Mixed Race Studies

Sorry Music Journalists, Drake is Black.

Canadaland
2015-04-30

Kyrell Grant

Drake, born Aubrey Graham in a city where almost one in ten people are black, is black. Toronto’s greatest civic triumphalist since Jane Jacobs is black. And yet Drake’s own identity – his nationality, his mixed race background that includes Jewish heritage and upbringing, the neighbourhood he once lived in, the schools he went to – is often taken to mean that his black experience is somehow inauthentic.

It feels ridiculous to have to say this: Drake is black.

Drake, born Aubrey Graham in a city where almost one in ten people are black, is black. Toronto’s greatest civic triumphalist since Jane Jacobs is black.

He is a black man as much as any other black man. And yet Drake’s own identity – his nationality, his mixed race background that includes Jewish heritage and upbringing, the neighbourhood he once lived in, the schools he went to – is often taken to mean that his black experience is somehow inauthentic. While certainly not the first artist to have this kind of analysis imposed on him, Drake’s profile means that his art in particular has been prominently used to deny his black experience when it doesn’t conform to someone else’s narrow vision of race…

Read the entire article here.

I’m black, therefore my kids are, right?

Today’s Parent
2019-01-31

Alicia Cox Thomson

Photo: Christine Kufske, www.clickphotography.ca

Alicia Cox Thomson was raised to embrace both her Bajan and Polish cultures, and feels it’s crucial that her own kids embrace their blackness.

My daughter and I were in the produce section when it happened.

“What a beautiful baby!” Pause. Eyes flick up. “Is she yours?” My jaw clenched. I felt awkward, angry and, weirdly, embarrassed. I was so floored that all I could say was, “Yes. Thank you,” with a smile that didn’t reach my eyes.

My daughter and I do not look alike at first glance, so I guess it’s a fair, albeit rude and intrusive, question. I’m mixed race^* (black dad, white mom), with curly dark hair and brown eyes and skin. My husband, Mike, is a blue-eyed white man. Simone, 22 months, is fair-skinned with blue-grey eyes and straight hair, while our son, Theo, 4, is darker-skinned with big brown eyes and curly hair. Neither of my kids look black, and I do. I know this. But I never considered the optics until that day in the grocery store—which, considering how I grew up, was perhaps naïve…

Read the entire article here.

Charla Huber: Every Indigenous person is Indigenous enough

The Times Colonist
Victoria, British Columbia, Canada
2018-12-30

Charla Huber, Communications and Indigenous Relations
M’akola Group of Societies

Devan Cronshaw, left, Riley McKenzie and Alita Tocher are all urban Indigenous people in the capital region. Photograph By Charla Huber, Times Colonist

So often, we hear the words reconciliation and decolonization, and lately I have been wondering if people really understand their meanings. The more I read, learn and listen, the more important these words become to me.

I am a product of the Sixties Scoop and was adopted and raised by a non-Indigenous family. Being adopted and having no knowledge of or connection to my birth family growing up, I really held onto being Indigenous. It was the only thing that I ever knew about myself for sure.

Because I wasn’t raised in Indigenous culture, I have often wondered if I am Indigenous enough. This is especially heightened because I am half. I am very open about my heritage and my adoption, but I do struggle saying: “My family is from Fort Chipewyan and I have Inuit roots.” I’ve never set foot on my ancestors’ traditional territory…

Read the entire article here.

Peace Weavers: Uniting the Salish Coast through Cross-Cultural Marriages

Washington State University Press
2017
290 pages
Illustrations / maps / notes / bibliography / index
Paperback ISBN: 978-0-87422-346-0

Candace Wellman

Peace-weaving marriages between Salish families and pioneer men played a crucial role in mid-1800s regional settlement. Author Candace Wellman illuminates this hidden history and shatters stereotypes surrounding these relationships. The four exceptional women she profiles left a lasting legacy in their Puget Sound communities.

