Mixed Race Studies

Mixing up identity, race and culture

Now
Toronto, Ontario
2018-03-28

Samantha Edwards

Zoé Doyle (left) and Vanessa Trenton star in a new production of the groundbreaking play.

MIXIE & THE HALF BREEDS written by Julie Tamiko Manning and Adrienne Wong, directed by Jenna Rodgers. Presented by fu-GEN Theatre Company at the Pia Bouman School for Ballet (6 Noble). Previews from Tuesday (April 3), opens April 5 and runs to April 15. $15-$35.

Growing up, Julie Tamiko Manning didn’t know many people who looked like her. Manning is half-Japanese and half-white, a hybrid identity that made her stick out in her hometown in the Eastern Townships of Quebec.

In the early 2000s, when Manning was in her 20s, she went to Vancouver for the first time and found herself working with a cast made up entirely of mixed race people. During that trip, she became friends with Adrienne Wong, a half-Chinese, half-white playwright and actor originally from Calgary and now based in Ottawa.

“Adrienne and I totally bonded over being mixies,” says Manning, who now lives in Montreal.

“No matter what the mix is, there’s a very similar experience that you have lived as a mixed race person.”

Like Manning, I’m half-Japanese and half-white, and I understand why she and Wong felt an immediate kinship. Mixed race people – or “mixies,” as some of us like to call ourselves – have a special, almost familial connection to one another. We can spot a fellow mixie from across a crowded streetcar or in the most minor roles in a movie. We can relate to strangers constantly asking us, “Where are you from? No, where are you really from?” or feeling culturally estranged from both sides of our identity.

These ideas of identity, race and culture in Canadian society are explored in Manning and Wong’s comedic, fantastical play, Mixie & The Half Breeds, which follows the burgeoning friendship of two mixed race women who couldn’t be more different…

Read the entire article here.

Mixie and the Halfbreeds play opens tonight in Toronto

Metro Morning with Matt Galloway
CBC Radio One
2018-04-03

Matt Galloway, Host

We meet the director [Jenna Rodgers] of a new play opening tonight in Toronto and talk about what it means to be mixed-race in Canada right now.

Mixie and the Halfbreeds

fu-GEN Theater
157 Carlton Street, Suite 207
Toronto, Ontario M5A 2K3
Telephone: 416.920.2828
2018-04-03 through 2018-04-15

written by: adrienne wong & julie tamiko manning
directed by: jenna rodgers
featuring: zoe doyle & nessa trenton
choreography by: ming-bo lam
set & lighting design by: alison yanota
costume design by: jackie chau
sound design by: deanna h. choi
stage manager: bradley dunn
producer: jenna harris
production manager: suzie balogh

In Mixie and the Halfbreeds, two estranged neighbors are not as different as they think. Haunted by peroxide teeth and blondissima hair, Mixie and Trixie tackle a question that has plagued mankind through the ages: do blondes really have more fun? Mixie & the Halfbreeds invites the audience to explore complex and relevant issues of culture, identity, and race, and tackles questions of mixing in contemporary Canadian society and popular culture.

A Black Woman Who Defied Segregation in Canada Will Appear on Its Currency

The New York Times
2018-03-12

Ian Austen

Canada’s finance minister, Bill Morneau, right, with Wanda Robson in Gatineau, Quebec, last year, after an image of her sister Viola Desmond was chosen to be featured on a new $10 bank note. Chris Wattie/Reuters

OTTAWA — Nine years before Rosa Parks refused to give up her seat on a Jim Crow-era bus in Montgomery, Ala., Viola Desmond tried to sit in a whites-only section of a movie theater in New Glasgow, Nova Scotia.

Ms. Desmond, a businesswoman who had her own line of cosmetics and who died in 1965, was prosecuted for trying to defraud the provincial government of 1 cent — the difference in sales tax for a seat in the balcony, where blacks were expected to sit and the whites-only ground floor ticket price. While she offered to pay the tax, she was convicted and fined 26 Canadian dollars, including court costs, at a trial at which the theater owner acted as the prosecutor and she was without a lawyer.

Now she is about to become the first black person — and the first woman other than a British royal — to appear alone on Canadian currency. The new series of $10 bills is to be released this year…

A conceptual image of the front of the new Canadian bank note featuring a portrait of Viola Desmond. Bank of Canada

Read the entire article here.

New $10 bill starring Nova Scotian will debut in Halifax next week

CBC News
Nova Scotia
2018-03-02

Wanda Robson, the sister of Viola Desmond, smiles as it is announced during a ceremony in 2016 that her sister will be featured on Canadian currency. (Canadian Press)

Viola Desmond’s banknote will be unveiled at Halifax Central Library on Thursday

Canadians will get their first peek at the new $10 bill featuring civil rights pioneer Viola Desmond at an event in Halifax next week.

The banknote will be unveiled Thursday at the Halifax Central Library by federal Finance Minister Bill Morneau and Bank of Canada governor Stephen Poloz…

Read the entire article here.

Viola Desmond, the new face of the $10 bill, ‘represents courage’

The Globe and Mail
2016-12-09

Laura Stone

Viola Desmond, shown in this undated handout image provided by Communications Nova Scotia, often described as Canada’s Rosa Parks for her 1946 decision to sit in a whites-only section of a Nova Scotia movie theatre, will be the first woman to be celebrated on the face of a Canadian banknote.

Viola Desmond just wanted to watch a movie.

