Scholarly perspectives on the mixed race experience.
After more than two centuries of willful collective ignorance about Jefferson and Hemings, it might sound far-fetched to suggest that she ought to be designated a first lady. But our country was populated through precisely this sort of racial mixing — sexual relationships that, it bears repeating, enslaved people such as Hemings did not choose for themselves.
The acclaimed writer Jackie Kay has just been announced as the next Scots Makar – Scotland’s national poet. She tells Jenni about the plans she has for her new role.
Today a new exhibition examining how food, fashion and lifestyle have shaped women’s bodies and lives opens at York Castle Museum. The curator Ali Bodley and fashion historian Lucy Adlington join Jenni to talk about 400 years of squeezing and binding. And, how the current vogue for big bottoms and padded underwear echoes the false rumps of the past.
Mary Magdalene – what do we know about the woman who was described as the constant companion of Jesus, who wept at the foot of the Cross, and who gave the first account of the empty tomb? What is it about her story that continues to fascinate and what evidence is there that she was a prostitute or even the wife of Jesus? Michael Haag author of The Quest for Mary Magdalene speaks to Jenni.
Penrose Halson author of “Marriages are Made In Bond Street” traces the history of one of Britain’s most successful marriage bureaux founded by two twenty-four year olds in the Spring of 1939. Penrose eventually became the proprietor and she tells Jenni about the remarkable cross-section of British society in the 1940’s who found partners through this tiny London office.
Listen to the episode here. Download the episode here.
On the freezing-cold morning of Feb. 17, 1887, a Bensalem carpenter walking by an ice pond noticed a parcel wrapped in brown paper and marked “handle with care.” Inside, he found a male torso of indeterminate race. The limbs and head were nowhere in sight.
It’s the type of tale you don’t often hear during Black History Month: the biography of an antiheroine who made her way in the world through violence, deception, and adultery. It’s also a true-crime story told nearly 130 years after the fact—culminating in the century-late exoneration of a man who, Gross argues, was framed for murder.
Most of all, the story of Tabbs, the Philadelphia woman who left the torso by the pond in the first place—and of Wakefield Gaines, her victim and much-younger lover, and George Wilson, the “weak-minded” 18-year-old she accused of the crime – is an encapsulation of issues that resonate today, of racial bias in policing, coerced confessions, and unreliable eyewitnesses.
“Tabbs’ story sheds this unprecedented light,” Gross said, “into just how long these issues around urban crime and police brutality have been around in our society.”
Gross, 43, a professor at the University of Texas-Austin, began the work eight years ago, while she was living in Philadelphia. (She attended graduate school at the University of Pennsylvania and taught at Drexel University.)…
…In uncovering the story, she shed light on the tense race relations of the time: Tabbs’ vulnerable place under the law as a black woman, and Wilson’s still-more-tenuous status as a light-skinned interracial man.
“People were very concerned about black people infiltrating white society. Wilson is really the sum of all fears,” Gross said. “Police home in on him despite the fact he had no real motive.”
Wilson, known to be “dim” and impressionable, was beaten in custody—until, Gross concludes, he made a false confession. (He was sentenced to 12 years in solitary confinement.)…
An exhibition on Africans in India, highlighting the long history of African communities in India, opens on March 21
India and Africa have a shared history that runs deeper than is often realised. Trade between the regions goes back centuries – 4th century CE Ethiopian (Aksumite) coins have been found in southern India. Several African groups, particularly Muslims from east Africa, came to India as slaves and traders. On settling down in the country, they played important roles in the history of the region.
Forgotten histories
Unlike slave experiences in other parts of the world, enslaved Africans in India were able to assert themselves and attain military and political authority in their new homeland.
One of the most famous slave-turned-generals was Malik Ambar, an Ethiopian born guerrilla leader who went on to hold a prominent position in the Ahmadnagar Sultanate in west India in the 17th century. In spite of Ambar’s important role, he is a near forgotten chapter of history. Like Ambar, several other enslaved Africans rose to positions of power and prestige.
Ikhlas Khan, African prime minister of Bijapur, c. 1650, Credit: Johnson Album 26, no. 19, British Library. Public Domain.
