Mixed Race Studies

Kiss & Tell: A Romantic Résumé, Ages 0 to 22

HarperCollins
2011-03-15
336 pages
Trimsize: 6 3/4 x 9 1/4
Paperback ISBN: 9780062009234; ISBN10: 0062009230
eBook ISBN: 9780062078650; ISBN10: 0062078658

MariNaomi

From her father and mother’s interracial marriage to her own “you show me yours, I’ll show you mine” moments on the playground—from drug experimentation to sexual/identity questions—MariNaomi lays her inner life bare. Kiss & Tell is her funny and frank memoir in graphic form: a fresh and offbeat coming-of-age story unfolding against the colorful backdrop of San Francisco in the ’80s and ’90s. Through deft storytelling and charming illustration, MariNaomi carries us through first love and worst love, through heartbreak and bedroom experimentation, as she grows from misfit teen to young woman.

The Mestizo Mind: The Intellectual Dynamics of Colonization and Globalization

Routledge
2002-09-06
272 pages
Paperback ISBN: 978-0-415-92879-3
Hardback ISBN: 978-0-415-92878-6

Serge Gruzinski, Research Director
National Scientific Research Center (CNRS, Paris)

Mestizo: a person of mixed blood; specifically, a person of mixed European and American Indian ancestry.

Serge Gruzinski, the renowned historian of Latin America, offers a brilliant, original critique of colonization and globalization in The Mestizo Mind. Looking at the fifteenth-century colonization of Latin America, Gruzinski documents the mélange that resulted: colonized mating with colonizers; Indians joining the Catholic Church and colonial government; and Amerindian visualizations of Jesus and Perseus. These physical and cultural encounters created a new culture, a new individual, and a phenomenon we now call globalization. Revealing globalization’s early origins, Gruzinski then fast forwards to the contemporary mélange seen in the films of Peter Greenaway and Wong Kar-Wai to argue that over 500 years of intermingling has produced the mestizo mind, a state of mixed thinking that we all possess.

A masterful alchemy of history, anthropology, philosophy and visual analysis, The Mestizo Mind definitively conceptualizes the clash of civilizations in the style of Homi Bhabha, Gayatri Spivak and Anne McClintock.

The Mestizo State: Reading Race in Modern Mexico

University of Minnesota Press
June 2012
248 pages
5 1/2 x 8 1/2
Paper ISBN: 978-0-8166-5637-0
Cloth ISBN: 978-0-8166-5636-3

Joshua Lund, Associate Professor of Spanish
University of Pittsburgh

The Mestizo State examines how the ideas, images, and public discourse around race, nation, and citizen formation have been transformed in Mexico from the mid-nineteenth century to the present. Starting with the Porfiriato, Joshua Lund investigates the rise of a racialized “mestizo state,” its reinvention after the Mexican Revolution, and its mobilization as a critical lever that would act both on behalf of and against mainstream Mexican political culture during the long hegemony of the Partido Revolucionario Institucional.

Lund takes race as his object of critical reflection in the context of modern Mexico. An analysis that does not confuse race with mestizaje, indigeneity, African identity, or whiteness, the book sheds light on the history of the materialism of race as it unfolds within the cultural production of modern Mexico, grounded on close readings of four writers whose work explicitly challenged the politics of race in Mexico: Luis Alva, Ignacio Manuel Altamirano, Rosario Castellanos, and Elena Garro.

In seeking to address race as a cultural-political problematic, Lund considers race as integral to the production of the materiality of Mexican national history: constitutive of the nation form, a mediator of capitalist accumulation, and a central actor in the rise of modernity.

Contents

• Introduction: The Mestizo State
• 1. Colonization and Indianization in Liberal Mexico: The Case of Luis Alva
• 2. Altamirano’s Burden
• 3. Misplaced Revolution: Rosario Castellanos and the Race War
• 4. Elena Garro and the Failure of Alliance
• Acknowledgments
• Notes
• Bibliography
• Index

Pig Candy: Taking My Father South, Taking My Father Home—A Memoir

Free Press (an imprint of Simon & Schuster)
2008
320 pages
Hardback ISBN: 9781416547662
Paperback ISBN: 9781416547679

Lise Funderburg

Pig Candy is the poignant and often comical story of a grown daughter getting to know her dying father in his last months. During a series of visits with her father to the South he’d escaped as a young black man, Lise Funderburg, the mixed-race author of the acclaimed Black, White, Other, comes to understand his rich and difficult background and the conflicting choices he has had to make throughout his life.

