Mixed Race Studies

Romance and Rights: The Politics of Interracial Intimacy, 1945-1954

University Press of Mississippi
2005
224 pages
bibliography, index
Cloth ISBN: 9781578067053
Paper ISBN: 9781604732474

Alex Lubin, Associate Professor of American Studies
University of New Mexico

Romance and Rights: The Politics of Interracial Intimacy, 1945-1954 studies the meaning of interracial romance, love, and sex in the ten years after World War II. How was interracial romance treated in popular culture by civil rights leaders, African American soldiers, and white segregationists?

Previous studies focus on the period beginning in 1967 when the Supreme Court overturned the last state antimiscegenation law (Loving v. Virginia). Lubin’s study, however, suggests that we cannot fully understand contemporary debates about “hybridity,” or mixed-race identity, without first comprehending how WWII changed the terrain.

The book focuses on the years immediately after the war, when ideologies of race, gender, and sexuality were being reformulated and solidified in both the academy and the public. Lubin shows that interracial romance, particularly between blacks and whites, was a testing ground for both the general American public and the American government. The government wanted interracial relationships to be treated primarily as private affairs to keep attention off contradictions between its outward aura of cultural freedom and the realities of Jim Crow politics and antimiscegenation laws. Activists, however, wanted interracial intimacy treated as a public act, one that could be used symbolically to promote equal rights and expanded opportunities. These contradictory impulses helped shape our current perceptions about interracial romances and their broader significance in American culture.

Romance and Rights ends in 1954, the year of the Brown v. Board of Education decision, before the civil rights movement became well organized. By closely examining postwar popular culture, African American literature, NAACP manuscripts, miscegenation laws, and segregationist protest letters, among other resources, the author analyzes postwar attitudes towards interracial romance, showing how complex and often contradictory those attitudes could be.

Native American DNA: Tribal Belonging and the False Promise of Genetic Science

University of Minnesota Press
September 2013
256 pages
5 1/2 x 8 1/2
Paper ISBN: 978-0-8166-6586-0
Cloth ISBN: 978-0-8166-6585-3

Kim TallBear, Associate Professor of Anthropology
University of Texas, Austin

Who is a Native American? And who gets to decide? From genealogists searching online for their ancestors to fortune hunters hoping for a slice of casino profits from wealthy tribes, the answers to these seemingly straightforward questions have profound ramifications. The rise of DNA testing has further complicated the issues and raised the stakes.

In Native American DNA, Kim TallBear shows how DNA testing is a powerful—and problematic—scientific process that is useful in determining close biological relatives. But tribal membership is a legal category that has developed in dependence on certain social understandings and historical contexts, a set of concepts that entangles genetic information in a web of family relations, reservation histories, tribal rules, and government regulations. At a larger level, TallBear asserts, the “markers” that are identified and applied to specific groups such as Native American tribes bear the imprints of the cultural, racial, ethnic, national, and even tribal misinterpretations of the humans who study them.

TallBear notes that ideas about racial science, which informed white definitions of tribes in the nineteenth century, are unfortunately being revived in twenty-first-century laboratories. Because today’s science seems so compelling, increasing numbers of Native Americans have begun to believe their own metaphors: “in our blood” is giving way to “in our DNA.” This rhetorical drift, she argues, has significant consequences, and ultimately she shows how Native American claims to land, resources, and sovereignty that have taken generations to ratify may be seriously—and permanently—undermined.