“Free African traders, sailors, and skilled artisans were part of the movement of people across the India Ocean. Later on, captives were brought by the Arabs, the Portuguese and Indians”, Sylviane Diouf, director of the Lapidus Center for the Historical Analysis of Transatlantic Slavery in New York, told The Wire. “The people who became ‘elite slaves’ came mostly from the countries that today are Eritrea, Ethiopia and Sudan. The Portuguese brought in men and women from Mozambique. Later years also saw the arrival of people from Tanzania and adjacent countries.”
Africans in India were known as either Habshi or Sidi to denote their African origins. Even after centuries of mixing with local populations, the name Sidi remains for their descendants…
…The historical African diaspora in India is rarely discussed. What is the idea behind this exhibition and what is it trying to highlight?
The idea was to show the diversity of the African diaspora in terms of geography and history. Few people know that there is an African diaspora in the east, the vast majority think only of the Atlantic world. There is also a diversity of experiences within slavery. I started with a digital exhibition: The African Diaspora in the Indian Ocean World, which presents the history of Africans in Arabia, Oman, Yemen, Iraq, Iran, India, Sri Lanka, etc. The Indian story was so unique that it I thought it had to be the focus of a physical exhibition…
To say there was a national outpouring of joy at the appointment of Jackie Kay as Scotland’smakar last week might be overdoing it, but not by much. In previous decades, perhaps, not many beyond bearded and ponytailed literary circles might even have known the identity of a new makar or even the purpose of the post. The profile and efforts of the two previous incumbents, Edwin Morgan and Liz Lochhead, though, have helped to raise awareness of the position so that it has begun to insinuate itself into our national life.
Following the appointment of Kay as Scotland’s national poet last Tuesday, a press colleague who had interviewed her was simply thrilled. “She’s just wonderful; she’ll make people read poetry and write poetry who have never done so before.” The words were spoken in a tone that suggested he had touched the great woman’s hem…
…Jackie Kay was born in Edinburgh in 1961 to a Scottish mother and Nigerian father whereupon she was given up for adoption. John and Helen had adopted Kay’s brother, Maxwell, two years earlier. Many years later, she located her biological father and made plans to meet him while harbouring some anxiety as to how this might be received by her adoptive parents who had given her and her brother so much. She has referred to this as a “kind of adultery”…
The First Minister made the announcement at the Scottish Poetry Library in Edinburgh where Ms Kay read one of her own poems, ‘Between the Dee and the Don’.
Ms Kay was born in Edinburgh and raised in Glasgow.
She said she would like to write a poem for the re-opening of the Scottish Parliament later this year, after the Holyrood elections, as well as highlight the plight of refugees.
The announcement was made by Nicola Sturgeon, the First Minister, who said: “Poetry is part of Scotland’s culture and history, it celebrates our language and can evoke strong emotions and memories in all of us…
Ann Twinam, Professor of History University of Texas, Austin
Let’s start with a question and a comparison.
What do you think would have happened if a free mulatto — someone of mixed white and African heritage — living in New York or Virginia, had sent a letter to either of the Georges, either King George III (1760-1820) or President George Washington (1789-1797) asking if he might purchase whiteness? Do you think he would have even received a reply, much less transformation to the status of white? The very idea that mulattos could pay to become “whites” or that an English king or a U.S. president might grant such a change seems unbelievable — because it was.
Yet, during the same period in the Spanish empire, such alterations for mulattos –also known as pardos or castas — became possible. This was so, even though the Spanish state had also institutionalized severe discriminations against those of mixed African descent, just as in the British Empire and in the American republic. Laws forbade their practice of numerous occupations including physician, notary, lawyer, priest, the holding of public offices, service in the regular military, entrance to universities, and marriages with whites. Still, it was also possible for Cuban Manuel Baez to receive a royal decree in 1760 that erased “the defect that you suffer from birth and leave you able and capable as if you did not have it, repealing this time in your favor whatever laws, ordinances or constitutions speak otherwise.”…
The first African American president and the first black principal dancer at the American Ballet Theater have much more in common than their success. Both have risen to the pinnacle of institutions that have historically been led by whites. Both were raised by determined single mothers and born into multi-racial families. And both seek to use their unique positions of power to inspire a generation of kids who may not see a clear path forward toward success.