Lise Funderburg is a child of the ’60s, a white-looking mixed-race girl raised in an integrated Philadelphia neighborhood. As a child, she couldn’t imagine what had made her father so strict, demanding, and elusive; about his past she knew only that he had grown up in the Jim Crow South and fled its brutal oppression as a young man. Then, just as she hits her forties, her father is diagnosed with advanced and terminal cancer—an event that leads father and daughter together on a stream of pilgrimages to his hometown in rural Jasper County, Georgia. As her father’s escort, proxy, and, finally, nurse, Funderburg encounters for the first time the fragrant landscape and fraught society—and the extraordinary food—of his childhood.

In succulent, evocative, and sometimes tart prose, the author brings to life a fading rural South of pecan groves, family-run farms, and pork-laden country cuisine. She chronicles small-town relationships that span generations, the dismantling of her own assumptions about when race does and doesn’t matter, and the quiet segregation that persists to this day. As Funderburg discovers the place and people her father comes from, she also, finally, gets to know her magnetic, idiosyncratic father himself. Her account of their thorny but increasingly close relationship is full of warmth, humor, and disarming candor. In one of his last grand acts, Funderburg’s father recruits his children, neighbors, and friends to throw a pig roast—an unforgettable meal that caps an unforgettable portrait of a man enjoying his life and loved ones right up through his final days.

Pig Candy takes readers on a stunning journey that becomes a universal investigation of identity and a celebration of the human will, familial love, and, ultimately, life itself.

Yellow: Race in America Beyond Black and White

Basic Books
2002
416 pages
5.3 x 1.1 x 8 inches
Paperback ISBN: 9780465006403; ISBN-10: 046500640X

Frank H. Wu, Chancellor & Dean
University of California, Hastings College of Law

Writing in the tradition of W. E. B. Du Bois, Cornel West, and others who confronted the “color line” of the twentieth century, journalist, scholar, and activist Frank H. Wu offers a unique perspective on how changing ideas of racial identity will affect race relations in the twenty-first century. Wu examines affirmative action, globalization, immigration, and other controversial contemporary issues through the lens of the Asian-American experience. Mixing personal anecdotes, legal cases, and journalistic reporting, Wu confronts damaging Asian-American stereotypes such as “the model minority” and “the perpetual foreigner.” By offering new ways of thinking about race in American society, Wu’s work dares us to make good on our great democratic experiment.

Table of Contents

• 1. East Is East, East Is West: Asians as Americans
• 2. The Model Minority: Asian American “Success” as a Race Relations Failure
• 3. The Perpetual Foreigner: Yellow Peril in the Pacific Century
• 4. Neither Black Nor White: Affirmative Action and Asian Americans
• 5. True But Wrong: New Arguments Against New Discrimination
• 6. The Best “Chink” Food: Dog-Eating and the Dilemma of Diversity
• 7. The Changing Face of America: Intermarriage and the Mixed Race Movement
• 8. The Power of Coalitions: Why I Teach at Howard
• Epilogue: Deep Springs
• References
• Notes
• Acknowledgments
• Index
• About the Author

Mary Seacole: The Black Woman Who Invented Modern Nursing

Basic Books
2004-11-19
288 pages
5.5 x 1 x 8.3 inches
Hardcover ISBN: 9780786714148; ISBN-10: 078671414X