Table of Contents

• Contents
• Acknowledgments
• Introduction: An Indigenous, Feminist Approach to DNA Politics
• 1. Racial Science, Blood, and DNA
• 2. The DNA Dot-com: Selling Ancestry
• 3. Genetic Genealogy Online
• 4. The Genographic Project: The Business of Research and Representation
• Conclusion: Indigenous and Genetic Governance and Knowledge
• Notes
• Index

Miss Anne in Harlem: The White Women of the Black Renaissance

HarperCollins Publishers
2013-09-10
544 pages
Trimsize: 6 x 9
Hardcover ISBN: 9780060882389; ISBN10: 0060882387
eBook ISBN: 9780062199126; ISBN10: 0062199129

Carla Kaplan, Stanton W. and Elisabeth K. Davis Distinguished Professor of American Literature
Northeastern University, Boston, Massachusetts

New York City in the Jazz Age was host to a pulsating artistic and social revolution. Uptown, an unprecedented explosion in black music, literature, dance, and art sparked the Harlem Renaissance. While the history of this African-American awakening has been widely explored, one chapter remains untold: the story of a group of women collectively dubbed “Miss Anne.”

Sexualized and sensationalized in the mainstream press—portrayed as monstrous or insane—Miss Anne was sometimes derided within her chosen community of Harlem as well. While it was socially acceptable for white men to head uptown for “exotic” dancers and “hot” jazz, white women who were enthralled by life on West 125th Street took chances. Miss Anne in Harlem introduces these women—many from New York’s wealthiest social echelons—who became patrons of, and romantic participants in, the Harlem Renaissance. They include Barnard College founder Annie Nathan Meyer, Texas heiress Josephine Cogdell Schuyler, British activist Nancy Cunard, philanthropist Charlotte Osgood Mason, educator Lillian E. Wood, and novelist Fannie Hurst—all women of accomplishment and renown in their day. Yet their contributions as hostesses, editors, activists, patrons, writers, friends, and lovers often went unacknowledged and have been lost to history until now.

In a vibrant blend of social history and biography, award-winning writer Carla Kaplan offers a joint portrait of six iconoclastic women who risked ostracism to follow their inclinations—and raised hot-button issues of race, gender, class, and sexuality in the bargain. Returning Miss Anne to her rightful place in the interracial history of the Harlem Renaissance, Kaplan’s formidable work remaps the landscape of the 1920s, alters our perception of this historical moment, and brings Miss Anne to vivid life.

Rising Road: A True Tale of Love, Race, and Religion in America

Oxford University Press
2010-02-16
352 Pages
15 b/w photos
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780195379792
Paperback ISBN: 9780199794454

Sharon Davies, Professor of Law; Gregory H. Williams Chair in Civil Rights and Civil Liberties; Director of the Kirwan Institute for the Study of Race and Ethnicity
Ohio State University, Moritz College of Law

It was among the most notorious criminal cases of its day. On August 11, 1921, in Birmingham, Alabama, a Methodist minister named Edwin Stephenson shot and killed a Catholic priest, James Coyle, in broad daylight and in front of numerous witnesses. The killer’s motive? The priest had married Stephenson’s eighteen-year-old daughter Ruth to Pedro Gussman, a Puerto Rican migrant and practicing Catholic.

Sharon Davies’s Rising Road resurrects the murder of Father Coyle and the trial of his killer. As Davies reveals with novelistic richness, Stephenson’s crime laid bare the most potent bigotries of the age: a hatred not only of blacks, but of Catholics and “foreigners” as well. In one of the case’s most unexpected turns, the minister hired future U.S. Supreme Court Justice Hugo Black to lead his defense. Though regarded later in life as a civil rights champion, in 1921 Black was just months away from donning the robes of the Ku Klux Klan, the secret order that financed Stephenson’s defense. Entering a plea of temporary insanity, Black defended the minister on claims that the Catholics had robbed Ruth away from her true Protestant faith, and that her Puerto Rican husband was actually black.

Placing the story in social and historical context, Davies brings this heinous crime and its aftermath back to life, in a brilliant and engrossing examination of the wages of prejudice and a trial that shook the nation at the height of Jim Crow.

