Mixed Race Studies

Race, Romance, and Rebellion: Literatures of the Americas in the Nineteenth Century

University of Virginia Press
October 2013
224 pages
6 x 9
Cloth ISBN: 9780813934884
Paper ISBN: 9780813934891
Ebook ISBN: 9780813934907

Colleen C. O’Brien, Associate Professor of English
University of South Carolina, Upstate

As in many literatures of the New World grappling with issues of slavery and freedom, stories of racial insurrection frequently coincided with stories of cross-racial romance in nineteenth-century U.S. print culture. Colleen O’Brien explores how authors such as Harriet Jacobs, Elizabeth Livermore, and Gertrudis Gómez de Avellaneda imagined the expansion of race and gender-based rights as a hemispheric affair, drawing together the United States with Africa, Cuba, and other parts of the Caribbean. Placing less familiar women writers in conversation with their more famous contemporaries—Ralph Waldo Emerson, Margaret Fuller, and Lydia Maria Child—O’Brien traces the transnational progress of freedom through the antebellum cultural fascination with cross-racial relationships and insurrections. Her book mines a variety of sources—fiction, political rhetoric, popular journalism, race science, and biblical treatises—to reveal a common concern: a future in which romance and rebellion engender radical social and political transformation.

China’s Second Continent: How a Million Migrants Are Building a New Empire in Africa

Knopf
2014-05-20
304 pages
Hardcover ISBN: 978-0307956989
9.3 x 6.5 x 1.4 inches

Howard W. French, Associate Professor of Journalism
Columbia University

An exciting, hugely revealing account of China’s burgeoning presence in Africa—a developing empire already shaping, and reshaping, the future of millions of people.

A prizewinning foreign correspondent and former New York Times bureau chief in Shanghai and in West and Central Africa, Howard French is uniquely positioned to tell the story of China in Africa. Through meticulous on-the-ground reporting—conducted in Mandarin, French, and Portuguese, among other languages—French crafts a layered investigation of astonishing depth and breadth as he engages not only with policy-shaping moguls and diplomats, but also with the ordinary men and women navigating the street-level realities of cooperation, prejudice, corruption, and opportunity forged by this seismic geopolitical development. With incisiveness and empathy, French reveals the human face of China’s economic, political, and human presence across the African continent—and in doing so reveals what is at stake for everyone involved.

We meet a broad spectrum of China’s dogged emigrant population, from those singlehandedly reshaping African infrastructure, commerce, and even environment (a self-made tycoon who harnessed Zambia’s now-booming copper trade; a timber entrepreneur determined to harvest the entirety of Liberia’s old-growth redwoods), to those just barely scraping by (a sibling pair running small businesses despite total illiteracy; a karaoke bar owner–cum–brothel madam), still convinced that Africa affords them better opportunities than their homeland. And we encounter an equally panoramic array of African responses: a citizens’ backlash in Senegal against a “Trojan horse” Chinese construction project (a tower complex to be built over a beloved soccer field, which locals thought would lead to overbearing Chinese pressure on their economy); a Zambian political candidate who, having protested China’s intrusiveness during the previous election and lost, now turns accommodating; the ascendant middle class of an industrial boomtown; African mine workers bitterly condemning their foreign employers, citing inadequate safety precautions and wages a fraction of their immigrant counterparts’.

French’s nuanced portraits reveal the paradigms forming around this new world order, from the all-too-familiar echoes of colonial ambition—exploitation of resources and labor; cut-rate infrastructure projects; dubious treaties—to new frontiers of cultural and economic exchange, where dichotomies of suspicion and trust, assimilation and isolation, idealism and disillusionment are in dynamic flux.

Part intrepid travelogue, part cultural census, part industrial and political exposé, French’s keenly observed account ultimately offers a fresh perspective on the most pressing unknowns of modern Sino-African relations: why China is making the incursions it is, just how extensive its cultural and economic inroads are, what Africa’s role in the equation is, and just what the ramifications for both parties—and the watching world—will be in the foreseeable future.

The Politics of Race in Panama: Afro-Hispanic and West Indian Literary Discourses of Contention

University Press of Florida
2014-04-15
200 pages
6 x 9
Cloth ISBN 13: 978-0-8130-4986-1

Sonja Stephenson Watson, Associate Professor of Spanish
University of Texas, Arlington

This volume tells the story of two cultural groups: Afro-Hispanics, whose ancestors came to Panama as African slaves, and West Indians from the English-speaking countries of Jamaica and Barbados who arrived during the mid-nineteenth and early-twentieth centuries to build the railroad and the Panama Canal.