Jane Robinson

She was a black woman, and she flouted convention. In an age that put ladies in the parlor and preferred them to be seen and not heard, she was nursing the British wounded, not in hospital wards with Florence Nightingale but on the Crimean battlefields—and off them, she was running a restaurant and hotel. She purveyed homemade pickles in England; she mined for gold in Panama. For unabashed individuality, Mary Jane Grant Seacole knew no peer. Yet Punch, the Times, the Illustrated London News all ardently touted her, and Queen Victoria herself entertained her. Mary Seacole—childless widow of Horatio Nelson’s godson and “good ole Mother Seacole” to the soldiers at Sebastopol—was Britain’s first black heroine, and this robust, engaging biography by social historian Jane Robinson shows why. In a narrative driven by colorful adventure, Robinson charts Seacole’s amazing odyssey from her native Kingston, Jamaica, to her adopted London, via Panama, where she lent her doctoring and nursing skills to catastrophic outbreaks of cholera and yellow fever, and the Crimea, where she founded the famous British Hotel. Seacole makes numerous other eventful stops along the way, and everywhere, even in the face of disappointment, disaster, and loss, her indomitable spirit prevails.

Making Race and Nation: A Comparison of South Africa, the United States, and Brazil

Cambridge University Press
December 1997
412 pages
228 x 152 mm
Paperback ISBN: 9780521585903
Hardback ISBN: 9780521584555

Anthony W. Marx, President and CEO
New York Public Library

In this bold, original and persuasive book, Anthony W. Marx provocatively links the construction of nations to the construction of racial identity. Using a comparative historical approach, Marx analyzes the connection between race as a cultural and political category rooted in the history of slavery and colonialism, and the development of three nation states. He shows how each country’s differing efforts to establish national unity and other institutional impediments have served, through the nation-building process and into their present systems of state power, to shape and often crystallize categories and divisions of race. Focusing on South Africa, Brazil and the United States, Marx illustrates and elucidates the historical dynamics and institutional relationships by which the construction of race and the development of these nations have informed one another. Deftly combining comparative history, political science and sociological interpretation, sharpened by over three-hundred interviews with key informants from each country, he follows this dialogue into the present to discuss recent political mobilization, popular protest and the current salience of race issues.

Features

• A comprehensive historical comparative study of the major issues of race and nation
• Combines political, social and economic analysis to break barriers between country studies and issues of race, nation, state and social movement
• Draws upon archival material, literature, and more than 300 interviews

Table of Contents

• Preface
• Acknowledgements
• 1. Introduction
• Part I. Historical and Cultural Legacies:
  • 2. Trajectories from colonialism
  • 3. Lessons from slavery
  • 4. The uncertain legacy of miscegenation
    • Implications
• Part II. Racial Domination and the Nation-State:
  • 5. ‘Wee for thee, South Africa’: the racial state
  • 6. ‘To bind up the nation’s wounds’: the United States after the Civil War
  • 7. ‘Order and progress’: inclusive nation-state building in Brazil
  • Comparative racial domination: an overview
• Part III. Race Making from Below:
  • 8. ‘We are a rock’: Black racial identity, mobilization and the new South Africa
  • 9. Burying Jim Crow: Black racial identity, mobilization and reform in the United States
  • 10. Breaching Brazil’s pact of silence
• 11. Conclusion
• Notes
• Bibliography
• Index

Family Money: Property, Race, and Literature in the Nineteenth Century

Oxford University Press
November 2012
224 Pages
6-1/8 x 9-1/4 inches
Hardcover ISBN: 9780199897704

Jeffory A. Clymer, Professor of English
University of Kentucky

• Sophisticated interdisciplinary treatment of literature’s interaction with the law
• Dramatically revises scholarship on racial identity by emphasizing race’s connection to family and property rights
• Demonstrates that race was entwined with economics well beyond direct issue of slavery in the nineteenth century
• Nuanced, flexible, non-doctrinaire interpretations of both well-known and less familiar literary works

Family Money explores the histories of formerly enslaved women who tried to claim inheritances left to them by deceased owners, the household traumas of mixed-race slaves, post-Emancipation calls for reparations, and the economic fallout from anti-miscegenation marriage laws. Authors ranging from Nathaniel Hawthorne, Frank Webb, Harriet Beecher Stowe, Charles Chesnutt, to Lydia Maria Child recognized that intimate interracial relationships took myriad forms, often simultaneously-sexual, marital, coercive, familial, pleasurable, and painful. Their fiction confirms that the consequences of these relationships for nineteenth-century Americans meant thinking about more than the legal structure of racial identity. Who could count as family (and when), who could own property (and when), and how racial difference was imagined (and why) were emphatically bound together. Demonstrating that notions of race were entwined with economics well beyond the direct issue of slavery, Family Money reveals interracial sexuality to be a volatile mixture of emotion, economics, and law that had dramatic, long-term financial consequences.