Table of Contents

• Introduction
• 1. The Best Laid Plans
• 2. A Parish to Run
• 3. Until Death Do Us Part
• 4. A City Reacts
• 5. A Killer Speaks
• 6. The Building of a Defense
• 7. The Engines of Justice Turn
• 8. Black Robes, White Robes
• 9. Trials and Tribulations
• 10. A Jury’s Verdict
• Epilogue

The Construction of Racial Identity in Children of Mixed Parentage: Mixed Metaphors

Jessica Kingsley Publishers
1996
224 pages
234mm x 156mm / 9.25in x 6in
Paperback ISBN: 978-1-85302-376-7

Ilan Katz, Professor
Social Policy Research Center
University of New South Wales, Australia

For several decades the issues of race, identity and child development have been of major concern to policy makers and practitioners in social services. This book is a major contribution to this literature, and offers a radically new way of looking at some of these issues. Based on intensive research on interracial families with young children, the book reviews the previous literature relating to racial identity development, especially relating to biracial children, and shows it to be based on flawed assumptions.

Using intensive observations and in-depth interviews with parents of biracial children the author shows the many ways in which inter-racial families deal with issues of identity and difference. He concludes with a discussion of alternative conceptions of identity, race and development which will provide both practitioners and policy makers with new ways to think about these issues.

Contents

• Chapter 1: Introduction
• Chapter 2: The Interracial Debate
• Chapter 3: Racial Attitudes and Marginality
• Chapter 4: Theories of Identity Development
• Chapter 5: Methodology
• Chapter 6: The A Family
• Chapter 7: The B Family
• Chapter 8: The First Set of Interviews
• Chapter 9: Second Set of Interviews
• Chapter 10: Conclusions
• Chapter 11: Revisiting the Theory
• Appendix One: Mother’s Interviews
• Appendix Two: Interview Transcript

Making a Non-White America: Californians Coloring outside Ethnic Lines, 1925-1955

University of California Press
April 2008
318 pages
Paperback ISBN: 9780520253452
E-Book ISBN: 9780520941274

Allison Varzally, Associate Professor of History
California State University, Fullerton

On the cover: Future R&B singer Sugar Pie DeSanto in San Francisco’s Fillmore District (circa 1940s)

Winner of the 2009 Theodore Saloutos Memorial Award, Immigration and Ethnic History Society

What happens in a society so diverse that no ethnic group can call itself the majority? Exploring a question that has profound relevance for the nation as a whole, this study looks closely at eclectic neighborhoods in California where multiple minorities constituted the majority during formative years of the twentieth century. In a lively account, woven throughout with vivid voices and experiences drawn from interviews, ethnic newspapers, and memoirs, Allison Varzally examines everyday interactions among the Asian, Mexican, African, Native, and Jewish Americans, and others who lived side by side. What she finds is that in shared city spaces across California, these diverse groups mixed and mingled as students, lovers, worshippers, workers, and family members and, along the way, expanded and reconfigured ethnic and racial categories in new directions.

Contents

• Illustrations
• Acknowledgments
• Introduction
• 1. California Crossroads
• 2. Young Travelers
• 3. Guess Who’s Joining Us for Dinner?
• 4. Banding Together in Crisis
• 5. Minority Brothers in Arms
• 6. Panethnic Politics Arising from the Everyday
• Conclusion
• Notes
• Bibliography
• Index

The Essential Barack Obama

Random House
2008-03-10
Abridged Compact Disc
ISBN: 978-0-7393-7594-5

Barack Obama, President of the United States

A CD collection featuring the best-selling audiobooks, The Audacity of Hope and Dreams from My Father from Grammy^® award-winning author, Barack Obama.

The Audacity of Hope

In July 2004, Barack Obama electrified the Democratic National Convention with an address that spoke to Americans across the political spectrum. One phrase in particular anchored itself in listeners’ minds, a reminder that for all the discord and struggle to be found in our history as a nation, we have always been guided by a dogged optimism in the future, or what Senator Obama called “the audacity of hope.”

Now, in The Audacity of Hope, Senator Obama calls for a different brand of politics–a politics for those weary of bitter partisanship and alienated by the “endless clash of armies” we see in congress and on the campaign trail; a politics rooted in the faith, inclusiveness, and nobility of spirit at the heart of “our improbable experiment in democracy.” He explores those forces–from the fear of losing to the perpetual need to raise money to the power of the media–that can stifle even the best-intentioned politician. He also writes, with surprising intimacy and self-deprecating humor, about settling in as a senator, seeking to balance the demands of public service and family life, and his own deepening religious commitment.