They have also come to appreciate each other from afar, prompting a rare meeting at the White House on Feb. 29, when they sat down with TIME’s Maya Rhodan for a unusually personal, 30-minute conversation about body image, raising daughters, empowering the young and fighting racial discrimination. “As the father of two daughters, one of the things I’m always looking for are strong women who are out there breaking barriers and doing great stuff,” Obama said after they sat down. “Misty’s a great example of that. Somebody who has entered a field that’s very competitive, where the assumption is that she may not belong.”
By his own admission, President Obama didn’t realize how much social pressure women faced to look and act a certain way when he was younger. “When you’re a dad of two daughters, you notice more,” he said. “And that pressure I think is historically always been harder on African American women than just about any other women.”
Copeland, a member of the President’s advisory Council of Fitness, Sports and Nutrition, said she has embraced her role as a mentor for younger people, especially black women. “I feel like people are looking at me, and it’s my responsibility to do whatever I can to provide opportunities,” Copeland said….
Here is a full transcript of the conversation:
TIME: Well thank you both so much for joining us today. My hope is that this is more of a conversation than an interview. So we’ll just let you guys talk. I’m going to be obviously jumping in with questions. But we want it to be natural and fun. And I want to start off by saying that you guys have a lot more in common than I’m sure a lot of people know. You’re both born into multiracial families, you were raised by single mothers. And you’ve risen to the top of your respective fields as African Americans. Which is pretty notable. But I’m curious, what do you see in each other that you recognize in yourself? Like what is it, and is there a common thread that has allowed you both to succeed?
PRESIDENT BARACK OBAMA: Well first of all, I thought you were going to say that I’m also a really good dancer. (Laughter.)
…TIME: And you both represent the African American community. As the President of the United States, as a principal dancer for the American Ballet Theater, do you ever think that – how does race come to play? Do you think that people still treat you differently because of race? Because you’re African American?
COPELAND: You know, my experience has been that a lot of what I’ve experienced has not always been to my face, or it’s been very subtle. But it’s in a way that I know what’s going on and I feel it deep inside of me. And I, being the only African American in almost every environment in terms of classical ballet, it weighs on you and it wears on you after a while. And I feel like a lot of it as well is what I’m kind of putting on myself. And this just trying to not get too caught up and too wrapped up and too weighed down with being black and trying to just be the best person and the best dancer that I can be. And work, and work harder than, even if I see the person next to me that things may be a little bit easier for them, I’m going to try and push myself even harder than them. But I think that being African American has definitely been a huge obstacle for me. But it’s also allowed me to have this fire inside of me that I don’t know if I would have or have had if I weren’t in this field…
There was time when Misty Copeland, one of the world’s most recognizable dancers, felt lost and insecure. That was before being named the first black principal ballerina for a major ballet company, before the Under Armour sponsorship, the book deal and the documentary on her life.
Copeland, 33, who is a source of inspiration for young women, minorities, dancers and athletes, will share her story in Columbia on Tuesday, March 15 at a fundraising luncheon for Columbia Classical Ballet and Columbia City Ballet. She will be joined by Brooklyn Mack, the Elgin native who now dances for The Washington Ballet and is also breaking barriers as a black dancer…
…What are some of the topics you plan to discuss when you come to speak in Columbia?
Copeland: I think it’ll be a sharing of our experiences and opening people’s eyes up to the lack of diversity in ballet, and for me what it is to be a part of a company where you’re the only black woman. (Brooklyn and I) are both proof of success in the classical ballet world. It should be an organic conversation…
So now they’re turning their fire on a black actress who, in their view, is not black enough to play Nina Simone. Yes, even black people can now be accused of being insufficiently black for certain cultural pursuits.
The actress in question is Zoe Saldana, a fine actress whose curious combination of vulnerability and steeliness has made her the darling of the modern Hollywood blockbuster. She’s one of the best things in the Star Trek reboot movies and she even managed to inject some humanity into James Cameron’s otherwise soulless, eco-miserabilist epic, Avatar. And next she will play Simone, in a big biopic, the trailer for which was released last week.
But the identity-politics mob isn’t happy. Why? Because Saldana is a light-skinned black person, a ‘half black’, as some have foully put it, and she used make-up to make herself as black as Simone…