Strategic cross-cultural marriages between Coast and Interior Salish families and pioneer men played a crucial role in mid-1800s regional settlement and spared Puget Sound’s upper corner from tragic conflicts. Accounts of the husbands exist in a variety of records, but the native wives’ contributions remained unacknowledged. Combining primary and secondary sources, genealogy, and family memories, author Candace Wellman illuminates this hidden history and shatters stereotypes surrounding these relationships. The four women she profiles exhibited exceptional endurance, strength, and adaptability. They ran successful farms and businesses and acted as cultural interpreters and mediators. Although each story is unique, collectively they and other intermarried individuals helped found Puget Sound communities and left a lasting legacy. They were peace weavers.

New $10 bill featuring Viola Desmond goes into circulation next week

CP24
2018-11-12

Alex Cooke, Reporter
The Canadian Press

HALIFAX — A new $10 banknote featuring Viola Desmond’s portrait will go into circulation in a week, just over 72 years after she was ousted from the whites-only section of a movie theatre in New Glasgow, N.S.

The civil rights pioneer and businesswoman is the first Canadian woman to be featured on a regularly circulating banknote, which will also show a map of Halifax’s historic north end, home to one of Canada’s oldest black communities and the site where Desmond opened her first salon.

Irvine Carvery, a prominent member of Halifax’s north end and a former school board chair, said he’s excited that the bill will pay tribute to her, describing the inclusion of a black woman on the note as “a historic moment.”…

Read the entire article here.

Edmonton Police Under Fire For Calling Teenage Girl ‘Mulatto’ In Amber Alert

The Huffington Post Canada
2018-10-07

Sima Shakeri, Associate Editor

Alberta Emergency Alert The Amber Alert sent out on Friday, with information about the alleged victim censored for her protection.

People who received the alert were shocked by the word choice.

Edmonton police issued an Amber Alert on Friday afternoon for a missing 14-year-old girl, who had allegedly been forcibly abducted.

The girl was found safe shortly after the call was sent out, and a suspect has been charged with several offences including kidnapping with a firearm, but what caught many people’s attention was the word choice in describing the teen.

The alert said the alleged victim was “mulatto,” an outdated term for a child with one white and one black parent…

Read the enter article here.

An Honest Woman: Poems

Talonbooks
2017
104 pages
6 W × 9 H × 1 D inches
Paperback/Softback ISBN: 978177201144

Jónína Kirton

An Honest Woman by Jónína Kirton confronts us with beauty and ugliness in the wholesome riot that is sex, love, and marriage. From the perspective of a mixed-race woman, Kirton engages with Simone de Beauvoir and Donald Trump to unravel the norms of femininity and sexuality that continue to adhere today.

Kirton recalls her own upbringing, during which she was told to find a good husband who would “make an honest woman” out of her. Exploring the lives of many women, including her mother, her contemporaries, and well-known sex-crime stories such as the case of Elisabeth Fritzl, Kirton mines the personal to loosen the grip of patriarchal and colonial impositions.

An Honest Woman explores the many ways the female body is shaped by questions that have been too political to ask: What happens when a woman decides to take her sexuality into her own hands, dismissing cultural norms and the expectations of her parents? How is a young woman’s sexuality influenced when she is perceived as an “exotic” other? Can a woman reconnect with her Indigenous community by choosing Indigenous lovers?

Daring and tender in their honesty and wisdom, these poems challenge the perception of women’s bodies as glamorous and marketable commodities and imagine an embodied female experience that accommodates the role of creativity and a nurturing relationship with the land.

Announcing the appointment of Dr. Minelle Mahtani as Senior Advisor to the Provost on Racialized Faculty

The University of British Columbia
Office of the Provost & Vice-President Academic
Vancouver, British Columbia, Canada
2018-07-17

The Provost is pleased to announce that Dr. Minelle Mahtani has been appointed to the role of Senior Advisor to the Provost on Racialized Faculty, a new position that will support the university’s institutional commitment to advancing equity and inclusion in the scholarly and leadership environment for faculty members at UBC. This 40% position is initially for a two-year term, commencing September 1, 2018. Dr. Mahtani holds her professorial appointment in the Institute of Gender, Race, Sexuality and Social Justice in the Faculty of Arts.