At the heart of this book is Senator Obama’s vision of how we can move beyond our divisions to tackle concrete problems. He examines the growing economic insecurity of American families, the racial and religious tensions within the body politic, and the transnational threats–from terrorism to pandemic–that gather beyond our shores. And he grapples with the role that faith plays in a democracy–where it is vital and where it must never intrude. Underlying his stories about family, friends, members of the Senate, even the president, is a vigorous search for connection: the foundation for a radically hopeful political consensus.

A senator and a lawyer, a professor and a father, a Christian and a skeptic, and above all a student of history and human nature, Senator Obama has written a book of transforming power. Only by returning to the principles that gave birth to our Constitution, he says, can Americans repair a political process that is broken, and restore to working order a government that has fallen dangerously out of touch with millions of ordinary Americans. Those Americans are out there, he writes–“waiting for Republicans and Democrats to catch up with them.”

Dreams from My Father

In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance.

Mexico, From Mestizo to Multicultural

Vanderbilt University Press
2007-06-29
254 pages
7in x 10in
60 Illustrations
Paperback ISBN: 9780826515391
Hardback ISBN: 9780826515384

Carrie C. Chorba, Associate Professor of Spanish
Claremont McKenna College, Claremont, California

In Mexico, the confluence of the 1992 Quincentennial commemoration of Columbus’s voyages and the neo-liberal sexenio, or presidency, of Carlos Salinas de Gortari spurred artistic creations that capture the decade like no other source does. In the 1990s, Mexican artists produced an inordinate number of works that revise and rewrite the events of the sixteenth-century conquest and colonization. These works and their relationship to, indeed their mirroring of, the intellectual and cultural atmosphere in Mexico during the Salinas presidency are of paramount importance if we are to understand the subtle but deep shifts within Mexico’s national identity that took place at the end of the last century.

Throughout the twentieth century, the post-revolutionary Mexican State had used mestizaje as a symbol of national unity and social integration. By the end of the millennium, however, Mexico had gone from a PRI-dominated, economically protectionist nation to a more democratic, economically globalizing one. More importantly, the homogenizing, mestizophile national identity that pervaded Mexico throughout the past century had given way to official admission of Mexico’s ethnic and linguistic diversity–or ‘pluriculture’ according to President Salinas’s 1992 constitutional revision.

This book is the first interdisciplinary study of literary, cinematic, and graphic images of Mexican national identity in the 1980s and ’90s. Discussing, in depth, writings, films, and cartoons from a vast array of contemporary sources, Carrie C. Chorba creates a social history of this important shift.

Las Tejanas: 300 Years of History

University of Texas Press
2003
456 pages
6 1/8 x 9 1/4
142 illustrations, 3 tables
Paperback ISBN: 978-0-292-70527

Teresa Palomo Acosta

Ruthe Winegarten (1929-2004)

Awards

• 2004 T.R. Fehrenbach Award; Texas Historical Commission
• Texas Reference Source Award; Reference Round Table, Texas Library Association

This groundbreaking book is at once a general history and a celebration of Tejanas’ contributions to Texas over three centuries

Since the early 1700s, women of Spanish/Mexican origin or descent have played a central, if often unacknowledged, role in Texas history. Tejanas have been community builders, political and religious leaders, founders of organizations, committed trade unionists, innovative educators, astute businesswomen, experienced professionals, and highly original artists. Giving their achievements the recognition they have long deserved, this groundbreaking book is at once a general history and a celebration of Tejanas’ contributions to Texas over three centuries.

The authors have gathered and distilled a wide range of information to create this important resource. They offer one of the first detailed accounts of Tejanas’ lives in the colonial period and from the Republic of Texas up to 1900. Drawing on the fuller documentation that exists for the twentieth century, they also examine many aspects of the modern Tejana experience, including Tejanas’ contributions to education, business and the professions, faith and community, politics, and the arts. A large selection of photographs, a historical timeline, and profiles of fifty notable Tejanas complete the volume and assure its usefulness for a broad general audience, as well as for educators and historians.