While Afro-Hispanics assimilated after centuries of mestizaje (race mixing) and now identify with their Spanish heritage, West Indians hold to their British Caribbean roots and identify more closely with Africa and the Caribbean.

By examining the writing of black Panamanian authors, Sonja Watson highlights how race is defined, contested, and inscribed in Panama. She discusses the cultural, racial, and national tensions that prevent these two groups from forging a shared Afro-Panamanian identity, ultimately revealing why ethnically diverse Afro-descendant populations continue to struggle to create racial unity in nations across Latin America and the Caribbean.

Mexican Americans and the Question of Race

University of Texas Press
March 2014
184 pages
3 charts, 1 maps, 1 tables
6 x 9
Hardcover ISBN: 978-0-292-75401-0

Julie A. Dowling, Associate Professor of Latina/Latino Studies
University of Illinois, Urbana-Champaign

This groundbreaking and timely study explores how Mexican Americans and Mexican immigrants develop their racial ideologies and identifications and how they choose to present them to others.

With Mexican Americans constituting a large and growing segment of U.S. society, their assimilation trajectory has become a constant source of debate. Some believe Mexican Americans are following the path of European immigrants toward full assimilation into whiteness, while others argue that they remain racialized as nonwhite. Drawing on extensive interviews with Mexican Americans and Mexican immigrants in Texas, Dowling’s research challenges common assumptions about what informs racial labeling for this population. Her interviews demonstrate that for Mexican Americans, racial ideology is key to how they assert their identities as either in or outside the bounds of whiteness. Emphasizing the link between racial ideology and racial identification, Dowling offers an insightful narrative that highlights the complex and highly contingent nature of racial identity.

Contents

• Acknowledgments
• Chapter 1. The Question of Race
• Chapter 2. “I’m white ‘cause I’m an American, right?”: The Meanings of Whiteness for Mexican Americans
• Chapter 3. “We were never white”: Mexican Americans Identifying Outside the Bounds of Whiteness
• Chapter 4. “In Mexico I was . . .”: Translating Racial Identities Across the Border
• Chapter 5. “That’s what we call ourselves here”: Mexican Americans and Mexican Immigrants Negotiating Racial Labeling in Daily Life
• Chapter 6. Re-envisioning Our Understanding of Latino Racial Identity
• Appendix: Notes on Methodology
• Notes
• References
• Index

Read chapter 1 here.

Almost Free: A Story about Family and Race in Antebellum Virginia

University of Georgia Press
June 2012
192 pages
6 b&w photos, 1 map
Trim size: 5.5 x 8.5
Cloth ISBN: 978-0-8203-3229-1
Paper ISBN: 978-0-8203-3230-7
Ebook ISBN: 978-0-8203-4364-8

Eva Sheppard Wolf, Associate Professor of History
San Francisco State University

In Almost Free, Eva Sheppard Wolf uses the story of Samuel Johnson, a free black man from Virginia attempting to free his family, to add detail and depth to our understanding of the lives of free blacks in the South.

There were several paths to freedom for slaves, each of them difficult. After ten years of elaborate dealings and negotiations, Johnson earned manumission in August 1812. An illiterate “mulatto” who had worked at the tavern in Warrenton as a slave, Johnson as a freeman was an anomaly, since free blacks made up only 3 percent of Virginia’s population. Johnson stayed in Fauquier County and managed to buy his enslaved family, but the law of the time required that they leave Virginia if Johnson freed them. Johnson opted to stay. Because slaves’ marriages had no legal standing, Johnson was not legally married to his enslaved wife, and in the event of his death his family would be sold to new owners. Johnson’s story dramatically illustrates the many harsh realities and cruel ironies faced by blacks in a society hostile to their freedom.

Wolf argues that despite the many obstacles Johnson and others faced, race relations were more flexible during the early American republic than is commonly believed. It could actually be easier for a free black man to earn the favor of elite whites than it would be for blacks in general in the post-Reconstruction South. Wolf demonstrates the ways in which race was constructed by individuals in their day-to-day interactions, arguing that racial status was not simply a legal fact but a fluid and changeable condition. Almost Free looks beyond the majority experience, focusing on those at society’s edges to gain a deeper understanding of the meaning of freedom in the slaveholding South.