Since 2009, Dr. Mahtani has been an Associate Professor in Human Geography and Journalism at the University of Toronto Scarborough, serving as the Associate Chair of the Department of Human Geography from 2014-2015. She received her PhD in Geography from University College London in 2000. Dr. Mahtani is the Past President of the Association for Canadian Studies, and former Chair of Metropolis-Ontario (CERIS – Centre for Excellence on Immigration and Settlement). She is the 2012 Winner of the Glenda Laws Award from the Association of American Geographers for outstanding contributions to geography and social policy, and a Queen Elizabeth II Diamond Jubilee Medal Award winner. Dr. Mahtani is a former television news journalist with the CBC and has consulted with a variety of organizations on diversity and journalism, including Citizenship Immigration Canada and the Ministry of Multiculturalism and Integration, among other groups. She is the former strategic counsel for the not-for-profit IMPACS (Institute for Media, Policy and Civil Society).

Professor Mahtani’s research interests are in the areas of diversity initiatives; anti-colonial approaches in critical geography; global mixed-race theory and critical race theory; and structural and systemic racism as experienced among academics of colour…

Read the entire press release here.

A Métis Night at the Opera: Louis Riel, Cultural Ownership, and Making Canada Métis

Adam Gaudry, Ph.D.
2017-05-18

Adam Gaudry, Assistant Professor
Faculty of Native Studies & Department of Political Science
University of Alberta

Taking my seat at the Four Seasons Centre for the Performing Arts, home of the Canadian Opera Company (COC) to watch the debut of Louis Riel, I snap a photo with my camera. (above). Immediately and out of nowhere an usher appears to inform me that I can’t take photos inside the hall, because the set design is copyrighted. I’m surprised by this, as the image used is clearly derived from a public domain photo of Riel, something that Métis rightfully regard as part of our historical legacy.

In truth though, I’m more annoyed that five minutes before this a number of Nisga’a—represented by the Git Hayetsk and Kwhlii Gibaygum Dancers—had presented to opera-goers on the theft of one of their songs by the opera’s composer, a lament song from the House of Sgat’iin. After contacting the COC, they had worked to educate the audience and the COC on how the composer took one of their sacred songs, without permission or prior knowledge, using Cree words in place of theirs and renamed the Kuyas Aria (read their critique in the opera’s program here).

The irony, of course, was that while the opera appropriated Indigenous songs and stories, my photo for Instagram was somehow violating the intellectual property of one of the many non-Native people who had decided to remix Indigenous culture, history, and imagery for non-Indigenous consumption. It reinforced the tightly held colonial notion that everything that once belong to us now belongs to “everyone,” and that in the name of art all is open to appropriation—and eventual ownership—by Canadians…

Read the entire article here.

Communing with the Dead: The “New Métis,” Métis Identity Appropriation, and the Displacement of Living Métis Culture

The American Indian Quarterly
Volume 42, Number 2, Spring 2018
pages 62-190

Adam Gaudry, Assistant Professor
Faculty of Native Studies & Department of Political Science
University of Alberta

Métis are witnessing an increase in the number of self-identified “Métis” individuals and groups lacking affiliation with long-standing Métis communities. For these groups, genealogical discovery of previously unknown Indian ancestors acts as a catalyst for personal self-discovery, spiritual growth, and ultimately the assertion of a Métis identity, regardless of whether or not this identity is accepted by contemporary Métis communities. These “new Métis” do not situate their Métis identity in the lived practice of Métis communities that have persisted for generations throughout Western Canada but in written genealogical reports that link them to long-dead Indigenous relatives who may not have even understood themselves to be Métis. In light of this problematic “new Métis” orientation to “the dead,” this article explores the narratives generated by the unprecedented growth of Métis self-identification, particularly in Eastern Canada, and how shifting conceptions of Métis identity have inaugurated a problematic “new Métis” subjectivity.