Contents

• Foreword by Cynthia E. Orozco
• Acknowledgments
• Introduction
• Chapter 1: Native Women, Mestizas, and Colonists
• Chapter 2: The Status of Women in the Colonial Period
• Chapter 3: From the Republic of Texas to 1900
• Chapter 4: Revolution, Racism, and Resistance: 1900-1940
• Chapter 5: Life in Rural Texas: 1900-1940
• Chapter 6: Life in Urban Texas: 1900-1940
• Chapter 7: Education: Learning, Teaching, Leading
• Chapter 8: Entering Business and the Professions
• Chapter 9: Faith and Community
• Chapter 10: Politics, the Chicano Movement, and Tejana Feminism
• Chapter 11: Winning and Holding Public Office
• Chapter 12: Arts and Culture Epilogue: Grinding Corn Fifty Notable Tejanas
• Time Line
• Notes
• Bibliography
• Index

The Chican@ Hip Hop Nation: Politics of a New Millennial Mestizaje

Michigan State University Press
2013-11-01
310 pages
6 in x 9 in
Paperback ISBN: 9781611860863
eBook ISBN: 9781609173753

Pancho McFarland, Associate Professor of Sociology
Chicago State University

The population of Mexican-origin peoples in the United States is a diverse one, as reflected by age, class, gender, sexuality, and religion. Far from antiquated concepts of mestizaje, recent scholarship has shown that Mexican@/Chican@ culture is a mixture of indigenous, African, and Spanish and other European peoples and cultures. No one reflects this rich blend of cultures better than Chican@ rappers, whose lyrics and iconography can help to deepen our understanding of what it means to be Chican@ or Mexican@ today. While some identify as Mexican mestizos, others identify as indigenous people or base their identities on their class and racial/ethnic makeup. No less significant is the intimate level of contact between Chican@s and black Americans. Via a firm theoretical foundation and a collection of vibrant essays, Pancho McFarland explores the language and ethos of Chican@/Mexican@ hip hop and sheds new light on three distinct identities reflected in the music: indigenous/Mexica, Mexican nationalist/immigrant, and street hopper. With particular attention to the intersection of black and Chicano cultures, the author places exciting recent developments in music forms within the context of progressive social change, social justice, identity, and a new transnational, polycultural America.

Table of Contents

• Foreword by Ruben O. Martinez
• PREFACE
• ACKNOWLEDGMENTS
• PART 1. SETTING THE THEORETICAL CONTEXT
  • Chapter 1. Quién es más macho? Quién es más Mexicano?: Chican@ and Mexicans Identities in Rap
  • Chapter 2. Barrio Logos: Tlie Sacred and Profane Word of Chicano Emcees
• PART 2. IDENTITIES OLD AND NEW
  • Chapter 3. Sonido Indígena: Mexica Hip-Hop and Masculine Identity
  • Chapter 4. Paísas, Compas, Inmigrantes: Mexicanidad in Hip-Hop
  • Chapter 5. Barrio Locos: Street Hop and Amerikan Identity
• PART 3. MEXICANIDAD, AFRICANIDAD
  • Chapter 6. Multiracial Macho: Kemo the Blaxican’s Hip-Hop Masculinity
  • Chapter 7. The Rap on Chicano/Mexicano and Black Masculinity: Gender and Cross-Cultural Exchange
  • Chapter 8. “Soy la Kalle”: Radio, Reggaetón, and Latin@ Identity
• PART 4. HIP-HOP AND JUSTICE
  • Chapter 9. Teaching Hip-Hop: A Pedagogy for Social Justice
  • Afterword. Hip-Hop and Freedom-Dreaming in the Mexican Diaspora
• Appendix. Music Sources
• NOTES
• REFERENCES
• INDEX