That the Blood Stay Pure: African Americans, Native Americans, and the Predicament of Race and Identity in Virginia

Indiana University Press
2013
328 pages
12 b&w illustrations
6 x 9
Cloth ISBN: 978-0-253-01043-8

Arica L. Coleman, Assistant Professor of Black American Studies
University of Delaware

A Choice Outstanding Academic Title for 2014

That the Blood Stay Pure traces the history and legacy of the commonwealth of Virginia’s effort to maintain racial purity and its impact on the relations between African Americans and Native Americans. Arica L. Coleman tells the story of Virginia’s racial purity campaign from the perspective of those who were disavowed or expelled from tribal communities due to their affiliation with people of African descent or because their physical attributes linked them to those of African ancestry. Coleman also explores the social consequences of the racial purity ethos for tribal communities that have refused to define Indian identity based on a denial of blackness. This rich interdisciplinary history, which includes contemporary case studies, addresses a neglected aspect of America’s long struggle with race and identity.

Table of Contents

• Acknowledgments
• Foreword
• Author’s Note
• Introduction
• Part 1: Historicizing Black—Indian Relations in Virginia
  • Prologue: Lingering at the Crossroads: African-Native American History and Kinship Lineage in Armstrong Archer’s A Compendium on Slavery
  • 1. Notes on the State of Virginia: Jeffersonian Thought and the Rise of Racial Purity Ideology in the Eighteenth Century
  • 2. Redefining Race and Identity: The Indian-Negro Confusion and the Changing State of Black-Indian Relations in the Nineteenth Century
  • 3. Race Purity and the Law: The Racial Integrity Act and Policing Black/Indian Identity in the Twentieth Century
  • 4. Denying Blackness: Anthropological Advocacy and the Remaking of the Virginia Indians (The Other Twentieth Century Project)
• Part 2: Black-Indian Relations in the Present State of Virginia
  • 5. Beyond Black and White: Afro-Indian Identity in the case of Loving V. Virginia
  • 6. The Racial Integrity Fight: Confrontations of Race and Identity In Charles City County, Virginia
  • 7. Nottoway Indians, Afro-Indian Identity, and the Contemporary Dilemma of State Recognition
• Epilogue: Afro-Indian Peoples of Virginia: The Indelible Thread of Black and Red
• Appendix: Racial Integrity Act Text
• Notes
• Selected Bibliography
• Index

Strangers in Blood: Fur Trade Company Families in Indian Country

University of Oklahoma Press
1996
292 pages
6 x 9 in.
Paperback ISBN: 9780806128139

Jennifer S.H. Brown, Professor of History
University of Winnipeg

For two centuries (1670-1870), English, Scottish, and Canadian fur traders voyaged the myriad waterways of Rupert’s Land, the vast territory charted to the Hudson’s Bay Company and later splintered among five Canadian provinces and four American states. The knowledge and support of northern Native peoples were critical to the newcomer’s survival and success. With acquaintance and alliance came intermarriage, and the unions of European traders and Native women generated thousands of descendants.

Jennifer Brown’s Strangers in Blood is the first work to look systematically at these parents and their children. Brown focuses on Hudson’s Bay Company officers and North West Company wintering partners and clerks-those whose relationships are best known from post journals, correspondence, accounts, and wills. The durability of such families varied greatly. Settlers, missionaries, European women, and sometimes the courts challenged fur trade marriages. Some officers’ Scottish and Canadian relatives dismissed Native wives and “Indian” progeny as illegitimate. Traders who took these ties seriously were obliged to defend them, to leave wills recognizing their wives and children, and to secure their legal and social status-to prove that they were kin, not “strangers in blood.”

Brown illustrates that the lives and identities of these children were shaped by factors far more complex than “blood.” Sons and daughters diverged along paths affected by gender. Some descendants became Métis and espoused Métis nationhood under Louis Riel. Others rejected or were never offered that course-they passed into white or Indian communities or, in some instances, identified themselves (without prejudice) as “half breeds.” The fur trade did not coalesce into a single society. Rather, like Rupert’s Land, it splintered, and the historical consequences have been with us ever since.

My Bondage and My Freedom

Yale University Press
2014 (originally published in 1855 by Miller, Orton & Mulligan)
432 pages
5 1/2 x 8 1/4
Paperback ISBN: 9780300190595

Frederick Douglass (1818–1895)

Introduction and Notes by David W. Blight

Born into slavery in 1818, Frederick Douglass escaped to freedom and became a passionate advocate for abolition and social change and the foremost spokesperson for the nation’s enslaved African American population in the years preceding the Civil War. My Bondage and My Freedom is Douglass’s masterful recounting of his remarkable life and a fiery condemnation of a political and social system that would reduce people to property and keep an entire race in chains.