Table of Contents

• Acknowledgments
• Introduction
• 1. “This Most Illegal Family”: Sex, Slavery, and the Politics of Inheritance
• 2. Blood, Truth, and Consequences: Partus Sequitur Ventrem and the Problem of Legal Title
• 3. Plantation Heiress Fiction, Slavery, and the Properties of White Marriage
• 4. Reparations for Slavery and Lydia Maria Child’s Reconstruction of the Family
• 5. The Properties of Marriage in Chesnutt and Hopkins
• Coda “Race Feeling”
• Notes
• Index

Seeing Beauty, Sensing Race in Transnational Indonesia

University of Hawai‘i Press
March 2013
192 pages
Cloth ISBN: 978-0-8248-3664-1
Paper ISBN: 978-0-8248-3736-5

L. Ayu Saraswati, Assistant Professor of Women’s Studies
University of Hawai‘i

In Indonesia, light skin color has been desirable throughout recorded history. Seeing Beauty, Sensing Race explores Indonesia’s changing beauty ideals and traces them to a number of influences: first to ninth-century India and some of the oldest surviving Indonesian literary works; then, a thousand years later, to the impact of Dutch colonialism and the wartime occupation of Japan; and finally, in the post-colonial period, to the popularity of American culture. The book shows how the transnational circulation of people, images, and ideas have shaped and shifted discourses and hierarchies of race, gender, skin color, and beauty in Indonesia. The author employs “affect” theories and feminist cultural studies as a lens through which to analyze a vast range of materials, including the Old Javanese epic poem Ramayana, archival materials, magazine advertisements, commercial products, and numerous interviews with Indonesian women.

The book offers a rich repertoire of analytical and theoretical tools that allow readers to rethink issues of race and gender in a global context and understand how feelings and emotions—Western constructs as well as Indian, Javanese, and Indonesian notions such as rasa and malu—contribute to and are constitutive of transnational and gendered processes of racialization. Saraswati argues that it is how emotions come to be attached to certain objects and how they circulate that shape the “emotionscape” of white beauty in Indonesia. Her ground-breaking work is a nuanced theoretical exploration of the ways in which representations of beauty and the emotions they embody travel geographically and help shape attitudes and beliefs toward race and gender in a transnational world.

Black in Latin America

New York University Press
July 2011
270 pages
50 illustrations
Hardback ISBN: 9780814732984
Paperback ISBN: 9780814738184
eBook ISBN:

Henry Louis Gates Jr., Alphonse Fletcher University Professor of History
Harvard University

12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences.

Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.

In Brazil, he delves behind the façade of Carnaval to discover how this ‘rainbow nation’ is waking up to its legacy as the world’s largest slave economy.

In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro’s Communist revolution in 1959.

In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves’s hard fought liberation over Napoleon Bonaparte’s French Empire became a double-edged sword.

In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people—far greater than the number brought to the United States—brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru.

Professor Gates’ journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. “Black in Latin America” is the third installment of Gates’s documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.

Table of Contents

• Acknowledgments
• Introduction
• 1. Brazil: “May Exú Give Me the Power of Speech”
• 2. Mexico: “The Black Grandma in the Closet”
• 3. Peru: “The Blood of the Incas, the Blood of the Mandingas”
• 4. The Dominican Republic: “Black behind the Ears”
• 5. Haiti: “From My Ashes I Rise; God Is My Cause and My Sword”
• 6. Cuba: The Next Cuban Revolution
• Appendix: Color Categories in Latin America
• Bibliography
• Index
• About the Author