., Amherst, Massachusetts

Photographs by Gigi Kaeser. Interviews by Peggy Gillespie.

Based on an award-winning photo exhibit, this book documents the feelings and experiences of Americans who live in multiracial families. Of Many Colors tells the stories of thirty-nine families who have bridged the racial divide through interracial marriage or adoption. In these pages, parents and children speak candidly about their lives, their relationships, and the ways in which they have dealt with issues of race.

Although the number of mixed-race families in America is steadily rising, this trend remains controversial. For centuries, America has depended on distinct racial categories for its social, political, and economic organization. The current debate over the inclusion of a “multiracial” category on census forms illustrates the extent to which the deeply embedded construct of race continues to divide our society.

Transracial adoption has also generated fierce controversy and debate. As in the case of racial categories, the discussion of transracial adoption reflects ever-changing social standards. As recently as 1987, thirty-five states had laws prohibiting the adoption of black children by white families. In 1996, however, President Clinton signed a bill making it illegal to prohibit adoptions based on race.

The interviews in this book provide the reader with a clear understanding of how mixed-race families contradict stereotypes, challenge racism, and demonstrate that people of different races can indeed live together in harmony. Family members also have much to say about the most intimate form of integration, familial love, and this love is made visible in the superb photographs by Gigi Kaeser.

Losing My Cool: Love, Literature, and a Black Man’s Escape from the Crowd

Penguin Books
April 2010
240 pages
Paperback ISBN: 9780143119623
ePub ISBN: 9781101404348

Thomas Chatterton Williams

Growing up, Thomas Chatterton Williams knew he loved three things in life: his parents, literature, and the intoxicating hip-hop culture that surrounded him. For years, he managed to juggle two disparate lifestyles, “keeping it real” in his friends’ eyes and studying for the SATs under his father’s strict tutelage-until it all threatened to spin out of control. Written with remarkable candor and emotional depth, Losing My Cool portrays the allure and danger of hip-hop culture with the authority of a true fan who’s lived through it all, while demonstrating the saving grace of literature and the power of the bond between father and son.