The year was 1946 and the movie was The Dark Mirror, a psychological thriller starring Olivia de Havilland. Ms. Desmond, a beauty-school owner from Halifax, was temporarily stranded in New Glasgow, N.S., after some car trouble. She hadn’t been to the movies in years, probably not since Gone with the Wind came out in 1939.

So, she walked to a nearby theatre, bought a ticket and sat in the front – a better view for the petite woman with poor eyesight.

There was only one problem: She was black…

Read the entire article here.

For Multiracial Women, Hair Is a Political Statement

The Link
Montreal, Quebec, Canada
Volume 38, Issue 5 (2018-02-06)

Aysha White & Marissa Ramnanan

Two Women of Colour Talk About the Racialization of Their Hair

I have a weird ethnic first name (Aysha) and she has a weird ethnic last one (Ramnanan).

We are both mixed race, meaning we won’t find ourselves represented in mainstream media. In mostly white environments, such as universities, we become uncomfortably aware of how different we look from people belonging to a single race.

I gravitated towards Marissa, guessing she was also mixed because of her very curly hair…

Read the entire article here.

Who Can Call Themselves Métis?

The Walrus
2017-12-29

Chris Andersen, Dean of the Faculty of Native Studies
University of Alberta

iStock / selimaksan

With the latest census surge in the Métis population, it’s time to start talking about how we define the term

The Métis are an Indigenous people that originated in the late eighteenth and early nineteenth century on the northern plains of what is now southern Manitoba. Centred historically in and around Red River (now Winnipeg) and intimately tied to the buffalo-hunting economy, the Métis became a powerful force by the middle of the nineteenth century, pushing back against the Hudson’s Bay Company’s claims to economic monopoly and later leading two armed resistances against the Canadian state. Despite this powerful historic presence and the fact that the 1982 Constitution Act enumerated the Métis, along with First Nations and Inuit, as one of three Aboriginal peoples in Canada, the term has, in recent years, largely fallen into racialized disrepute.

Today, many people understand “Métis” not as an Indigenous nation but as denoting people with a mixture of Aboriginal and non-Aboriginal ancestry. The Government of Canada has used the term in this manner in multiple policy contexts. Inconsistent usage of Métis has produced confusing and even contradictory results in the heart of some of Canada’s most powerful institutions, including the census. This has exacerbated an already-confusing state of affairs in the minds of the general public and many policy actors about who the Métis people are and the kinds of relationships with government to which we aspire…

Read the entire article here.

Who gets to be Metis? As more people self-identify, critics call out opportunists

National Post
2017-11-23

Graeme Hamilton

Robin Robichaud shows his t-shirt after a meeting for the Wobtegwa aboriginal community, a new Metis group. Christinne Muschi /National Post

The arrival of new players is stirring up tension with established Métis groups and raising concern among First Nations leaders

SHERBROOKE, Que. – The scent of burning sage lingers in the air as drummers begin a song of welcome. They are traditions dating back centuries, but on this Sunday afternoon the ceremony opens a gathering of one of the country’s youngest Aboriginal groups — the two-year-old Wobtegwa Métis clan.

The meeting, held in a high school auditorium, has brought together members from a corner of Quebec stretching northeast from Montreal past Quebec City and south to the United States border. Some of those present have long known of their Indigenous roots; for others the discovery has come recently. But they have all come together to push for government recognition of their rights.

“This clan is sovereign on its territory,” Yves Cordeau, band chief for the Lac-Mégantic region informs the group.

If the claim comes as news to many in Quebec, it’s because the province’s Métis awakening is recent. Raynald Robichaud, the Wobtegwa’s clan chief, says even members of his own family discouraged him from returning to his Aboriginal roots. “We knew we had a great-grandmother who was aboriginal, but our family absolutely did not want to talk about it, because they were afraid,” he says. “For us now, the fear is gone, and people are coming back.”…

…Checking a box on a census or connecting to family heritage is one thing. But as groups like the Wobtegwa lay claim to special services and territorial rights — in some cases, the same land as other Aboriginal groups — a backlash to the influx of new Métis is emerging. Some critics question the motivation of those who “become” Métis, and the impact of their activism on more established groups. Others question the right to self-identify at all…

…Leroux, Gaudry and organizations representing western Métis maintain that mixed ancestry alone does not make one Métis. True Métis — as recognized by the Constitution as one of Canada’s three aboriginal groups — must have roots in Manitoba’s historic Red River settlement, they say. That can include Métis all the way west to British Columbia and into Ontario, but not as far east as Quebec and the Maritimes…

Read the entire article here.

Canada’s Métis population on the rise: why some Métis leaders find this ‘very concerning’

The Current With Anna Maria Tremonti
CBC Radio
2017-11-01

Ana Maria Tremonti, Host

David Chartrand, president of the Manitoba Metis Federation, says there are far fewer Métis than reported by Statistics Canada. (Sean Kilpatrick/Canadian Press)

New data released in October by Statistics Canada reveals a surprising spike in Canadians identifying as Métis.

The 2016 census shows exponential growth, especially in the eastern part of the country.

In Quebec, over the last decade the number of people identifying themselves as Métis is up 149 per cent. In Nova Scotia, it’s up 124 per cent.

But for some Métis leaders, this isn’t necessarily a good news story.

“It was very concerning for us to see such a change in the identifying of where the Métis are and who they are,” said Dave Chartrand, president of the Manitoba Métis Federation…

Read the entire article here. Listen to the story here. Read the story transcript here.