This classic is revisited with a new introduction and annotations by celebrated Douglass scholar David W. Blight. Blight situates the book within the politics of the 1850s and illuminates how My Bondage represents Douglass as a mature, confident, powerful writer who crafted some of the most unforgettable metaphors of slavery and freedom—indeed of basic human universal aspirations for freedom—anywhere in the English language.

Things That Must Not Be Forgotten: A Childhood in Wartime China

Waveland Press, Inc.
2000
240 pages
Paperback ISBN 10: 1-57766-784-0; ISBN 13: 978-1-57766-784-1

Michael David Kwan

Winner of the Kiriyama Pacific Rim Book Prize

Things That Must Not Be Forgotten is a beautifully written collection of Michael David Kwan’s childhood experiences in China during the 1930s and 1940s. Born into privilege, David saw his pampered life disintegrate as the Japanese overran China. His father, the wealthy administrator for China’s railroads, took a position in the pro-Japanese government to work covertly for the Chinese resistance.

In Beijing, the Kwan household became a gathering place for resistance members. At their summer villa in Beidaihe, the family surreptitiously aided the guerillas in the nearby mountains. In Qingdao, the Kwans lived next door to a Japanese admiral and his wife. From a tree house overlooking their garden, young David enjoyed listening to the music they played, while his father worked secretly for the resistance. David’s other memories (for example, cricket hunting with his father’s tenant farmer, performing rituals as an altar boy, being tormented in school, gardening with the owner of an antique shop, and participating in Boy Scouts) provide fascinating insights into life in China during those turbulent times.

In August 1945, the United States dropped atomic bombs on Hiroshima and Nagasaki. Within days, Japan surrendered. Chiang Kai-shek’s regime replaced the Japanese puppet government in Nanking. Chiang declared that all who had links to the defunct government would be considered traitors until proven otherwise. David’s father was imprisoned. During the Japanese occupation, Chiang’s Kuomintang and Mao Zedong’s Communists had been united against the invaders, but once Japan was defeated, China moved toward chaos as the two factions vied for power. At age twelve, David was sent to live with relatives in Shanghai before being spirited out of the country, not knowing if he’d ever see his family again. Things That Must Not Be Forgotten will stay in readers’ hearts and minds long after they’ve turned the final, wrenching page.

Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject

Duke University Press
2010
344 pages
51 illustrations, incl. 18 in color
Cloth ISBN: 978-0-8223-4247-2
Paperback ISBN: 978-0-8223-4266-3

Kirsten Pai Buick, Associate Professor of Art History
University of New Mexico

Child of the Fire is the first book-length examination of the career of the nineteenth-century artist Mary Edmonia Lewis, best known for her sculptures inspired by historical and biblical themes. Throughout this richly illustrated study, Kirsten Pai Buick investigates how Lewis and her work were perceived, and their meanings manipulated, by others and the sculptor herself. She argues against the racialist art discourse that has long cast Lewis’s sculptures as reflections of her identity as an African American and Native American woman who lived most of her life abroad. Instead, by seeking to reveal Lewis’s intentions through analyses of her career and artwork, Buick illuminates Lewis’s fraught but active participation in the creation of a distinct “American” national art, one dominated by themes of indigeneity, sentimentality, gender, and race. In so doing, she shows that the sculptor variously complicated and facilitated the dominant ideologies of the vanishing American (the notion that Native Americans were a dying race), sentimentality, and true womanhood.

Buick considers the institutions and people that supported Lewis’s career—including Oberlin College, abolitionists in Boston, and American expatriates in Italy—and she explores how their agendas affected the way they perceived and described the artist. Analyzing four of Lewis’s most popular sculptures, each created between 1866 and 1876, Buick discusses interpretations of Hiawatha in terms of the cultural impact of Henry Wadsworth Longfellow’s epic poem The Song of Hiawatha; Forever Free and Hagar in the Wilderness in light of art historians’ assumptions that artworks created by African American artists necessarily reflect African American themes; and The Death of Cleopatra in relation to broader problems of reading art as a reflection of identity.

Table of Contents

• Illustrations
• Preface. Framing the Problem: American Africanisms, American Indianisms, and the Processes of Art History
• Acknowledgments
• 1. Inventing the Artist: Locating the Black and Catholic Subject
• 2. The “Problem” of Art History’s Black Subject
• 3. Longfellow, Lewis, and the Cultural Work of Hiawatha
• 4. Identity, Tautology, and The Death of Cleopatra
• Conclusion. Separate and Unequal: Toward a More Responsive and Responsible Art History
• Notes
• Bibliography
• Index